Cartoons

Turds

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I love the sales shows on the telly. The sales lady comes and and starts talking and you can’t stop her once she gets going. My golly, once they start talking they’d sell you anything from snake oil to …. well, I heard a good sales pitch today. It went like this.

“See how delicately the necklace is carved? Then it is highly polished in a new process that leaves it bright and shiny, like a brown diamond.”

The model whirls and twirls, showing off her best points,  not to mention what she is encouraging viewers to buy, the bracelet, the ear-rings, the shiny necklace. Television and online sales. No sense across the screen of touch, of taste, of smell. Just a temptation to enter a vision that the sales girl is selling. The model whirls, the music rings out, the camera focuses on the band in the background. The lead singer wears exactly the same jewelry as does the model: identical necklace, ear-rings, bracelet.

I struggle to catch the words, but you know how modern music distorts the lyrics, twists the sounds. Later, I put the words of the song back together. I recognize snippets, portions, and then the whole verse clicks. Intertextuality, I think, verse responding to verse across cultures and the ages. No wonder that I recognize it and can put the words back together with the help of the original.

“Only twenty left,” the sales lady says. The model smirks, wiggles, shows off her multiple gems, and smiles. “Call this number now,” the sales lady points to a number in the corner of the screen. “Nineteen, eighteen left, be quick. You don’t want to miss out on one of these.”

“Remember,” the sales lady says. “these are original dog turds. They say you can’t polish a turd, but you can. In fact, with today’s new freeze dry technology you can collect dog turds, freeze dry them, and then carve, shape and polish them. No more doggy bags and doggy waste. It’s one of the best forms of recycling.” The sales lady smiles at the camera and the show band breaks once again into that snappy song and chorus. While the lead singer sings, the camera focuses in on her necklace, her ear-rings, and then her bracelet. And I piece together the words:

“Gather ye dog turds while ye may,
for time it is a’flying,
and that fresh dog turd, dropped today
tomorrow you’ll  be drying.”

“Looks like a dog turd.
Smells like a dog turd.
Feels like a dog turd.
Tastes like a dog turd.
Thank Dog we didn’t step in it.”

 

 

 

 

 

Snowman

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“Settle down, children, and be quiet. I am going to read you a story about the snowman who didn’t believe in global warming. You, at the back, Elizabeth … yes, you. Sit down and shut up and stop biting your fingernails. And no, it’s not recycling when you chew them afterwards. Stephen, stop blowing raspberries. Now, children, shall we begin?”

“Yes, miss.”

“Once upon a time, a long time ago, after a big snow storm in November, Little Justin built a snowman in his garden. It was a lovely snowman. You can see how lovely it was if you look at the picture at the top of this page. There. Isn’t he lovely?”

“Yes, miss,”

“Justin was a very clever boy and he could do magic tricks. So, he made his snowman mobile and the snowman walked all over the garden. He was a very happy snowman and he threw snowballs at Justin who caught them and threw them back. Stephen, will you stop blowing raspberries.”

“Sorry, miss.”

“Justin’s snowman could speak and understand long words and sentences. He was very clever, but not as clever as Justin. David, will you stop picking your nose and don’t put that finger anywhere near your mouth.  And Stephen, one more raspberry and I’ll make you stand in the corner. Do you understand me?”

“Yes, miss.”

“One day, Justin told the snowman all about global warming and how the spring would come and the sun would shine and all the snow would melt. ‘Phooey,’ said the snowman. ‘I don’t believe you. And anyway, I don’t care.’ ‘You just wait until April or May,’ said Justin. ‘Then you’ll believe in global warming.’ ‘Right,’ said the snowman. ‘I won’t believe in global warming until April or May. Then I’ll believe in global warming. Maybe. We’ll see.’ Justin was very upset that the snowman didn’t believe him. Stephen: that’s enough. No more raspberries, I said. Now go stand in the corner. With your face to the wall. Any more noise from you and I’ll put you in detention. Do you understand?”

