Sun Flowers

Comment:
The poetry flows. But if I publish it here, I cannot use it in competitions and there are many around right now.

So, instead of a poem in words – a poem in colors and lines. I have portrayed several of my acquaintances and friends in the flower faces. Luckily, I am such a terrible artist that you will be unable to recognize yourselves! So choose one you like – and pretend that it’s you.

I hope this painting will cheer your day and bring some happiness and sunshine to you wherever you are.

Ice Flow

Ice Flow

Free fall, then scree on the road
to Wolastoq. with the fresh air
speaking to the rock face
in a long-forgotten tongue,
broken words metamorphosing
into fragmented scree at rock-foot.

Just for a moment we glimpse
the ancient water in the stone,
catch the flow of winter words.

The January sun, low in our eyes,
heavenly glory glancing off rock
to give earthly joy, golden beams
highlight damp, glistening slate.

Afternoon frost, water and rock,
polished into ice-maiden tears
that dance their sparkling way
and are held for a moment
in a vision that will last forever.

Comment:
Such beauty in silent things, ice, rock, sky. But learn to listen and perhaps you will hear them talking, one to the other. One day, you too may share their words of wisdom.

What relationships have a positive impact on you?

Daily writing prompt
What relationships have a positive impact on you?

What relationships have a positive impact on you?
I think one of my poems answers this question best. I write “one of my poems” but it is really my ‘free’ translation of one of Francisco de Quevedo’s sonnets – Retirado en la paz de estos desiertos. I have changed the poem slightly, but I am sure Don Francisco (1580-1645) will excuse Don Roger’s impoverished effort (2023).

On Loneliness
29 December 2023

Resting in the peace of these small rooms,
with few, but welcome books together,
I live in conversation with my friends,
and listen with my eyes to loving words.

Not always understood, but always there,
they influence and question my affairs,
and with contrasting points of view,
they wake me up, and make me more aware.

The wisdom of these absent friends,
some distant from me just because they’re dead,
lives on and on, thanks to the printed word.

Life flits away, the past can’t be retained.
each hour, once past, is lost and gone,
but with such friends, I’m never left alone.

The painting, by my friend Moo, is called Fiat Lux – Let There Be Light. It is reminiscent of Dylan Thomas’s poem, Light breaks where no light shines. Intertextuality – Quevedo drew inspiration from the Stoics. I drew inspiration from Quevedo. Moo drew inspiration from Dylan Thomas. The nature of creativity and its continuing links throughout the ages shines clearly through these wonderful associations.

First Snow Blow

First Snow Blow
4 December 2023

A dry old stick of a man
I hang a warm coat
on my scarecrow frame
and don thick mitts
to keep out the cold.

Gripping grimly
the snowblower’s handles,
and hanging on tight,
I plod my wobbly way,
working the gears as I go.

The snowblower, this year,
is a recalcitrant shopping cart
with me, the shopper,
frantically pushing, pulling,
forcing the machine along
a narrow aisle of snow.

Out of breath, I stop,
breathe deep, and try to
regain control, first
of my heart and lungs,
and then of this machine
that so frustrates me.

It seems inanimate, but
some spirit must dwell within
and force me to follow
its devilish whim, instead
of going the way I want to go.

Comment:
Just the one snowfall so far, but there’s more on the way. Winter in New Brunswick, Canada, is never complete, without multiple falls of lovely snow. Lovely to look at, but not so much fun when you’re getting old and the snowblower snorts into life meaning that it’s time, once more, to go outside and clear the snow.

You get to build your perfect space for reading and writing. What’s it like?

Daily writing prompt
You get to build your perfect space for reading and writing. What’s it like?

You get to build your perfect space for reading and writing. What’s it like?

After an outpouring of poetry, during the recent three day – 72 hours – power loss, I have run out of words. Having had nothing to do but write, I now have everything to do, except write. So, I did some painting instead. This one is called Emotions in Motion. It is a picture of the inside of my head.

