That Wall

IMG_0624 (2).JPG

 

That Wall
(1953 AD)

build that wall
top it with wet cement
place bottles in a row
sign it date it
carve the barrier in stone

when the cement sets
break those bottles
impenetrable barriers

walled now this garden
its interior holy of holies
a paradise for the chosen few
peace and roses only a dream
glimpsed from the outside

a climber climbs
rips flesh shreds clothes
mottles concrete with blood
wet washing hung in fleshy strips
a red flag now this Siegfried line
its shattered glass wire
its see-through brittle anger
excluding all intruders

walled this garden studio
this monument
built by my father
seeking to block who out
trying to lock who and what in

Shipwreck

 

IMG_0152 (2).JPG

Shipwreck
(1914 AD)

they came for the burial
more civilized than
ritual burning

one by one
victims gathered up
held in one last hug

empty coffins
stood in rows
waiting to be filled

bodies on the beach
scarred in an after life
black and white

stark their weird
bones bleached
among sea-weed

done the deed now
coffins filled
lids nailed down

high tide mark
carapace charred wood
rusted iron

bright bones
long dead creatures
slow washing of hands

relentless actions
wind sandpaper sea
tear-filled skies

 

15 May 2002 Pre-Rimouski 109

Aye, aye

IMG_0581.JPG

Aye, aye
(8 April 2019)

I am my eye
this eye
my left eye

rapid heartbeat
shallow breathing
tautness in chest
this is all about
my eye

frozen with gel
disinfected
bathed in iodine
it nestles in a nest
loitering with intent
within a blue tent
filled with oxygen

three bright lights
surgeon’s fingers
surgical instruments
moving shapes
this eye my eye
sees them draw near
then fade away

machines hum
laser beams bite
extract then implant
more liquids
face patted dry
dark glasses appear
smiles all around

“Oh my eye
and
Betty Martin!”

this eye
is not an eye
because you see it
it’s an eye
because it
once more sees you

IMG_0591 (2).JPG

Paradise Lost

IMG_0112

Paradise Lost
(1667 AD)

nobody answers
bewitched by your knock
ultimate betrayal
front door locked

cold finger elegies
devils ascending
rhythmic drumming
rain descending

knock again louder
nobody’s replies
ahoy there the house
nobody’s inside

memories flutter
life’s dead butterflies
doorstep-marooned
look around take stock

ghosts watch from windows
sockets open in shock
that key in your pocket
might open the lock

a mystical place
between heaven and earth
land of my fathers
house of my birth

Ogmore-by-Sea

IMG_0055

Ogmore-by-Sea
(1960 AD)

white stone its castle
tumbled into ruin
stones in the river bed
mirrored its image
wind-broken ripples
picture fragmented

mud flats and rocks
stretch out horizontal
distant the sea
Severn mud an obstacle
no swimmers out there
where tides twist and pull

rock bathing instead
wind-whipped bare bodies
blasted with sand
skimpy the clothing
bikinis and pants
intrepid the wearers
breathless young girls
Welsh voices on the wind
always the wind
across rock across mud

dinosaurs walked here
left tracks in that mud
metamorphosed now
into fossil and rock

breeze tickles the nostrils
gulls batter the ears
salt stings the tongue
life on the margin
a bargain a gift
sweet in my memory
her kiss on my lips

Comment: I have no pictures of Ogmore (except in my mind). You’ll have to make do with St. Andrews, also by the sea. My thanks go out to David Watts for reminding me of my childhood in Wales. So many memories came twitching back. I went regularly to Ogmore with one of my school friends and his family. This was while I was still in the sixth form in school … a long time ago … but I remember it well.

Writing Memories 5

 

39948917_706398923049634_3046174897211441152_o (1)

A stitch in time

Banality, stupidity, or just old age: how did the knife slip from its intended path and end up slicing through my finger? Looking back, a year later, I seem to have lost the thrill of that shock. No sensation of pain. Blood oozed, squirted sluggishly, then flowed freely between the fleshy cliffs of the wound. I went to the fridge, took out an ice-cube. Blood all over the fridge door, the floor, dripping off my fingers. I went to the sink, ran the cold water, doused my hand in well water and ice. I could feel it then, a chaotic shrill pain, running through my hand in short, sharp electric shocks. I glanced at my little finger and saw white bone.

I tore a sheet from the paper towel roll: blotting paper to red ink. It sopped up the blood and overflowed in seconds. Another sheet. I bound it round the ice cube and tried, one-handed, to tighten my hanky round the paper. Impossible: the ice cube kept slipping. I looked at the floor: more blood. I looked at the telephone: neighbor? Police? Ambulance? I grabbed the hand towel, folded it in four, and bound it tightly round my hand, clutching the loose end in my fingers. I hurried to the door. Looking back, I saw a trail of blood spots and the cat, nose down, busy licking them up. Left hand held high to try and slow the bleeding, I drove to emergency.

