A Rub of the Green

A Rub of the Green

A child among timeworn men, I learn traditional songs, if ever there’s going to be a life hereafter, with the correct words, no messing about with watered down lyrics, for back in the Emerald Isle ‘they’re hanging men and women for the wearing of the green’. I listen as all the ageless grievances are aired yet again by the exiles who parade around the family kitchen.
            I study the old ways and practice songs and tales from Ireland until they become familiar. As for those men, I met them in later life, at my mother’s funeral, knowing I had never really known them or understood them, those uncles and cousins, realizing that my family had split apart a long time ago down religious and racial lines. Yet I still sensed our closeness and recognized the familiar map of Ireland drawn in their ageing faces.
            Their Weltanschauung was Irish Catholic while mine was Anglo-Welsh, tinged with Methodism. Each new school I attended introduced me to a new faith and eventually I believed in none of them. I became an outcast, standing on the outside, looking in. I often wonder what the early immigrants to Canada the French and English, Irish and Scottish, when they first came here. What did they see and, conversely, how were those people seen, and by whom? Who now will tell those stories and bring those early cultures back to life?
            Today, I sit on the shore at Indian Point and listen to the silence. I wait for the wind’s whisper as it whisks all footprints from the sand. I hear the song of the sea as it rises and falls. In my mind’s eye, I watch the rocks as they slowly crumble and I repeat the song of the stones as they grind together, metamorphosing unhurriedly into sand.
            It takes a juggler to hold all this ancient world together especially when the old nests are empty and the birds have all flown. Wave foam slips into a single footprint abandoned in the mud and sand. All around me there are tales to tell and songs to sing. Some of them are even mine.
            I often think about an immigrant’s first foot-print, a lone print on an empty beach, waiting to be swept away by the rising tide.  Man Friday, perhaps. Or was it Man Monday, or Tuesday, or Wednesday, or Thursday … Man Saturday is best. But it’s never on a Sunday, so Man Sunday is as impossible as Woman Sunday, for the sadness of our memories exiles our better halves, our better two-thirds, our better three-quarters.
            All around us, there are songs to sing, stories to tell, words to repeat, wordless moments to recreate. “Patience and shuffle the cards,” Cervantes wrote. “Distinguish between all those false sirens, your one true voice.” That’s Antonio Machado. Find your own star and follow it. That might even be me, though it’s probably in the I Ching or the Daily Horoscope.
            The nests were all empty. The birds had flown. Who wants to live alone in a jack pine crow’s nest hotel in the Land of his Fathers where nobody knows him, where he doesn’t speak the language, and where he now feels ill at ease? The last time I visited the UK, I sat on the English side of the Severn Bridge, drinking a cup of tea, but I couldn’t cross that bridge, and I couldn’t stay in a htoel, in the Land of my birth, where I no longer knew anyone.
            Not that Wales was ever the Land of my Fathers, for my father was born in England, and my grandfather in Ireland. The Land of my Mother, perhaps, for she was actually born there. But the Land of my Mother never appears in any national anthem, and Mother is always singular while apparently a man can have more than one father, depending I suppose on the rub of the green.

What we want ….

What we want is Watney’s

It’s surprising how TV advertisements stick in your head, well, mine anyway. I can sing so many, from so far back. I remember going into a pub in England and standing at the bar. The barman asked me what I wanted and I said “Worthington E”. He looked at me in a funny fashion and said “We ain’t got any”. So I said “A pint of Watney’s please, Draft Red Barrel”.

Well, if I ever did. People around me were spluttering with laughter and choking on their beer. “Gor blimey,” said the barkeep, “What planet have you been living on? They stopped making that stuff generations ago. Come on,” he said, “Try again. Pull the other leg, it’s got bells on.”

“Well,” I said, “”you wouldn’t have a pint of Moosehead would you? Or Molson Canadian?”

I settled for a pint of best bitter. It was okay, but it wasn’t quite the same. And then I discovered Old Thumper. I’d never heard of that before, but it certainly was the best thing going.

Blue Birds Over

Blue Birds Over

There used to be “Blue birds over, the White cliffs of Dover” – and I remember how white and bright they were, when I was a teenager, returning from my summers in France and Spain, to see them, shining, and to know that I would soon be back in England – an England I no longer recognize.

