Little Red Brush

Little Red Brush

Timothy heard his older brothers moving from room to room, searching for him.  He knew they would find him but for now he had found refuge beneath his grandfather’s double bed. It was dark under there in that sepulchral space. He had placed his grandfather’s enormous Royal Doulton chamber pot between himself and the door so that the dog would not pick up his scent, run to his hiding place, and lay the Judas lick upon his cheek.

His grandfather had forgotten to empty the chamber pot. Dark urine splashed on Timothy’s hands and sleeves as he squeezed behind the giant china pot that overwhelmed his nose fills with his grandfather’s nocturnal vapors.

The voices got louder as his brothers climbed the stairs and approached the bedrooms on the upper floor.

“Where is he now, drat him?”

“Don’t worry, we’ll find him.”

“And then he’ll be for it.”

“I’ll beat him with the little red brush they use for cleaning the fireplace.”

“That will teach him.”

Timothy was familiar with those threats, especially the little red brush.

He remembered the fox the hounds killed at his feet, one sunny morning a year before. He cycled down the lane outside his family’s summer cottage. The fox limped along the side of the lane, saw the boy on his bike, but too tired to run from him, continued limping in the roadway. Timothy got off his bike, leaned it against the rough stone country wall, and watched the fox. Its tail, speckled with mud, dragged behind its low-slung body, sweeping the ground. Timothy observed the twigs and thorns protruding from its black-tipped orange redness.

Timothy walked towards the fox. It tried to move away from the boy but collapsed and lay at the edge of the lane, flanks heaving, tongue lolling out through the white strings of thick foam that choked the muzzle and streaked saliva on the forequarters.

The hounds came from nowhere, an incoming, barking tide that rounded the corner and rushed towards Timothy who froze with a fright that pressed him against the wall.  Sun-warmed stone jutted sharp edges into his back. As he stood there, unable to move, a rough hand came over the wall and grabbed him by the shoulder. He felt himself hauled upwards. The flint points dug into his back and he yelped as the firm hand drew him over the top of the wall to safety.

“Get out of there, you stupid boy, or the hounds will have you.”

Timothy hid his face in the farmer’s rough homespun shirt. He shuddered as the dogs bayed and growled and scrapped and scratched. Then the fox, it must have been the fox, let out a high-pitched yap and whine and the pack gargled itself into a drooling, slobbering sort of silence. The farmer pushed Timothy’s face away from his shoulder and forced his head towards the spot where the hounds, on the other side of the protective barrier, rubbed their ears into the dead fox’s torn and bloodied body.

“That’s what they’d have done to you, my boy. Never come between a pack and its kill.”

Timothy watched a member of the hunt staff pull a knife from his jacket. The foxhunters broke into cheers and howls of pleasure when the man severed the fox’s brush and held it on high. The farmer thrust Timothy towards the Master of Hounds.

“Here, blood him, Master, he was in at the kill.”

The Master of Hounds opened his mouth to flash a smile filled with pointed, foxhound teeth.  He stooped, dipped his fingers in the still warm fox blood, and streaked a smear across the boy’s face.

“There,” he said,” you’re blooded now. One of us, eh what?”

The mingled scents of fox and hound and blood and death and urine and feces made a heady mixture and Timothy started to hyperventilate. His breath came hard in his throat and, as he struggled to breathe, tears rolled down his cheeks.

Timothy feels safe in his secret hiding place beneath his grandfather’s bed. He can hear his brothers’ taunts and calls as they search for him, but they haven’t found him yet. Sticks and stones may break my bones, he whispers, but names will never hurt me. But names do hurt. Tiny Tim they call him and ask him where he hides his crutch. I don’t limp, Timothy once replied. When he said that, one of his brothers, Big Billy, kicked Timothy as hard as he could with the toe of his boot, just above the ankle. Timothy screamed with pain. You’ll limp now, said Big Billy, and his other brothers found the joke so funny that they all called kicked Tiny Tim at every opportunity. Limp, Timmy, limp, they chanted as they chased him round, limp Tiny Tim, Tiny Timmy. 

“He’s not up here,” one of his brothers called out.

“Must be out in the garden, the coward, we’ll have to hunt out there for him,” another replied.