“Yes, miss.”

“Well Christmas came and the snowman danced on the snowbanks and thumbed his nose at Justin. ‘Global warming sucks,’ he sniggered. Justin shivered through the cold winds of January and February. Then March came in like a lion and the cross-country skiing was wonderful and Crabbe Mountain was full of young people all having fun. Meanwhile the snowman danced away and sang under the moonlight. Some nights Justin would wake up to find the snowman’s face, like a great full moon, leering in at his window. And … what was that noise? Stephen, was that you?”

“Please, miss. I couldn’t help it. It wasn’t a raspberry, miss.”

“I know it wasn’t a raspberry. And I know what it was. You’re coming with me to see the principal. Class, you can take out your pencils and notebooks and write your own ending to the snowman story. Stephen, what you did was disgusting. You’re coming with me to the principal’s office. Right now.”

“But, miss,” Elizabeth an David raised their her hand.s and spoke in chorus” “What happened to the snowman?”

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P.I.S.S.

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I found the acronym PISS in the below the line comments section in the Guardian. I love it: apparently it stands for Post Imperialist Stress Syndrome, another lesser buzz-word from the referendum and its aftermath. It refers to the idea that a whole (and elderly) generation of Brits cannot get over the fact that they no longer have an Empire and yes, they want their Empire back. How that is going to happen is anybody’s guess.

So, here’s the weather forecast: heavy rain over Britain during Brexit. In fact, to use a local saying the rain will indeed be “pissing down”. For a while, everybody can wear rose-tinted glasses (you can see them in the cartoon), but soon enough reality will return and then the reconstruction of British Empire 2.0 can begin. The rich won’t suffer: they never do. But what will happen to those who are currently staggering under the current burdens of austerity? Nobody knows and the only ones who really care are the sufferers themselves.

Eau Canada: it’s great to live in a bilingual country where such fractures can be faced and overcome. Yet who knows what fractures face us in the future as we predict fires, floods, high winds, ice storms, power losses, and a host of climate change adaptations that will be as difficult to surmount as the political changes voluntarily sought by a small majority of 2% in a referendum where only 60% of the people voted.

As the Chinese curse would have it: “May you live in interesting times.” Whatever your beliefs, your faith, your vote, your IQ factor … interesting times are indeed upon us. But keep them at a safe distance from me, s’il vous plaît … And let’s watch it all unfold in virtual reality on the telly … I prefer to live my life that way.

Pork Pies

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This is the climate change monster wearing rose-tinted glasses and peering out of the woodwork to say ‘Boo’! And Boo to you too, because, guess what, while California is burning, and Carolina and Florida are drowning, and the Island of Puerto Rico, all surrounded by sea, because it’s an island in the ocean, is being blown away by hurricane force winds, the only people who can really and truly do anything about it have buried their collective heads in the sand, checked their profits [why do they never listen to their prophets?], and declared that it isn’t happening.

And a great many people believe them. I lived through Hurricane Arthur, going twelve days without power in 2014. I saw the devastation on the Acadian Peninsula, where I have so many friends, especially in Paquetville. I witnessed the flooding downriver in the Quispamsis area this spring. I visited the tragic remains thrown out from flooded homes in Maugerville and Sheffield and abandoned by the roadside for the garbage men to pick up and drive to the dump. I also visited the growing mound of electronics and scrap metal flourishing by the Burton Bridge over the St. John river here in New Brunswick.

I saw what was happening and I thought to myself ‘This isn’t right. Those men who could do something about it are absolutely telling the truth. This isn’t happening.’ So I put on my dark glasses and my blinkers and then I couldn’t see what was happening around me. I was happy and immediately knew that there was no problem and that everything was fine.

