Creativity

LoVe

LoVe

I love to be cryptic. Nothing better than a series of hidden messages concealed, or partly concealed, within a pair of paintings. And what have we here? Well, can you work it out for yourselves? Or do you need an explanation?

Okay: an explanation it is. First, the title of this blog post and of the painting on the left. LoVe. LV = Roman numerals for 55 / fifty-five. LoVe = love it. More, much more: I also love my beloved and, on Friday, 24 December, this year, we will have been married for 55 years, all of them spent in Canada, where we got married, all that time ago.

Perspective: so important, even in a painting that lacks perspective. So, let’s put it into perspective: that’s the year before Canada’s Centenary. And yes, we visited Expo in Montreal in 1967. Or, if you are a sports fan, that’s the Christmas before the Toronto Maple Leafs won the Stanley Cup (1967) for the last time. And we were living in Toronto. And I was studying at U of T. Wow and double wow: nobody in Canada, under the age of 54, was alive last time the Toronto Maple Leafs won the big one. And still the Maple Leafs, like our marriage, endure. We are the everlasting drum-beating bunnies, going on and on, for ever and ever.

Now look deeper. See what else you can see. I will assist you no further, except to add the initials – and title – of the right hand painting. AMGD. Work that one out, if you want to and if you can. And remember: presents for special anniversaries like ours come from the heart – not from a gift shop. So that is my anniversary present for my beloved. What a pity: she never reads my blog.

Survivors

Survivors
Chuck Bowie
(KIRA, June, 2019)

We met at St. Andrews, at low tide, on
the underwater road. In secret we
shared the closed, coded envelopes of thought,
running fresh ideas through open minds.

Our words, brief vapor trails, gathered for
a moment over Passamaquoddy,
before drifting silently away. Canvas sails
flapped white seagulls across the bay.

All seven seas rose before our eyes, brought
in on a breeze’s wing. The flow of cold
waters over warm sand cocooned us
in a cloak-and-dagger mystery of mist.

We spun our spider-web dreams word by word,
decking them out with the silver dew drops
proximity brings. Characters’ voices,
unattached to real people, floated by.

Verbal ghosts, shape-shifting, emerging from
shadows, revealed new attitudes and twists,
spoke briefly, filled us with visions of book-
lives, unforgettable, but doomed, swift to fail.

Soft waves ascended rock, sand, mud, to wash
away footprints, clues, all the sandcastle
dreams we had constructed that afternoon,
though a few still survive upon the printed page.

Comment: We, like the words we leave on the printed page, are survivors. Sometimes, when the seas rise high and our paths grow rough and hard to travel, we need a friend to reach out to us in our time of need. That friendship extends across differences and distances. Here, on the shores of time, we can meet and greet and share. Patos de diciembre, we can paddle together and give each other strength and comfort.

This poem appears on pages 64-65 of The Nature of Art and the Art of Nature, soon to be available at Cyberwit and Amazon. More details later.

Click on this link for Roger’s reading.
Survivors

The Nature of Art

The Nature of Art

It’s here and it looks beautiful. The photo does not do the cover justice as Geoff Slater’s painting is just phenomenal. The book holder wishes to announce that the photo does not do him justice either. He is much more good-looking in real life. I don’t have the Amazon / Kindle details yet, but I’ll post them as soon as they arrive. meanwhile, you will all have to make do with one poem. But remember: “A poetry book is a dream you hold in your hands.”

Still Life with Hollyhock
Geoff Slater

How do you frame this beaver pond,
those paths, those woods? How do you
know what to leave, what to choose?
Where does light begin and darkness end?

Up and down: two dimensions. Easy.
But where does depth come from?
Or the tactility, the energy, water’s
flow, that rush of breathless movement
that transcends the painting’s stillness?

So many questions, so few answers.
The hollyhock that blooms in my kitchen
is not a real hollyhock. It is the painting
of a photo of a genuine flower that once
upon a time flourished in my garden.

A still life, then, a nature morte, a dead
nature, portrayed in paint and hung alive,
on display in this coffin’s wooden frame.

Click on this link for Roger’s reading.
Still Life with Hollyhock


When I Paint

Meditations on Messiaen
Insights from Beyond

7

When I paint

I choose at random a brush and a color.
Then I stroke bright lines across a white page.
Fresh snow waiting for tracks and footprints.

“I draw meaning out of shape and color,”
Henri Matisse with scissors and cut outs.
And I am here with brushes and tubes of paint,
totally clueless, waiting for inspiration to descend.

But it doesn’t. Just these lies, these colors, these shapes
that define my life and elaborate a destiny
that I never planned nor wished for.

Colors, so vibrant. Anger. Energy. Tranquility. Rebirth.
Thoughtfulness. Meaningful. Moments held
in the mind’s eye, clasped between fingers,
dripping off the ends of a brush,
mixed and mingling in the unconscious mind’s eye
that contemplates, yet never judges, the colors
that unfold subtle, untold meanings, across the page.

Click on this link for Roger’s reading.
When I Paint

Art from the Heart

Art from the Heart

Just out today, thanks to my good friend Jared who turned a difficult task into a simple one. And yes, this is my first art book, though there are two more, at least, to come. Thanks to Patti too for the delightful portrait of the author as a flower-child. That was some time ago. This is a very limited edition. Best friends only – BFF. NB The photos are rotten. I apologize for that. However, the cartoons are very special. Here are the two on Climate Change, much debated, sometimes denied, but all too true for this poor snowman.

