Poetry

Swings

Swings

They told me that one day
my feet would be up in the air,
and the next they would be stuck
on the ground.

A roundabout, they said,
a merry-go-round,
with all the fun of whatever fair
happens to be around that day.

Someone, not me, flicks a switch,
music plays, the carousel horses
move up and down, slowly at first,
then faster and faster as day, music,
and horses all gather pace.

There are no reins. If there were,
I would heave those horses
back to whatever reality I left.

But what is reality now?
These hot flashes that warm my flesh?
Those cold flushes that make me shiver,
then turn up the heat
until I am sweating again?

Shadows grow. I pull less strongly
on the swing boat’s ropes.
My journey slows. The showman
raises the bar beneath the wooden hull.
 
Wish it or not, my journey grinds
to its inevitable end.

Click here for Roger’s reading.

Anonymity

Anonymity

Multiple masks stripped away, old wall paper
shed in strips, layer by layer, until you reveal
the bedrock foundations of your delicate face.

Your visage dissolves before my eyes until you
become what you were when I first met you:
sweet, young, fresh, a delight to catch the eye.

As you still are, to these old, fragile eyes of mine,
cataracts removed and lenses still capable of
seeing you in your spring, although it is your winter.

The snowfall of your hair cannot deny the sparkle
in your eyes, the summer freckles that will soon return,
the sunlight and joy you bring when you enter the room.

Ageing, yes, but you are as young and as sweet
as you always were. How could you not be?
Anonymity peels itself away until no barriers exist

between what you are to me now, and what you were.
It is a lie, that only the young write poetry in praise
of their beloved’s eyebrow, her lips, her gaze.

For how many days have we stood together, as one,
breathing the same air, walking together, facing
the same difficulties, and overcoming them hand in hand?

Yes, we have both slowed down – the way of all flesh –
and we are no different. We wither and perish, but
we haven’t perished yet, although we are withering.

The magic of our love, our gifts, molded into our DNA,
will not perish with us, and never will, not while
our spirits live on and our love creates others in our shape.

Click here for Roger’s reading.

“In the human face, the anonymity of the universe becomes intimate.” John O’Donohue, Cara Anam, p. 37.

Blessings

Blessings

I wish I could bless you
as you have blessed me,
with gifts of love and life.

Together, we have walked
this world, wandered its shores,
scaled rocks, seen rich tapestries
of land painted beneath us.

Only you know me as I am,
know what I want to say,
the difficulty I have in saying it.

You know why words trip
on my teeth and lip, and exit
with those little slips
that make me hesitate to speak.

Do tree roots speak? Does
the yucca, blossoming each
spring, share words with
the hollyhock growing beside it?

Do the birds and the bees
silently commune, as we
so often do, sitting together,
peaceful in our silence,
and doubly blessed?

I wish such blessings to fall
on all who need this verse.

Click here for Roger’s reading.

“When you feel love for your beloved and the beloved’s love for you, now and again you should offer the warmth of your love as a blessing for those who are damaged and unloved.” John O’Donohue, Anam Cara, p. 35.

Comment: I changed read [sound reading] to need in the last line, because most people who need such blessings will probably be unable to access this blog. My apologies for my initial short-sightedness. My thanks for being allowed to make the correction.

Light Breaks

Bandits

Two shadows,
at three in the morning,
their faces masked,
shifty in the moonlight,
slip soundless over snow,
as they move towards
the bird feeders.

They huddle together,
forming a darker patch.
I watch the feeders move,
but cannot see the seed
nor hear it as it falls.

The feeders empty,
they move again
towards the back porch,
climb the steps,
and settle once more.

I know that by morning,
all traces of seed will be gone,
devoured by Dyson and Hoover,
scavengers and professional
seed removers.

