Share a lesson you wish you had learned earlier in life.
I wish I had learned earlier how hard it is to grow old and how difficult it is to prepare for it. My first serious rugby injury, age 16, torn cartilage in left knee. Doctor’s advice: give the game up now. Later, you’ll regret it if you don’t. My response: I’m tough. 60+ years later, my left knee still creaks and I rub ointment in every morning. My second serious rugby injury, age 20, damaged lower back. Doctor’s advice: give the game up now. You’ll regret it later if you don’t. My response: I’m tough. 60 years later, my back really hurts. I rub ointment in every morning, take pain killers, and stretch. Same with hips, from kicking! One of my rugby friends, about the same age as me, has two knee replacements, one shoulder replacement, and one hip replacement. If he’s not the $6,000,000 man, he must be pretty close.
But there is a story beyond that story. I was sent to a series of boarding schools and no, I didn’t go there willingly. In the summers, I travelled abroad to learn foreign languages that were foreign to others but became familiar to me. I never saw my grandparents as they aged. Often, when they died, I was in school, or away on the continent. I never understood the ageing process. I never witnessed the natural decay of those whom I loved. I never learned that lesson. When I left university, I emigrated, and the same sequence happened with my parents. I was never there when it mattered. I was always somewhere else. And when I was there, I heard the usual litanies: “This never happens when you are not here. It’s your fault.” Or else, “this wouldn’t have happened if you had been here.” Told to me by a close relation at my mother’s funeral. I flew back home, though it was never really my home, to be present for that.
But what is the lesson that I wish I had learned earlier? Alas, there is not just one lesson, but a series of lessons. How to deal with the ageing process. How to face sickness and ill health in age. How to face diminishment with grace and humor. How to accept the natural process that occurs whether we want it to or not. How to face the gradual decline in someone, close to you, your life companion whom you really love. How to face the fear of passing (FOGO to some) and how to pass that lesson on to our own young ones. How to face my own end and how to die with as much dignity as possible.
The painting above tells the whole story (thank you, Moo). On the left, the deer head (or is it a sheep’s head? Moo didn’t tell me) represents my hip and knee joints. On the right, the wolf’s head (or is it a bear’s head, look at those teeth) represents the osteo-arthritis that is sinking its own teeth into me and removing much of my movement. So, how often do I walk or run?
Walking, every day. I use two sticks in the outside world, or one stick and the furniture at home. The sticks are fun. I use them like chop-sticks to pick up fallen objects. And I have discovered that if I drop one of the sticks, I can stand on its rubber tip and raise the handle enough either to grasp it, or to secure it with the other stick. Wow!
Some days it is a positive circus act. Yesterday, the very thoughtful grocery store had placed the 1% milk on the top shelf, where I couldn’t reach it. I held on to my trusty shopping cart with one hand, reversed my stick and, with the handle, pulled a carton of milk to the edge of the shelf. I let go of the cart, flicked the stick, and sent the milk carton tumbling into my other hand. It took some concentration and I was surprised by the applause that came from several watchers, none of whom offered to help me. I do the same with out of reach beer cans, too. Bags of sugar on the lower shelf are much more difficult. my chopsticks aren’t designed to pick up a 3lb bulky bag of sugar.
As for running, well, my nose runs, my eyes water and run, my tummy rumbles and runs, and I move at a slowly increasing four-legged plod to the bath room, hoping against hope to get there in time. I usually do. My premonitions have become very accurate over the last few months. However, do nose, eyes, and tummy runs count? If not, well then, running rarely happens nowadays.