Climate Change
aka

“I won’t believe in climate change until April or May.”

April May be Too Late.

Again, the book is fine.
My photos are shaky!

Poetry Painting

Poetry Painting

This was a totally new experience: a poem written over a painting that linked visual to verbal. I tried several versions of the words and have come up with a better one… but, once the words are on the canvas, it’s so hard to change them. The spoken word, once loosed, can never be recalled.

Our New Brunswick leaves have gone already. We are looking at ships’ masts, sails unfurled, in an anchored harbor. Further south, Thanksgiving is here. My distant neighbors and friends are contemplating turkeys and family gatherings and all that is good about harvest festivals and the end of the productive year, the agriculturally productive year, that is. Below them, in Mexico, the land of four continuous harvests, growth continues.

The cycle of the seasons rolls on and on. In the British Isles Woodhenge has turned into Stonehenge. Four thousand five hundred years of history measured in stone circles, seasonal star and sun points, times for sowing and harvesting. Absolutely bewilderingly marvelous. More than 5,500 standing stone calendars can be found in those islands.

And here, in my painting, leaves, letters, words deliver a message of intertextuality. Change is upon us. We live with it, focus on it, describe it in words. Each letter, each word, is a leaf on the tree, falling or soon to fall.

Autumn Leaves

Catch them
if
you can.


Catch them
while
you can.

Autumn Leaves.
Don’t grieve.
Close the door
when she is gone.

Click on this link for Roger’s reading.
Autumn Leaves

Snow Geese

Snow: no geese!

Snow Geese

Snow geese falling, plummeting from the sky,
dropping like leaves, slowly and tumbling,
swiftly and twisting, spiralling down. Fresh
snow on the ground, their seasoned arrival.

Some land on water, others on the earth.
They gather in groups, snow banks of geese,
ghost-white, frightening, true sky lightning,
celestial, striking from its ancestral throne.

Always some sentries, necks stretched, eyes
open, alert, watching, guarding their needs
while the flock feeds. One honks “Who goes
there?” the flock looks up, watching him move.

Slowly, at first, they waddle from the walkers,
then faster and faster as the man unleashes his
hounds. An idiot woman, grinning like a death’s
head, points her cell phone and barks instructions.

The dogs run at them, barking and growling.
The snow geese panic, run ever faster, taking
to the air with a clap-wing chorus, honking
and hooting. The woman laughing, shouting

and shooting. “I’ve got them, I’ve shot them,”
she calls in her pleasure. Frustrated, the hounds
take to the water. Whistling, calling, the man
cannot catch them, not till they tire of the chase,

no match for geese, not in air, nor in water.
Joyous the couple, their videos made, hugging,
cuddling. They get back in the car, dogs shaking,
spraying them, baptismal water, cleansing all guilt.

Geese: no snow.

Click on the link for Roger’s reading.
Snow Geese

Song without Words

Song without Words

I wanted to sing you a song
to keep you alive
but you slipped through my fingers
and fled from my sight

I still sense your presence
but no longer know
the shape of your face

your voice on the phone
unique unforgettable,
a voice without face

voiceless and faceless
fleshless yet graceful
just what you were
a presence a spirit
a force in my life

a grey fleshless shadow
a mist in my mind
I know I never knew you

two different worlds
a world without music
a song without words
my love song to you
however absurd

Click on this link for Roger’s reading.
Song without Words

Spirit Dance

Spirit Dance
Thursday Thought

One of my best friends came over today and we talked. We also went out shopping: blinds and curtain rails. I can no longer put them up. He can. We had a fun time. So much exchange of information in the car and in the store and afterwards, coming home.

We left the mounting of blinds and curtains for another day. But I invited him to choose a painting from my collection to recompense him for his time, his care, his attention, his help, and to thank him for his friendship and his reaching out. He chose this one, Spirit Dance, the one above, quite unique, one of my favorites. It was one of two that he liked. This was the other to which he aspired.

I asked him to help me choose a painting for the cover of my last book, Stars at Elbow and Foot, and this is what he selected. It is now on the cover of the book. He has a great eye for art. Well, it matches mine and he chooses my favorites. So I am happy with that.

But my Thursday Thought is this: in writing we say “kill your darlings”. Meaning, there are some great ideas in our poems, stories, novels, but they don’t quite fit. We love them. But we must kill them and cut them out. Sure we save them for later, but oh, do they ever belong.

I have never sold a painting. I cannot say ‘money talks’ like another of my friends, because to me it doesn’t. El Poema de Mio Cid: ‘partieron como la una de la carne‘ — they parted like the nail from the flesh. But, as another friend of mine, a preacher, said, when I visited my father in hospital: “there are no pockets in shrouds — you can’t take it with you.”

I am grateful to my friend for accepting the gift of my painting. I know he will cherish it and that it will be happy with him. But oh, I miss it. No: I don’t want it back. I want it loved and appreciated and yes, I know that when I go, I will not be able to take it with me. Nor any of the others. Does anybody want to adopt them, my beloved children?

Click here for Roger’s live reading.
Spirit Dance