Going, going …

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Going, going …

… and soon they’ll all be gone, save for the lucky ones that Clare gathers and sticks in pots to winter over in the house-warmth. Over the coming months, if you visit us, you’ll find these flowers in corners, on tables, in places that are touched by the low winter sun. Clare keeps lots of geraniums and they do winter over very well. She makes a selection of colors and then places them in sunlit spots. They bring color and light to the darkest days and help keep winter at bay. They are also great to photograph against snows and crows, and I often use their window reflections in my indoor photography.

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Here are some red and white geraniums getting their last touch of fall sunshine as they cling to the back porch.

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This little group await their fall prune. Clare will trim them down and then bring them in. They will be slightly dormant for a while and then start to flourish once again. By the time next spring comes round, they will be ready for their outdoor adventures, a day at a time, back in overnight, and nursed and nurtured until they are ready for their full summer blossom.

It’s Thanksgiving this weekend, so a Happy Thanksgiving to all, and may you all have flowers to brighten your life and bring you some beauty and peace.

 

 

On Editing

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On Editing

Some editors are really very good. They take the initial idea of the artist and polish it, turning what was an average piece into a great one. Others are not so good and turn an average piece into an automatic rejection.
On my kitchen wall hangs a line-painting by Geoff Slater representing one of last year’s hollyhocks from my garden. He gave it to us as a Christmas present, and I am very proud of it. Finley loved it too. She followed with great glee the white line that starts and ends Geoff’s painting. Then she stared at me.

“What are you doing?”
“I’m writing a story.”
“What’s it about?”
“A thin red line.”
“Oh!”

A little bit later, I saw my pens and pencils strewn across the table. My sketch book lay open and I noticed that an editor had edited some of my work. My thin red line had morphed from illusion to reality and there it lay, twisting in and out of the tangled web I had created the day before. Clearly, my average creation needed the touch of a four year old editor and apprentice line-drawer to move from average to genius.

Oh the joy and creativity of a four year old! It took Picasso nearly fifty years to learn to draw like that again. And here’s another painting by this prodigious four year old. I got this one for Christmas last year, too. Alas, it is not signed.

“Don’t you want to add some more?” My daughter asked her daughter.
“No. It’s finished.”
And so have I.

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On the beach

On the beach

 

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Comment:

A daylight photo and a moonlit poem: I wonder how that came about? I guess we must have been beach-combing in the moonlight. It’s so long ago that I have forgotten the links between photo and poem. That said, Clare and I had spent a couple of weeks together in Santander (Spain) the previous summer, when we got engaged.

‘O bahía de Santander: tan bella bajo la luna’ / “oh Bay of Santander, so beautiful beneath the moon” as the Santander poet Gerardo Diego writes. And yes, Santander under a full moon: Mataleñas, the Segunda Playa, Jardines del Piquío, La Magdalena, the Bay of Santander itself, with Peña Cabarga in the background … there is something about beaches and midnight and moonlight which transcends the warmth of a summer’s day. It’s a sort of Midnight Magic that creates a madness of wonder in the blood. Imagine: all those silver fish, swimming their underwater roads, and rising to the surface, to ripple softly along the moon-path. Wander-lust / wonder-lust: sometimes buried words will not rise to the surface and those oh-so-precious moments of supreme poetry are lost among street lights, advertisements for this and that, street signs and the sort of stop signs that stop you and numb your mind into the dumb acceptance of daily reality: la vie quotidienne.

Memories: will they all vanish with us when we go? Of course they will. Many are fading now as we sit here at our desks, in our offices, before our computer screens. The grey screen hustle and bustle pushes memories, light and bright, back into the darkest corners. Where do I get off the bus, the train? Which number is it? Where is the office? Who am I meeting today and at what time? Did I shut the door behind me? Did I pack the children’s lunch? Did I let the cat out? And if so, out of which bag?

passionless not meaningless
the way I take your hand
tomorrow night not even we
will ever understand
the conflicts of this moonlit beach
the warmth of this sea-licked sand

PS. There, see, I told you I couldn’t read my own handwriting. Kiss / take; night / sand. Oh dear, the old grey cells are playing chess with my mind again: P-K4 / e2-e4 … whatever next? Well, I warned you!!!!

 

Beach Heat

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Beach Heat

This is the beach at Goran Haven, with Clare, on the sands, trying not to lose her engagement ring. It’s still with us, in spite of having left it in a washroom on the 401. When one of the support columns of the solitaire broke, we found the stone lying on the floor of the car … that was another close call. As for the poem, well, I suppose it is one of mine.

The enlightened may recognize its structure as belonging to The Book of Good Love / El Libro de Buen Amor, written in the 14th Century (1330-1343, according to some, though it may be a little later, 1347?), by Juan Ruiz, El Arcipreste de Hita. This early verse imitates the rhythms and sequences of Juan Ruiz’s poem: In praise of small women. Not that Clare is small: she is taller than me, and always has been. She is also younger than me and hasn’t manage to catch me up yet. She is cleverer too, but don’t ever tell her that I told you that. Life might become unbearable. Not admitting that little secret is what keeps me going.

I take it you can read my handwriting. If not, ask politely, and I will add a typed version that is more understandable. Ask nicely, mind! None of that “yore ‘andritin’ is atrooshus’ stuff, sort of, loike.”

PS: I didn’t have a very good camera in those days. As for my current cameras: wow! How the world has changed. As we have changed with it.