With the walking, though, in spite of everything, I aim for 2000 steps a day. I usually make it to 3,000, especially when I go shopping, and occasionally make it to 4,000. And that, ladies and gentlemen, is the best I can do.
when we two came together we closed an ancient circle becoming one with the standing stones that measure seasons and time
now we harvest the summers lilies lupins fox gloves blue bells a surfeit of wild flowers plucked from the maze of our days
we wait and watch the slow snow settling white on sarsen stone as time weaves crow’s feet into the corners of our eyes
2
i listen with my eyes to the words and thoughts of long-dead writers.
age-old and wise they walked alone along the hidden ways to set themselves free
they fled the royal courts where power and jealousy plotted twisted ways
cruel means justified by brutal ends. mindless quarrels bitter strife
i also ran away and slowing down i found an enviable life
enriched i live harvesting a wealth of goodness
days lived far from fear envy resentment distrust in wooded seclusion
Comment: I was invited to attend KIRA as writer in residence this month. However, a weakened immune system and a series of setbacks over the late summer made this impossible. That said, KIRA and the early morning light seen from the Red Room live on in my heart and I will try to complete my planned project, here in Island View, over the next month or so. Wish me luck.
My stamp album, of course. I am old enough to remember the joy of receiving letters from friends and pen-pals in far-away places with strange sounding names and oh, the joy of those colored squares of paper stuck in the top, right hand corner of the envelopes.
Then there were stamp dates, and stamp parties, where we gathered and swapped stamps, each trying to improve his or her collection. Not that I remember many young ladies saving stamps in those days, it seemed to be a boys only sport, like Conkers. I guess that was because those games were all dependent on one-up-man-ship. And yes, we have boycotts (some of them even open the batting for England), but I have never heard of girlcotts or one-up-woman-ship. I guess there are flaws in the language, all languages. Ceilings as well, probably – the height of linguistic folly.
Then there were stamp competitions when we could take our collections, more or less specialist, and show them off to our friends, admirers, and bitter rivals, hoping to gain fame and fortune. I for one never did. But I learned so much about the world, the rapidly changing world, as maps changed, borders changed, kings and queens changed, countries changed their names, divided their borders and morphed into something else.
Don’t forget those FDCs – First Day Covers – with their postal histories, not to mention the little booklets with the tear-out pages telling us all about Peter Rabbit, Flopsy Bunny, Mrs. Tiggy Winkle. and a dozen other tales. And then there were the special stamps – the penny blacks with their multiple Maltese Crosses, the Queen Victoria 9d green (mint), the Sea Horses, the French Painting Series, the Spanish Civil War stamps, issued on, and by, both sides of the conflict, and you mustn’t forget my own face as it appears on a Mexican do-it-yourself stamp, photo taken in Oaxaca, and the stamp sent back to Fredericton, NB, Canada, just for the fun of it.
My own stamp collection now sits in a cupboard, all covered in dust. I guess it is worthless. Nobody sends or receives letters anymore. Nobody collects stamps. Used stamps are now so much rarer. And those pristine new issues, so bright and cheerful, have never felt the lick of a lover’s tongue. And those envelopes have never borne the imprint of our secret messages – SWALK – PHTR – ICWTSY – and so many other little joys of a life that is long past, but never forgotten.
First, I want a definition of leadership. Here’s one – Leadership is the ability of an individual to influence and guide followers or members of an organization, society, or team. Leadership often is an attribute tied to a person’s title, seniority or ranking in a hierarchy.
Let us begin with the last sentence. Leadership often is an attribute tied to a person’s title, seniority or ranking in a hierarchy. I am without a title, I have no seniority and, furthermore, I do not belong in any hierarchy. So, having nothing onto which to hitch my leadership, I am clearly not a leader. In addition, I can say, in all honesty, that I have no followers. Where on earth would they follow me? I have no wish to go anywhere, let alone to lead other people into the wilderness that so often surrounds us.
So, what am I, if I am not a leader under that definition. Am I a follower? I doubt it. I cannot remember following anyone in thought, word, or deed. A maverick, then? Possibly. All in all, I have always felt that, rather than ‘belonging’, I was outside the hierarchical cultures in which I found myself and was merely an outsider, looking in through the window and watching and observing others as they boldly led, or meekly followed.
