Babs

Babs

It was March 17, St. Patrick’s Day.

Babs held the cat in her arms. The vet slipped the needle into the shunt he had inserted into the animal’s paw and the tiny wind of life gusted from the cat’s fragile body. The struggle ceased. The cat’s head settled and her tongue protruded, just a little, in that beloved and well-known gesture. It was all over.

Babs had found that lump, hard, but smaller than a pea, on New Year’s Day. The next day, she carried the cat to the vet where they took blood samples and ran tests. The vet’s assistant called later that afternoon. A lymphoma, she said, small but deadly. Steroids might help. They would give the cat a 40% chance at a life that would get more difficult, in spite of any known treatment. The alternative was to bring her back in and put her down now, that very afternoon. Babs looked at the cat: highlights strayed through her fur and her bright eyes sparkled like sunshine on a lake.

Throughout January the steroids went in and the cat glistened and grew fat. At first, Babs saw no sign of the lump but by Robbie Burn’s Day it was back. Babs started to count the days: January 31, February 2. The lump grew larger.

Three years before, on Valentine’s day, Babs had salvaged the cat from the SPCA where she languished, abandoned in a cage. The cat was a stray, half feral, taken in from the streets and subject to who knows what sort of treatment and feeding in its infancy. Babs wondered if it was in those days of neglect that the cancerous seed took root? Or did those seeds come later, when the cat wandered the garden and fed off the wild life, mice and voles, and drank from the streams that flowed through the killing fields with their fertilizers, their weed killers, their nutrients, and their poisons?

“What are we doing to ourselves,” Babs wondered as she sat at the kitchen table and sipped a cup of tea. “Was my cat the canary in my coalmine, doomed to warn me of what’s to come? Will my own system be invaded then poisoned with cancerous growths? Will I be subject to that stumbling, downward road that leads in the end to an inevitable death?”

She lay awake that night alone in the bed wondering in what ways cancer might ravage her body. How long would chemotherapy keep her alive? Who would be there for her, who would hold and comfort her, who would slip that releasing needle into her veins when her time came?

Babs ran her fingers over her body as she imagined herself sliding day by day down that slippery slope that leads to the grave. Then she caught her breath, her heart raced, and her blood turned to ice as her fingers tripped against the colony of killers: three small hard lumps that nested in her soft breast.

Water Falls

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 Water Falls

    What is it about running water
that it explodes like long, blonde
hair over moss and rock
frothing with sunlight the diamond
sparkle, the freckling sound,
light flickering downwards,
fine threads of angel hair
tumbling from above, falling,

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white, over earth’s rocky shoulders,
pillowed across soft green quilts

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poured down from heaven’s skies
watering the earth’s dark throat,

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sinking through the soil
emerging in rivulets and brooks
until all waters are one
and the rains join hands
to splash, rejoicing,

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dryads and naiads bathing
together in deep, cool pools,
nymphs reborn, acrobats over rocks
as water falls to seek the sea.

Dark is her shop

Dark is her Shop

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I buy two liters of white mescal, cheap and rough,
without the second brewing: fire water, not smooth.
Two liters: she sells them in an old Coke bottle
she’ll seal with cellophane, and a rubber band.
Six worms I buy. Bedraggled fighters dragging
smoky trails as they plummet through a yellow sea.

In the shop next door I buy poinsettias.
When I get home, I put them in a vase
and watch them, red-eyed, watching me.
Bloodstains scratching a white-washed wall.

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Misshapen gems in a ceramic prison, their beauty
breaks me down: a fragmented world, decimated
words, metaphors born from worms and mescal.

The eyes I see are not eyes because I see them:
they are eyes because … twin brown ovals …
they watch me as they float in a liquid mirror
within the upraised glass held by my hand.

Outside, beyond the balcony,
sun -blood melts like sealing wax.
The bougainvillea strains sharp stains
through a lonesome slice of sunlight
giving birth to flamboyán and tulipán.

My lemon tree leans over to listen.
Glistening pearls of dew embellish
its morning throat. Christmas decorations
these postage-stamp minstrels, thronging
each branch, filling me with song.

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Butterflies, winged flakes of archaic paint,
flutter from temple walls leaving them barren.
Church towers, strong when terra firma shakes,
quiver insubstantial. Mescal melts the morning,
a miracle, this quiver of shimmering air.

Sacrifice

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Last night, a cataract of flame
flowed down the cathedral wall.
A wooden bull danced in the square,
sparks struck fire from his horse-hide hair.
A red speck on my shirt burned through to my skin.

Today a heart of fire burns in an iron barrel:
who will be chosen for the daily sacrifice?

A sharp blue guillotine poised between
buildings: this slice of morning sky.
Scorched circles, open mouths:
wide-open butterfly eyes burn holes
in the crowd’s dark cloud of a face.

