A walking gilt trip and the woes of the journey packed into the old kit bag that bends your back and weighs down your shoulders.
Take care lest you stumble, for if you stumble you will surely fall, and every fall is a precipice that will never allow you to get back up again.
Where is the stranger, the faceless one, the as-yet-unknown one who will care just because he cares and will help you stand up once more on your own two feet?
Take root where you stand. Plant your feet solidly into the ground. The winds of change will blow, but they will not topple you.
Raise your eyes to the sunrise. Strive upwards, ever upwards, turn towards the light, that fragile lightness of everlasting light.
What do we really see when we look in the mirror? Do we see our real selves or do we see the sad distortions of our diminishment?
The Fairground on the Recreation Field in Swansea used to have a hall of mirrors. You handed over your three-penny bit, not the silver one your granny gave you so you would have good luck always, then you walk up the wooden stair, and there you are, staring at yourself.
Fatter, thinner, shorter, taller, a half-and-half version, thinner at the top and so much fatter at the bottom, like those old Christmas figures you could flick, but never roll over. Giggle city: and hysterics ruled.
Or did they? So sad to think that, back then, I saw myself as I am now: forehead larger, fatter one end, thinner at the other with shriveled shanks, wasted muscles.
And the Fairground brain scan? Well, it didn’t exist. Thank God. What is there now within my skull? Just a crackle of old, dead leaves, a rat-filled attic of dried memories, a sand-bag of half-forgotten thoughts.
I remember sitting there, at the Slip on Swansea Sands, with the summer ending, thinking about going back to school, watching the tide creep slowly in, wondering what life was all about.
In the half-light, on my evening walk, the first pale-green spears of spring stuck out their tongues from the lips of leaf mold and dark earth to mock me.
“Back home,” they said, “the daffodils are in full bloom. In Ireland the shamrock refuses to surrender. It will not be trampled underfoot.”
“But this is my home,” I replied. “Believe: and spring will come,” the earth cried out. “La paciencia todo lo alcanza – patience achieves everything.”
The darkness deepened. Night came on. But the sun still shone within my heart, and filled me with hope.
It’s so easy to cast the tiniest pebble into the tranquil pond.
Sit and watch the ripples spreading, flowing outwards, touching unknown shores with a smidgen of warmth, a lapping of love.
Reaching out, from the center to the periphery, not knowing where the outreach is going, but knowing that the effort is never in vain if it helps someone’s suffering, reduces their loneliness, brings light to their lives, and relieves their pain.
Bread cast upon the waters, returned in great store, three, five, seven, ten times more than what you cast.
Your spider-web lines thrown inwards and outwards in a gesture of faith, hope, and a charity chest of tenderness to lighten a burden, to remove the dark from another’s heart.
It’s so easy to select a pebble, but who will throw that first stone?
Sometimes we twist ourselves into knots. We double-think our thoughts, put our feet in the wrong hole in our jeans, slide our socks on backwards, put our shirts on inside -out.
Poor twisted mortals, we have made up our minds that all is well, that everything is for the best in the best of all worlds, but we are not candid with each other and sometimes we are so twisted we cannot see the truth even when it is staring at us from the mirror.
Alas, my front tooth is chipped. My hairline is receding. My whiskers are turning as grey as my thinning hair that has already lost its curl and now falls straight forward in the Julius Caesar cut that belies the closeness of the Ides of March.
Some days the clouds roll in. Your world turns from gray into fifty shades of black.
These are the days when the sun seems as lost as you. But the sun isn’t lost. It hides behind clouds, maybe, but it’s there.
That’s where the sun storm comes in. Clouds have silver linings and the sun, once seen, will never, ever be forgotten.
Hold its image in your mind. Breathe in the sunshine. Let it flood through your body and shine out through your heart.
Now, you will never be alone, and the sun will walk with you, all your days, and be remembered even in the darkest night when paths disappear and all seems lost.
Mood music caught between brush and paper then trapped in notes that sing in acrylic colors.
Colored music and music expressed in colors that dance on the page and light up my face and the room with joy and light.
What figurines dance here, before your eyes, partners, each one different for each of us, moving in a musical mood that captures a moment of magic, brush magic, with silent colors flowing but all too ready to burst into song.
Paintings: doors you can walk through, windows that open onto visions of another, more beautiful life. Deeper than the paint, the thoughts and words that formed them, brushed them into life, an ephemeral life, so brief that butterflies seem to last longer and flowers live for all eternity.
Transience and insubstantiality. Change is all around us, we are surrounded by change. But the deepest changes, the ones that affect us most are internal, set deep within us, death’s eggs hatching slowly since the day we were born.
Life is indeed short, and art endures. Carved five thousand years ago, in stone, this magnificent henge, first Wood-henge, then Stonehenge, majestic at the dawn of time, with its sarsen stones, pillars, post-holes, and labyrinths, circling within circles, a frail spider-web of sunlit brilliance.
Lost now, the message, as my own message is lost, covered by paint, though words emerge in the strangest places, allowing us to peer in through windows as long-lost words and worlds whirl out through carved and painted windows and everlasting doors.
Doors First version
Paintings are doors you can walk through, windows that open onto visions of another, sometimes better, life. Deeper than the paint are the thoughts and words that formed them, brushed them into life, an ephemeral life, so brief that butterflies last longer and flowers live for all eternity, or so it seems.
Transience and insubstantiality. Change is all around us, we are surrounded by change. But the deepest changes, the ones that affect us most are internal, set deep within us, death’s eggs hatching slowly since the day we were born.
Life is indeed short, and art endures. Carved five thousand years ago, in stone, this Towie ball with its labyrinths and circles. Lost now, the message, as my own message is lost, covered by paint, though words emerge in the strangest places, allowing us to peer in through windows as long lost words and worlds walk out through carved and painted doors.
The spider plant spins out web after web, all knotted together, then ejected from the central nest.
One landed on my floor the other afternoon with an enormous clunk. A huge new set of offspring and roots ejected and sent on a voyage of discovery to find a new home.
Mala madre / bad mother. Oaxacans have a curious way of naming their plants. I lived in an apartment above a courtyard filled with malas madres.
A Bird of Paradise nested in the same tree, while in the garden a banana plant, in flower, a huge hibiscus, and such a variety of prize poinsettias that I could never get the varieties straight: red, white, cream, single, clotted, and double-crowned.
In the powder room, downstairs, our hibiscus is about to break into winter blooms.
Sider mites crawl all over it. Every day, I hunt them down, squishing them whenever I can.
My daughter calls me cruel and a padre malo.
I say ‘no: it’s them or the hibiscus. You can’t have both.’