New Year’s Day

Self-portrait with mask

New Year’s Day
What’s in a name?

Only the winners write the history of their conquests, only the winners. Am I a winner, then? Of course I am. I’m writing this aren’t I? Therefore, ipso facto, I am a winner. This means that although they trashed and thrashed me, they never broke me nor was I a loser. I survived. And in that world in which I lived, surviving without surrendering was a victory in itself. But this is no tale of a hero, of bloody deeds, of a great victory. It is a survivor’s tale. So, if I won, then they lost, and who knows now how the losers felt, history’s non-winners, their slates wiped clean now, their names anonymous, erased from my story, not carved in stone nor impressed into steel.
            What’s in a name? The Red Wings, the Black Hawks, the Braves, the Algonquins? Whose heart lies broken and buried at Wounded Knee? Why does the Wolastoq rise in the Notre Dame mountains and flow down through unceded land to the City of Fredericton that noble daughter of the woods, and on to the city of Saint John on Fundy Bay? Why Wolastoq, Notre Dame, Fredericton, Saint John?
            “Sticks and stones will break my bones, yet names will never hurt me.” But what if I am called Nemo and have no other name? No-name man, no-name woman, no-name child, no language to call my own, no culture, no history, except the one that others wrote and forced me to believe or the innocent who causes me to rebel

            “Grandpa,” she says, climbing on my knee. “Tell me a story. Please.”
            “Once upon a time,” I begin. “There was this little girl …” She wriggles and giggles.
            “What was her name?”
            “I don’t know.”
            “Yes, you do.”
            “Don’t.”
            “Do.”  
            “Was it me? Am I that little girl?”
            “You can be if you want.”
            “I want. How does my story end?”
            “I don’t know. You’ve only just started it.”

So, write your poems, write your stories, write your childhood, write your memories, write what you know, invent what you don’t know. You can’t remember your name? Give yourself a new one. You have forgotten your myths? Create new ones. You have forgotten your language? Seek and you will find, and when you have found, learn your language again, a word at a time, phrase by phrase, word-picture by word-picture, until you have renewed your world and your place in it. Let your ancestors stride through your veins again and again to stand in the spotlight that you shine upon them.
            Restriction, extinction, suppression of the weakest and poorest, survival of the fittest … You, you who are reading this, you who have survived, you can count yourself among the strongest and the bravest. Now name yourself for who and what you are.
            Pick up your pen and write. Lazarus I name you: step out from your living tomb, step out from your kennel-cave. Pick up your bed and walk and talk, and write your own story. And remember the words of Oscar Wilde, “Tell your own tale, and be yourself, my friend, because everyone else is taken.”

Click here for Roger’s reading.
New Year’s Day
What’s in a name?

Comment: This is the penultimate chapter from On Being Welsh. I will put the last chapter up tomorrow.

A Writer’s Year

A Writer’s Year

Comments: Limited edition. 40 copies. Self-published and printed by Covey’s, Prospect St., Fredericton. Free to workshop participants (all four of them!) and to anyone who asked for one. I also gave away free copies of my books to all participants as a reward for having the courage to brave Covid – masked and socially distanced – and to listen to me and share my ideas.

Comment: My first publication with Cyberwit.net. A pseudo-autobiography masquerading as a memoir. The original version of On Being Welsh was awarded first place in the D. A. Richards Prose Award (WFNB, 2020). It is available online from Amazon and Cyberwit.net.

Comment: My second publication with Cyberwit.net. allison Calvern helped me select and order these poems and my thanks go out to her for all her hard work. Geoff Slater and Ginger Marcinkowski also read and commented on the poems. Stars at Elbow and Foot covers 30 years of writing poetry, 1979-2009. It took a year or more to pull those thirty years together. It is available online from Amazon and Cyberwit.net.

Comment: My third publication with Cyberwit.net. An early version of The Nature of Art and the Art of Nature placed second in the A. G. Bailey Award for a Poetry Manuscript (WFNB, 2020). I revised it during my second residency at KIRA (May-June, 2021), sharpening the vision and concentrating on the links between one creative form and another. Geoff Slater and Ginger Marcinkowski again read and commented on the poems and Geoff suggested that I write the Prelude: On Reading and Writing Poetry. It is available online from Amazon and Cyberwit.net.

Comment: My fifth book of the year, self-published and printed by Covey’s, Prospect St., Fredericton in a limited edition of 40 copies, once again given free of charge to my creative friends. Patti painted the flower on the poet-painter’s cheek and I thank her for that. Geoff Slater played a large role in my painting and drawing by persuading me that my cartoons were not worthless. John K. Sutherland has long supported my cartoon art, and he encouraged me to ‘leave tangible footprints’ and to get some of my art work into print. I couldn’t have done it without Salvador Dali, though, and that’s my version of his watch going over the waterfall.