Fracking? I am voting for it. I don’t  care if the ground water that fills my well is polluted, I’ll just go to the Superstore and buy bottled water in plastic bottles and throw the plastic away afterwards, because I can’t see anything bad happening. The Bad News Bears are out there, bringing Fake News of terrible potential disasters, just to scare me, and I know they are wrong. Those wind storms last month that left 100,000 people in New Brunswick without any power, well, they were greatly exaggerated and didn’t really happen. Anyway, I guess it was less than a thousand people. Not as many as they said. The Bad News Bears always fake the photos of the misery and the cold and the unhappiness and wow, did they do some convincing videos, except they didn’t convince me, because I know better than any of them, and I know they are faking it.

And, guess what? When I wrote twelve days without power after Hurricane Arthur, I was not telling the truth: it was really less than twelve hours, or maybe it was only twelve minutes, and no, we didn’t have to take buckets out and fill them in the ditch in order to get water with which to flush the toilets because it was only twelve minutes, yes, really it was. and we could hang on that long with no problem. And those linesmen from Quebec and from Ontario, well, they were there in minutes, not after twelve days days, and we didn’t really need them, because the fallen trees weren’t really fallen and the power lines weren’t really down, and dear, dear, dear: what pork pies people do tell, and all to make them feel important and get attention for themselves.

“Pork Pies, for sale or rent!”
“Liar, liar, pants on fire!”
“True: I’m not selling pork pies,
I am giving them away for free.”

 

Rain / Il pleut

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I remain fascinated by Guillaume Apollinaire’s Calligrammes. I first met them when, as a  teenage flâneur in Paris, I wandered the quays along the banks of the Seine, entranced by the literary treasures of the bouquinistes. Eighteen years old, I had just been released from a twelve year sentence to a boarding school education (6-18 years of age). I loved the freedom of Paris and the joys of choosing my own poets and my own poetry books will always stay with me. Apollinaire was not a set text. He was a personal discovery and a true  joy. I remember the light blue cover and the worded rain drops inscribed upon it when I bought my first Livre de Poche, the poems of Apollinaire.

Caligrammes are out of fashion now, their virtues taken over by the joys of concrete poetry. I still write some, drawing them out by hand. I find this much easier than planning them on typewriter or computer, though I have done both. The cartoon – poem hybrid, printed above, is my intertextual reflection on Apollinaire’s original Rain / Il pleut which can be found on page 62 of the above link from Le Mercure de France.

I look at the snow steadily mounting outside my window and I hope that we will not see rain for a long, long time. Not until Easter and the welcome warmth of spring. That said, I miss the rain. It was a constant part of my childhood and I remember spending day after day, head pressed to the window pane (yes, I do know how to spell it), watching the raindrops sliding down while behind me, the old coal fire threw out enough heat to warm me in my daily loneliness.

Run, Turkey, Run

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Do turkeys vote for Thanksgiving or Christmas? Good question. An equally good question, do turkeys have a democratic vote? Well. I doubt that. If they did, they would probably vote for vegetarians and vegans, and who could blame them? I certainly wouldn’t.

One of my memories of the Dominican Republic is seeing young ladies standing on corners by the highway with chickens and geese beneath their arms. The birds looked very excited to be out, flapping and squawking at their moment of liberty. Every so often, a car would stop, a bird would be exchanged for cash, and off it would go, flapping and squawking happily away with its new family. Little did it know the fate that lay in wait. I am reminded of Boxer, in Animal Farm, promised freedom and an after-work-life of clover-filled pastures only to be led unceremoniously into the rag-and-bone man’s truck, destined for the glue factory.

I am reminded too of the Quebec referendum and Separation H. The vote was close and, as the Parizeau man said: “as soon as they have voted ‘yes’ we have them in the lobster pot.” The lobster pot, the roasting dish: Thanksgiving, Christmas, Brexit, Separation H … oh boy, the joys that await us as we mark our little square boxes with their little neat crosses, never remembering the crosses, row on row, that mark the graves in Flanders Fields where all those lovely poppies grow. ‘Sheep unto the slaughter’, thought the French troops as they bleated like sheep while marching towards the meat-mincer of Verdun. A voiced protest, maybe, but not really a mutiny. In spite of that, 1 in 10, 10%, the true meaning of decimation, were then shot by their own side … for mutiny. Afterwards, the offending regiments were forcibly broken up. Clearly, the authorities didn’t want the war effort affected by the voicing of any hint of the realities of that war.