Windmills, cliffs collapsing, line-ups for miles of trucks and traffic waiting to make their way into a Europe that we rejected. I remember travelling to France, Spain, Germany, Holland, Belgium, Luxemburg, Switzerland, Italy, Portugal and always being welcome. I remember the days when, as a pre-teen and an early teen, visas were still necessary for entry into some countries. And I remember how, later, with a European Passport, I was welcomed as a member of a larger community.

The Latin Mass, a common factor throughout Europe in my youth, now celebrated in many languages, is only open to those who speak those languages. Progressive or Retrograde? I guess, like beauty, everything is in the eye of the beholder. De gustibus non est disputandum – and that’s how it should be. But I long for that freedom, that sense of adventure, that sense of belonging that once, so long ago, I knew.

And yes, I wish I could still see those bluebirds over the white cliffs of Dover, not just lines of lorries and piles of portaloos and stress and discontent and impatience and misery. Just sign me sad, I guess, but now I know why those bluebirds are blue.

Bas Bleu

Bas Bleu Clair à Pieds Nus

This has been a time when words have failed me. Thanks to the presence of Finley in the house, my painting and drawing has been restored and I have once again begun to see a new world of shape and color through the eyes of a small child. Small? She is tall for her age and very, very visual. This morning we did online jigsaw puzzles – all art and patterns – and fractals!

Words may fail, but they are ever present. Bas bleu, well we all know what that means in the world of French academia where I once lived, a long, long time ago. Bas bleu clair – well they are light blue, aren’t they? And, like the revolutionary sans culottes, my figure walks barefoot, à pieds nus, that is to say, without shoes, sans chaussures.

I don’t know who started playing with words and cartoons, but Goya was a master at doing so, in his etchings. So words and visions linked, all in a playful game of allusion / elusion. What a wonderful world, that of the childlike, playing mind.

Me and My Bride!

Me and My Bride!

A friend wrote to me today and sent her greetings to ‘you and your bride’. Well, that delightful phrase set me thinking. Clare (my bride!) and I have known each other for 61 years and we have been married for 56 of them, 57 this Christmas. I often wonder how this wonderful woman has put up with me during all those years.

Mrs. Thomas Thomas, my good friend from the little village in Wales where my parents had their house, once told me about a friend of hers. That friend had been married for 35 years and had never had a quarrel or a fight with her husband. ‘There she goes,’ she told me one morning. ‘Never a fight with her husband. Bloody boring marriage, if you ask me.’

The point, I suppose, is that yes, there can be disagreements within a marriage, and doubts, and uncertainties, and questions about major decisions, and no, we don’t agree on everything? How could we? And one of the best parts about marriage, well, ours anyway, is agreeing to differ, and then making up again, as quickly as possible, after any disagreements.

Whatever, it is hard to argue against 61 years of togetherness and happiness. The secret formula? Clare’s – to learn my languages with me, to help me with my work, to lift me up when I am down. Mine – to love cooking for her, spoiling her, bringing her flowers, and trying to support her as she has supported me.

We have often led separate lives – Clare as a tennis player, a national gymnastics judge, a dedicated show secretary of the local kennel club, a show dog owner, groomer, and handler. Me – as a rugby player and coach, a researcher who has travelled frequently and visited important libraries in my field, a poet and short story writer who has taken and led workshops and writing groups.

We have also worked together at all levels. Each of my four graduate courses (MA, Toronto, 1967) demanded a paper every two weeks. Sunday, Monday, Tuesday – paper #1. Wednesday, Thursday, Friday -paper #2. Saturday – rugby with U of T Blues or Toronto Irish. Sunday, Monday, Tuesday – paper #3. Wednesday, Thursday, Friday – paper #4.

I would sit in the kitchen and write the papers in longhand. Clare would sit at the other side of the table and type each page as I finished it. She did the editing too, when and where necessary. She also developed her computing skills faster than I did. Result: web pages, art work, design, photography, and several of my book covers. Our keys to success include team work, mutual assistance, deep caring and sharing, but separate paths, when and if we needed to take them.

So, there you have it. A swiftly-penned picture of me and my bride, or, as I call her, my better two-thirds. My life would have been very, very different without her. And don’t forget: behind every lucky man, there stands a wonderful woman.

