Kingsbrae Gardens

Carved in Stone 12

12

A Ruffed Grouse sought refuge
among the berries
of the Mountain Ash.

I shot him,
not with a gun,
but with a camera.

Intertextuality –
a friend borrowed the photo,
turned it into elegant brush strokes,
and now the painting
hangs on my wall,
opposite the tree
where once he sat.


 
A still-life
face to face with its reality
as early morning dew
forms on spider webs,
hammock-strung
between grass-blades,
bending in the wind.

And what if the spell breaks
and I can no longer see the fine seeds
of the dandelion clock kissed away
by the lisping lips of time?

What is life?
Is it just an illusion?

Commentary:

I shot him, not with a gun, but with a camera. Interesting. I have never seen the need to take the life of living creatures, except in cases of absolute necessity. And no, I have never killed, let alone for fun or sport. Shooting with a camera, that’s my ideal, and when a friend and fellow KIRA artist likes the photo and offers to paint it … well, that leads us into the nature of intertextuality, where reality becomes photo, becomes painting, becomes a text, and you, dear reader, are contemplating all those moments that join us.

The fine seeds of the dandelion clock kissed away by the lisping lips of time. This image comes from my walks in the Welsh countryside around Brandy Cove, Gower, with my paternal grandmother. “What time is it Nana?” I can still see her, bending down, plucking a dandelion, and holding it out for me to blow the seeds away – one puff, one o’clock, two puffs, two o’clock. I recall the seeds, drifting away on the summer breeze. “The Good Lord loved those dandelions,” she once told me. “That’s why He planted them everywhere.”

What will happen when the wells run dry and water runs out and there are no more dandelion seeds? How long will it be before I can no longer see them? Vis brevis, ars longa. The answer to my questions – I care, but I really don’t know.

If humans had taglines, what would yours be?

Daily writing prompt
If humans had taglines, what would yours be?
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If humans had taglines, what would yours be?

I really only want a one word tag – poet, and that’s the name of my blog – rogermoorepoet.com.

An award-winning teacher, researcher, poet, and short-story writer, I was born in Swansea, the same town as Dylan Thomas, the famous Welsh poet, whom I emulated in my youth. I wrote poetry throughout my childhood, but I never took lessons, nor was I known as a poet.

Early in 1962, I sent a sonnet to the poetry competition of the Stroud Festival of Religion and the Arts. I left school and was studying in Paris, when the results came out and I discovered that I had won first place in that competition. In my absence, a deserving boy from my school was sent to pick up the award, a book of poetry, signed by Ursula Vaughan Williams. The poem was published in Trydan and I have a copy of it somewhere.

Throughout my undergraduate career (1963-1966), I wrote poetry. Much of my early work appeared in my university’s student arts review, The Nonesuch Magazine – the Flower of Bristol that giveth great light. Alas, I was not studying English, and only the English students seemed capable of being called poets, so I was always called something else. I wrote a lot about nature, back then. One day, when I hand delivered my poetry submission, the editor of Nonesuch, an English student, asked me if I was a pantheist. “Good heavens, no,” I told him. “I’ve got a girl friend.” This answer did nothing in university circles to affirm my wanna be status as a poet.

Some of these poems survived and a couple appeared in Stars at Elbow and Foot. Here is one from Last Year in Paradise.

St. Mary Redcliffe

Time and Temple Meads
have begrimed your wand-thin spire,
the tallest in England.

You waved goodbye
to the Cabot boys,
Nova Scotia bound,
as they set sail.

Starlings lime your belfry,
gift and inspiration
of Merchant Adventurers,
that gentlemen’s company.

Worms wriggle and gnaw
at your ship’s figure-head,
harbored now, bare-breasted,
sturdy in your oak-beam nave.

Rust rustles and creaks
at the Edney Gates,
wrought to last centuries
by Bristol ironmasters,
themselves apprenticed
to learn time’s laws.

I call myself a poet. I think of myself as a poet. In Santander, Spain, I was known as the mad Welsh poet! What an honour it would be to have Roger Moore Poet as my tagline. I’d rather leave the ‘mad Welsh’ out.

But why stop at one tagline? I am also an award winning teacher and researcher. And a long-term rugby coach. How would they be as tags? Roger Moore Coach? Roger Moore Teacher? Roger Moore Researcher? Not quite the same thing. No resonance and I can produce no links to attach to those names. They are much more run of the mill. Anyone can be a coach, a teacher, a researcher. Not everyone can be a poet, let alone a famous poet, like Dylan Thomas. Besides which, I live in Idlewood, not Milkwood.

