Method & Madness

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Method and Madness
(1729 & 1955-1962 AD)

his dawn chorus voice
woke the wilderness
shook bread down from heaven
to be cast on wild waters

Frocester’s old barn
scything and tithing
Gloucester a stomping ground
walking and biking
wherever he can

a dearly beloved
moved into sundry places
a town mice wandering open fields
harvesting blackberries and apples
gleaning summer seeds
storing them now a country mouse
ready for winter’s dead dreams

he collected dusty parchments
stitched old leaves together
a many-colored coat he made
amid autumn’s sheaves

words fell like rain
formed lines on each page
turned into tunes
that bolstered his heart
marched him steadily onward
mad from stage to raging age

Comment: This is the revision of my previous poem. Any comments on either version gratefully accepted.

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By Any Other Name

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By Any Other Name
hortus conclusus
(1430-1432 AD)

don’t let them know
your origins your secrets
hide who and what you are
unholy ghosts will prowl
wild dogs will howl

sister-spouse
a garden enclosed
walled behind whose house
anonymous flowers
roses in abundance
set amongst thorns

sealed-up this fountain now
its well run dry
dead leaves in the bowl
shrunken petals
echoes of children’s voices
their faces hidden
among last year’s leaves

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Footsteps

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Footsteps
(23 April, 1616 AD)

rain fills the sky
mizzle and mist
low clouds
raindrops

a touch of snow
on trees grass
steady this
accumulation

where now
their warm hearts
their word-wealth

memories wrap
a warm scarf
around your neck

books beckon
let us now
talk with our eyes
to writers

Cevantes Shakespeare
El Inca Garcilaso
and many others
long since dead
though thought and word
their footsteps linger on

Comment:

Today, 23 April 2019, is international book day. We celebrate the works of Cervantes, Shakespeare, and El Inca Garcilasso, all of whom died on this date in 1616. Given the two different calendars, Gregorian and Julian, they actually died ten days apart, but the date was the same. We also support and celebrate all other others on this date, so Happy International Book Day, everyone, and keep writing.

That Wall

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That Wall
(1953 AD)

build that wall
top it with wet cement
place bottles in a row
sign it date it
carve the barrier in stone

when the cement sets
break those bottles
impenetrable barriers

walled now this garden
its interior holy of holies
a paradise for the chosen few
peace and roses only a dream
glimpsed from the outside

a climber climbs
rips flesh shreds clothes
mottles concrete with blood
wet washing hung in fleshy strips
a red flag now this Siegfried line
its shattered glass wire
its see-through brittle anger
excluding all intruders

walled this garden studio
this monument
built by my father
seeking to block who out
trying to lock who and what in

Swans

 

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Swans
(at the Vetch Field)

(circa 1950 AD)

White
their plumage
fierce eyes
folded angels’ wings
black-booted feet
paddling urgent
driving them on

skilled and silky
swift lunge
capable of breaking
leg or arm

all white ghosts
those swans
bodies and spirits
earthly dance done
long since gone
flown to the sky

anonymous
constellations spread
milky feathers
winged like swans

Comment:

The Vetch Field is where Swansea Town (now Swansea City) used to play their soccer. My father took me regularly to see the Swans play and, when young, I preferred the round ball game to the oval ball game. Swansea Town were always known as the Swans and the rugby team were always called the All Whites. No Ospreys and colored uniforms in those days and also no money in the rugby: everything was amateur. The inter-relationship of images in the poem above changes when the reader learns that the Vetch Field is also where the shroud-wrapped bodies of those prisoners who were hanged in nearby Swansea Jail were rumored to be buried. This may or may not be true, but be it myth or legend or plain falsehood, it gives added dimensions  to the imagery in this poem.

May Second

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May Second
(1808 AD)

bottle tops unscrewed
tighter than the tightest
oyster refusing to open
even at knife-point

plastic this many layered
onion-skin’s pliant defiance
waging its guerrilla war
against arthritic fingers

words tongue-twisted
damning dark mouths
white picket fences
midnight the faces
lightning the teeth

felonious figures
grimy with grimaces
Mother Hubbard’s
cupboard empty hearts

robin redbreasts
battering heads wings
against stony cobbles
this city this square

Impact

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Impact

This photo comes up from nowhere, springs into your half-awake mind, diminishes your reality. W5: who, what, why, when where? But there is no who, save the person bearing witness to this moment in time, and you, the double witness who also contemplates and is therefore complicit.

Do you recognize this scene? Is this a moment in your life? Are you the one who struck the match and lit the flames in the lower corners? And are they even flames? Or are they moments of glory, flashes of fireworks, the world coming alive in a moment of combustion when light and dark are mingled until, fiat lux / let there be light, and the world is reborn, light and form, drawn from darkness, and earth and sea divided into separate realms. In principium erat verbum / in the beginning was the word and the world was born / reborn in this verbal-visual instant between sleeping and awakening, when dreams gain substance and ideas take on form and shape and grow in the observer’s mind until creation sparks into life.

Who now knows what will be, what might be? We see. We bear witness. We paint, draw verbal pictures, take snapshots, unfold our souls, placing them on paper and canvas capturing them by camera in snapshots … but What’s it all about, Alfie? Do you remember the film? The suspension in space, the knowledge that all is absurd, that this is a jigsaw puzzle of the worst kind, with no solution, no answer, and every path bifurcating before us, and each of us wandering in a maze, a labyrinth, with an entrance, but no exit.

