Cogito ergo sum

 

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Cogito ergo sum
(1812 & 1942-43 & 2019)

I think therefore I am
what I am but what am I

a man who borrows and buys
who runs up false credit

sneaks away from unpaid bills
and reads fake falsifications

or listens to such things on tv
talk shows where noddies nod

finger-talk shaking their heads
and grinning so much people can

even see them smile while chatting
with them on land-line phones

I am at the center of my universe
egocentric terracentric heliocentric

a boiled egg this world a cracked
shell this starry firmament

and me with my silver spoon
poised to dig into worldly riches

stuffing them into my mouth
as I lie in the ripped steaming

horse’s belly behind me dead cities
the whole world flaring into flame

ahead of me this winter snow my fate
an albatross noosed around my neck

 

Comment:

Poetry is made up of little touches, a metaphor here, a line change there, a word less, an idea more.  As a result, poets dabble with their verses, shifting them around, sliding them about. I call it “shuffle and cut”. Some arrangements are more effective than others; the big question: which is which? Every word-change alters tone, emphasis, meaning, exposition. What, for example,  is the correct place for “the center of my universe”? Should it start the poem? Should it appear in the middle? Which is more effective? While one answer may please one person, that same answer may displease somebody else. As poets, we must make choices, we cannot always “have patience and shuffle the cards”. Somewhere, the cards, like the male deer who visit my garden, must stop. But where do they stop? Where do the words make their final stand?

Cogito ergo sum
(1812 & 1942-43 & 2019)

centered on my universe
terra- helio- ego

I think therefore I am
what I am but what am I

a man who borrows and buys
who sets up false credit

runs away from unpaid bills
reads fake falsifications

listens to talk shows on CBC
tv shows where noddies nod

shake their heads or smirk
grin so much people can

even see them smile while
talking to them on the phone

a boiled egg this world cracked
shell this starry firmament

me with my silver spoon
poised to dig into worldly

riches stuffing them into my mouth
I lie in the warm steaming belly

dead this horse behind me cities
whole worlds flaring into flame

ahead of me this winter snow my fate
an albatross noosed around my neck

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Grand Finale

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Grand Finale
(Moscow 1812
&
Moncton 2015)

survey the battlefield
muskets primed
three shots a minute
cities burning
hamlets and villages

world-viewed
through a monocle
stand to attention
be-whiskered faces
small narrow minds
wine glasses raised
gay colored uniforms
dazzling decorations
marvelous medals

balloons blooming
gaudy their globules
pins at the ready
no flash but a big bang

glorious martial music
tintinnabulations
church bells ringing
carillon and cannon
magnificent the music

written cryptic
recorded alive
heard played seen
in  memory’s mind’s eye
again and again

 

Stones (3 May 1808)

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Stones
(3 May 1808 AD)

stones once thrown
can never be brought back
nor words once spoken
nor the bullet
once released
from musket or gun

here lies who knows who
face down in the dust
shirt soaked in blood
body pierced with lead

nor water time nor love
can ever flow back
beneath that bridge

some kneel some pray
some raise their eyes
to uncaring skies
every one of them dies
shooters
those waiting to be shot

even the soldiers
reloading their guns
never understand
how time’s tide runs
ebbs and then flows
until everyone goes

this you
lying face down
on cobble stones
well know

 

Comment: 

The poem is drawn in part from the Goya painting of the shootings, El tres de mayo de 1808. The painting above is a close-up of Geoff Slater’s latest mural, still in progress, at Macadam Railway Station in New Brunswick. “If only the stones could speak, what stories they would tell.” This re-post was inspired by a visit to Seasons of the Witch on  Mr. Cake’s Cake or Death site with its images of Goya’s Black Paintings. So, we have a continuing Goya mini-Fest, May the Second and May the third.

