Gardens

Life-Long Learning

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Life-Long Learning
KIRA & Kingsbrae Gardens

It’s hard to believe I could be back with my friends at KIRA & Kingsbrae by the end of next month. What an honor and a pleasure to be invited to help facilitate the first KIRA Boutique Retreat on Creative Writing. Geoff, Jeremy, and me … we will make a truly creative dream team. We are working out the details as I type this.

My task will be to work with poets and short-story writers. I have just successfully completed two online courses from the School of Creative Writing at the University of Toronto, my  Canadian Alma Mater (MA, PhD). Kerry-Lee Powell offered the first course: Writing Short Fiction II, while the second course, Poetry II, found me studying with Sachiko Murakami.

Life-long learning is so important. Over my life, I am not that old at seventy-four, I have learned that it is the ability to change, to adapt, to learn new things, that marks us out as creative people. Since my escape from imprisonment in the Ivory Tower of Academia (aka retirement), I have ventured into several new worlds, including that of online learning. My two most recent online courses from U of T now stand alongside an online course from Humber College on novel writing. Alas, this course did more to confirm that I wasn’t really a novelist at heart. As we live, we learn. I have now laid aside my three embryo novels to concentrate on my stronger areas: poetry and short stories.

Along with these online courses, I have been through the give (offering) and take (participating) of multiple creative writing workshops. So much knowledge gained. I have also enjoyed several positions as academic editor, associate editor, editorial board member, of multiple national and international publications, in English, French, and Spanish. In each of these new adventures, there was so much to learn.

Now I have the chance to return some of that acquired and accumulated knowledge to others who, like me wish to practice their life-long-learning skills. The unique KIRA combination of conversations, selected workshops, one-on-one talks, round-the-table discussions, evening talks, and readings will open many horizons to writers old and new, and not least to myself. As I live, I learn.

Round-the-table discussions: The Spanish have a wonderful term for this, de sobremesa. This refers to the discussions that take place, around the dining table, when the meal is done and everyone is comfortable in each other’s company and multiple conversations flow.

As for KIRA itself, I look forward to returning to my conversations with the land, the sea, the flowers, the birds, the statues, the alpacas … I love talking to them in Spanish … and the rowdy, old peacock who squawks his joy at evening, when the sun goes down. And don’t forget those Indian Runner Ducks: Beatrix Potter talked to them … and so did I … in fact, in Beatrix Potter’s case, one of her own Runner Ducks, possibly a distant cousin to those at Kingsbrae Gardens, became better known as Jemima Puddleduck. Who knows? Between poetry and painting, you too may find your own version of Jemima Puddleduck … Paco the Alpaca, perhaps?

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KIRA: The three standing stones, though I think of them as talking statues. I stood in the middle between them, closed my eyes, opened my mind, and listened to the magic as the breeze blew through them and sang secret songs to the music of their stone flutes. They filled me  with the sound of their ancient voices, their poems and stories, the magical mysteries of their myths. Come and visit and I’ll show you how to stand still and listen to what the stones have to say. When you allow that poetry to flow through you, you’ll never suffer from writer’s block again!

Butterflies

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Butterflies

“Poetry gives permanence to the temporal forms of the self.”
Miguel de Unamuno.

That is what my writing is all about,
those temporal forms, fluttering and changing.
Butterflies, they live for a day or two,
perch and flourish, spread their wings,
excel for a moment, catch my attention,
then blown by a sudden gust of wind,
they tear their wings on a thorn
and perish in the blink of an eye.

Reborn in ditches, they cluster and gather,
congregate, black and yellow, on bees’ balm,
smother Cape Daisies and Black-eyed Susans.

Like shadows they shimmer, butterflies by day,
fireflies by night, terrestrial stars, lost, wandering,
floating in their forest firmament, hackmatack,
black oak, bird’s eye maple, silver birch, fir …

Impermanence surrounds us, dances beneath stars,
sings with robins, echoes the owl’s cry through woodlands,
poetry, the elemental soul, our words capturing nothing,
turning it into eternity, holding it for the briefest moment,
then letting it go. Island View, New Brunswick, Canada,
my home in the woods, my dialog with my place and time.

Dandelion Flowers

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Dandelion Flowers

My flowers fly bright flags as if trooping their colors
for Her Majesty, the Queen of England. They drink water
dosed with chemicals to keep them healthy and alive,
refusing to fade, flourishing in their vase on the table.

They withstand both sunshine and shade, neither wilting
nor fainting under the hot summer sun. In this house
there dwells no queen, just a domestic pussy cat
called Princess Squiffy who knows she may look at a Queen.

“Your Majesty,” say Cape Daisies as the pussy cat passes.
“Ma’am,” say Peonies and Pansies, bending knees, bobbing heads.
Outside my window, the garden fills up with onlookers,
still green Tomatoes, Clematis, and a tall Hollyhock.

A multitude of weeds crowds onto the lawn. Dandelions
standing splendiferous, waiting to take plebeian selfies,
for plebs, they are, vox populi, people’s voice, people’s choice.

Some ancient god must have loved them very much,
for they are ubiquitous, and totally indestructible.
That said, you must never trust them in your flower bed.

Dawn at KIRA

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Dawn
at
KIRA

1

A fiery wedge, fierce beneath
black-capped clouds, alive
the firmament with light,
breaking its waves over woods,
waters, tranquil the bay, grey,
yellow-streaked, then blue,
the new day dawning,
driving night away,
false shadows fleeing.