So, my fellow democrats, liberals, free-thinkers, and well-wishers: let us link hands and join in the Lobster Quadrille, or if you’d prefer the YouTube version, click on the second link. And while you are waiting for the link to appear you may as well sing that sublime chorus so often associated with Separation H:

“Parizeau, Parizeau:
is it yes or is it no?
Parizeau, Parizeau:
into the lobster pot you go.”

 

Moo Cow

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Moo Cow
for Geoff Slater

It’s his story to tell, not mine, but I’ll tell it anyway, since he told it to me.

We were talking after lunch, de sobremesa, as they say in Spain, sat around the table. Chewing the fat, or the cud. The subject turned to farming in Wales and how Welsh farmers were sometimes trapped in the stall with the bull and crushed against the wall when the bull leaned its great weight upon them.

“It nearly happened to me,” he said. “But it was with a cow, not a bull. I was nine years old. One of our cows got into the manger and couldn’t get out. My father sent me in, hoping that I could shoo it out, but instead of leaving, the cow turned and trapped me against the wall. I couldn’t move, couldn’t breathe,” he paused.

“Go on.”

“I carried a pocket knife at the time. I had just enough room to pull out the knife, open it and … ”

I watched him shrink, grow younger. He returned to nine years of age. In his hand, he held an imaginary knife. The room shrank around us until it became the size of a manger. The cow loomed large, filled the room.

” … I stabbed, stabbed, stabbed … ”

His eyes tightened. His face grew grey. A sea-change came over him: white-caps whipped over his flesh. Storm clouds threatened. I watched his clenched hand stab … stab … stab … at empty air.

” … I stabbed it again and again and it turned and moved away … and finally I could breathe. I was lucky.”

He relaxed, started to breathe again. The room returned to its normal size. The cow vanished. The sun shone through the kitchen window, high-lighting us as we sat there, breathless,  in silence.

 

Heart Dance

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Heart Dance: This is what the heart does when you have a good friend around for lunch and you spend an hour or two discussing art, creativity, meaning, change, artistic development, moving on, changing one’s style, and welcoming and creating new artistic visions. Heart Dance is about possibilities, about opening things up, seeing the interior self more clearly, watering the creative soul and encouraging it to grow outwards until it fills the whole person.

Heart Dance moments happen at different stages in the artistic life. They are urgent moments, impulsive moments, moments when you can suddenly hear the music of the spheres and see the universe dancing for you, before you, and with you. They are magic moments when the heart becomes one with the universe and heart and soul join mind and body in a universal heart dance where the dancers are one and the dance is not just for one, but for all sentient and creative beings who can hear the music and feel the rhythms pounding through arteries and veins.

The dull, grey, concrete life of the nine to five desk-bound existence fades away to be replaced by a flowerbed of activity, full of light and sound and color and music. Usually, this happens to the individual in the privacy of his or her own mind. Occasionally, we can share the event with a friend who is going through the same, or a similar, change at the same time. A unique experience to feel and witness the music with another person and to be bound into the circle of dancers, treading where other artists, great and small, famous and less important, have all danced before.

We talked of the joys of visiting great museums and of staying in one room, before one painting, and of spending the day there. This I did with El Greco’s El entierro del Conde Orgaz / The burial of Count Orgaz, with Picasso’s Guernica when it was housed in the Mesón de Guernica, with Hieronymus Bosch’s The Hay Wain, with Velásquez’s Las meninas, and with Goya’s Desastres de la Guerra, not one picture, but a series of etchings taken in, day by day, over a period of a magical month spent in Madrid.