Dustbin Alley

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Dustbin Alley
(1789 AD)

all the dustbins
dancing down the street
trying to achieve
a spring time copulation
to create more dustbins

you can’t have a revolution
without dustbins
dustbin … dustbins … dirty
dusty dustbins

a sadistic way to look at
basket-bins full of sawdust
heading between potholes
wind-blown bins
a right St. Vitus’s Dance

him sitting next to me
knitting a new red cap
to place upon
the old dictionary
me standing
on Gibraltar’s Rock so fair
this square in Paris
Place de la Bastille
where tumbrils rattle
over cobbles

Old Moll in a Moll’s Cap
toothless fairy
at a Goblin Party
afraid of mushrooms
scared of toadstools
[sick]

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Stones

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Stones
(3 May 1808 AD)

stones once thrown
can never be brought back
nor words once spoken
nor the bullet
once released
from musket or gun

here lies who knows who
face down in the dust
shirt soaked in blood
body pierced with lead

nor water time nor love
can ever flow back
beneath that bridge

some kneel some pray
some raise their eyes
to uncaring skies
every one of them dies
shooters
those waiting to be shot

even the soldiers
reloading their guns
never understand
how time’s tides run
ebb and then flow
until everyone goes

this you
lying face down
well know

 

Night Light

 

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Night Light
(1578 -1591 AD)

quiet now the house
staircase winds up
that wooden hill
to Bedfordshire
down to drop
into darkness
wait in peace
starlight will break
its light-waves
over your eyes
into your heart

owls in the gloom
round eyes gleaming
a who-knows-what
what watches
a godsend now
this light house light
its lightning lightening
enlightening

sudden comfort
this hand on my shoulder
these fingers in my hair
this midnight witch
bewitching

Don’t tell me your troubles

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Don’t tell me your troubles

vultures circle overhead
tight-beaked grimacing
ready for any old thing
to drop down and die
leaving them some space
they bounce on the wind
feather-tips poised to plunge

drivers drive dodgem cars
through pot-holed filled
parking lots
bumper to bumper grinding
following each pedestrian
plodding from hospital to car

red alert three bell alarm
an engine starts
reversing lights flicker
someone’s coming out

cock fights dog fights
domestic pussy cats
all booted and spurred
claws out for the bust up
three dust ups already
today

nobody happy
everyone hopping mad
round and round
circling false alarms
sitting waiting
for someone to move

we’ll all be late
for our appointments
no room at this inn
not here not today
my friends no parking

Madness & Method

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Madness & Method
(1729 & 1955-1962 AD)

his voice woke the wilderness
shook bread from heaven
he cast it on wild waters

scything and tithing
Frocester’s old barn
Gloucester a stomping ground
walking and biking
whenever he can

dry dusty parchments
old faded leaves
talking together
among the wheat sheaves
Hebrew Greek Latin
vernacular spaces
falling like rain
between words on a page

dearly beloved
moved into sundry places
a town mice stirred into open fields
harvesting blackberries and apples
gleaning like a country mouse
house tumbling wind-blown down

marooned now and listless
an old hermit crab
basking on a sun-dried beach
quilts and crisp  sheets
mermaid-hair pillowed
claws click and comb
fresh footprints laundered
warm summer sands

By Any Other Name

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By Any Other Name
hortus conclusus
(1430-1432 AD)

don’t let them know
your origins your secrets
hide who and what you are
unholy ghosts will prowl
wild dogs will howl

sister-spouse
a garden enclosed
walled behind whose house
anonymous flowers
roses in abundance
set amongst thorns

sealed-up this fountain now
its well run dry
dead leaves in the bowl
shrunken petals
echoes of children’s voices
their faces hidden
among last year’s leaves

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Carnival

 

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Carnival
(29 March 2019 AD
12 April 2019 AD
25 June 2019 AD)

house of cards
jacks and jokers
twos and threes
running wild
vacant faces
loaded wallets
crowded rooms

dry bones
wizened teeth
tongue-tied cheeks
feet shuffling

tiny corkscrew
worms gnawing
through what passes
as a brain

high-wire tumble
into this tumbril
wheel-of-fortune-barrow
plentiful cornucopia
copycat horn of luck

clock faces blank
no numbers no hands,
egg-white circles
stuttering uttering
cluttering
flustered minds
meaningless circus sounds

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