Creativity

Magnolia

Magnolia

She stands there, at the garden gate, waiting for me.
I can see the scene, the flower beds, the magnolia
bleeding, in Wales, its soft, spring snow of ivory pearls.

Some fall on her head, crowning her with a beauty
more precious than frankincense or myrrh. Petals
also perch their pure, ermine cape on her shoulders.

She walks towards me, eyes shining, arms open.
Then, the vision fades and she drifts away, leaving me
alone, my face bathed in the tears of her passing.

For pass each other by, we did. Ships in the night,
trains rushing through a tunnel of darkness, bathed,
for an instant, in the constellation of a station’s light.

Now, when I try to go back and to recreate that scene,
I find an empty garden, fallen leaves, and winter’s cold.

Comment:
I have been struck recently by the number of published articles that speak of post-Covid loneliness and the difficulties of re-establishing old friendships that fell by the wayside, let alone establishing new ones. It seems to get harder and harder, as we age, to leave our post-Covid isolation, to get out of our new comfort zones – sometimes so limited and limiting – and to make new friends. As we age, our minds go backwards and we return to earlier days and happier memories. Yet all too often those memories are tinged with the sepia sadness of old photos, from a non-digital age, faded and stained.

Bay of Santander – 1963

Bay of Santander
1963

I stood there
on the sea wall
calling out to the dark
“Help!” “Save me!”

Moon hid her face
behind veiled clouds.
All hope denied
I called out to the tide,

outgoing, to take me
with it, out to sea,
past the island
and the lighthouse,

out to where the waves,
stronger than anything
I ever knew, would thrust
strong fingers under my arms

and lift me up,
then drag me down,
so I could finally rest
in peace, and drown.

Comment:
This painting is called Picking at Scars. Some scars run so deep that they are always there. When they itch, you scratch them, and they bleed afresh. The scar of loneliness is one such scar. Alone, in a foreign land, learning their language, the culture, their customs, feeling not just unaccepted, but unacceptable, and the moon at night shining on a land, a bay, a city, to which you know, deep in your heart, you will never belong. That loneliness walks with me still and, sixty years later, it still leaves me desolate.

Limbo

Limbo

I live with my head in the clouds.
What clouds you ask – Alto-Stratus,
Nimbus, Cumuli-Nimbus?

No, I reply, none of those.
At one level I build cloud castles,
in Spain, as they say in French.

But, at another level,
I find myself lost in the medieval
cloud of unknowing, this mental limbo.

Here, grey mists weave spider-webs
of doubt that glisten with dew, and sparkle
with the two-edged sword of thought.

Here, I feel my life-web tremble
and I realize that I alone can walk
this way and try to understand

how frail threads catch small flies,
how words tell stories, but not the story
of all I know, nor where my world will go.

Comment:
Once more I have linked verbal and visual images. Moo’s painting above – thank you, Moo, – called Limbo, depicts a limbo dancer while my poem expresses the reality of that internal space in which creative spirits sometimes find themselves. It is a sort of Limbo of the mind, in which thoughts appear, dance along the frail threads of the mind’s web, yet never really materialize into formal verse or poetic patterns. This is also the lost world of the dreamer. But remember, the dreamers of the day are dangerous people, because sometimes they make their dreams come true.

Joy of Words

Joy of Words

If the words won’t come, don’t worry.
Sooner or later, they will arrive, driving
down in flurries. Think wind-driven leaves
or the soft white whisper of snaking snow.

There is a moment when all sounds cease
and you can be at one with your inner self,
there, where summer sunshine twinkles
and soft rains bring forth clarity and joy.

What are words anyway, but soap bubbles
emerging from an iron ring to rise in
child-hood’s skies, soaring, dying, around
the cloudy thrones of sun-kissed clouds.

We, their so-called creators, are left below,
building cotton-wool castles spun from air.