Triage: the first nurse tossed the blood-soaked kitchen towel into the garbage can. “You won’t want this any more,” she grimaced. She took off my amateur dressings, and the blood started flowing again. “Are you on blood thinners?” “No.” You must have cut a vein.” “This will hurt,” she said, and sprayed some ‘stuff’ on my hand. It hurt. I tried not to wince. She tied my finger up tight, put my arm in a sling with the hand held high, and sent me back to the waiting room,

An overweight white male sat there, grinning at me. “Hurt?” he asked. “Yup.” “Much?” “It’s okay.” He stood up, put his hand in his jeans’ pocket, and turned his back on me. I could see the crack of his buttocks over the top of his pants. They bowed and bagged at the knees. He hoisted them up, the crack disappeared, the pants slipped back down, and the vertical crack smiled out at me again. “Here,” he showed me a packet, half concealed in his hand. “Try these. They’ll take away the pain.” “No thank you.” “They’re good. I take them. I get them off the street.” I took notebook and pen from my pocket and started to write. The guy shrugged, put whatever it was back in his pocket, and started to whistle.

The waiting room smells were different from the those of the triage room. In with the nurses, I had sensed their body warmth, their sweat at the end of a long day and at the beginning of an even longer night. I could feel energy, happiness, though I cannot explain what they smelled like. The air seemed to throb with positivity, good will, bustle, hope, and determination.  Perhaps it was the cleanliness, the medicinal smells, the disinfectants, the cotton swabs, the fresh, clean bandages, he sense of teamwork and companionship. It smelled and felt good in spite of the occasional unwholesome odor drifting out from the plastic bag where my blood-soaked hand-towel languished along with pads and bandages bearing witness to my loss of blood.

Outside in the waiting room: a different world. A sense of boredom and hopelessness filled the air. Bodies slept slumped over in chairs. The room smelt of stale sweat, dank clothes. An old man, isolated in the corner, reeked of urine. Some sipped coffee as they waited their turn, its bitter acidic odor similar to that of morning drinks on an overnight transatlantic flight with the same sour stench of too many bodies cooped up in too small a space. Sandwich wrappers and discarded gum packets littered the floor and rustled when disturbed by shuffling feet. Distant babble of nurses and attendants. A TV high on the wall tuned to the 24-hour news on CBC muttered its words quietly from on high. One lady had brought an orange with her and, as she peeled it, its bitter-sweet perfume made my mouth water and I was forced to swallow my own saliva.

Luck was with me and I didn’t have to wait long. A nurse called my name and her arm swept me into another surgery where a young man washed his hands, dried them on a paper towel, and encouraged me to sit down. He took my hand, placed it flat on the table between us, and began stripping off the dressings. When he came to the last one, I started to bleed again. “This should have stopped,” he said. “Tell me about it,” I replied. His eyes sparkled. “I’m sorry, he said, “but this will hurt a little bit. I am going to have to freeze your finger before I sew it up.” “Do it,” I said. He opened a sterilized packet, took out a needle, shoved it into a small bottle. “You’ll feel a little twinge, but the needle carries its own anesthetic, and it won’t take long to bite.” It didn’t. I flinched at first, but by the time he pushed the needle into my finger a second time, I couldn’t feel a thing.

He peeled back the skin, began dabbing and squeezing, and quizzed me again about anticoagulants. He chatted away, happy as a budgie on a perch, and I soon warmed to him. “This might hurt,” he said, as he inserted the needle, and threaded my laceration with a thin, blue thread that he knotted, then snipped. But it didn’t hurt. I couldn’t feel a thing at all. “Is your anti-tetanus up to date?” “I don’t know.” “This might be the tough one,” he said, referring to the third needle. It wasn’t.

I walked out of the hospital and drove home, elated. When I opened the door, I looked for bloodstains on the floor. Not one. The thin, pink, sand-paper rasp of the cat’s tongue had cleaned them all up. And there she sat, in the middle of the corridor, eyes glowing, licking her paw, waiting for me.

Commentary: I revisited Triage once again. My memories, a year later, are clearer, yet more distant. Have I managed to capture that experience in A Stitch in Time? I very much doubt it. So what have I captured? I just don’t know. What I do know is that the whole process of remembering, rewriting, re-configuring has been fascinating. That original setting down in words has been the starting point for four different departures, four different journeys back into the past. One of them took place last Sunday, verbally, as I was recounting the experience to those who were with me in the Saint John Free Library. Memory: what does it mean? How do we change it? How does it change us? Are our memories ‘real’, in the sense that they are accurate and permanent, or do they change as we age and color them, sometimes with a rose-tinted hue, sometimes with the deepest shades of grey and black? I cannot answer those questions. I do not have that particular skill set. But I can ask them of myself and I can set them before other writers so that they, too, may set out on similar journeys and enjoy themselves and their past as I am doing.