So being neither a leader nor a follower, what might I be? Well, I am a creative person. I see the world in a very different light. I also encourage others to see things differently and to present different points of view while embracing their own authenticity. I see myself as an innovator. I see myself as a problem solver. But my solutions have all too often come up against the red taped inhibitions that bind those hierarchical cultures into their unbending, iron strangleholds that limit or deny fresh visions of truth and beauty.
I always remember a story my grandfather told me about one of his experiences during WWI. “See that pile of sand over there?” “Yes, Sarge.” “Well, move it over here.” “Yes, Sarge.” “Right. Well done. Now move it back again.” “Yes, Sarge.”
Ah yes, leadership. And in those days to disobey a direct order was to volunteer yourself for ‘forty days in prison’ or ‘back to bread and water’ or, even worse, to qualify you for a blindfold and a firing squad.
This is buy a book by a New Brunswick Author time, sponsored by the Writers’ Federation of New Brunswick (WFNB). Alas, so many New Brunswick authors are almost faceless to the wider world beyond the Province and the Maritimes. It gives me great pleasure, therefore, to highlight one of the books that I dearly love from a New Brunswick author, Jane Tims.
Here is my review of Jane’s book, first published (the review) on Brian Henry’s Quick Brown Fox (14 March 2021). Thank you, Brian, for the work you do in assisting and developing writers all across Canada – and beyond – and a special thank you for all you have done to help me over the years.
Niche, poems and drawing by Jane Spavold Tims, reviewed by Roger Moore
Independently published. Available from Amazon here.
Niche, the fourth poetry book published by Jane Tims, is a neat configuration of six segments that elaborate and illustrate the poet’s original definition of the multiple meanings of her title word niche.
It is difficult to separate the author from the act of narration as her keenly observed and skillfully executed drawings, together with their verbal representation on the page, are so autobiographical and so much an extension of her artistic and professional abilities that the objective separation of writer and text is scarcely possible. It is hard to forget that Jane Tims was, and to a great extent, still is, a highly competent professional botanist. The harnessing of the professional botanist, with her unique drawing skills and scientific knowledge, to the poet and auto-biographer is a key factor in the reading and interpretation of this text in which acute observation blends with an intimate knowledge of the observed botanical world, both flora and fauna, and this allows the poet, in her role of poetic narrator and lyrical voice, to weave a network of poems that are, at one and the same time, objective and intensely subjective.
The author emphasizes this when she writes in the Preface that “In biological terms, the niche is the quality of a space occupied by a living thing, the sum total of physical, nutritional, biological, psychological and emotional needs gathered together in one place.” She also reminds us that in human terms “niche can be a metaphor for home, community or personal space” and it is within these metaphoric spaces that the poetry text is elaborated. The text becomes a linked mixture of visual drawings, iterative thematic imagery and associative fields, all centred on the multiple meanings of niche. These terms are both biological and human in nature and the poet’s named world meets at this juncture between the human and the natural.
The section occupying space (1-19) bears the subtitle satisfying need and begins with a setting out of what this means in the following 12 poems and 4 accompanying drawings. The poem ‘apples in the snow’ with its companion drawing stands out for me.
The section strategy, subtitled solidifying position (21-43) outlines in poetic terms, how plants, animals, and humans ensure their own survival.
The section praying for rain, subtitled, avoiding danger and discomfort (45-68), offers views on discomforts and dangers. It also opens the discussion—relocate or stay where we are?
The section mapping the labyrinth or places I have occupied (69-83), which contains the wonderful sentence “When I get lost on the road ahead, I look to the road behind me,” throws open the multiple meanings of home.
The section new ways for water, subtitled coping with change (85-98), offers a double landscape, first, external, the things seen, touched, examined, remembered and described, and then the internal landscape that reflects upon them and is reflected in them.
Finally, forgetting to move, with its subtitle getting comfortable (99-111), presents an autobiography that links observer (the twin personage of author and narrator) to observed (nature, both flora and fauna, and the added element of autobiography and self) via the symbiotic relationship of botanist to botany.
