Here there is no in media res. We must begin at the beginning: the inspection, the realization, the determination to ensure that all will be restored and the Garden of Eden rebuilt, here, where it stood before.
The feet that hold no defeat, the hands that will reconstruct the image growing within the artist’s mind, the mind that will determine how the brush will guide, the bright paint slither.
But first the damage must be repaired, the surface cleaned, fresh straw in the manger to signify a readiness for renewal, rebirth, and the continuing cycle.
Shall we begin at the beginning at the water tower’s foot where the itch of dried flaking skin is unbearable?
The earth worm coiled around the tower opens his mouth to devour his tail and the movement of his scales scours old paint in an effort to remove all traces of the former painter’s footprints.
Oh, the defiance of wind, rain, snow, ice, the hot summer sun, and the tower sweating year after year, erasing man’s efforts to control time and space with created beauty.
But now is the time of endless renewal, the sun’s return to renew the infinite cycle of death and rebirth.
“I work in a match factory.” “Do you put the heads on?” “No. I put the gloves on. They’re boxing matches.”
A golden oldie, still vibrant, from the Goon Show, BBC, 1950’s.
Your gloves are off now and they lie on the table where you work. How long have you had them? Fifteen, twenty years? Like good wine, carefully stored, old friends are better with age.
A second chestnut from the Goon Show: “Have you put the cat out?” “No, dear. It wasn’t on fire.”
And that’s another good reason why the water tower, and its full renovation, is so very, very important.
Bible and Water Tower, hand in glove: “And Solomon in all his glory was not arrayed like any of these.”
Comment: A gorgeous photo, colors and textures, light and dark, from my friend, Geoff Slater, the line painter and muralist. He is working on restoring the mural on the water tower in St. Andrews-by-the-Sea, New Brunswick, Canada.
so easy to forget the troubled times when the lines of life did not align with what we thought we wanted even if we didn’t really want it and it wasn’t any good for us anyway but we did it in spite of knowing all the time the harm it would do short term long term and the results of that one false step walk with us still and we wish we could wash away the stains on our hearts souls minds memories underwear but the strings are knotted and tied and we can forget them knot
On days like these, the center must hold, but not just hold, it must writhe and strive to live longer, be stronger, to hold together so that the periphery understands that it too is at the center of an extended web of life that contains us all, you and me, past and future generations, in a great chain of being alive and knowing that yes, we are here, we are, at heart, really only one, and totally unique, is spite of the sameness that sometimes surrounds us as time’s spider-web unravels, oh so fast, so slow, and yet still we are here, and still the center holds.
On a sunny morning, the sun lights up my bedroom wall. Each day he arrives earlier and earlier, a minute a day. Now days grow longer, a sure sign that spring is on its way.
As I lie awake, waiting for the sun, I sing my morning sunshine song. It keeps me warm and comforts me. I also count the birds that fly across the garden in search of sunshine and food.
Crows come first. They perch atop the highest trees and watch and wait. Mourning Doves come next and their dawn song is a mourning chorus, “Who-who-who’s next? called from branch to branch. With the sun come Chickadees, Pine Siskins, lazy Blue Jays, Juncos. These are all regulars.
Irregular are my neighbor’s Cardinals, orange and red, American Goldfinches, two small woodpeckers, a Downie and a Hairy, a Nuthatch.
Gone now are the Gray Jays, Gorbies, Whisky Jacks, those ghosts of the woods. Lost too are the Greater Pileated, the flocks of Grosbeaks, Evening, Pine, and Rose-Breasted.
They may come back, but somehow, I doubt it. For now, the Blueness of Jays, the Blackness of Crows, and an unsubtle dawn chorus of Caw-Caw-Caw-Caw-Caw.
Some days the clouds roll in. Your world turns from gray into fifty shades of black.
These are the days when the sun seems as lost as you. But the sun isn’t lost. It hides behind clouds, maybe, but it’s there.
That’s where the sun storm comes in. Clouds have silver linings and the sun, once seen, will never, ever be forgotten.
Hold its image in your mind. Breathe in the sunshine. Let it flood through your body and shine out through your heart.
Now, you will never be alone, and the sun will walk with you, all your days, and be remembered even in the darkest night when paths disappear and all seems lost.
Mood music caught between brush and paper then trapped in notes that sing in acrylic colors.
Colored music and music expressed in colors that dance on the page and light up my face and the room with joy and light.
What figurines dance here, before your eyes, partners, each one different for each of us, moving in a musical mood that captures a moment of magic, brush magic, with silent colors flowing but all too ready to burst into song.
Paintings: doors you can walk through, windows that open onto visions of another, more beautiful life. Deeper than the paint, the thoughts and words that formed them, brushed them into life, an ephemeral life, so brief that butterflies seem to last longer and flowers live for all eternity.
Transience and insubstantiality. Change is all around us, we are surrounded by change. But the deepest changes, the ones that affect us most are internal, set deep within us, death’s eggs hatching slowly since the day we were born.
Life is indeed short, and art endures. Carved five thousand years ago, in stone, this magnificent henge, first Wood-henge, then Stonehenge, majestic at the dawn of time, with its sarsen stones, pillars, post-holes, and labyrinths, circling within circles, a frail spider-web of sunlit brilliance.
Lost now, the message, as my own message is lost, covered by paint, though words emerge in the strangest places, allowing us to peer in through windows as long-lost words and worlds whirl out through carved and painted windows and everlasting doors.
Doors First version
Paintings are doors you can walk through, windows that open onto visions of another, sometimes better, life. Deeper than the paint are the thoughts and words that formed them, brushed them into life, an ephemeral life, so brief that butterflies last longer and flowers live for all eternity, or so it seems.
Transience and insubstantiality. Change is all around us, we are surrounded by change. But the deepest changes, the ones that affect us most are internal, set deep within us, death’s eggs hatching slowly since the day we were born.
Life is indeed short, and art endures. Carved five thousand years ago, in stone, this Towie ball with its labyrinths and circles. Lost now, the message, as my own message is lost, covered by paint, though words emerge in the strangest places, allowing us to peer in through windows as long lost words and worlds walk out through carved and painted doors.