My heart is an empty nest, all feelings fledged and flown. I yearn for the warmth St. Kevin felt when the blackbird settled, nested in his hand, laid her clutch of eggs.
Oh, the cold dark stare of the under-earth, growing its cold chill upwards through feet and knees, and the winter branch stiffness of hands frozen into concrete branches, week after week, until the blackbird’s eggs are hatched and fledged.
No saint am I. Just a father deprived of his distant child, of his granddaughter developing, growing older and wiser without him there to help her on her way, or hinder, as old men often do, unaware of the changing times and the ferocious pull of new ideas, new tides, the swashbuckling effects of the new world now upon us, a world we oldlings, so long ago fledged and flighted, will never understand nor grasp. How could we?
And yet that hand stretches out from the window of the cells that hold us, bind us, imprison us, and make us realize how strong are the wings of love that flutter in our ageing hearts.
One of my best friends came over today and we talked. We also went out shopping: blinds and curtain rails. I can no longer put them up. He can. We had a fun time. So much exchange of information in the car and in the store and afterwards, coming home.
We left the mounting of blinds and curtains for another day. But I invited him to choose a painting from my collection to recompense him for his time, his care, his attention, his help, and to thank him for his friendship and his reaching out. He chose this one, Spirit Dance, the one above, quite unique, one of my favorites. It was one of two that he liked. This was the other to which he aspired.
I asked him to help me choose a painting for the cover of my last book, Stars at Elbow and Foot, and this is what he selected. It is now on the cover of the book. He has a great eye for art. Well, it matches mine and he chooses my favorites. So I am happy with that.
But my Thursday Thought is this: in writing we say “kill your darlings”. Meaning, there are some great ideas in our poems, stories, novels, but they don’t quite fit. We love them. But we must kill them and cut them out. Sure we save them for later, but oh, do they ever belong.
I have never sold a painting. I cannot say ‘money talks’ like another of my friends, because to me it doesn’t. El Poema de Mio Cid: ‘partieron como la una de la carne‘ — they parted like the nail from the flesh. But, as another friend of mine, a preacher, said, when I visited my father in hospital: “there are no pockets in shrouds — you can’t take it with you.”
I am grateful to my friend for accepting the gift of my painting. I know he will cherish it and that it will be happy with him. But oh, I miss it. No: I don’t want it back. I want it loved and appreciated and yes, I know that when I go, I will not be able to take it with me. Nor any of the others. Does anybody want to adopt them, my beloved children?
Who has seen the early spring wind drifting its thought-clouds across the grass, moving shadows over the lawn’s green, thrusting spikes.
Sometimes, I speak my thoughts aloud, hoping that nobody can hear or see them as they leave migratory footsteps across my mind.
Autumn now and I watch the wind twist leaves from the tree. Yellow and red, they flee from me. I do not understand their reluctance to stay, their urge to tear away and leave. The birds must leave for they cannot bear the cold, cannot stay without food.
At night, when I close the garage door, I sing hymns to the trees and to him who always hears. Each note forms like a pea in the pod of my throat and launches itself skywards, migrating upwards, in a feathered flock that celebrates in songs.
Words, migrant birds, their flight unplanned, will not stay still, will neither perch, nor gather, nor feed from the outstretched hand.
Last night my favorite teddy bear went AWOL. I got up at 3:00 am and sent out a search party. Sharp eyes spotted the copper band I lost last week. It had been hiding under the pillow. Then, joy of joys, they spotted Teddy’s black velvet band, the one that ties up the hair that falls over his shoulder and gets up my nose and makes me sneeze.
They hauled him out from under the bed. I picked up the phone and cancelled the 911 call before the masked men in their jackboots and their PPE could break down the door
“Alas, dear Mabel: I would if I could but I am not able.” How those words resound in my ears. Left ear, right ear, and, like Davy Crockett, a wild front ear. I will not haul up the white flag and surrender. My towel is in my hand and I will not throw it in.
‘He who fights and runs away lives to fight another day.” I will survive for another day. Meanwhile, I’ll call for General Worthington, the fellow who can always make the enemy run. “Will you have a VC?” I said “Not me: I’d rather have a bottle of Worthington.”
Alas, they don’t make Worthington anymore. And Watney’s Draft Red Barrel has bitten the dust and gone down the path the dodo walked. All my friends are in the doldrums, watching, as Admiral Brown abandons ship, mans the boats, and hauls away into fairer weather and cleaner waters.
You say you do not understand? ‘Blessed are the poor in intellect, for they shall know peace in these troubled times.’
