Why do you blog?

Daily writing prompt
Why do you blog?

Why do you blog?

I blog to make the world a brighter, healthier, happier place. I also blog to keep my readers aware of the existence of poetry, beauty, truth, love, and creativity. If I didn’t blog, those readers might never see the painting that I have attached above, painted by my friend Moo, of course – wrth gwrs. In fact, if I didn’t blog, you might never know that Moo is my friend, as is Sparkle. And if I didn’t blog you would never read the interview I had with Sparkle.

Who are you?
I am Sparkle.

What are you?
I am a fairy.

What???
I am a fairy. More important, I am your house fairy.

What on earth is a house fairy?
Well, when your granddaughter built a little fairy house and placed it where I could find it, and when I saw it and entered it, at her invitation, I became your house fairy.

Why did you choose that particular house?
Because it was built by a kind, loving young lady who didn’t want you to be alone. She built the house and outside the door she wrote Welcome Fairies. So I knew I’d be welcome. More important, perhaps, she built another fairy house in her own home and my friend Crystal lives there. Crystal told me there was a fairy home vacant, and she also told me where to find it. And she said that her human had told her that you might need a fairy friend to keep you company and stop you from being lonely. So, here I am.

I didn’t know that fairies could talk to humans.
They can’t, normally. But you are not a normal human being.

What do you mean by that?
You are a poet and a dreamer. Both poets and dreamers already have one foot in fairy land. Sometimes we call it la-la-land. It is a very special place and the people who can go into it are, in many ways, almost fairies. These are the ones we can talk to.

How do you know I am part-fairy?
Because I can see your wings.

But I don’t have any wings, not that I can see.
Quite. “Ah would some power the giftie gie us to see ourselves as the fairies see us.” That poem was written by a friend of mine, a long time ago. He was a poet and I could talk to him too. When the time comes for poets and dreamers to cross the rainbow bridge, their wings become visible and their spirits can fly again. That’s when they are able to return to fairy land.
Socrates was another friend of mine. He too was a poet and a dreamer. He dreamed that humans originally had one wing in the middle of their backs. When they found their soul-mates, they could join together and then, with two joined wings, they could fly to the heights of the spirit world.

Socrates? What did he know? He thought the world was flat.
He didn’t know everything, of course. But he was right about some people having a single wing and needing a partner to fly. You are very special – you have found one of those. Socrates just didn’t know that other people could have two wings, although they couldn’t be seen here, on earth, in this dream world where they dreamed they were wingless people.

So, am I dreaming that I am a wingless person?
Of course you are. But you will wake up to the truth one day. My task here, as your house fairy, in this house built for me by that cute young lady, is to help you realize your dreams. I will help you release the poet within and I will help you to reach out and make the world a brighter, kinder, more loving space, for other people who lack what you have – the power to dream and to create.

Oh dear. This is a little bit too much for me, Sparkle. I’ll have to sit down and think about it. It’s too much to take in all at once.
I know. But I have been chosen and I have been given the power to choose you. I have done so and I am here. And remember – I will never leave you nor forsake you.

Thank you so much, Sparkle. And thank Crystal and that little girl for me.
I will. Now I must go. It’s September and I have some fall sparkling to do. But don’t worry – I am here. I’ll be back. We’ll talk again.

What does your ideal home look like?

Daily writing prompt
What does your ideal home look like?

What does your ideal home look like?

My ideal home looks exactly like the one I am living in right now. In the country, surrounded by trees, with blossoming crab apples in the front garden and a mountain ash in full view from the kitchen window, what more could I ask for? Blossoms in the spring, a gradual flowering throughout the summer, and now, as fall approaches, the fruit ripening.

Verde, que te quiero verde. – Green, for I love you green. But what exactly is green? I sit on the front porch in the cool of summer, and look out on a sea of greens – green grass, green leaves, light green, medium green, dark green, and all kinds of shades and hues as the sunlight filters a subtle dance of colors through the leaves. The eye distinguishes so many different shades of green. Alas, I do not have the vocabulary to distinguish verbally what I see visually. Ah, poor poet, linguistically damaged, and writing with one hand tied behind my back, I suffer from an ability to feel and an inability to express. Terminological inexactitudes, Winston Churchill called them. But in my case, they are the lies I must create when the truth overwhelms me with its beauty.