There is one other alternative, however. Roger Moore 007. Alas, that one belongs to someone much more famous than me, even though we share the same name. But I might go one step further. How about 3M-007? That would do at a pinch – pretty unique – there aren’t many of them about! I love it. So there we go – a choice of two taglines, either of which fit – Roger Moore Poet and Roger Moore 3M-007.

Which one would you choose for me? “A rose by any other name would smell as sweet.” But remember, I ain’t no rose. So please don’t tread on the tails of my all-disguising, multi-colored 3M-007 poetry coat.

Describe one simple thing you do that brings joy to your life.

Daily writing prompt
Describe one simple thing you do that brings joy to your life.
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Describe one simple thing you do that brings joy to your life.

Painting.

I was always told that I couldn’t paint. “You don’t have a clue. Give it up now. You’re wasting your time, and ours.” Same with drawing and any other form of visual and creative art. I tried to build model aircraft – Spitfires and Hurricanes, Gloucester Gladiators, SE5s -. They were ugly, lumpy, had crooked wings, and never flew properly. The few that I managed to launch often fell apart on landing. Same with model kites. The one I did manage to build took off in a half a gale and got stuck in a tree.

Failure!!!!!

Much later in life I re-discovered Henri Matisse. “I make meaning out of shape and color.” Then I stumbled across Salvador Dali’s famous statement: “I don’t know what it means, but I know it means something.” From there I started to take lines for a walk, and moved into cartoons – you will find some earlier on these pages *click here* – or – *click here* – or just explore these early pages for yourself.

From these cartoons, I moved, with the encouragement of Geoff Slater, the Art Director at Kingsbrae International Residencies for Artists (I was the first writer in residence, June 2017), to actually painting, for the first time, with acrylics on canvas. This led me to my Pocket Paintings / Peintures de Poche, made with acrylics on 4″ x 6″ postcards. What fun. I now have well over a hundred of these and, guess what! – just like my books, I give them away to my friends for free.

These simple, linked acts – writing – painting – gifting – bring me great joy.
Long may it continue.
Pax amorque.

Windmills

Windmills

Only the pendulum clock
disturbs the silence
as the slow stars circle
and the moon hides
its face beneath
seven excluding veils.

Tranquility finds me,
seated here, head in hands,
contemplating the complicated
dance steps of a terra-centric
universe where planets weave
an intricate back and forth
to justify the falsehoods
of misguided mistakes.

Men, confident in their wisdom,
know that all is well,
that their faith in the old gods,
the old books, the words
that were written, in stone,
before the modern world began,
need no rethinking.

Those whirling sails,
imprinted on the questing mind,
are a giant’s arms, those sheep
an enemy army cloaked
in dust, coats of arms visible
only to the far-sighted
whose eyes defy vision’s laws.

Right, they were then.
Right they are now.
Nothing changes. Nothing
can possibly change.
Sheep are the enemy
and windmills wait to invade
the unsuspecting mind.

Comment: The history of Don Quixote and its reception in Spain is quite interesting. I was very sorry to read that Cervantes’s language is now considered so antiquated that interpreters are needed. I actually have a cartoon version of his quests – a picture reader, so to speak, very brief, because each picture is worth a thousand words. I have not yet seen the simplified text, rewritten with today’s reader in mind.

Don Quixote still holds many lessons for this modern world of ours and is definitely worth re-reading for, as Soren Kierkegaard (1813-1555) wrote: “There are two ways to be fooled. One is to believe what isn’t true; the other is to refuse to believe what is true.” Don Quixote, the character, threads a narrow path between those two extremes, as do many of the other supporting characters, some of whom use metatheatre for their smoke and mirror Wizard of Oz trickery. And remember, or forget at your peril, nihil sub sōle novum – there is nothing new under the sun. And yes, history does repeat itself, as you will see if you read (or re-read) Cervantes’s master piece.

Writing in the Red Room

Writing in the Red Room

Dawn over Kingsbrae, as seen from the writer’s desk in the Red Room in KIRA. “A poet could not but be gay, in such a jocund company.” Wordsworth, thankfully, for how words change their value as language transforms itself and old values and meanings grow wings and flit away.