The Water Tower 10

The Water Tower
10

In the beginning the artist decided to start
with the sky and work his way downwards.

He chose and mixed his paints. Then he climbed
to the tower’s top and began to paint.

“Let there be sky,” the artist said.
He masked his face, pressed the button,
and refreshed the sky’s battered surface
turning it to a delicate shade of blue.

The morning and the afternoon took up that day.
When evening came, he packed up
his equipment and went home to rest.

Click here for Roger’s reading on Anchor.
The Water Tower 10

The Water Tower
St. Andrews
New Brunswick

Geoff Slater
Illustrations

Roger Moore
Poems

School Days

School Days

Sixty years ago, in 1962, somewhere around today’s date, I left my public school – private school – boys’ boarding school and entered the real world as a free man. I was lost. They educated me to be part of a world that no longer existed, the world of walls, and boundaries, of lists and rules, of school reports and chains of authority, older boys > house monitors > prefects > head boy of house > head boy of school > masters > house masters > head master. That great chain of authority was to rule me for the rest of my life.

Lists

This is my clothing list. Six times a year I packed all items into my school trunk, 3 times to go to school and 3 times to go home. Six times a year I unpacked all items from my trunk, 3 times when I arrived at school and 3 times when I arrived home.

Reports

I still have my school reports signed by by teachers, initials only, and my father, full signature. He had to sign so that the teachers could ascertain that yes, he had read my school report and that no, I had not hidden it from him. The report is a disaster story. I look back on some of the comments and wonder what worlds, what different realities, were we living in? One verbal remark, made in class: “Why are you in the sixth form?” “I am going to university, sir.” “The only way you’ll go to university is on a train.”

I sent that gentleman my train ticket, but he didn’t choose to remember the comment, made to a fifteen year old boy.

Scars

I still carry them. So many of us do. Less than most, possibly, for us ne’er do wells and miscreants.

In the beginning was the word, and the word, maybe, may endure. I guess, maybe, one day we’ll find out.

Starless Night

Starless Night

Night without moon, without stars.
Dark sand dropped filling my mouth.
I walked the lonely bed of a dried up river.
When I stumbled in my dream,
my feet left no marks on the sand.  

Colorless was my path
through shadow and shade
where a thousand figures of darkness
danced before me,
hollow their eyes,
their mouths black caverns.
No flesh decked their bones
and no night birds called.

Footless the earth worm
sighed a sibilant song.
Mindless he drew in a net
full of sorrows, silver fish
darkling losing their sparkle.

The dusky shawl of knitted dreams
wrapped itself around my shoulders
and I picked at knots of tangled memory
that bled like fresh wounds.

Click here for Roger’s reading on Anchor.
Starless Night

The Water Tower 3

Geoff Slater – Photos
Roger Moore – Poems

The Water Tower 3

Here there is no in media res.
We must begin at the beginning:
the inspection, the realization,
the determination to ensure
that all will be restored
and the Garden of Eden rebuilt,
here, where it stood before.

The feet that hold no defeat,
the hands that will reconstruct
the image growing within the artist’s mind,
the mind that will determine
how the brush will guide,
the bright paint slither.

But first the damage must be repaired,
the surface cleaned,
fresh straw in the manger
to signify a readiness for renewal,
rebirth, and the continuing cycle.

Click here for Roger’s reading on Anchor,
The Water Tower 3

An Experiment Gone Wrong

An Experiment Gone Wrong

Not everything turns out the way you want it to, and some experiments are total failures. Just look at the poor snowman in these cartoons.

On the left – “I won’t believe in global warming until April or May.”

On the right – “April May be too late.”

Oh dear – all those crows and doggy dump time. How embarrassing.

As for me, I tried painting today with my paint and draw kit on my computer. What a disaster: I handle a mouse even more clumsily than I handle a paint-brush. I was going to publish the ‘first attempt’ as a warning to others. But it wouldn’t convert. So I looked for a better idea: no innovation and back to the tried and true.

Oh Moo of little faith.

This isn’t a poem, so there’ll be no sound track with this one. “Oh brothers and sisters I bid you beware – of giving your heart for a snowman to tear – especially when the sun is warming the air.”

“Do you like Kipling?”

“I don’t know, I’ve never kippled.”