The inside of my head (pictured above) is the perfect space for both reading and writing. It is an especially good place when illuminated by candlelight as the flickering flames help the emotions to get into motion, if you see what I mean. And you probably don’t, because you have never entered a perfect writing, reading, and painting place, like mine.

Anyone can have a desk, with a window, looking out onto a garden. There may even be wonderful landscapes with fantastic sunrises and surprising weather events. But no space is perfect, save for that one perfect space (as depicted above). I can just imagine my friend Vincent (Van Gogh) doing aerial cartwheels with his paintbrush in his hand as he perambulates around his Starry Night, another perfect space in which to paint and read and write.

I painted Emotions in Motion during the aftermath of the three day power out[r]age when all sorts of thoughts and licorice all-sorts were floating around in there. You can probably taste a couple of the flavo[u]rs when you look at the picture. Never mind. Words will return – or not – in which case I’ll let the blobs of paint speak for me. And you can read my fortune in Vincent’s stars – or not, as the case may – or may not – be.

Describe a man who has positively impacted your life.

Daily writing prompt
Describe a man who has positively impacted your life.

Describe a man who has positively impacted your life.

Does it have to be a man? Many women have impacted my life in a positive fashion. My Welsh grandmother taught me how to cook. She would stand me on a small stool placed beside the stove and I would watch as she explained what she was doing and why she was doing it. She allowed me to stir the various mixtures, to help beat the eggs, and when she baked, she always gave me a small piece of cake mix or dough so that I could create something for myself and bake it in the oven with the all the other things. It is hard to beat that type of impact. The small stone she threw still sends ripples through my kitchen and that of my daughter and granddaughter.

When I think of kitchens, I think of the many, many kitchens that I visited when living in France, Spain, and Oaxaca, Mexico. In each of them I picked up so many hints and ideas. In Santander, how to make a tortilla espanola / Spanish omelet. Every evening, my first landlady would leave, on the kitchen counter, one egg, one potato, and one onion. That was my supper – but I had to make it myself. I have made Spanish omelets for 60 years now. Some are simple, others combine different ingredients. All come from the kitchens I have visited in Spain.

In France, I learned the Parisian way to scramble eggs. Again, my landlady taught me how to scramble them her way, the only correct way. My scrambled eggs, learned as I was perfecting my knowledge of French language and culture, are still the talk of the table, when I serve them. Oaxaca was a total revelation, as I have said on many occasions, as was Oaxacan cooking. The first thing I learned – how to prepare quesadillas. Alas, there are no offerings of flor de calabaza with wish to garner them, not here in Canada, not that I have seen, anyway. Next came pico de gallo, that inimitable blend of cilantro, onion, jalapeno, tomato, lime, and salt. All of these recipes came, verbally, and practically, from the wonderful women who have enriched my world, as did the bacon and eggs, on a tortilla, with salsa mexicana, and the eggs scrambled in orange juice. And we won’t talk about the chapulines, grass-hoppers fried in garlic, nor the avocado with tuna delicacies.

Of course there have been men as well. Mon, the friend who spent twenty-three years in a Franco jail as a political prisoner, and survived. He built his own boat, powered by an old engine from a bakery that he adapted, and together we fished the Bay of Santander, every Sunday, for three consecutive summers. He taught me the secrets of the bay, where the fish were, where they hid, how they moved with the tides. He would encourage me to jump over the side, in deep water that lifted me up with the surge of the Biscay, under my armpits, and wouldn’t let me back on board until I could name every part of the bote. I became a very quick learner, especially as he was eating the omelet and drinking the wine as I was speaking. It was another incredible enrichment.