A street musician stands in the shade
beneath the arches playing a marimba.
Sun tip-toesits danse macabre
across bamboo tubes. Sunlit bubbles
float dreams across the square.

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On Re-reading Quevedo’s Poetry

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On Re-reading Quevedo’s Poetry

Was that where my life went,
a spent candle trailing dark studies
among the packed lines of your poems?

And you, was your life gutted by that
same guttering candle by whose light you
scrawled your tight black spider rhymes?

Were they all meaningless, your insights
and my words? So few now know who
you were and what you represented
and I, your scholar, a mere shadow of your
shadow struggling in the straggling
light of a far-off continent, far from content
at knowing so much about you. Intent
I was on spreading light and the word
to a world that thinks the two of us absurd.

Our world is spinning on its edge, placed
on the perimeter of space, and going nowhere.
Specks of dust we sit and contemplate
the vastness of what exactly: our fortunes,
our spirits, our houses, our power, our lands?
Out there, in the vastness that surrounds us,
worlds without end will never know we existed.

Bleak and blank our names, our deeds, our status,
the statues they raise in our praise. And what of
our thoughts, those sparks of electricity
that link us lip to ear and mind to action
and each of our actions transformed by a dance
performed by circling planets that shape our wills?

Who programs that universe now? Who plays
what trivial games of snakes and ladders
in which we are the dots and dashes, pinballs
among a million trillion strings of flashing lights?

Dreams

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Dreams are important throughout mythology. Do we create them ourselves? Or do they come to us as celestial messages? Can they exist without us? Or do we form a symbiotic relationship, each dependent on the other?

Dreams

I once stole the nose from a sacred statue.
Today I watch it cross the square attached to a face.
Eight Deer walks past with a fanfare of conches:
you can tell him by his donut with its little tail.

A shadow moves as zopilote wings his way across the square.
I spoke with him once on a midnight bus.
He begged me to fold his wings and let him sleep forever.

gringa called Nuttall sells tins of watery soap.
Her children fill my days with enchantment
as they blow bright bubbles through a magic ring.

Eight Deer, eight years old, sets out on his conquests.
Nine Wind births nine of his people from flakes of flint,
or was it from the magic tree in Apoala?

The voices in my head slip slowly into silence.
Sometimes I think they have no need of me,
these dreams that come at midnight,
and knock at my window.
Other times I know they cannot live without me.

Earth to Earthlings

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March 1 is St. David’s Day: Dewi Sant, patron saint of Wales. While we are here, immersed in cold and snow, in Wales, spring is arriving, the daffodils are out, trees are budding. This poem is a reminder that winter will end and sunshine and spring will return. So for St. David’s Day, I wish you joy and hope.

Earth to Earthlings

“Get out and about,” she told me.
Take off your socks and shoes.
Walk barefoot on the earth and grass:
twin pleasures, you can choose.”

I took two canes, one in each hand,
and left the house to walk the land.

In the garden I took off my shoes
to walk barefoot on the lawn;
when grass sprang up between my toes
I was instantly reborn.

I stood in the shade of the crab apple tree
and let leaf and flower spill over me.

Sunlight took away my frown
and freckled a smile on my face.
I was blessed again with hope and light;
earth and grass filled me with grace

When white blossoms filtered down
they gifted me a flowery crown.

I stooped to reach my shoes
and carried them home in my hand,
maintaining as long as I could
my contact with this magic land.

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Chance Encounter

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“You only find what you leave behind.”

Chance Encounter
(Overheard at the bar)

“Meeting her, unexpected,
with another man,
and me, with another woman,
all four of us looking
bemused by what the other
had chosen in each
other’s absence
— suspense and silence —
then the halted, faltering
politeness of a nod,
a handshake, ships
passing in the night,
signals no longer recognized.”

Daydreams

Duermeivela: that time when the waker dreams he is waking, yet is still asleep. His mind wanders through a labyrinth of old memories, streets and squares, myths and legends. It is a mythical time of great creativity. To wake up from it is to be filled with hiraeth: a longing for all that is lost and can never be recaptured.

Daydreams

The alarm clock shuffles
its pack of sleeping hours:
a clicking of claws,
needles knitting outwards
towards dawn’s guillotine.

A knife edge
this keening wind
sharpening my bones
tingling fingers and toes.

Ageing eyes refurbished
in the morning’s sky fire.
Ravishing rainbows
dazzling the eyelash of day.

Old myths grow legs.
They wander away
to gather in quiet corners,
where the wind weaves
dry leaves into endless
figures of eight.

 An old man now,
I dream of white rabbits,
running down tunnels,
escaping the hunter’s hands.

When my dreams break up,
they back into a cul-de-sac:
a wilderness of harsh black scars.

Scalpels, my finger nails, carving
red slashes on white-washed walls,
trenchant shadows, twisted dancers,
old warrior kings
bent into pipe wire shapes.