“Can’t run, can’t hide,” said Big Billy. “Get the dog, we’ll track him down.”

The voices finally faded. Protected by the barrier of his grandfather’s cold but intimate body waste, Timothy curled up like a fox in his den and fell asleep. He dreamed of the proud brush of a tail flying in the wind, of a warm stone wall, drenched in sunlight, and of a farmer’s strong, all-protecting arm.

Comment: I have written several versions of this story, some longer, some much shorter, some in the first person singular, some in the second person. In all of them, the word-play on the little red brush (fox and fireplace) is paramount. This particular version occurs in my short story collection, Nobody’s Child available on line. Sometimes a story will not leave me alone. It wanders around, takes slightly different twists and turns, and new images and scenes emerge, as they do in this particular piece. Alas, I didn’t have a photo of a fox, so I used a photo of three plump pigeons hiding, you might even say ‘cowering away’, from a hungry hawk circling overhead while they hid in a crack in a wall in Avila, Spain. It always surprises me to know how many people (and animals) flee from what Robbie Burns called “man’s inhumanity to man”.

Fall

Fall
13 October 2016

Just one leaf dropping from the tree
and the fall a call of nature and no freak
chance of fate. What throw of the dice
eliminates Lady Luck? None at all,
or so the poet says, lying there, indisposed,
his ribs cracked hard against the wooden
boards of the porch and his right foot
caught in such a way that the hip slips
slightly from its socket and try as he may
he cannot stand but lies there in the chill
evening wind, a lone leaf, getting on in age,
plucked from his tree and cast to the ground.

Comment: And don’t forget the family of crows, sitting in the tree, giving me the eye. watching every movement. I half expected them to flap down on to the balcony, and take a closer look, but when I started to move, it was game over, Rover, and they all cawed and flew away.

Ruffed Grouse

Ruffed Grouse by Kaitlin Hoyt

Kaitlin Hoyt
(KIRA, May-June, 2021)

She is an oyster, silent at low tide, yet with a host
of pearls waiting inside her, ready to be released.
When set, she will release those pearls herself,
stringing them together, like Chantal’s beads,
into a skein of meaningful, enigmatic moments.

Enigmatic, yes, but, like Elgar’s Enigma Variations,
a Russian Doll puzzle of secrets and intrigue. Comic
book artist, she evolved to graphic designer, then
multi-tasked first to Kinetics, and then to a painter
who reaches out in empathy to the world around her.

For her, all art is linked and communications are key,
on many levels. Visualization. Achievable goals.
A step-by-step process with each step foreseen, planned
beforehand, and each step always taken with an open mind
that accepts the true response, leaving falsehoods behind.

Kinetics, yes, but she is above all a loner. Kayaking.
Hiking. Weight-lifting. Yoga. Meditation. Mindfulness.
Caring. Sharing. She sends me her web page and I am
blown away by her empathy with birds and the natural world,
that world her oyster and her, an oyster in that world.



Comment: This particular bird visited our Mountain Ash in the garden at Island View. Kaitlin saw my photo and asked if she could paint it. I sent it to her, and this is the result. Wild life to Still Life to art and never Nature Morte! Together, Kaitlin and I have preserved forever the surprise visit of this beautiful bird.

Full Moon Over KIRA

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Full Moon Over KIRA

Who shall dredge this midnight moon
from the shoals of Passamaquoddy Bay?
Gaunt the moon-rakers’ faces, harsh their hands
hauling on nets, heaving her up, rippled and dimpled,
blunt her bite as she emerges from submersion,
raked from water in the traditional ritual.

Upside down, these reflected clouds,
as bright as full-moon fishing boats
distorted from below as the night wind
blows clean dry bones across a mirrored sky
where shadow fish fly wet with moonshine.

Oh pity her, you people, as she’s dragged
from her element and exposed to air and oxygen
that will slowly kill her, make her fade,
frail and fragile, not meant for this world of rock
and stone, flower and field, but destined to walk
in heavenly meadows or to rest in the shallows
where she rocks to sleep in the sea’s endless cradle.