Comment: My comments on a year’s work as a creative artist would not be complete without a mention of the Kingsbrae International Residencies for Artists that take in the summer months in St. Andrews, New Brunswick. I received an invitation to attend KIRA in May-June, 2021. I would like to thank Lucinda Flemer and the KIRA support group for their kindness in inviting me back. The creative friendships that I have made with KIRA artists over the years have just been amazing and the whole atmosphere at KIRA is not just inspiring, but awe-inspiring. Just look at this. How could a writer not be inspired.

Dawn from the Red Room at KIRA

I would also like to mention the online workshops that I have taken with Brian Henry, of Quick Brown Fox fame. I attended the Friday morning advanced writers workshops from January to March, and again from September to December. His knowledge, skills, organization, and support are second to none. I have made many wonderfully creative e-friends across e-mail and our Zoom classes. My year’s work would not be complete without a tip of the hat and a great big thank you to BH & QBF.

Final Comment: I am grateful to Jan Hull, Stoneist, for her reminder that today is Old Year’s Day and that the Roman deity, Janus, is a two-faced deity, with one face looking back towards the old year, as I have just done, and the other looking forward to the future, as I am doing right now. All in all, a busy year and a very enjoyable one. Let us hope that next year is also an enjoyable and a very creative one.

Self-portrait with flowers

Self-portrait with flowers

I walk past the Jesuit Church
where the shoe-shine boys store
polish, brushes, and chairs overnight.
I walk past the wrought-iron bench
where the gay guys sit, caressing,
asking the unsuspecting to join them.

Nobody bothers to ask me for a match,
for a drink, for charity, for a walk
down the alley to a cheap hotel.

The witch doctor is the one who throws
the hands of all the clocks into the air
at midnight, in despair.
He’s the one who leaves this place,
and returns to this place, all places being one.

The witch doctor sees little things
that other men don’t see. He reaches out
and flicks a fly away from my nose.
“It too has lost its way,” he sighs.

I think I know who I am,
but I often have doubts when I shave,
rasping the razor across my chin’s dry husks.
The witch doctor, my lookalike, my twin,
stares back at me from my bathroom mirror.

Three witches dance on the waning soap dish.
One spins the yarn, one measures the cloth,
one wields the knife, that will one day sever
the thread of I, who the same as all
poor creatures, was born only to die.

You too must one day look in that mirror,
oh hypocrite lecteur,
mon semblable, mon frère.

Type on this link for Roger’s reading.
Self-portrait with flowers

Comment: My thanks to all those who click on earlier poems and express their liking for them. I am particularly pleased when an earlier poem lacks a voice reading. Then I can revisit it, rethink it, rewrite it, record it, and speak it aloud. Here’s the link to the earlier version of the poem Charles Baudelaire. Fast away the old year passes, and we must renew ourselves, our thoughts, and our poetry for the new year soon to be upon us. To all my readers, old and new, welcome to that world.

Boxing Day

Boxing Day

Still Life with Hollyhock
Geoff Slater

How do you frame this beaver pond,
those paths, those woods? How do you
know what to leave, what to choose?
Where does light begin and darkness end?

Up and down: two dimensions. Easy.
But where does depth come from?
Or the tactility, the energy, water’s
flow, that rush of breathless movement
that transcends the painting’s stillness?

So many questions, so few answers.
The hollyhock that blooms in my kitchen
is not a real hollyhock. Intertextuality,
visible and verbal: this is a poem about
a painting of a digital photograph of a
hollyhock, a genuine flower that once
upon a time flourished in my garden.

A still life, naturaleza muerta in Spanish,
a nature morte in French, a dead nature,
then, portrayed in paint and hung alive,
on display, in this coffin’s wooden frame.

Click on this link for Roger’s reading.
Still Life with Hollyhock

Comment: Back home in Wales, Christmas Day was for family and Boxing Day was for friends. I guess the same traditions still exist here in Island View. And what better friend than Geoff Slater? I met him in 2017 at the first KIRA residency and we have been friends ever since. We have worked on so many projects together: painting, creative workshops, videos, sound recordings, poetry, and short stories. He has illustrated several of my books, McAdam Railway Station, Tales from Tara, Scarecrow, and I have put some of his drawings to poetry, Twelve Days of Cat. Last, but by no means least, his painting of a hollyhock from my garden appears on the front cover of my latest poetry book, The Nature of Art and the Art of Nature (Cyberwit, 2021). The title of the collection, incidentally, came from sundry discussions we had on the nature of art and the Prelude: On Reading and Writing Poetry (pp. 7-31), was written at his suggestion. Poems to Geoff can be found on pp. 43, 44, and 61-62 of The Nature of Art.