IMG_0290

Monte Alban

Southern platform2.png

Funny things, photos. When I updated my I-Mac, and I-photo became Photo, I lost some 10,000 photos, or more. Thanks to some hard work over the weekend by one of my good friends, we re-established contact with the missing photos. Skimming through them, I found this one, my words and Clare’s  computer art. I wrote it a long time ago, sometime after 1995, when I first visited Oaxaca. This piece records a visit I made, with Hayden Leaman, another good friend and an Oaxacan savant, to Monte Alban.

Under a hot sun that weighed us down and struck us like a hammer on an anvil, we wandered around the archaeological site and met with many vendors, some of whom seemed to have genuine artefacts, while others obviously offered us fakes. I couldn’t believe how the old men first discovered and then sat in the thin lines of shade emanating from a post, an edge, or a corner, la grata sombra / the welcome shade, as they say in Spanish. This one gentleman, who told us he had walked over from Arrazola,  some six kilometres or so away, asked us for nothing, chatted with us, and proved to be a wonderful source of local information. It was a pleasure to share our water with him. He was the possessor, he assured us, of a genuine green card, and didn’t believe in illegal immigration.

The words in the picture above summarize my thoughts at the time. I asked Hayden later where he wanted to go. He looked around at the temples, the monuments, the tombs, the ball court, the observatory … “Who wants to go anywhere?” he replied. “I am happy right here.”

I visited this and other sites later with Clare. She too proved to be very adept at finding the shade and just sitting still. Look and listen carefully: you too may be able to see and feel the beauty and the silence.

IMG0040_1

Impact

IMG_0017.JPG

Impact

This photo comes up from nowhere, springs into your half-awake mind, diminishes your reality. W5: who, what, why, when where? But there is no who, save the person bearing witness to this moment in time, and you, the double witness who also contemplates and is therefore complicit.

Do you recognize this scene? Is this a moment in your life? Are you the one who struck the match and lit the flames in the lower corners? And are they even flames? Or are they moments of glory, flashes of fireworks, the world coming alive in a moment of combustion when light and dark are mingled until, fiat lux / let there be light, and the world is reborn, light and form, drawn from darkness, and earth and sea divided into separate realms. In principium erat verbum / in the beginning was the word and the world was born / reborn in this verbal-visual instant between sleeping and awakening, when dreams gain substance and ideas take on form and shape and grow in the observer’s mind until creation sparks into life.

Who now knows what will be, what might be? We see. We bear witness. We paint, draw verbal pictures, take snapshots, unfold our souls, placing them on paper and canvas capturing them by camera in snapshots … but What’s it all about, Alfie? Do you remember the film? The suspension in space, the knowledge that all is absurd, that this is a jigsaw puzzle of the worst kind, with no solution, no answer, and every path bifurcating before us, and each of us wandering in a maze, a labyrinth, with an entrance, but no exit.

Do you think up or down, when you’re floating in a space without gravity, where nothing is substantial and all the rules you ever learned no longer hold? The roller-coaster rolls on and you hang on, and sometimes the sun comes up and sometimes the sun goes down, and is that the first light of morning or is it the last light of day, and how can you be sure?

And where is it anyway? Have you ever been there? And if I told you where it was , what time of day it was, or what time of night, would you believe me? And if not, why not? And who and what am I? And why do you trust what I say? And why would you trust me, when you have never met me, and you do not even know who I am, or where I am, or what I am, and even I do not really know who I am or why I am, and why does any of this matter?

It matters because we need faith, we need substance, we need hope, we need to believe in something other than ourselves and beyond ourselves. We still want to wake in the morning and see the dawn. We want to grasp it in our hands, not just in our minds, and know that there is light beyond this darkness, there is hope beyond this gloom, there are better things ahead. See that forgotten candle? Pick it up. Take that match. Strike it against the box. Now light that candle. Take it out. Show it to other people. Encourage them to light their own candles.

Sometimes we need to enlighten the world, to turn it round, to reject it as it seems to be and to recreate it in our own image.  But take care: the image of the candle is not that of the laser beam or the searchlight. One by one, the small people, we must join together, and like tiny stars and light up the firmament. I cannot do it alone. But together, you, and you, and you, and you, if you walk with me, we can do our best. And that is the best we can do, in this, as Voltaire’s Candide once called it, the best of all worlds and the only one we have.