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Duende

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Duende
“Todo lo que tiene sonidos oscuros tiene duende.”
“All that has dark sounds has duende.”
Federico García Lorca (1898-1936)

It starts in the soles of your feet, moves up
to your stomach, sends butterflies stamping
through your guts. Heart trapped by chattering
teeth, you stand there, silent, wondering: can I?
will I? … what if I can’t? … then a voice
breaks the silence, but it’s not your voice.

The Duende holds you in its grip as you
hold the room, eyes wide, possessed,
taken over like you by earth’s dark powers
volcanic within you, spewing forth their
lava of living words. The room is alive
with soul magic, with this dark, glorious
spark that devours the audience, soul
and heart. It’s all over. The magic ends.

Abandoned, you stand empty, a hollow shell.
The Duende has left you. Your God is dead. Deep
your soul’s black starless night. Exhausted,
you sink to deepest depths searching for that
one last drop at the bottom of the bottle to save
your soul and permit you a temporary peace.

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Not on my watch!

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Not on My Watch!

The black-and-white cat
sits in the window and watches
the ginger cat that lounges on the porch
and watches the five deer
that stand in the woods at the garden’s foot
and watch the neighbor’s little dog
that watches the raccoon
that disdainfully removes the garbage can lid
and fishes out the food, scattering
paper and wrappers and cans
as four crows sit in the tree and watch
the wind as it whistles the papers
round and round in a windmill
that wraps itself round the feet
of another neighbor who is watching
the raccoon with open-eyes
as a seagull flies above him
and bombs him from above,
damn seagulls, and the bird poop
falls right on my neighbor’s watch face
and he cries out
“Oh no, not on my watch!”

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Comment: The photo shows the Omega watch that my father gave me for my 21st birthday. I am wearing it now, together with the bracelet that my four year old granddaughter, his great-grand-daughter, gave me for my birthday two years ago. Four generations in one photograph. Unbelievable.

Wake

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Wake

Such a miracle:
the first steps of the cormorant’s flight
taken over water.

That first step heavy,
the second lighter,
and the third scarcely a paint brush
pocking the waves.

The need to take flight
lies deep within me.

Like a ship at sea,
or a seabird over the waves,
I will leave white water in my wake
to prove that I was here,
for a little while,
but have now gone.

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Geese

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Geese

Late last night, high above the house
in the sky’s giant highway,
geese flew overhead, honking. 

 I pinpointed their calls
leaning back, straining my neck,
and for a moment there were no stars,
just a feathered blackness blanking
the Big Dipper as it hung in the sky.

Harbingers, bringers of spring,
those Canadian geese erased
selected stars and left me breathless,
overwhelmed by so many memories
as they carved their sky path
far above my head.

Spring

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Spring

Slow going
this snow going,
but at least
it isn’t snowing.

Snow forecast
on the weather show,
but we all know
it cannot last,
now the equinox
is past.

With a roll of drums
Easter comes,
but friends and family
stay away.

So all alone
and safe at home
we’ll spend
our Easter day.

Everybody understands
how often we must
wash our hands.

Don’t go unmasked,
even when asked,
and all our friends
must safely stay
at least six feet away.

Comment: I just received this poem as a memory on Facebook. Interesting. I remember writing it, online, a year ago today, and what a fun time I had. Here’s the link to the video. I loved being involved in the creative experience. It was my first poetry video. I do hope you like it.

A Farwell to Charms

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A Farewell to Charms

Early tomorrow, my love, you’ll fly away.
Today, you’ll walk around the Beaver Pond
where red and yellow leaves abound. A thin grey

webbing garlands one dead tree. I’m not too fond
of tent worms. I hate them when they swing
from low branches. Give me a fresh green frond

caught by the morning sun in early spring
or else bright autumn leaves so soon to fall.
I love American Goldfinches when they sing

that last departing song. I love most of all
those occasional visitors: do you recall that bright
blue Indigo Bunting with his “I’m-a-lost-bird” call?

The hunting hawks give everyone a fright.
They perch on top of a garden tree
then step off into space to claw-first alight

on some poor songbird trilling away, quite free
from fear, his unfinished symphony of song.
It’s getting late, my love. You walk towards me
out of the woods. I’ll end this poem with a plea:
don’t forget me … and don’t stay away too long.