And in winter, when the cold winds blow, and the leaves lose the safety of their trees to be blown hither and thither at the wind’s will, what then? A blanket of whiteness, shadows shifting beneath the moon by night, and a million brilliant sparkles beneath the sun by day. And the visitors, every night the deer come, stay awhile, then vanish, only to reappear the next day. At midnight, in the moonlight, I watch them from my window as they dance on their hind legs and nibble the hanging fruit that the mountain ash reserves, just for them, so that they will survive, as they have done for millennia, in this paradise that surrounds my ideal home.

Hide and Seek

Hide and Seek

Pictures and memories play hide and seek.
They hunt the slipper that hides in the words
that slither and slide across my page.

They long to emerge, fully formed, and to step,
without effort, into your mind. They want
to linger there, to baffle, taunt, and haunt you.

Digging through the verbiage, a thought,
a metaphor, a grouping of words will join and
rejoin. This is the grit that the oyster slowly shapes
into the pearl of great price that glows so bright.

Consider the opal. Plain at first sight, yet changing
color, shimmering in sunlight, a chameleon
adapting to mood and shadow, its moon dance
hovering, a butterfly over burgeoning blossoms.

Who could ever forget, once seen, star light
illuminating the bay, the moon gilding the sea,
those summer nights, our secret love flowering.

The veiled will unveil itself and tease its way,
its path over the sparkling waters of the bay.
Knock and it will open. Seek and you will find.

Comment: I had a specific, named place in mind when I first wrote this poem. Then I realized that my secret place was not necessarily the remembered place of other people who had undergone similar experiences. So, I removed the specific and made it generic.

I know you have been there, to your own special place. A warm summer night. Star light over a bay. Or maybe it was an estuary, or perhaps a river bank? The moon appearing, lighting up the waters. Walking, perhaps, hand in hand. Or sitting, as I remember it so well, in a late-night café, watching the night lights on the fishing boats, as the moon spread its golden carpet over the bay.

Flight

Flight

Such a miracle: those first steps to flight
taken by the cormorant over water.
That first one heavy, creating ripples,
the second one lighter, and the third one
scarcely touching the water.

The need to take flight lies deep within me.
Fleeing from what? Flying towards what?
Who knows? All I know is that the future
lies ahead where my bird’s beak points and
the past, a rippling wake, lies behind me.

That white water, trailing its kite’s tail,
tells me where I have been. Machado’s
voice calls out from the past: “Traveler,
there is no road, just a wake across life’s sea.”

Comment: The photo is a golden oldie, one of the first I ever posted on this blog. The poem is part old, part new. In reality, it is a revision, completed today, of the earlier poem associated with that old blog post. It is interesting to compare the two visions – with those seven extra years of creative experience between them. Let me know what you think!

A special thank you to my long-time friend, Dale Estey, for commenting and suggesting an improvement for the fourth line. Spot if if you can!

What do you enjoy most about writing?

Daily writing prompt
What do you enjoy most about writing?

What do you enjoy most about writing?

I love it when a special friend reads one of my books and then takes it to the place where it was composed, and sends me a wonderful photograph of the book cover and the exact spot, at Hopewell Cape, where the cover was drawn. Wow! That is so special. Thank you, Sara, my friend and accomplice, for making even more art out of art and involving nature in the process.

Other friends have done similar things. Here is a collection of my books on the sea shore at Holt’s Point. And yes, Fundy Lines is in there as well. Can you spot it? Another very good friend, Geoff, contributed this very meaningful photo. So much of my life, there, upon the sea shore, waiting for the tide to come in.

This book, and its cover, are also very special indeed. And here’s why.

Still Life with Hollyhock
Geoff Slater

How do you frame this beaver pond,
those paths, those woods? How do you
know what to leave, what to choose?
Where does light begin and darkness end?

Up and down: two dimensions. Easy.
But where does depth come from?
Or the tactility, the energy, water’s
flow, that rush of breathless movement
that transcends the painting’s stillness?