They are not as inanimate as you might suspect. This is where I found them this morning. [up] This is where they started out last night. [down] Don’t ask me, I know nothing about it.
The back ground is dark green, or should be. We have red and yellow leaves, of course, this is New Brunswick, Canada. And the white flecks are the frost on the grass. Lovely.
Look closely and you can see bits of me reflected in the glass of the painting. That’s why it’s a selfie. Not a total one, but a teeny little bit of one. How much of ourselves do we ever capture, in a photo, a painting, a poem, a piece of prose? Not much, I guess. And is it the real ‘us’ anyway? I very much doubt it.
Does it matter? No. If you want to see the real me, come and visit. But, be prepared: I am not who I seem and I am desperate to hide the real me from the real world. You may catch glimpses. And that’s about it.
And I have a cat, just like that. Runs to the basement, hides beneath a chair, sits and purrs in her basket, sleeps on the bed at night, winds herself round my knees at feeding time, is and isn’t, just like all pussy cats. And aren’t we all like that? Here today and gone tomorrow. All that joy and all that sorrow.
Enjoy us while you can. And can-can while you can-can!
How could one not give thanks for the bounties of Thanksgiving? Listening to Cross Country Check Up, last night, as I have done for the last 55 years, I was amazed at how people, some of them in dire circumstances, were able to find things for which to be thankful. I haven’t made a list of the things for which I am thankful and I certainly didn’t call in to the talk show to give my opinion, but let me think…
I am thankful for the beauty of the natural world. Just look at that sunrise! Yesterday we walked in Mactaquac and admired the beauty of the changing leaves. Migrating geese put on a display, taking off from the waters of the head pond, flying, then settling down again. We: I am grateful for the presence of my beloved, still beside me after all these years. I am grateful that we are together and that we are both of us able to walk and indulge in this province’s autumnal beauties.
I am grateful for faithful friends. I will not name them all. If I did, this blog would never be finished. This morning, an e-mail from Geoff Slater, whose paintings and drawings have often appeared on the blog, spoke of the nature of ritual and how we use it. He spoke of external rituals and how, during times like these, when our normal lives are upside down, we lose the ability to follow our external rituals. This may cause dismay and a loss of stability to many. However, he also reminded me that we, as practicing artists, have established our own internal rituals. These keep us going in the difficult times, for they are always there to fall back on. Following his line of thought, I explored my own daily rituals, the ones that have kept me going throughout Covid-19. Thank you, Geoff, for those ideas and for your long-term friendship.
I am grateful for the initial offer, from the University of Toronto, to come to Canada to study all those years ago. Canada gave me a chance to challenge my established rituals and to build and shape new ones that were more suitable to my inner being, a being that I had kept well hidden from the Masters of the Universe who limited my creativity, and ruled the rituals of my Boarding schools and my undergraduate studies. Above all, I am grateful for that rich, inner world of creativity and dream and I am doubly grateful for those who have allowed me and encouraged me to express it and set it down for others to share.
So, Thanksgiving Day: a day on which to give thanks for all the blessings that are in our lives, large and small. Sure, times are tough. Sure, we could all do with more money. Sure, we could go on and on about our wants and needs. But today my want and my need is to give thanks for who, what, where, when and why I am. As my friend Norman Levine once wrote: Canada Made Me.
For the first twenty-two years of my life Thanksgiving held no meaning, no life, no substance, no form, nothing familiar, nothing special to hold my attention.
When I emigrated to Canada my cousins changed all that with an invitation to visit them in Kincardine for Thanksgiving.
Turkey on the table, colored table napkins, and a family gathered, arms outstretched, to make me welcome.
We were all surprised at how alike we looked. “Like Cousin George, in Vancouver,” they said. “Like Cousin Elsie in Revelstoke.” “Like my mother’s mother, back home in Swansea,” I said.
They told me how the Second World War had brought the family back together on these special holidays: Christmas in Wales for the Canadian boys or Thanksgiving in Winnipeg for the Welsh boys learning to fly.
That Thanksgiving, the old family names turned to photographs: snaps of my mother’s wedding, my grandmother holding me, age three, on her knee.
And finally, as a special Thanksgiving gift, a long-distance call to Britain and Clare on the telephone saying “Yes,” she would come to Canada, and “yes,” she would marry me.
And I remember crying all the way from Kincardine to Toronto, and that was my first Thanksgiving in Canada.
Comment: A Golden Oldie, indeed. This poem is from my collection Secret Gardens. The secret love poems I write to Clare. It was published on our Silver Wedding Anniversary, 24 December 1991. It is a pleasure to re-publish it here for Thanksgiving, 2021. Now what am I going to do for 24 December 2021?