 Juanra, from Avila, was another such teacher. He would take me on his Sunday excursions to buy the week’s wine for his hostal-restaurante, and together we would visit La Seca, and other local wine-growing regions. I remember the day he and the lady who owned the vineyard we were visiting baptized me. We stood, thirty five feet underground, beside a wooden barrel, one of twelve in that cellar, that contained 5,000 litres of white wine. Juanra climbed a six foot ladder, and stood beside a tiny feather that acted as a plug to keep air out of the barrel. The lady, who performed the role of high priest, gave me a glass, showed me where to hold it, beneath the spigot, so that the wine would fill it and I could taste and test it. She turned the tap on – but no wine came out – then she held my hand ‘to keep it and the glass steady’. “Ahora / Now!” she gave the command. Juanra withdrew the feather, the wine flowed, and the lady jiggled my arm and soaked me from wrist to elbow, shrieking with a high-pitched laughter that blended with Juanra’s bass guffaw. “Ya te hemos bautizado,” they cried in unison. “Now we have baptized you.” And there I stood, a child of the vineyard and an adopted son of the land.

Just one? Only one? How could you be so cruel? I remember with great fondness one of my rugby coaches. Many of the people who surrounded him thought he was a clown, and told me so behind his back. But he had a certain something – and I wasn’t sure what it was. One day, at a national coaching conference, he took me on one side. “You already know everything that people here can teach you. But, somewhere, there is one piece of gold. You may find it here, or there, or in the bar. But that one piece of gold is what you will take home with you.”

When I coached the provincial junior team, one summer, I invited that coach to visit and to help me coach. We walked onto the field together. “Leave this to me,” he said. I asked him what I could do to help and he said – “Nothing. Just sit in my back pocket. See what I see. keep quiet. Ask questions later.” He started with a warm up game of rugby, which he refereed. “Whenever I blow the whistle three times – like this peep! – peep! – peep! – I want you to stop wherever you are. Don’t move until I tell you to.”

Then followed the most wonderful master coaching session I have ever witnessed. A ruck – peep! – peep! – peep! – – “Who was first to arrive?” No answer. he pointed. “You were. What did you do? Why did you do it?” This went on and on – scrums, lineouts, kick-offs, penalties, 25 yard drop outs – we weren’t metric yet. “Peep! – peep! – peep! – What did you do? Why did you do it? What else could you have done? Why didn’t you do that?”

They had called him a clown, the ones with the papers, and the coaching certificates, and the education, behind his back, and to them he was clown. But to me, he was a master coach. He taught me how to look, to listen, to see, to ask questions, and never to judge anyone until I had walked in a person’s shoes, or sat in their back pocket, not just for a mile, but for a whole wonderful weekend. He had a wonderful sense of humor and the clown left everyone laughing. Clown? He might have been the Prince of Clowns, but I have never forgotten what he taught me, nor how he taught it.

Change

1

Change

Waters rise, tides get higher,
streams wash roads away.
grey, rainy skies, day after day.

Temperatures drop down at night.
Water turns to ice. Northern Lights
burn bright, set the sky alight.

I forget my gloves. Fingers, cold,
fumble at buttons, and my zip
is not the easy zip of old.

My life cries out for change,
but change is out of reach.
I change the things I can arrange.

Some days I’m weary and sore.
Most days I can do no more.

2

Change

Waters rise, tides get higher,
streams wash roads away.
Grey, rainy skies, day after day.

Temperatures drop down at night.
Water turns to ice. Northern Lights
burn bright, setting the sky alight.

I forget my gloves. Fingers, cold,
fumble at buttons, and my zip
is not the easy zipper of old.

Some days I’m weary and sore.
Most days I can do no more.

My life cries out for change,
but most changes are out of reach.
I change the things I can arrange.

Comment:

I decided to change my format today and go back to the left margin alignment, rather than the central alignment that I usually use for poetry. Your comments on the adjustment would be welcome. I have included both formats so you can see how the poem flows in each one. As for this poem – a rhyming sonnet, wow!

Moo’s painting, executed late last night, is his way of showing how rage can suddenly build and, like a runaway river, suddenly and unstoppably break out. It is extraordinary how his paintings so often mirror my moods and word flows.

Do you have a favorite place you have visited? Where is it?

Daily writing prompt
Do you have a favorite place you have visited? Where is it?

Do you have a favorite place you have visited? Where is it?