In poetry it happens when I return to poems that I love. I read and re-read them, again and again, finding new nuances, new meanings, new depths. I think of the anonymous Poema de Mio Cid, of Góngora’s Polifemo, of Quevedo’s Canta sola a Lisi and his Heráclito cristiano, of Octavio Paz’s Piedra de sol, of Lorca’s Romancero gitano and his Poeta en Nueva York … the wonderful original poems of Fray Luis de León and of St. John of the Cross … and this is just scratching the surface of an exterior world that I have interiorized until it has indeed become a part of me.

Heart Dance: my heart dances and sunshine floods my soul as I write these words, words and thoughts that I have just shared with a good friend, as he shared similar words with me and we joined together in a heart dance during which the sun shone brightly and the whole creative universe sang and danced with us.

Hash Brownies

It’s funny, really … after years and ears of avoiding illegal recreational drugs, of urging students and athletes to be natural and clean, after politely and rudely saying “No” to pushers and pushing them aside … the least (so they say) of those recreational drugs (marijuana) is now legal and on sale in Canada in government sponsored and approved stores. Did I waste my life in the advocacy of cleanliness and health only to discover that what I was advocating against is now perfectly legal, and excellent, and good, and makes tax money and profit for the government?

One thing’s for sure: I’ve been clean since birth, and I am not starting now, not on recreational drugs that were previously illegal. That said, my friends who suffer, as I do, from osteo-arthritis assure me that the medical marijuana they have been using for years is better for them than all the patent medicines sold over the counter. I can see and hear the ads: “Blow dope for hope,” “avoid pills for your ills,” “smoke joints for your joints.” Or maybe  “eat hash brownies for your just desserts.”

So, on the first day that marijuana was legalized in Canada, I went into the garage, climbed the step-ladder, stood at the top, breathed deep, and came down again. I went back into the house and told my beloved: “There: I’ve just had my first legal high.” I was proud: high on top of a step-ladder and still legally, morally, virtually, spiritually clean.

Guess I don’t need strange smells hanging to my clothes. I can always smoke Gauloises or Disc Bleu if I need smelly breath and clothing, not that I have ever smoked either. I guess I will remain a rope-a-dope virgin … but I might yet be tempted by the miraculous possibilities inherent in hash brownies or peanut butterballs with an appropriate addition. Especially if the pain gets worse. And my doctor makes a strong recommendation for clemency.

Brexit 2

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So, I called Mrs. May, the British Prime Minister, this morning, in search of clarification and she very kindly agreed to send me the road map she had drawn up for Brexit. As you can see from the above photo of the road map, it is very simple: the truth of the matter is that in Brexit ‘the truth points the way’. So, just follow the arrows and you will arrive at a satisfactory solution that will please all parties.

Thank you so much for this road map, Mrs. May. It reminds of the RAC maps that led us through France to Spain by following one straight line that never deviated. I remember trying to follow that one straight line through Bordeaux one year, in the rush hour crowds that followed the end of a soccer match and a rugby match. Marvellous. I can’t remember how many times we got lost in the twisting turning narrow streets we encountered when we once took a false turning, away from the packed streets of revellers, while looking for our RAC booked hotel.

In the end we  picked up a street urchin and he drove with us for another half hour tour of the city before we realized that he too was ‘just taking us for a ride’, so to speak. In the end, we stopped outside a large, five star hotel, unbooked, and spent the night there. My my father and I were in the elevator, going upwards to the Nth floor. The elevator stopped and three large, husky, obviously foreign men walked in. They looked at my father in great surprise and one of them spoke to him.

“Tis the map of Ireland written all over your face,” he said in a thick Irish brogue. The other two nodded their agreement.

“Yes,” said my father in an even thicker Welsh accent that he had picked up working in the Rhondda Valley, “I am Irish, but I was born in England.”

Ah, road maps: they lead you anywhere and everywhere. You can always trust them. And they always turn out just right in the end. All you have to do is follow that one straight line for page after page and never deviate from it. Ask the RAC: they will tell you.