So, Boxing Day is for friends. And I dedicate it to Geoff Slater and all the many friends I have made in KIRA, Kingsbrae, and throughout my multiple meanderings through the realms of academia, coaching with the NCCP and the NBRU, researching in communities like the ACH, the AATSP, and the MLA, various editorial positions on academic journals like the IFR, BACH, STLHE Green Guides, STLHE Newsletter, La Perinola, AULA, CJSoTL, Canadian Modern Language Review, Calíope, translating for different associations, including the Discalced Carmelite Nuns in St. Joseph’s Convent, Avila, and volunteering with STLHE and the 3M National Teaching Fellowship. To all those friends out there, including my friends and e-friends in TWUC, the LCP, and the WFNB, and those on Facebook, my blog, and my online Skype and Zoom courses and meetings, plus, of course, those I know via Quick Brown Fox, you are not forgotten. Here, for you, on Boxing Day, is a hug or a wave of the hand and a great, big thank you for being there.

Selection of my books
on the sea-shore at Holt’s Point.

Christmas Day

Christmas Day

Wishing all my followers a wonderful Christmas and let us hope that the New Year brings us some relief from Covid-19 and all the ensuing vicissitudes. Sunny here in Island View and coldish, but not too bad. A tiny sprinkling of snow, so we qualify for a White Christmas – una blanca navidad.

AMGD: The full phrase attributed to St. Ignatius of Loyola, the author of Ejercicios espirituales / Spiritual Exercises and the Founder of the Jesuits, is Ad maiorem Dei gloriam inque hominum salutem or “for the greater glory of God and the salvation of humanity.” 

So, to continue with the Latin: Pax Amorque /Peace and Love. My friends: whatever your customs and beliefs, make this Christmas a good one and let us all wish for a Happy New Year.

Anniversary Poem

Anniversary Poem

“Hoy cumple amor en mis ardientes venas
veinte y dos años, Lisi, y no parece
que pasa día por el.”

Francisco de Quevedo

“For twenty-two years my captive heart has burned.”
Christ, what crap that is. The only heart burn
I have known came from your cooking: African
Nut Pie, as detailed in the cookbook I bought you
for Christmas on our first wedding anniversary,

remember? And do you remember the ride to Kincardine
on the train? A dozen coaches left Toronto and one
by one they were shunted away until only you and I and an
elderly man ploughed through the snowstorm in the one
remaining carriage. Deeper and deeper piled the snow.

You looked through the window and started to weep:
“What have I done?” you cried in shock and grief. Outside:
Ontario lake-effect snow. Headlights from two waiting
cars lit up the station. We drove to the homes of people
you didn’t know, third generation cousins of mine.

You’re the only bride I know who was carried to church
in the arms of the total stranger giving her away
in place of the father she never knew. The snow lay six
foot deep (eighteen inches fell on your wedding day
alone) and you, with a white wedding dress and black boots

up to your knees. Cousin Walter carried you to the altar:
how they laughed as they chanted that old song to us.
Later, when they tapped the glasses and fell silent
at the meal, I didn’t know what to do. And you, my love,
standing up, kissing me, married after six days in Canada.

Comment: 55 years ago today. Where have they all gone? How quickly they slipped away. So many memories. So much happiness.

Click on this link for Roger’s reading.
Anniversary Poem

55 Years Married

Poppies by Clare

55 Years Married

White Flame
in praise of my beloved

White flame, her hair, emerging from shadows,
lighting her path downhill toward water’s edge.
Wind-driven waves splash lake-side where she
will wander. I watch her footsteps, not now
as firm as once they were. Burgeoning age

grips hip and joint. Toes and heels no longer
lift in the same old way. Component parts
break down, arteries clog, arthritis worms,
painful, into fingers, wrists, and knees. I
recall nursery rhymes: “Jack be nimble, Jack

be quick,” but she isn’t anymore and
neither of us could jump over candles.
Candlelight, inner light, outer light, her
hair, so pure, so white, her voice clear as a
bell, soft yet luminous, as she picks her
way on a perilous path through wayward

woods, not stumbling yet, nor lumbering,
and still she lives, as I still live, in hopes
to see each other, until earth stops our eyes
and we can see, sense, touch, hear no more …

Comment: Yes, we got married 55 years ago today. This poem, written for Clare, appears on page 120 of The Nature of Art and the Art of Nature in the section entitled The Nature of Human Nature. I have written several very personal poems about Clare and our relationship and they can be found in Secret Gardens the chapbook I published in 1991 on the occasion of our 25th wedding anniversary. Several poems from that collection also appear in Stars at Elbow and Foot. Selected Poems, 1979-2009. (Cyberwit, 2021). The painting that decorates this page is also by Clare. She is a talented multi-media designer and several of my book covers were designed by her. This is one of her rare paintings. We have three of them on the wall, and they are all exceptional.

