It’s so easy to cast the tiniest pebble into the tranquil pond.
Sit and watch the ripples spreading, flowing outwards, touching unknown shores with a smidgen of warmth, a lapping of love.
Reaching out, from the center to the periphery, not knowing where the outreach is going, but knowing that the effort is never in vain if it helps someone’s suffering, reduces their loneliness, brings light to their lives, and relieves their pain.
Bread cast upon the waters, returned in great store, three, five, seven, ten times more than what you cast.
Your spider-web lines thrown inwards and outwards in a gesture of faith, hope, and a charity chest of tenderness to lighten a burden, to remove the dark from another’s heart.
It’s so easy to select a pebble, but who will throw that first stone?
They flew twice around the house, then settled in on the snow. Not a pond in sight. Six of them: beautiful. The snow was fairly fresh and they sort of swam through it, looking very clumsy. Between low light, fly screens, and dirty winter windows, the photos aren’t great. But what fun. This is the best way to shoot things: with a camera.
Surrounded by beauty, a magical paradise trapped for a moment in a sunlit mirror, the past laid out before me, the thought, word, deed of a painted reality, of painted realities really, visions leaving the mind only to be caught in line, color, shape, and paint, and frozen in time, each one date-stamped, and placed here, there, everywhere on wall after wall, until I am surrounded, breathless, within this circular vista of visions filled with inherent beauty.
Striving onwards to the light I don’t need a ladder nor an Aladdin’s Lamp to transport me upwards, not to stardom but to the sun and stars that wait, day and night, outside my window.
Prince of Mirth, soon to be Lord of Light, I will wear my hibiscus crown for a short time, but with joy and pleasure, a treasure I will treasure until the natural end when stars, sun, and crown come tumbling down, leaving me alone, naked, yet clothed in, and surrounded by, light.
“A moment in your life,” she said, “a moment that changed you forever.”
A bad boy, banned from representing the school, condemned to acting as a servant to the chosen few, those who were good enough to go.
They gathered early in the refectory. I served them tea. But first I salted the tea pot with Epsom Salts, or something similar. The tea pot frothed and foamed , then settled.
Later, the house master called me. “Can you dance? he asked. “Yes,” I replied. “Show me,” he said. He handed me a chair and put a record on his gramophone. I danced, six legs, to his satisfaction.
“Put on your Sunday suit,” he said. “Be on your best behavior. It appears we have suffered a bout of gastro-enteritis.”
That’s where I met her. Age seventeen. At a school dance. The one. My one. The only one. Sixty years later, we’re still together. Writing this, I see us as we were back then. My chest goes tight. My eyes overflow with tears.
A great big thank you to Allan Hudson, editor of the South Branch Scribbler Blog. He e-mailed me on my birthday, last Sunday, and asked me if I had a story that he could use on his new blog page Short Stories from Around the World. These will be published every other Wednesday, starting today. I am very honoured and proud to be the author of the first story, One Goldfish, third place in the WFNB non-fiction award (2020), that opens the series. It was revised and reworked in the Advanced Writing Course, run by Brian Henry of Quick Brown Fox fame. I would like to thank Brian and all my fellow participants who helped me rework the story. On Allan’s blog you will find links to other contributions from me. You will also find a series of featured authors, from New Brunswick, the Maritimes, Canada, and all around the world. Allan does a great job for us minor, struggling literary figures, not just for the greats. I encourage you to follow his blog and support him.
Ephemera
My painting (above) is entitled Ephemera. It shows a literary text semi-obliterated by various colors and devices. If we have learned anything from Covid it should be the fragility of life, the insubstantiality of existence, and the enormous powers of the natural world that surrounds us. My friends: take nothing for granted. Carpe Diem – seize the day – and “Gather ye rosebuds while ye may – for time it is a’flyin – and that poor flower blooming today – tomorrow may be dying.” This is Robert Herrick, of course. Here is my own version of the theme from The Nature of Art and the Art of Nature.
Daffodils
Winter’s chill lingers well into spring. I buy daffodils to encourage the sun to return and shine in the kitchen. Tight-clenched fists their buds, they sit on the table and I wait for them to open.
Grey clouds fill the sky. A distant sun lights up the land but doesn’t warm the earth nor melt the snow. The north wind chills body and soul, driving dry snow across our drive to settle in the garden.
The daffodils promise warmth, foretell the sun, predicting bright days to come. When they do, red squirrels spark at the feeder.
For ten long days the daffodils endure, bringing to vase and breakfast-table stored up sunshine and the silky softness of their golden gift.
Their scent grows stronger as they gather strength from sugared water. But now they begin to wither, their day almost done.
Dry and shriveled they stand this morning, paper-thin, brown, crisp to the touch, hanging their heads as oncoming death weighs them down.