Comment: Light Breaks

“Light breaks where no sun shines…” but sometimes it takes a long time to happen. The name of my blog is rogermoorepoet and it’s main function is to showcase my poetry, above all, to my friends and followers. In my efforts to publish in print form, I have neglected to pay attention to the main function of this blog – poetry. Why? Because when I submit poems I always find the phrase – ‘must be unpublished – including on social media’! So I stopped publishing poetry on my poetry blog and on other social media. Okay, okay. I know. I am an idiot. BUT – light has now broken where no sun shone – Dylan Thomas, of course, another Swansea Boy, and as of today poetry is back. A big thank you to any and all who have been waiting for its return. Give me some encouragement – let me know if you like what I am doing – paintings and poetry!

Click here for Roger’s reading.

A book is a book is a book

A book is a book is a book

“If one cannot enjoy reading a book over and over again, there is no use in reading it at all.” Oscar Wilde

A good friend of mine once told me that her creative writing writing prof in the MFA program told the class: “We are not writers. We are re-writers.” Our mission in life, then, is not just to rewrite, but to think and to revise. The art of writing lies in analysis, research, thought, and thinking carefully about (a) what we are about to write and (b) what we have just written. As a great Spanish writer once said “I write as I speak and when writing I count my syllables.”

So can the same principle be applied to reading? In my undergraduate poetry courses, one of my wiser profs announced that “It is better to read one poem a hundred times, than a hundred poems once.” Is re-reading better than reading? Good question. But it is what I call a swimming pool question: it has shallow ends and deep ends. Joke – it depends, you see, upon the quality of the material one is reading. For example, does a single reading of the Bible suffice? I read it through, page by page, when I was twelve years old. Was that it? No, I still return to it – the good book – from time to time, selecting, remembering, checking, looking for comfort, advice, or sometimes, pure joy in the sound of the language – King James version, of course.

What other books have I read and re-read? Lazarillo de Tormes, Don Quixote, The Hobbit, The Lord of the Rings, The first book in the Harry Potter series – it reminded me of elements of my own childhood, especially the cupboard under the stairs. Been there, done that, got the tee shirt. The Wind in the Willows, Gongora’s Polifemo, Quevedo’s Metaphysical Poems and his Cycle to Lisi. Octavio Paz’s Sunstone / Piedra de Sol, Lorca’s Romancero Gitano, his Poet in New York, and his plays. Platero y yo. Charlotte’s Web. Several of Shakespeare’s plays, including McBeth, Henry V, King Lear, and a couple more. Rudyard Kipling’s Kim and Stalky and Co. Mary Gentle’s Golden Witchbreed. Robert Bly’s Morning Poems, Iron John, The Sibling Society. Unamuno’s The Tragic Sense of Life and his Niebla. Enough, no more. It is not as sweet now as it was before. And there are so many more to which I have returned, again and again.

So, think about all the time wasted on trivial books, books that remained unfinished, books that have never been opened. One person’s vegetarian or vegan’s fare is a carnivore’s poison [sick]. Sometimes a book mirrors our thoughts. Sometimes it challenges us to rethink our lives and our philosophies. Sometimes it comforts us or takes us back into our childhood. And sometimes it just bores us and we cannot finish it.

A rose is a rose is a rose. A book is a book is a book. Or is it? We are not readers – we are re-readers. And if we aren’t, we ought to be. Think about that. Carefully.

Nos Sadwrn

Nos Sadwrn

Saturday today, just another Saturday. Took a morning whirlpool bath, had breakfast went shopping, then decided to post something. But post what? Anything.

Qui tacet consentire videtur – whatever that mans, and I am sure someone out there can help me. Life takes funny steps at my age, and forgetting things is one of them.

Ephemera – the title of the leading painting, shows a poem being half-obliterated by autumn leaves and early snow. Everything seems so ephemeral, so quick to pass by. As for me, I blossomed and flourished like a leaf on a tree, but now I wither, slowly, shrinking back into myself. Or is it just a version of my myself? To thine own self be true. So easy to say. But I am no more myself, I have become the fifth of the twelfth. Or, as Apollinaire, whoever he was, once wrote: je ne me sens plus la, moi-meme. Je suis le quinze de l’onzieme. Oh accents, accents, accents – you can’t find them when you need them and you can’t lose them without expensive elocution lessons. And even with those lessons, rhythm and accent come creeping back again, when least you expect them to.