Click on this link for Roger’s reading.
White Flame

Survivors

Survivors
Chuck Bowie
(KIRA, June, 2019)

We met at St. Andrews, at low tide, on
the underwater road. In secret we
shared the closed, coded envelopes of thought,
running fresh ideas through open minds.

Our words, brief vapor trails, gathered for
a moment over Passamaquoddy,
before drifting silently away. Canvas sails
flapped white seagulls across the bay.

All seven seas rose before our eyes, brought
in on a breeze’s wing. The flow of cold
waters over warm sand cocooned us
in a cloak-and-dagger mystery of mist.

We spun our spider-web dreams word by word,
decking them out with the silver dew drops
proximity brings. Characters’ voices,
unattached to real people, floated by.

Verbal ghosts, shape-shifting, emerging from
shadows, revealed new attitudes and twists,
spoke briefly, filled us with visions of book-
lives, unforgettable, but doomed, swift to fail.

Soft waves ascended rock, sand, mud, to wash
away footprints, clues, all the sandcastle
dreams we had constructed that afternoon,
though a few still survive upon the printed page.

Comment: We, like the words we leave on the printed page, are survivors. Sometimes, when the seas rise high and our paths grow rough and hard to travel, we need a friend to reach out to us in our time of need. That friendship extends across differences and distances. Here, on the shores of time, we can meet and greet and share. Patos de diciembre, we can paddle together and give each other strength and comfort.

This poem appears on pages 64-65 of The Nature of Art and the Art of Nature, soon to be available at Cyberwit and Amazon. More details later.

Click on this link for Roger’s reading.
Survivors

AMGD

AMGD

Mary Jones

I met her unexpectedly in a restaurant in St. George.
I was masked, but she knew me right away. She hadn’t
changed. How could she have? She is as she is. Straight
forward, upright, honest, true to her words and her values.
Ex-military. A United Nations Peace-Keeper. A Blue Beret.
World traveller to some of the roughest, toughest, ugliest,
craziest spots. Everywhere she went, she helped keep the peace.

She came back home to find out what she already knew: that
rural New Brunswick was as wild as anywhere she had been.
She was anonymous. Here she was just a number in a book,
a casualty in a nameless war of attrition after which the winners
rewrite the history of events, twisting them this way, that way
to suit themselves and their own instincts and interests.

“Best of the best,” I wrote in the book I gave her. Fortuitous,
it was, finding her again, finding that copy close to hand,
reserved for her alone. That book and this poem are my tribute
to her for her courage, her fortitude, and her strength of will.
They are also a tribute to her role in making the world a safer place
in which others, less fortunate, can create, without fear, their lives.

Comment:

This poem for my friend Mary Jones is from the section Art of the Portrait. It can be found on page 54 of my poetry book The Nature of Art and the Art of Nature. This book will soon be available online at Cyberwit.net and Amazon. More details when they are available.

Click on this link for Roger’s reading of the poem.

OMG-3

OMG-3

55-54 BCE. Julius Caesar visits Britain, but he doesn’t come as a sight-seeing tourist. When asked later about his trip across the channel, he replied with three little words that have echoed through the halls of history: veni, vidi, vici / I came, I saw, I conquered.

Filled with a desire to paint, I prepared a floral background. Overnight, those words came to mind: veni, vidi, vici. To them I added Alpha (the first letter of the Greek alphabet) and Omega (that alphabet’s last letter), these being the Greek letters currently being attached to the various variants of Covid-19. It being Sunday and me, having years ago sung in the choir of the ancient, 12th Century Anglican Church at King’s Stanley, I thought of the words of the old hymn “Omega and Alpha He”. Then, with a stroke or two of the pen, I added them to the painting.

Last, but not least, I added co- to -vidi to get co-vid-i. The painting was almost done. OMG-3 (OMG cubed in the painting) was the final touch and there you have it. The ultimate Covid-19 painting, or is it a poem? Whatever it is, it is a warning, or rather a series of warnings. (1) It is here. (2) It is real. (3) It is killing people. (4) We are currently at Omicron. (5) There’s still a long way to go to Omega. (6) It’s not over yet, not by a long way.

So my friends: keep well, keep safe, keep out of trouble, keep believing, and keep visiting this site! There’s something new here every so often. And once in a while it’s pretty and / or unique.