PPS: Indeed I have received comments, not very complimentary, on my handwriting. Oh dear. Don’t worry I can’t always decipher it myself, even with my glasses on. Thank you all my friends and anonymous correspondents. So, here comes the translation into print.

A diamond shines brightly
for all men to see
the best sweetness comes
from the wee honeybee

There is nothing so hot
as the female desire
like the cool of the beach
it burns you with fire

 

White Flame

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White Flame
in praise of my beloved

White flame, her hair, emerging from shadows,
lighting her path downhill toward water’s edge.
Wind-driven waves splash lake-side. I watch
her footsteps, not now as firm as once they were.

Burgeoning age grips her hips. Toes and heels
no longer  lift in the same old way. Component
parts break down, arteries clog, arthritis worms
its stiffening way into fingers, wrists, and knees.

I recall nursery rhymes: “Jack be nimble, Jack
be quick,” but she isn’t anymore and neither
of us could jump over a candlestick. Her beauty:
inner light. Outer light, her hair, pure and white.

Her voice  is still as clear as a bell, soft yet
luminous, as she picks her way on a perilous
path through wayward woods, not stumbling
yet, and still she lives, as I still live, in hopes

to see each other, until earth stops our eyes and
we can see, sense, touch, and hear no more …

Angels

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Angels

So easy to believe in them when you see them dance, at midnight, when stars sparkle and the world seems dark. They light up everything you know, turn your world inside out, make you believe in things you never thought you would believe in.

So many people can no longer see them. For all too many, the angels have fled, have abandoned the world, leaving it in darkness. Where are they, where have they gone? They are still here, my friends, they are still with us. It’s a question of vision and belief, above all, belief.

So, what is holding you back? Why can’t you see them when they are there, before your eyes, dancing on moonbeams, sunbeams, fluttering before you, begging you to believe, to open your eyes, to seize them as they flit to and fro. Look at them, gathered on that pinhead, on the button of your blouse. They love you, they want you, they need you … and you need them, you know you do.

So hold out your hands, open your heart, let the sun shine in, let moonlight bless and caress you, and may all your dreams be filled, not with shadows, but with the bright light of angels.

 

 

Bubbles

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Bubbles

Count them. Each day she was here, a bubble. Little did I know as I saw them floating in the sun across the porch against a background of leafy trees that they would so soon burst and vanish, one by one.

Lost now, her voice, gone her footsteps from the stairs, no more the scrape of her chair as she climbs up beside me, calling my name. When I wake in the morning, I wait for her joyful call. How she loved to bounce on my bed. Knees up, but no Mother Brown this, just my grand-daughter, four years old.

And now she is gone.

Full House

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Full House

Full house: echoing footsteps, shadows,
everywhere, a litter of toys, crayons,
colored pages, jigsaw puzzles, Barbie
and Ken found at the back of a shelf.

Memories: pinned to the fridge, found
in strange places, an almond on my chair,
a drawing in my notebook, a message,
unintelligible, scrawled on shopping lists.

That peremptory voice calls my name
and I drag myself from sleep, only to know
it was a dream, netted up from slumber’s
dark midnight sea. I drift off again and

see her again, opening the bedroom door,
calling, calling, ever present in voice,
song, and dervish dance, such energy,
round and round, bouncing on my bed,

rolling the exercise ball across the floor,
oblivious to danger, harm, the perils of
unbalancing, stumbling, slipping, falling,
aware of the need for sticking plaster

comforts littering thighs, knees, calves,
feet arms, elbows, where ever instant
attention calls for instant, urgent treatment.
I will always remember the ambushes

that rolled off the tongue, phrases way
beyond the skills of a four-year old. What
if her mother is a lawyer, the youngster
shouldn’t control that sort of language.

She remembered so much from her last
visit. We thought she would have forgotten
us, but no, she remembered where almost
everything was hidden, out of sight but

no longer out of reach. Just a little bit taller,
stronger, more determined, faster, so fast
and loud we could not keep up. This morning
I awoke to the silence of an empty house.

Rolling Stones

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Rolling Stones

I have counted down the days, hours, minutes,
one by one, each tock of my grandfather clock
linked in pen and ink chains of endless words.

From arrival to departure, time’s fickle finger has
pointed me onwards into my future or backwards
into a delusional past that never was as I recall it.

Packed bags, backpacks crammed full of snacks,
ammunition against the hunger wars soon to be
upon them, they commence their long journey home.

Grown ups, some in their second childhood, bemoan
ties that bind, tides that rip us apart, tearing hearts,
swinging us in and out as, cockle-shell heroes, we man

our coracles and consult wide-ranging horoscopes that
never fail to comfort, the future’s wild words, written
in pitiless skies to guide and inspire all earthly creatures

born into sadness and death. No heroes in this house.
Just two old people, grey-haired, broken, contemplating
this soon to be silent home, knowing the Rolling Stones

were right, that rocks in motion don’t gather no moss,
that each lost moment is a finger-nail torn from flesh,
that today of all days could verily be ‘the last time’.

Commentary: Here for such a little while and gone already. Two years since they were here and two more years before they come back again. The silence is overwhelming. Only CNN with its endless cacophony breaks into the conscious mind, though that mind is unconscious now of words and their meanings. Images of emptiness, empty nests, this empty nest, these empty nests fill the vacancy of space. The heart is a black hole in the chest, sucking everything out of the light and into that dark, vacant space.

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