Do you think up or down, when you’re floating in a space without gravity, where nothing is substantial and all the rules you ever learned no longer hold? The roller-coaster rolls on and you hang on, and sometimes the sun comes up and sometimes the sun goes down, and is that the first light of morning or is it the last light of day, and how can you be sure?

And where is it anyway? Have you ever been there? And if I told you where it was , what time of day it was, or what time of night, would you believe me? And if not, why not? And who and what am I? And why do you trust what I say? And why would you trust me, when you have never met me, and you do not even know who I am, or where I am, or what I am, and even I do not really know who I am or why I am, and why does any of this matter?

It matters because we need faith, we need substance, we need hope, we need to believe in something other than ourselves and beyond ourselves. We still want to wake in the morning and see the dawn. We want to grasp it in our hands, not just in our minds, and know that there is light beyond this darkness, there is hope beyond this gloom, there are better things ahead. See that forgotten candle? Pick it up. Take that match. Strike it against the box. Now light that candle. Take it out. Show it to other people. Encourage them to light their own candles.

Sometimes we need to enlighten the world, to turn it round, to reject it as it seems to be and to recreate it in our own image.  But take care: the image of the candle is not that of the laser beam or the searchlight. One by one, the small people, we must join together, and like tiny stars and light up the firmament. I cannot do it alone. But together, you, and you, and you, and you, if you walk with me, we can do our best. And that is the best we can do, in this, as Voltaire’s Candide once called it, the best of all worlds and the only one we have.

 

Haircut

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Haircut

A new barber’s shop, all male, cutting and shaving, a sea change from the usual unisex, all women, we do it all for you, either of you, your choice. A Muhammad Ali barber shop: ‘we are the greatest’.

“Do I need an appointment?” I ask.

“Sure do,” the boy behind the counter replies. “We’re the hottest thing in town. Let’s see: I can fit you in tomorrow,” he checks the computer screen, scrolls up and down. ”2:35.”

“Nothing else?” I ask.

“Three vacancies next week … let me see …”

“Book me in,” I said.

“Good choice, my man, good choice,” he held out his hand and I shook it.

So here I am, balancing on my cane, hoping I can make it from welcome desk to chair. They greet me warmly. Tell me my guy’s waiting. It won’t be a moment. Here he is. He announces my name with a query in his voice. I nod my head in agreement and mouth his name.

Houston Control: we have lift off.

He accompanies me to my chair. Helps me settle in.

“What can I do for you?”

“Cut my hair?”

He examines me carefully, checks me out in the mirror, runs his hand over my head.

“Would you like to do a Number Two?”

Where I come from, a Number One is a golden shower, a pee-pee, and a Number Two is …

“Not in this chair,” I say.

“Excuse me?”

“A number Two? I don’t know what you are talking about.”

He points to the chart on the wall where nine different men are posing in black and white photographs with nine different haircuts.

“Oh,” I stammer. “Do you think that would suit me?”

“It’s your choice, my friend.”

“Go for it,” I say, my heart filled with misgivings.

Sox

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Sox

My birthday parcel arrived this morning. No, it’s not my birthday. That was last month. Is the glass half full or half empty? Well, if it’s half empty, my birthday parcel arrived two weeks late. BUT, if the glass is half full, then it arrived fifty weeks earlier. It was packed with goodies, like sox that have upon them an elephant bearing a pint of beer in its trunk: irresistible, as the sender said. I also have a green pair with a parallel theme. I wanted to wear one of each pair, in an orange-green mis-match, but a certain someone would not let me have anything to do with that. Ah, the voice of sartorial authority. “Orange and green / should not be seen / without a color / in between.” White, perhaps, as in the Irish flag, except white is apparently not a color.

I used to get lots of sox for my birthday, but suddenly they went out of fashion along with ties and hankies. I got some of my daughter’s banana bread too. She makes a delicious fruity bread loaf and I am always thrilled to get one or two of them. They are wonderful for breakfast with a thin layer of butter and a cup of tea or coffee. I am not meant to drink the coffee but a cup every now and then doesn’t appear to affect me. And I make my own, so it’s always fresh and doesn’t sit around for hours waiting to gobble up the inside of some poor unsuspecting victim.

Vis brevis, ars longa: I have on my wall a painting, given me by a former student of mine who didn’t want to write an essay. She painted a painting instead and explained it to the class in the language she was learning. She left our university and attended an art and architecture program and she went with my blessing. Look around the walls of my house: I have several paintings, at least three by former students. However, not a single essay has been nailed to the walls in memory of academic excellence. Now there’s a meaning in there somewhere. If only I could find it.

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One of my other presents was a painting by the budding artist in our family, Finley, age four. I unwrapped that and put it straight up on the wall so that it could represent the glories of morning sunshine and bright early life. I guess it will outlive me both me and my sox. Here are two photos: one of the wall with two other artifacts and the other of the painting itself. AS Picasso once said (more or less) “I spent most of my life re-learning how to see and paint like a child.”

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Ooh! That’s me in the mirror. That artifact is a souvenir of the Glass Wheat Field that I brought back from Regina the last time I visited there. I forgot it had a little reflecting mirror that multiplied the central image and look, there I am: I’ve accidentally done a selfie. Wow: now I am cool and with it. It must have been a birthday gift from the gods: deus ex machina, the machina in this case being the camera. Here’s the other painting, in all its glory, courtesy of the artist, and my birthday parcel. Oh to be young again, to think, and see, and paint again, like Picasso … or a child.

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