Gifts

Rain or Shine

Rain or Shine

Ginger Marcinkowski
(KIRA, August, 2019)

“My walk each morning, rain or shine,
feathers my black galoshes with dewy grass.
There I would ramble through gated doors
that kept out the world and sealed in
my pen’s work for that day. 

I often found myself sidetracked,
exploring paths that led through flowerbeds,
and up to my favorite sculptures.
I paused to watch my fellow artists
as they focused on chosen subjects
unaware that I was eavesdropping. 

Then silently, I would steal away
along the well-trod path to my studio,
pausing long enough to greet the llamas
and baby goats. If I listen carefully
I can still hear their bleating. 

In wonder, every day, I climbed the steps
of wood that led to my studio, opened
the door, and turned to breathe in my good
fortune. ‘What a blessed woman you are,’
I would tell myself before taking my place
for hours on end at my desk, each moment,
each stroke of the pen, each letter added
to the growing lines on the page, a gift.”

Comment: This is a found poem, found in the sense that it doesn’t belong to me. I met Ginger at KIRA in August, 2019, and we became close friends. We have corresponded regularly since meeting and she has become one of the best beta readers I have ever had, open, fiercely, honest, knowledgeable, and challenging. This challenge for me ‘to be the best that I can be’ really does bring the best out of me as a writer.

A found poem: I found it in one of the e-mails Ginger sent. In it she described a typical day for her at Kingsbrae. Isolated from its e-mail prose, the lines shortened and the thoughts slightly re-arranged, it became this poem, Ginger’s poem, her poem. I offer it to her, as she offered her writing talents to me, openly and with great humility. It can be found in the section entitled Impressions of KIRA Artists on pages 66-67 of The Nature of Art and the Art of Nature (Cyberwit, 2021, details to follow when available).

Click on this link for Roger’s reading.
Rain or Shine

AMGD

AMGD

Mary Jones

I met her unexpectedly in a restaurant in St. George.
I was masked, but she knew me right away. She hadn’t
changed. How could she have? She is as she is. Straight
forward, upright, honest, true to her words and her values.
Ex-military. A United Nations Peace-Keeper. A Blue Beret.
World traveller to some of the roughest, toughest, ugliest,
craziest spots. Everywhere she went, she helped keep the peace.

She came back home to find out what she already knew: that
rural New Brunswick was as wild as anywhere she had been.
She was anonymous. Here she was just a number in a book,
a casualty in a nameless war of attrition after which the winners
rewrite the history of events, twisting them this way, that way
to suit themselves and their own instincts and interests.

“Best of the best,” I wrote in the book I gave her. Fortuitous,
it was, finding her again, finding that copy close to hand,
reserved for her alone. That book and this poem are my tribute
to her for her courage, her fortitude, and her strength of will.
They are also a tribute to her role in making the world a safer place
in which others, less fortunate, can create, without fear, their lives.

Comment:

This poem for my friend Mary Jones is from the section Art of the Portrait. It can be found on page 54 of my poetry book The Nature of Art and the Art of Nature. This book will soon be available online at Cyberwit.net and Amazon. More details when they are available.

Click on this link for Roger’s reading of the poem.

The Nature of Art

The Nature of Art

It’s here and it looks beautiful. The photo does not do the cover justice as Geoff Slater’s painting is just phenomenal. The book holder wishes to announce that the photo does not do him justice either. He is much more good-looking in real life. I don’t have the Amazon / Kindle details yet, but I’ll post them as soon as they arrive. meanwhile, you will all have to make do with one poem. But remember: “A poetry book is a dream you hold in your hands.”

Still Life with Hollyhock
Geoff Slater

How do you frame this beaver pond,
those paths, those woods? How do you
know what to leave, what to choose?
Where does light begin and darkness end?

Up and down: two dimensions. Easy.
But where does depth come from?
Or the tactility, the energy, water’s
flow, that rush of breathless movement
that transcends the painting’s stillness?

So many questions, so few answers.
The hollyhock that blooms in my kitchen
is not a real hollyhock. It is the painting
of a photo of a genuine flower that once
upon a time flourished in my garden.

A still life, then, a nature morte, a dead
nature, portrayed in paint and hung alive,
on display in this coffin’s wooden frame.

Click on this link for Roger’s reading.
Still Life with Hollyhock


When I Paint

Meditations on Messiaen
Insights from Beyond

7

When I paint

I choose at random a brush and a color.
Then I stroke bright lines across a white page.
Fresh snow waiting for tracks and footprints.

“I draw meaning out of shape and color,”
Henri Matisse with scissors and cut outs.
And I am here with brushes and tubes of paint,
totally clueless, waiting for inspiration to descend.

But it doesn’t. Just these lies, these colors, these shapes
that define my life and elaborate a destiny
that I never planned nor wished for.

Colors, so vibrant. Anger. Energy. Tranquility. Rebirth.
Thoughtfulness. Meaningful. Moments held
in the mind’s eye, clasped between fingers,
dripping off the ends of a brush,
mixed and mingling in the unconscious mind’s eye
that contemplates, yet never judges, the colors
that unfold subtle, untold meanings, across the page.