2

To rock this new born babe,
to swaddle it in a cloak of cloud,
disguised for a moment its promise,
nature nurturing heart and mind,
filling the flesh with memory’s
instantaneous flash breaking its light
into the dark where no light shone,
fearful, the dream world,
gone now, dwindling, as day light
shafts its arrowed flight.

3

How thoughtful My Lady
 who placed me here,
at this desk,
at this window,
 at this moment of time.

Glorious, this day-break:
words no justice can do
to peace and light,
this early morning,
filtering sunlight
through the waking mind,
relighting the fires
within the heart,
and glory
a word’s throw away
outside this window.

The Return

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The Return

This time last year I returned to KIRA for a visit after my one month artist’s residency. I have been back several times since, but each return is always more difficult than the last. Memories are golden and the reality of the return is never quite the same. Here’s the link to last year’s post on my first return to KIRA: KIRA Return July 2017 .

You can never walk in the same river twice (Heraclitus). This is what makes the return always so difficult. It is like the spoken word that, once spoken, can never be reclaimed.

I guess the return is more difficult for some people than for others. There are so many places to which I have never returned: Cardiff, Gower, and Swansea (Wales), Bath, Bournemouth, Bristol, Christchurch, Frome, Gloucester, Hengistbury, and Wick (England), Oaxaca (Mexico), Avila, Bilbao, Elanchove, Madrid, and Santander (Spain).

These place names scratch memory’s surface, no more, for there are places within those places, also never to be seen again, save in old photos and dreams. Yes, my dreams are tinged with sadness, the sadness of remembering. There is also the great joy of having been there, of having borne witness to this moment and that. Time and memories slip through grasping fingers like water or sand. The ephemeral: it will never last, even though we catch it for a moment in a photo or a verse.

 

Therapy Garden

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Therapy Garden

Sitting, absent-minded,
empty,
waiting for the sunlight to heal
my old bones and fill my fragile form

with light
so that I may shine,
a lighthouse on the land,
sunshine pouring out from me,
light enough to enlighten
the unenlightened
in their soul’s dark night,

no moon, no stars,
and me,
walking unafraid,
knowing I need fear nothing,
even in terminal darkness,

for my body now overflows
with this therapeutic light
that floats its boat on an inner
sea of tranquility.

Small Corner

Small Corner
18 June 2018

Here’s the original post from my time last June (2017)  in Kingsbrae / Kira. The text is attached.

https://rogermoorepoet.com/2017/06/06/small-corner-2/

Here is a recent reading.

 

It is interesting to compare the different voice versions. The text doesn’t change!

 

 

 

Poetry

 

 

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Poetry

“Poetry gives permanence to the temporal forms of the self.”
Miguel de Unamuno.

That is what my writing is all about.
Those temporal forms, fluttering and changing.
Butterflies, they live for a day or two,
perch and flourish, spread their wings,
excel for a moment, catch our attention,
blown by a sudden gust, tear their wings on a thorn,
perish in the blink of an eye, cluster and gather,
reborn in dusty ditches, congregate on bees’ balm,
smother Cape daisies and black-eyed Susans,
shadows shimmering, butterflies by day,
fireflies lighting up the night, terrestrial stars
floating in their forest firmament, hackmatack,
black oak, bird’s eye maple, silver birch, fir,
impermanence surrounds us, dances beneath stars,
sings with robins, echoes the owl’s cry through woodlands,
poetry, the elemental soul, our words capturing nothing,
turning it into eternity, holding it for the briefest moment,
then letting it go. Island View: my dialog with time and place.

Friday Fiction: Clematis

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Clematis

The clematis unfolds its flowers: bruised purple on the porch. Beneath the black and white hammers of ivory keys, old wounds crack open. A flight of feathered notes: this dead heart sacrificed on the lawn. I wash fresh stains from my fingers with the garden hose while the evening stretches out a shadow hand to squeeze my heart like an orange in its skin. Somewhere, the white throat sparrow trills its guillotine of vertical notes. I flap my hands in the air and they float like butterflies, amputated in sunlight’s net. The light fails fast. I hold up shorn stumps of flowers for the night wind to heal and a chickadee chants an afterlife built of spring branches.

Pressed between the pages of my waking dreams: a lingering scent; the death of last year’s delphiniums; the tall tree toppled in the yard; a crab apple flower; a shard of grass as sharp as glass, as brittle as a bitter, furred tongue at winter’s end.

I know for certain that a dog fox hunts for my heart. Vicious as a vixen, the dog fox digs deep at midnight, unearthing the dried peas I shifted from bowl to bowl to count the hours as I lay sick in bed. I sense a whimper at the window, the scratch of a paw. I watch a dead leaf settle down in a broken corner and it fills me with sudden silence. Midnight stretches out a long, thin hand and clasps dream-treasures in its tight-clenched fist.

The lone dove of my heart flaps in its trap of barren bone and my world is as small as a pea in a shrunken pod. Or is it a dried and blackened walnut in its wrinkled shell of overheating air? Sunset, last night, was a star-shell failing to fire. Swallows flew their evensong higher and higher, striving for that one last breath lapped from the dying lisp of day. Its last blush rode red on the clouds for no more than a second’s lustrous afterglow.

I lower defunct delphiniums, body after body, into their shallow graves. Night’s shadows weave illusions from earth’s old bones. Rock becomes putty, malleable in the  moonlight. Midnight readjusts her nocturnal robes and pulls bright stars from a top hat of darkness. Winged insects with human faces dance step by step with circling planets and clutter the owl’s path. Night swallows the swallows and creates more stars. The thin moon hones its cutting edge into an ice-cold blade.