Jyst nos Sadwrn arall yn – and maybe there’s someone out there who can sort that one out for me too. But in spite everything, I guess it’s anither day, another post, and a drop more water under the Mirabeau bridge as well as just another Saturday night. meanwhile – Odeur du temps, brin de bruyere – et souviens-toi que je t’attends –

Mood Music

Mood Music

Mood music caught between brush
and paper then trapped in notes
that sing in acrylic colors.

Colored music and music
expressed in colors that dance
on the page and light up
my face and the room
with joy and light.

What figurines dance here,
before your eyes, partners,
each one different for each of us,
moving in a musical mood
that captures a moment of magic,
brush magic,
with silent colors flowing
but all too ready
to burst into song.

Click here for Roger’s reading.
Mood Music

Stumps

Stumps

Stumps, yes. Firmly planted.
Newly arrived at the wicket,
I can now take my guard.
Last man in
with everything to play for.

“Middle and off. Please.”
I hold the bat steady, upright,
and the man in white
nods his head, counts
the coins, or stones,
he has in his pocket
and wonders when he can leave
his post and go to tea.

I stand, there, right-handed,
and the field adjusts.
Then I change hands,
keep the same guard,
now middle and leg,
and stare at the square leg,
now a short leg
who glares back fiercely.

The man in the white coat
tut-tuts in despair.
I know he knows this isn’t done.
It’s just not cricket.
But then, he’s not the one
batting on a cloth untrue,
with a twisted cue,
while the bowlers bowl
with elliptical balls.

The field changes over
to a left-handed stance.
I think about changing over again,
but I’m sure there’d be an appeal:
wasting time, a nasty crime
at this stage of the game,
though many do it.

First ball, a long-hop,
and I clobber it for four.
Three runs to win,
four balls to bowl.
I block the next ball.
The one after is short.
I cut it away past gully
and call for two.
I make it home safe
but my partner is run out
at the bowler’s end.

We lose by one run.
“Serve you right,”
says the man in the white coat,
racing towards the pavilion
for a pee before tea.
“That just wasn’t cricket.”

I walk slowly back,
stiff upper lip,
ramrod straight bat,
and no time at all for this
sticky dog wicket.


Comment: I wonder how many of my followers will have understood a word of what I have written. Never mind. You can always enjoy the painting. Oh the mysteries of what used to be England’s national game and a wonderful source of metaphor and image. A double-header on the weekend. England vs the West Indies. I wonder if it will be that close?

Click here for Roger’s reading.
Stumps.

Rain Stick Magic

Nunca llueve en los bares /
it never rains in the bars.

Sympathetic Magic
aka
Rain Stick Magic

“Rain, we need rain.”
The bruja whirls her rain stick.
Rain drops patter one by one,
then fall faster and faster
until her bamboo sky fills
with the sound of rushing water.

An autumnal whirl of sun-dried cactus
beats against its wooden prison walls.
Heavenwards, zopilotes float
beneath gathering clouds.
Rain falls in a wisdom of pearls
cast now before us.

Scales fall from my eyes.
They land on the marimbas,
dry beneath the zocalo‘s arches
where wild music sounds
its half-tame rhythms,
sympathetic music released,
like this rainstorm,
by the musician’s magic hands.

Comment: Bruja: witch, witch doctor; Oro de Oaxaca: mescal, the good stuff; Zopilote: Trickster, the turkey vulture who steals fire from the gods, omnipresent in Oaxaca; Marimbas: a tuned set of bamboo instruments. But you knew all that!

Click on this link to hear Roger’s reading.
Rain!