Gai saber – from Old Provençal: “gay knowledge” or “gay science”, the art of composing love poetry, especially the art of Provençal troubadours as set forth in a 14th-century work called the Leys d’amors. But one doesn’t have to be gay, in any sense of the word, old or new, to write poetry, and it is difficult not to write poetry when the sun creeps over those hills and lights up the room and the bay below.

Warmth and light flood into your heart. The pen fills with words and they splash out over the page, moving the writer as the sun moves, as light moves, as light breaks where no sun shines as yet, but will, soon, so very soon, and here it comes, filling the heart once more with wonderment, the bay with light, and the page overflowing with the joy of light.

To be here is to be honored and privileged beyond words. To be able to share that joy with others is a blessing that many seek and few find, and none possess, for, like fairy gifts, such powers fade away all too swiftly. And, when all is said and done, one can only be humble, rejoice in each moment, and give thanks.

Silence

Silence

Words emerge from the silence
of wood and stone. They break
that silence when they are born.

Silence, once broken, cannot
be repaired. A word once spoken
cannot be recalled.

The greatest gift is to know
how to be alone amidst the crowd,
how to sink into silence.

A world of words smothered
at birth and that world, unborn,
dismissed, forgotten, still-born.

A lost world of words whirled
on the silent wind that fans
the unborn fire within you.

The spider web of the mind
blown clear by the wind
that blows unspoken words.

The sultry silence of wood and stone,
the hush of the tadpole swimming
into its own metamorphosis.

Click for Roger’s reading on Anchor.
Silence

Circles

Circles

Secret and sacred,
this shadow world that walks
naked in the inner chambers
of the mysterious mind.

Here, in the valley,
surrounded by whaleback hills,
the horizon limited by fir and fin,
I live without limits
beneath a limitless sky.

Dream boats sail above me
on a sumptuous azure sea
and I am a mammal,
feet rooted in the soil, dwelling
at the bottom of a sea of air.

Mysterious, the circles
weave their cycles –
sunrise to sunset,
moonrise to moonset –
and in my dreams
a photo of the rising earth
seen from a cyclical satellite
we call the moon.

Click here for Roger’s reading on Anchor.
Circles

Gilt Trip

Gilt Trip

Last night, I packed up my troubles
in my old kit bag, but this morning
my back and shoulders buckle
beneath its ponderous weight.
I take care not to stumble,
especially on the stairs, for if
I stumble, I will surely fall,
and every fall is a precipice
that I will never be able to climb.

I want my feet to take root,
to sink solidly into the floor,
so that even when the wind of change
blows, it will not knock me down.
Downstairs, at my kitchen table,
the sun promises warmth and comfort.

I raise my gaze and rainbows sparkle,
dance on my eye-lashes.
I strive upwards, ever upwards,
and, turning towards the light,
its golden beauty creates in me
this morning hymn of praise.

Click here for Roger’s reading on Anchor.
Gilt Trip

Grey Dawns

Grey Dawns

Was it just a partial eclipse,
that morning when ash-grey horses
pulled a dustbin sun
across a drab and dirty sky?

Contorted clouds
fell from distorted horizons,
light filtered fine filaments
through to a sedimentary world.

Early morning birds,
startled by this grimness,
ceased their celebrations,
their dawn chorus choked

in doubting throats
so that strange, false notes
would not flit grit music
over garden and lawn.

Sat at my grey dawn window,
in the lull before the storm,
I watched and wondered
when my world would end.

Click here for Roger’s reading on Anchor.
Grey Dawns

Red Sky

Red Sky
After a long conversation
with my hero:
Travis Lane.

“Red sky at night,
shepherd’s delight.
Red sky in the morning:
sailors take warning.“

But I am not a sailor,
nor will I ever be one.
Nor a tinker, nor a tailor, nor
part of any nursery rhyme.

So easy to follow the sheep,
and graze where they may graze,
in safety, and the shepherd’s crook
all too close at hand, with both
hands and shoulder all too ready
to save, comfort, and carry
home to the security of a safe place.

Better by far to float along,
guided by sun, stars, and tide,
choosing your own route as you go,
or going with the eternal flow,
going where it takes you,
red skies at night, storm warnings
in the morning, and everywhere
the give and take of creating
new things, new paths, wherever
you may choose to go.

“Red car at night,
wifey’s delight.
Red car in the morning,
hubby take warning.”

Click here for Roger’s reading on Anchor.
Red Sky