Creativity

Happy Hours

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As the inscription on the old Roman sundial announced: Horas non numero nisi serenas / I count only the happy hours. And, of course, the sundial is right. When the skies are cloudy and the rain and snow are falling, the sundial sleeps and refrains from marking the passage of time. But when the sun prances brightly through those heavenly meadows and casts shadows across the numbers on the clock, then the sundial counts the hours, precisely because they are happy.

I try to do the same. I try to avoid the shadows that are cast across our planet and I try not to count them. Alas, like the grains of sand on the beach and the countless stars in the sky, they are innumerable, though the latter are being named, numbered, and counted, much to their chagrin.  Who wants to be called Welsh by foreigners, with all the negative connotations they associate with the epithet, when our real name is Cymraeg? And no, we don’t live in Wales, we live in Cymru, or better still, in Canada when we (e)migrate. Canada: I wonder what the real name is for this huge and wonderful land? And what about the local indigenous peoples? I can accept that they are First Nations. No problem. But who are our hosts and neighbors when they call themselves Wolastoqiyik (or Maliseet) and we call them Aboriginals (or worse)?

What’s in a name? North, South, East, West … simple, eh? How about Upstream, Downstream, Away from the River, Towards the river? Think names of the months, names of the days of the week. Now think guidance, think signposts, think culture, think separate cultures, think different ways of living, think different ways of life. Think possessive pronouns: my book, my house, my cat, my dog, my son, my daughter, my Wifi, my wife.  Or as le grand Charles de Gaulle expressed it, in Le Canard enchaîné: “Ma France, mon coup de frappe, mon Europe … mon Dieu.” Maybe we would be better off without possessive adjectives. But then …

“Taffy was a Welshman,
Taffy was a thief,
Taffy came to our house
and stole a leg of beef.”

Taffy: a generic name for the Welsh. Any male person from Wales is automatically a Taffy from the moment he opens his mouth and speaks with anything like a Welsh accent. Taffy, from the River Taff that flows through Cardiff,  aka Caer Dydd, the fort on the Dydd. There are many rivers in Wales, many regions. Men from the Isle of Mona, Llanberis, Caernarfon, Brecon, Abertawe, Aberavon, Castell Nedd, Caerfryddin, Pen-y-pont, Caer Isca, Usk, Cas Newydd, Pen-y-Bryn, Sgetti, Uplands, Trebanog, Llanelli, Llanfairpwllgwyngilldrawbwllchllantiisilioggogogoch, Cwm Parc, Trebanoc Cwmbwrla, Cwmrhyddiceirw  … Taffies one and all, even if they were born miles away from the River Taff and rarely visited Cardiff, the very name of the river and the city anathema to them.

I once had a friend, a very good friend, or so I thought, educated in Harrow, Oxford, secret member of the ultra-secretive, fabulously expensive, well-endowed and super-privileged, ultra-elite Bullingdon Club. He had a triple barreled name of course: Somerset-Trilby-Frisbee or something like that, I forget now. Whenever I arrived at a reunion or a meeting, he would greet me with a bullhorn, bullfrog chorus that reached into the far corners of the room: “Lock up the silver spoons, the Welsh have arrived.”

Humor? His laughter would rock the rafters and shake the room once more. Racism? What racism is there in mocking the Welsh when you are English? Bigotry? No man with a three part surname, an English public school background, and a list of ancestors longer than your arm could possible be a bigot.  Idiot? He was very intelligent, slightly unbalanced, and totally oblivious to any social norm or indignity, unless he was the threatened person, and watch out for vicious mousetraps if you made him the butt of your own humor and he took umbrage at the slight. Criminal? No way: the Welsh were always the criminals, for back in the legendary mists of time they had stolen a leg of beef and now they were here to steal the precious plastic spoons and knives and forks that masqueraded as silver …

… what’s really in a name? What’s in a grey day or a blue day? What’s in a cloudy day or a sunny day? What’s in our hearts when we denigrate our friends and doubly degrade our enemies and those we declare to be our enemies, sometimes on a gut feeling or a whim? Horas non numero nisi serenas … Time to look on the bright side, to walk on the sunny side of the street, to reject the shadow and live in the sunshine. Time, in fact, to turn the whole day into a succession of Happy Hours. Study the cartoon above. Now that is a portrait of someone who really enjoys a Happy Hour. And not a glass or a bottle in sight.

Snovember

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The snow came early this year, hence the above cartoon: Snovember. The deer came early too, and we saw three of them wading through the bottom of our garden, about fifty feet from this tree, where the now-bare trees separate our lot from our neighbor’s. It was just after lunch, and quite the surprise, as the deer usually arrive just before dawn or just after dusk, and much, much later in the year.

So it’s clearly a season of firsts and readjustments. Yesterday, we went wild and invested in an early Christmas tree. It’s a six foot tall white birch (plastic and ever-lasting) with 120 led lights and we will plug it in the corner of the dining room by the computers.

In the short dark days of winter, we are affected by Sun Absence Depression (so SAD) and keep a set of lights burning in the corner of the dining room by the computers. These lights are particularly effective in the early winter mornings, before sunrise, when the world is dark and we need warmth and comfort. Turn the computer on, and on come the lights shedding joy to welcome us as we read the enormous amount of bad news that seems to be circulating through our world right now.

Light in the dark: I think of it as a pair of rose-tinted glasses that allow us to reject the bad news and to look for the bright side, the silver lining that blesses every seeming cloud. That’s why the snow falls in bright flakes in my cartoon. The tree appears to be bare, but a couple of birds and some scrag ends of leaves adorn the branches.  The days may appear to be dark, but the bright lights on the tree are a silver lining to the cloud of unknowing that hangs in the air like a black umbrella.