Two moments stand out for me. (1) Sadness is in seeking the space that is never found. (2) Loneliness is in trying to return to a space once occupied but no longer available. The whole concept of the Welsh word hiraeth is summed up in these two lines. Carpe diem, Jane Tims’ poetry indeed seizes the day and, with its minute, intense observation, it preserves so many precious moments. It also pays attention to that which has been lost, those moments that are irretrievable. They will vary for each reader, but hopefully, like me, you will take great pleasure in discovering them for yourself.
Jane’s interview with Allan Hudson, another excellent NB author, can be found by clicking this link – South Branch Scribbler. The work of all NB authors should be celebrated over the first weeks of this month. Allan, thank you for supporting us – and you, too, Brian Henry. Living in NB, we need all the enthusiastic support we can get.
My friend Allan Hudson re-posted this blog entry yesterday. It is always wonderful to be remembered by my friends. Allan does a great job with the South Bank Scribbler – and he is one of the best. Long may he and his blog work continue to support New Brunswick writers.
I look forward to working again with both Allan and Jane. Best wishes and many thanks to both.
Click on the link below for Allan’s interviews with Jane and I. And don’t forget to go down all the rabbit holes that appear in Allan’s articles. There is a great deal of information within those little burrows.
I have sown so often on stony paths and harsh roadside ways where thistles bloom in purple patches and weeds choke the fertile soils, closing flowers down.
Who knows what cold winds blow when new seeds are shuffled, then cast, like bread upon water, into the mind’s frustrated furrows?
Will flowers flourish, or will they perish, still-born, in the depths of their stony graves?
I do not know for I cannot read the runes the wind scatters across the sky when it shuffles clouds and scrawls shadow-writing on the land.
Careless, I cast out word-seeds, knowing full well that many will perish. But I also know that one or two will put down roots. Eventually, developing shoots will nourish my labor’s burgeoning fruits.
Where have they gone, the old days, the old folk, the old ways of doing things?
I search for them, day after day, but my cell phone isn’t the old-fashioned circular dial, nor the pick-up phone with the shared party line, when everybody listens in.
The garage is a mad hatter’s maze of a workshop, in which things grow legs and walk this way, that way every way to Sunday, constantly getting lost.
I think I can hear them. chittering, chattering. but I cannot see them nor hold them, even though I would like to clutch them tight.
Bats in the belfry, and in the attic mislaid items, pens, ink, paints, a tuck box, with keys, a cricket bat, cracked and yellow, abandoned, and forgotten.
What was the last thing you searched for online? Why were you looking for it?
The last thing that I searched for online was a prompt that I wished to be prompted by, but I promptly lost it before I could respond to it. Then I went looking, but still couldn’t find it, even though I searched everywhere I could think of.
I grow forgetful as I age, and now I can’t remember what the prompt asked for, and that’s a pity because I remember that I had a lovely answer. Now I can’t remember my answer either. So I am stuck in a sort of one-way street, going in the wrong direction, as I draw near to a roundabout that will lead me back the way I came.
I am afraid some Minotaur or other will seek me out, because I am lost in a labyrinth without the thread of Theseus to lead me out. And its no good searching online, because I no longer know what I am looking for. And that’s a bit like my life at the present time – a pointless search for meaning as I wander, amazed, through a baffling maze of days, seeking, I know not what, and never finding it. I don’t want to give up on it yet, because I know that the answer lies just around the corner, lurking like the last sardine in a sardine can, or the last piece of squid, cowering blackly in its own ink, in the tin, not wanting to be eaten.
Life leads me a merry dance, as king-like, a one-eyed man in the kingdom of the blind, I rule my world. For, en el reino de los ciegos, el tuerto es rey / in the kingdom of the blind, the one-eyed man is king. And no, I didn’t search for that online. It came to me in a sort of dream because, as Goya says, el sueño de la razón produce monstruos / when reason sleeps, monsters are born. And now I see them everywhere, those monsters, and I search online for solutions, but none appear. And so I continue on my merry-go-round way, leading my ragamuffins around those ragged rocks.
rogermoorepoet 