Just one place? So difficult to choose. I have been very lucky in my travels. I haven’t gone far, but I have tried to go deep, returning to the same places again and again. One place I often visited was St. Luce-sur-Mer in Quebec. It is a wonderful little town on the banks of the St. Lawrence River. The sunsets are sheer marvels and the views of the Northern Lights across the bay are just outstanding. Site of the wreck of the Empress of Ireland, it is filled with mystery and memories, as is the nearby Rimouski. Ste. Luce sur Mer would be my third choice.

Oaxaca, Mexico, would be my second choice. The city itself, capital of the state, is packed with history. I taught there for a couple of weeks (maximum six) every year from 1995-2001 and every time I returned I found something different and more mysterious. The dancing and music in the capital, the cascades of fireworks flowing down the facade of a church, the Christmas Cribs that grew day by day as people added to them, the incredible food, and above all the people – dancing in the Zocalo on Sundays to the music of the State Orchestra, crowding the markets with color, and the markets themselves, the scents of peppers, coffee, chocolate – to visit Oaxaca, in those days, was to visit the heart of Mexico. Imagine sitting beneath the tree that Hernan Cortes had sat beneath when he visited Oaxaca just after the Conquest of Mexico City – Tenochtitlan – and talked to the Mixtecs and Zapotecs of the Oaxaca Valley. And the codices – wonderful – I cannot say enough in praise of Oaxaca.

My number one choice: Avila. The lead photo shows the Toros de Guisando. Pre-dating Christianity, these four stone bulls – verracos – were often used as boundary markers by the Vettones who lived there before the Romans. One of these four bulls bears, carved into its side, the marks of one of the Roman Legions that passed this way. The countryside around Avila has to be seen to be believed. The walled city itself is a wonderland – three kilometres of walls, 9 gateways, a Cathedral that shows an enterprising mixture of styles, museums, libraries, squares, and a welcoming people who make you one of the family. I visited here for four summers, 2005-2008, staying for between 6 and 8 weeks on each visit, and always residing in the same place, El Rincon, close by the Mercado Chico.

My Knapsack

My Knapsack

Throughout my childhood,
I carried a knapsack on my back.
Into it I stuffed my darkest secrets.
Along with all my dirty washing
they filled every cranny and nook.

Words of hate, carved into my life-slate,
shuffled and cut, but unchanged,
unchangeable, remained engraved
on the tombstone I took from above
 the hole I dug to bury the casket
in which I hid the shards of my heart.

On a rainy day, when push came
to shove, I left my childhood home
to wander the world, alone, on my own.

I walked to the station, boarded a train
and never went back home again.

At journey’s end, I left my knapsack
and its contents in the luggage rack.
I never want to see them again.

Comment:
“Pack up your troubles in your old kit bag, and smile, smile, smile.” My maternal grandfather used to sing me this song from WWI. “While you’ve a Lucifer to light you fag, smile, boys, that’s the style.” I wonder how many people now remember what a Lucifer is, let alone a ‘fag’, in that sense of the word. It has, of course, morphed into many other meanings, some of them not necessarily pleasant. I remember my grandfather, standing in the kitchen, before the coal fire, and saying “I remember when Wills’ Woodbines were a penny a packet.” Wills’ is still with us, but may not be for much longer. I can’t remember when I last saw a Woodbine. I certainly never smoked one, in fact, I never ever smoked at all. But as for that kit bag aka knapsack aka backpack aka rucksack, well, put all your troubles in it, tie them up tight, and take it somewhere safe where you can leave it and forget about it, and then start life again. “Good-bye old friend, I am on the mend. And that’s the end.”

As for the painting, by my good friend Moo, that shows The Fall – Pre-Lapsarian / Post-Lapsarian – when all the devils, demons, and black angels were tumbled out of Paradise and abandoned to the depths below, where, alas, they still roam. So, if you meet any of them along the way, shove them in that old kit bag and get rid of them too. You’ll feel much better afterwards.