Comment:

The painting, animales de fondo, comes from a book by Juan Ramon Jimenez in which he describes human beings as ‘animals living at the bottom of an ocean of air’. I have tried to capture the concept both verbally and visually.

Who is the most famous or infamous person you have ever met?

Daily writing prompt
Who is the most famous or infamous person you have ever met?
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Who is the most famous or infamous person you have ever met?

First, some definitions. What exactly does ‘met’ mean? I met you yesterday, for example. How long was the meeting? A nod and a passing of ships in the night? A stop and a handshake and a brief conversation? Or a genuine meeting of minds when people know each other reasonably well and can be considered ‘friends’? Infamous – that is relatively simple. Meanings, in my quick check, include – well known for some bad quality or deed, eg an infamous war criminal. Well, I have certainly never met any of those, not that I am aware of anyway. What does famous mean? Here’s one definition – famous implies little more than the fact of being, sometimes briefly, widely and popularly known. How wide is widely? How popular is popularly? Never mind. Let’s give it a go.

Brief encounters – I met several famous people briefly. Gento, from Santander, the Real Madrid soccer player and possibly the best winger of his time. John Charles, the Welsh soccer player, born in Swansea, and a good friend of my father. I met him once, briefly, in a Cardiff Street and my father presented me to him. Federico Bahamontes, the first Spanish cyclist to win the Tour de France. I met him, very briefly indeed, outside his bicycle shop in Toledo.

Longer encounters – these include the Spanish poet, Jose Hierro, who taught me Spanish, over three summers, in Santander at the UIMP. I also met Jose Manuel Blecua at that university and he introduced me to the poetry of Francisco de Quevedo. At the University of Toronto I had the good fortune to take courses from Erich von Richthofen, Geoffrey Stagg, Keith Ellis, J. H. Parker, and Diego Marin, each of them famous in their own way, with excellent academic reputations and publications. At Bristol University, I briefly met Jorge Luis Borges, whom I met again at the U. of T. a couple of years later. Academia and literature formed a happy blend in which to meet people who were famous within their own fields.

The same is true of the sporting life. While enjoying Cross-country running at Bristol University and while running for Bristol Athletic Club, I met Martin Hyman, Basil Heatley, Eddie Strong, John Boulter, and several other athletes of international renown. The same thing with rugby. Names that I can drop include Don Rutherford, Full Back for England and the British Lions, with whom I took a coaching course at Bisham Abbey. Welsh rugby personalities that spring to mind include Ray Williams, Billy Hullin, ‘Buck Rogers’, and several other luminaries of whom Alun Priday, Dai Watkins, and Elwyn Williams spring to mind.

But does any of this matter? I remember going to a poetry reading in Avila, Spain. This is what happened after the reading.

After the Reading

Many names were dropped and lay scattered on the floor.
Some of them broke. Others bounced back to their feet
and walked around stiffly, smiling unhappily.

Sugar and saccharine, unnamable sweetness, honeydew melon,
all lay on the ground, with empty shells, hollow metaphors,
accumulated clichés, vague imagery, the blanched bones of poets
that once wore life’s armour of grammar and blood.

When the cleaner came, she summoned a broom
and it swept away the remains:
dust without love, cigarettes butts and smoke,
nothing and nothingness, emptiness, empty nests, shadows of dreams,
living words, dead, now lying in a common grave.

The meaning of meaning – meeting and knowing, famous and infamous, names pulled from a hat like a rabbit and then dropped to the ground where they prick up their ears and scamper away. Yes, I have (briefly) met several famous people. But I know only a few really well. Sometimes, I wonder if I ever really met them, or knew them, and then I ask myself, did any of them know me, or remember me at all? Maybe that should be the larger question!

On Writing Poetry

On Writing Poetry

I sit here writing poetry
and, head in hands, I cry
at all the things I’ve left unsaid,
and then I wonder why
I wasted so much time on things
that perished before my eye.