Click on this link for Roger’s reading.
When I Paint

Spirit of Boo

Spirit of Boo

So, I can’t draw dogs, nor people, nor reality. But I can draw spirits, and moods, and emotions. This is NOT my neighbors’ dog. It is the spirit of their dog: energy, joy, happiness, and total and complete love. What more could a doggy want or an artist, however useless, do.

Boo: I salute you.
Woof!

Original drawing, dated 9 August 2014, can be found in my drawing notebook of that year. I used it as a model for the painting, was completed on Tuesday, 30 November 2021.

Normality

Normality

In spite of grey skies,
blueish snow and early-
morning, under-cloud-
light combine to color
my garden several shifting
shades of blue-grey.

Light grows and the garden
starts to whiten. No deer as yet,
but they aren’t far away.

Two big ginger cats,
I think at first they are foxes,
stalk their marmalade path
through the trees towards the road.
I have never seen them
before. New neighbors?

One crosses the road
but the other hesitates, then flees,
as flashing school-bus lights
bring normality back to my early
-morning dream-filled world.

Click on this link for Roger’s reading.
Normality

First Snow

First Snow

Fell softly, quietly, soundless, in the night.
I knew it was there. A lightness in the air,
a subtle change in the quality of light.
Now everything has changed: yesterday’s bare
trees wear their winter dresses, frilly tresses
garnished with garlands of snow.

The deer will arrive, sooner or later.
They always do. They troop from right
to left, west to east, as day turns to night,
then troop back, east to west, in morning light.
They step dark and diligent, flitting shadows
beneath snowy trees, one after another,
forging a single passage from yard to road,
crossing it, then vanishing into dark woods.

I saw them one night in a midnight dream.
They stood on their hindlegs underneath
the mountain ash and danced, so delicate,
reaching up with long, black tongues,
to steal bright berries from lower branches.
They danced in a full moon’s spotlight
and filled my heart with joy and pain.
How I long to see them dance again.

Click on this link for Roger’s reading.
First Snow

In Love with Love

Meditations on Machado and Mairena
In Love with Love

1

In a dream
I dream of you,
dream you into reality,
yearn for your name.
Now I’ll never be the same.

I dream you in a garden,
roses around you.
I stand there suffering,
my head crowned
with thorns.

Caught in the briers of your eyes,
I am trapped in the eye-
lash of your name.

Your presence taunts me.
Your absence haunts me.
My life
will never be the same,
oh Guiomar.

Click on this link for Roger’s reading.
In Love with Love 1

Heart Ache

Hope Fall

Heart Ache

My heart is an empty nest, all feelings
fledged and flown. I yearn for the warmth
St. Kevin felt when the blackbird settled,
nested in his hand, laid her clutch of eggs.

Oh, the cold dark stare of the under-earth,
growing its cold chill upwards through feet and knees,
and the winter branch stiffness of hands frozen
into concrete branches, week after week, until
the blackbird’s eggs are hatched and fledged.

No saint am I. Just a father deprived of his distant
child, of his granddaughter developing, growing
older and wiser without him there to help her
on her way, or hinder, as old men often do,
unaware of the changing times and the ferocious
pull of new ideas, new tides, the swashbuckling
effects of the new world now upon us, a world
we oldlings, so long ago fledged and flighted,
will never understand nor grasp. How could we?

And yet that hand stretches out from the window
of the cells that hold us, bind us, imprison us,
and make us realize how strong are the wings
of love that flutter in our ageing hearts.

Click on this link for Roger’s reading.
Heart Ache

Water

Water

Water: does it remember when the earth was without form
and darkness lay upon the face of the deep?

Water gathered into one place and the firmament appeared.
Then light drifted apart from darkness and with light
came The Word, more words, and then the world …

… the world of water in which I was carried until
the waters broke and my life sustaining substance
drained away ejecting me from dark to light.

Here, in Oaxaca, the valley’s parched throat
longs for water, born free, yet everywhere imprisoned.
It languishes in bottles, tins, jars, and frozen cubes,
its captive essence staring out with grief filled eyes.

A young boy on a tricycle pedals past my apartment.
He carries a dozen prison cells, each with forty captives,
forty fresh clean bottles of warm water.
“¡Peragua!” he call out to me. “¡Super Agua!”
he holds out his hand and asks me to pay
a handsome ransom to set some of these captives free.

Real water yearns to be released, to be set free from its captivity,
to trickle out of the corner of your mouth, to drip from your chin,
to slip from your hand and seek sanctuary in dust and sand.

Real water slips through your hair and leaves you squeaky clean.
It is a mirage of palm trees upon burning sand. It is the hot sun
dragging its blood red tongue across the sky and panting for water
like a great big thirsty dog.

A Golden Oldie
Click on the link below for the earlier version.
https://rogermoorepoet.com/2016/04/28/water/

Click on this link for Roger’s reading.
Water