So many questions, so few answers.
The hollyhock that blooms in my kitchen
is not a real hollyhock. Intertextuality,
visible and verbal: this is a poem about
a painting of a digital photograph of a
hollyhock, a genuine flower that once
upon a time flourished in my garden.

A still life, naturaleza muerta in Spanish,
a nature morte in French, a dead nature,
then, portrayed in paint and hung alive,
on display, in this coffin’s wooden frame.

So, what do I enjoy most about writing? Everything – for whenever creative people create they draw in others into a web of intertextuality that spins its way from mind to mind and, especially in Canada, links shore to shore to shore.

Janus

Janus

I walked backwards into my childhood
a step at a time. I failed to find it
where I thought I had left it.

I opened cupboards, doors, drawers,
searched beneath beds, went outside,
rummaged through garden and garage,
and found absolutely nothing at all.

 My past was as dry as a squeezed orange
when the juice has gone and long days
left on the window ledge has dried it up.

I looked in the mirror, and the man
I saw was not the boy I had seen
the day before. How could he be?

Janus, two-faced, looks forwards and back.
I will no longer seek the self that was

I shall accept the self that is, the one that grew
outwards and upwards from the one
that was before. Acceptance. I can do no more.

Crossing the Bridge

Crossing the Bridge

When I got to there, I couldn’t cross it.
I sat in the coffee shop, over-looking
the River Severn and ordered a cup
of cafeteria tea. Time limped slowly by
and I let my untasted tea grow cold.

What was there for me on the other side?
Empty stood the house where I was born.
Sold, the bungalow, built by my father
and his father, the summer home I loved
so much. Lost the kitchens I remembered
so well, kitchens in which I had come of age.

I tried to picture the ghosts of Christmases
past walking the logs that flamed in the fire.
Ghosts? They inhabit my mind, share my life,
dwell in my days, dream with me most nights
when a golden moon sails past my window,
and silver stars fill my dreams with light.

Underworld

Underworld

In the secret world of my goldfish bowl
I speak in bubbles but only hear silence.

My fish-eye lens bends the pendulum
of the grandfather clock. Westminster chimes,

inaudible, do not intrude. Noiseless are time’s
ripples across the surface of my submarine sphere.

I feel, rather than hear, my troubled heart beat.
The foreboding sounds of distant voices leave

me untouched and becalmed. Rocked in love’s
cradle, these amniotic waters nourish and soothe.

In my beginning will be my end. One day I’ll return
to the beaches of my childhood, where the sun

always shines, and the moon path over the waves
is a welcoming walkway leading to the underworld.

Skype or Zoom

Skype or Zoom

I sit and watch the grandfather clock,
listening to every tick and tock.

So slow, the sullen pendulum swings
as time limps by on leaden wings.

When they arrive, the house will fill
with youthful joy and much goodwill.

Age will flee for a week or two,
then we’ll be alone, just me and you.

Watching the telly, watching the clock,
counting each tick and every tock.

We will be lonely, left here alone,
waiting for them to telephone.

The very best thing to lighten the gloom
is to see them again on Skype and Zoom.

What brings you peace?

Daily writing prompt
What brings you peace?

Septets for the End of Time

I

Crystal Liturgy

Here, in the abyss,
where song-birds pluck their notes
and send them, feather-light,
floating through the air,
here, you’ll find no vale of tears,
no fears of shadow-hawks,
for all blackness is abandoned
in the interests of sunlight and song.

Here, the crystal liturgy surges,
upwards from the rejoicing heart,
ever upwards, into the realms of light,
where color and sound alike
brim over with the joy that, yes,
brings release to head and heart.

Here, seven-stringed rainbows reign,
the everlasting harp is tuned and plucked,
and an eternity of music cements
the foundations of earth and sky.

Here, the master musician conducts
his celestial choir, their voices rising,
higher and higher, until they reach
the highest sphere, and song and voice
inspire, then expire, passing from our eyes
and ears into unbounded realms of light.

Here, the seven trumpets will sound
their furious dance, a dance that will announce
the end of this singer, the end of his song,
but never the end of song itself.