Operation Merciless

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Operation Merciless
(1916 & 2019)

what can we
will we do
we raise our eyes
to silent skies
sing hymns and arias
who listens
nobody replies
we must do our duty
lambs to the slaughter
bleating as we march
our bleeding hearts
pleading for release
this earthly bondage
a bandage over eyes
decimated they tell us
one in ten of us
each must give a finger
a toe everyone must go
ten percent of everything
we own docked
a spaniel’s tail
a boxer’s ears
I cry out why
as I lie on the gurney
hoping to hell
I will not die

 

 

 

Cogito ergo sum

 

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Cogito ergo sum
(1812 & 1942-43 & 2019)

I think therefore I am
what I am but what am I

a man who borrows and buys
who runs up false credit

sneaks away from unpaid bills
and reads fake falsifications

or listens to such things on tv
talk shows where noddies nod

finger-talk shaking their heads
and grinning so much people can

even see them smile while chatting
with them on land-line phones

I am at the center of my universe
egocentric terracentric heliocentric

a boiled egg this world a cracked
shell this starry firmament

and me with my silver spoon
poised to dig into worldly riches

stuffing them into my mouth
as I lie in the ripped steaming

horse’s belly behind me dead cities
the whole world flaring into flame

ahead of me this winter snow my fate
an albatross noosed around my neck

 

Comment:

Poetry is made up of little touches, a metaphor here, a line change there, a word less, an idea more.  As a result, poets dabble with their verses, shifting them around, sliding them about. I call it “shuffle and cut”. Some arrangements are more effective than others; the big question: which is which? Every word-change alters tone, emphasis, meaning, exposition. What, for example,  is the correct place for “the center of my universe”? Should it start the poem? Should it appear in the middle? Which is more effective? While one answer may please one person, that same answer may displease somebody else. As poets, we must make choices, we cannot always “have patience and shuffle the cards”. Somewhere, the cards, like the male deer who visit my garden, must stop. But where do they stop? Where do the words make their final stand?

Cogito ergo sum
(1812 & 1942-43 & 2019)

centered on my universe
terra- helio- ego

I think therefore I am
what I am but what am I

a man who borrows and buys
who sets up false credit

runs away from unpaid bills
reads fake falsifications

listens to talk shows on CBC
tv shows where noddies nod

shake their heads or smirk
grin so much people can

even see them smile while
talking to them on the phone

a boiled egg this world cracked
shell this starry firmament

me with my silver spoon
poised to dig into worldly

riches stuffing them into my mouth
I lie in the warm steaming belly

dead this horse behind me cities
whole worlds flaring into flame

ahead of me this winter snow my fate
an albatross noosed around my neck

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