Outside the night is dark and cold
and shadows flit and filter by.
I know that I am growing old,
that soon my story will be told,
and when it ends, I’ll die.

I know that death is not the end,
yet I do not want to die.
I want to paint the autumn trees,
the clouds that float on high,
with evening lights that stain the sky.

But rhyming is not all I do.
I’ often write in prose, with words
that wound and sow dark seeds
that root and flourish, grow like weeds,
and nourish other people’s needs.

Alas, I know not what I do,
nor yet what I have done,
nor when, nor where, the seeds
were sown, nor if they aided anyone
to turn away from the dark inside
and walk in the light of the sun.

What was your favorite subject in school?

Daily writing prompt
What was your favorite subject in school?
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What was your favorite subject in school?

I never had one. I hated every school I attended with a passion. I hardly passed an examination during my school days and I remember, in Mathematics, dropping from Level I, to Level II, to Level III. I failed the first exam in Level III and earned this comment on my school report “Now I know why he descended to Level III.” I still have those school reports, incidentally, complete with the signatures of the Masters of my – limited, very limited – universe. How I appreciated Pink Floyd’s The Wall, when I first heard it. “We don’t need no education, we don’t need no thought control, no dark sarcasm in the classroom, hey, teacher, leave those kids alone. You’re just another brick in the wall.” And yes, I built walls around me, many of them. But I survived.

Another comment from that report: “He has read widely and indiscriminately – I do hope it has done him some good.” That reading included the complete works of Jean-Paul Sartre and Albert Camus, lots of Andre Gide, the theatre of Jean Anouilh – some of which I saw live in Paris -, an immersion in the Existentialist philosophical movement, the complete plays of Corneille, Moliere, Racine, Beaumarchais, a variety of French Poets, including Apollinaire and Jacques Prevert, a selection of Spanish poets, novelists, and playwrights, and a series of modern-(ish) British poets, including John Manley Hopkins, Wilfred Owen, Dylan Thomas, Vernon Watkins, and ‘indiscriminate others’! I wrote a great deal of poetry at that time, some of it in imitation of Francois Villon and Gilbert Chesterton (of whom I read many works as well).

Alas, my enthusiasm was not appreciated, especially as I scorned many of the texts that I was forced to read for my examinations. I should add I also scorned the limited, authoritarian interpretations of them that were forced upon us. The slavish imitation of ‘teacher’s remarks’ gained an A+. Any attempt to think outside the authoritarian boxes built oh so carefully for us, earned an F-.

But, if I had to choose one subject, it would be Myself. Protecting that self, developing that sense of self, growing into myself, understanding myself, and finally, having left those schools, those ideas, and that country far, far behind me, becoming the self that I am – and have always wanted to be. “What do you want to be when you grow up?” “I just want to be me.” And I am, thank heavens. And it’s a good job too, for, as Oscar Wilde once said “Everyone else is taken.”

Candles

Candles

Candle-light

Three candles burn at my table.
Outside,
the night wind howls like a dog
and scratches its pelt on my roof.

The wind has torn
branches from the trees
and polished the evening frost
until it sparkles
like eighteenth century silver.

A moth circles and sizzles
in a sacrifice of flame.

I keep my vigil at night’s altar
and place a wrinkled palm
into the candle’s liquid flame.

Put out a candle, put out a child.
Who would put out a dog
on a night like this?

Outside,
playing tag between dark trees,
the wind runs wild.

What historical event fascinates you the most?

Daily writing prompt
What historical event fascinates you the most?
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What historical event fascinates you the most?

First, let us define ‘historical’. Here’s what I found – (1) of or concerning history. (2) concerning past events. (3) The historical background to such studies. (4) Belonging to the past, not the present. (5) Famous historical figures.

Now let us think of the number of times we hear on the TV sports shows that such and such an event is making history “right before our eyes”. Wow! In a boxing match, almost ever punch thrown is “an historical event”. Ditto rugby – with every try scored, every penalty missed, and every tackle made. Ditto soccer, basketball, baseball, athletics. So, from the battery of past events that adorn my life, I am being asked to choose “which historical event fascinates me most”. Double wow.

