Time to celebrate the seasonal – and totally unexpected – arrival of the Orange Crested Red and Yellow Butter Bird. Magnificent isn’t he-she-it? I know, I know – birding is serious. And no, I am not serious. Just enjoying myself with a red here, a yellow there, a brown underneath, and lovely black outlines.
When childhood meets second childhood, things like this happen. Just sit back, enjoy them, and think of Canada. And yes, I am amused. Why shouldn’t I be?
Oh yes – and Happy Birthday Old Salt – Vive l’Acadie – et bonne fête d’Acadie – and don’t forget Stella Maris and the Blessing of the Fleet.
There used to be “Blue birds over, the White cliffs of Dover” – and I remember how white and bright they were, when I was a teenager, returning from my summers in France and Spain, to see them, shining, and to know that I would soon be back in England – an England I no longer recognize.
Windmills, cliffs collapsing, line-ups for miles of trucks and traffic waiting to make their way into a Europe that we rejected. I remember travelling to France, Spain, Germany, Holland, Belgium, Luxemburg, Switzerland, Italy, Portugal and always being welcome. I remember the days when, as a pre-teen and an early teen, visas were still necessary for entry into some countries. And I remember how, later, with a European Passport, I was welcomed as a member of a larger community.
The Latin Mass, a common factor throughout Europe in my youth, now celebrated in many languages, is only open to those who speak those languages. Progressive or Retrograde? I guess, like beauty, everything is in the eye of the beholder. De gustibus non est disputandum – and that’s how it should be. But I long for that freedom, that sense of adventure, that sense of belonging that once, so long ago, I knew.
And yes, I wish I could still see those bluebirds over the white cliffs of Dover, not just lines of lorries and piles of portaloos and stress and discontent and impatience and misery. Just sign me sad, I guess, but now I know why those bluebirds are blue.
Finley has decided that this is how we should see “man”, in all his or her complicated manifestations. Human / hu-woman – mankind – womankind – people-kind – art of this type has no gender attached. It is singular, so not people. It is you, it is me, it is all of us.
This has been a time when words have failed me. Thanks to the presence of Finley in the house, my painting and drawing has been restored and I have once again begun to see a new world of shape and color through the eyes of a small child. Small? She is tall for her age and very, very visual. This morning we did online jigsaw puzzles – all art and patterns – and fractals!
Words may fail, but they are ever present. Bas bleu, well we all know what that means in the world of French academia where I once lived, a long, long time ago. Bas bleu clair – well they are light blue, aren’t they? And, like the revolutionary sans culottes, my figure walks barefoot, à pieds nus, that is to say, without shoes, sans chaussures.
I don’t know who started playing with words and cartoons, but Goya was a master at doing so, in his etchings. So words and visions linked, all in a playful game of allusion / elusion. What a wonderful world, that of the childlike, playing mind.
Finley has decided, quite rightly, that what she wants to paint, draw, or colour, is much more important than any of the page prompts in the drawing book I got her. That said, this could easily be a comic book cover – or the cover photo of my next book.
“I want to see the world again through the eyes of a little child” – Picasso. The gift of so doing is precious.
Saturday today, just another Saturday. Took a morning whirlpool bath, had breakfast went shopping, then decided to post something. But post what? Anything.
Qui tacet consentire videtur– whatever that mans, and I am sure someone out there can help me. Life takes funny steps at my age, and forgetting things is one of them.
Ephemera – the title of the leading painting, shows a poem being half-obliterated by autumn leaves and early snow. Everything seems so ephemeral, so quick to pass by. As for me, I blossomed and flourished like a leaf on a tree, but now I wither, slowly, shrinking back into myself. Or is it just a version of my myself? To thine own self be true. So easy to say. But I am no more myself, I have become the fifth of the twelfth. Or, as Apollinaire, whoever he was, once wrote: je ne me sens plus la, moi-meme. Je suis le quinze de l’onzieme. Oh accents, accents, accents – you can’t find them when you need them and you can’t lose them without expensive elocution lessons. And even with those lessons, rhythm and accent come creeping back again, when least you expect them to.
Jyst nos Sadwrn arall yn – and maybe there’s someone out there who can sort that one out for me too. But in spite everything, I guess it’s anither day, another post, and a drop more water under the Mirabeau bridge as well as just another Saturday night. meanwhile – Odeur du temps, brin de bruyere – et souviens-toi que je t’attends –
The hollyhocks are back. A little bit late, but just starting to reveal themselves in all their glory. It’s been a strange spring, with frost warnings (and two actual frosts) in June, heavy rain, T-Storms, a tornado watch, extra hot days and, thankfully cold nights with the temperatures at +4C, even this month, July.
The yucca plant is flowering again, with three flourishing stems this time. It only started to flower late last week, but it, too, is full of promise. Somehow, while there are flowers, there is still some hope, some beauty, and some time and space for rejoicing.
Ah, daffodils, my favourite flowers.
Daffodils
Winter’s chill lingers well into spring. I buy daffodils to encourage the sun to return and shine in the kitchen. Tight-clenched fists their buds, they sit on the table and I wait for them to open.
For ten long days the daffodils endured, bringing to vase and breakfast- table stored up sunshine and the silky softness of their golden gift.
Their scent grew stronger as they gathered strength from the sugar we placed in their water, but now they have withered and their day is done.
Dry and shriveled they stand paper- thin and brown, crisp to the touch. They hang their heads as their time runs out and death weighs them down.
Vis brevis, ars longa – life is short but art endures. Maybe my daffodils will last longer than the yucca and the hollyhocks. They will certainly outlive this year’s bloom. Time and tide wait for no man, and flowers too are subject to the waxing and the waning of the moon. That’s life, I guess. Long may it last.
rogermoorepoet 