My answer – the day of my birth, about which I know absolutely nothing. Or, to be more specific, the actual action of being born, about which I know even less. So, how do I study the historical background, when no eye witnesses are left alive to assist me? More important, nobody in my family wanted to talk about such an important – for me at any rate – event.

I do have some factual memories – tales told to me later. I was born at exactly 8:00 pm. I know this because my parents’ dog had been left at a neighbor’s house while my home-birth was taking place. As the clock struck eight, Paddy, the dog, jumped straight through their window, and ran up the road towards the house that was now to be our house, barking. “Ah,” said our wise neighbor, “there goes the dog. That means the baby’s been born.”

That is one version of the tale. My own version is the squawking of the stork who carried me, a sudden screech as he dropped me, a slow descent from a bright blue sky, a tumble down the chimney into the fireplace. And there I was. All covered in soot and ashes. I needed washing, of course. But baby, just look at me now. [See self-portrait above – Face in a Mirror].

My maternal grandfather swore that I had not been born at all, but found under a gooseberry bush. That would account for the green tinges in the painting. Apparently, all babies in South Wales were found under gooseberry bushes at that time. Unless they were delivered by the milkman.

And there’s many a tale about merry milkmen for, as they say in Wales, “It’s a wise man who knows his own father.” And I guess that is also a hysterical historical event about which I know nothing. But perhaps that’s why when the milkman who delivered the morning milk used to say “Good morning, son” when I met him at the the doorstep.

Come to think of it, the mailman also used to call me “Son” when he delivered the mail. Hmmmm – so did the butcher, the baker, and the candle-stick maker. Oh dear, so many historical events to choose from.

Bronze Ribbon

Bronze Ribbon

“And time has ticked a ribbon round the stars.” Dylan Thomas, sort of, but a perfect title for this painting that I completed this morning. The acrylic paint is still wet! I brought it downstairs, looked at it in the light from the kitchen window, and the colors had all changed. I angled the painting, then re-angled – it was a chameleon changing color in the shifting light. Then I turned the large ceiling lights on – and this is what I saw.

Exactly the same painting – or is it? When I was studying in Madrid, a long time ago, I visited the Prado every afternoon. Each day I would visit a different room and stay there for the duration of my visit. The tourists who flitted in and out amazed me with the brevity of their visits. A minute or two to see all the paintings by Hieronymous Bosch, for example. I sat in front of just one of them for half an hour – and I could have stayed longer.

When I visited Las Meninas, it stood in a room by itself. It had a full size mirror opposite it, on the far wall. I should add that this was long before it was cleaned and renovated. I looked at it from every possible angle. I drew close and squinted at the lace and wondered at the quality of the brush-strokes. I lay on the ground in front of it. Stood at the side. Watched it change as I changed my position. I discovered art as a living being, not a static moment in time. Imagine me, for a moment, kneeling on the ground, watching the young prince’s horse soar over the top of me, as it would have done, if it had occupied its original spot, angled above a doorway. Change the angle, change the perspective, change the painting, and watch it come alive.

I will never forget my days with Goya. His Disasters of War – wow – such an incredible sequence – took up several afternoons. And the Pinturas Negras – the Black Paintings – they still haunt me, as do the Disasters. Man’s inhumanity to man – not a dead set of etchings but living portraits of an evil that goes on and on. “This I have seen!” “And this!” Indescribable scenes. Words cannot do justice to the depth’s of the feelings generated by such works of art. When will we ever learn? I taught a great variety of students for most of my life and I know all too well that some lessons can never be learned. Like an endless loop on a news tape, people are doomed to repeat them, again and again, and again.

As the BBC Lion said as he finished his supper – “That is the end of the gnus.”
TWTWTW.