The cloud of unknowing, the dark night of the soul … so much mystery, so much joy and despair, in life around us, yet it is a mystery to be grasped and savored, to be tested and tasted … and what is life without uncertainty, challenge, faith, belief, and lights, colored lights, a festival of lights, and humor, even in this darkest of all seasons?

 

Rain / Il pleut

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I remain fascinated by Guillaume Apollinaire’s Calligrammes. I first met them when, as a  teenage flâneur in Paris, I wandered the quays along the banks of the Seine, entranced by the literary treasures of the bouquinistes. Eighteen years old, I had just been released from a twelve year sentence to a boarding school education (6-18 years of age). I loved the freedom of Paris and the joys of choosing my own poets and my own poetry books will always stay with me. Apollinaire was not a set text. He was a personal discovery and a true  joy. I remember the light blue cover and the worded rain drops inscribed upon it when I bought my first Livre de Poche, the poems of Apollinaire.

Caligrammes are out of fashion now, their virtues taken over by the joys of concrete poetry. I still write some, drawing them out by hand. I find this much easier than planning them on typewriter or computer, though I have done both. The cartoon – poem hybrid, printed above, is my intertextual reflection on Apollinaire’s original Rain / Il pleut which can be found on page 62 of the above link from Le Mercure de France.

I look at the snow steadily mounting outside my window and I hope that we will not see rain for a long, long time. Not until Easter and the welcome warmth of spring. That said, I miss the rain. It was a constant part of my childhood and I remember spending day after day, head pressed to the window pane (yes, I do know how to spell it), watching the raindrops sliding down while behind me, the old coal fire threw out enough heat to warm me in my daily loneliness.

Heart Dance

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Heart Dance: This is what the heart does when you have a good friend around for lunch and you spend an hour or two discussing art, creativity, meaning, change, artistic development, moving on, changing one’s style, and welcoming and creating new artistic visions. Heart Dance is about possibilities, about opening things up, seeing the interior self more clearly, watering the creative soul and encouraging it to grow outwards until it fills the whole person.

Heart Dance moments happen at different stages in the artistic life. They are urgent moments, impulsive moments, moments when you can suddenly hear the music of the spheres and see the universe dancing for you, before you, and with you. They are magic moments when the heart becomes one with the universe and heart and soul join mind and body in a universal heart dance where the dancers are one and the dance is not just for one, but for all sentient and creative beings who can hear the music and feel the rhythms pounding through arteries and veins.

The dull, grey, concrete life of the nine to five desk-bound existence fades away to be replaced by a flowerbed of activity, full of light and sound and color and music. Usually, this happens to the individual in the privacy of his or her own mind. Occasionally, we can share the event with a friend who is going through the same, or a similar, change at the same time. A unique experience to feel and witness the music with another person and to be bound into the circle of dancers, treading where other artists, great and small, famous and less important, have all danced before.

We talked of the joys of visiting great museums and of staying in one room, before one painting, and of spending the day there. This I did with El Greco’s El entierro del Conde Orgaz / The burial of Count Orgaz, with Picasso’s Guernica when it was housed in the Mesón de Guernica, with Hieronymus Bosch’s The Hay Wain, with Velásquez’s Las meninas, and with Goya’s Desastres de la Guerra, not one picture, but a series of etchings taken in, day by day, over a period of a magical month spent in Madrid.

In poetry it happens when I return to poems that I love. I read and re-read them, again and again, finding new nuances, new meanings, new depths. I think of the anonymous Poema de Mio Cid, of Góngora’s Polifemo, of Quevedo’s Canta sola a Lisi and his Heráclito cristiano, of Octavio Paz’s Piedra de sol, of Lorca’s Romancero gitano and his Poeta en Nueva York … the wonderful original poems of Fray Luis de León and of St. John of the Cross … and this is just scratching the surface of an exterior world that I have interiorized until it has indeed become a part of me.

Heart Dance: my heart dances and sunshine floods my soul as I write these words, words and thoughts that I have just shared with a good friend, as he shared similar words with me and we joined together in a heart dance during which the sun shone brightly and the whole creative universe sang and danced with us.

Snow Flies

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You hear it all the time: “we’ll do it before the snow flies,” let’s wait until the snow flies,” “when the snow flies.” Warning … Freudian Slip … I wrote “sow flies” and the spell check didn’t catch it. Maybe it was thinking “pigs on the wing”, pink pigs from Pink Floyd, or maybe pigs really do have wings. Why shouldn’t they? The hart does.

Anyway: I have spent a long time in Canada, more than half a century, much more than a teenager or a kid in kindergarten: horse flies, black flies, mosquitoes, hornets, green hornets, bud worm, butter flies, lard flies, yard flies, dragon flies, no-see-ums (felt but rarely seen), and many other types of flies, but I’ve never seen snow flies, though everybody talks about them. So  what do they look like? Alas, when I Googled them, I found nothing.

So, I imagined what they might look like and there, in the cartoon above, after close observation, you see a multiplicity of the Canadian snow flies I found in the garden during the first snowfall of winter. They are gorgeous, and only a scratch upon the surface. You’ll recognize many of them, of course, but a few may be new to you. But then, perhaps you’ve never thought about it: I know what a snow fly is, you say, and I’ve seen a no-see-um, and it’s only in Ontario that you die with the black fly playing an angel’s harp upon your ribs, and we live in the Maritimes, not Upper Canada.

Down here, in New Brunswick, it’s all dulse and dulcimer, and we know exactly what a snow fly is, don’t we? Well, make this an entry in Wikipedia, and everyone who follows this blog will know what a snow fly looks like, won’t they? But if we do nothing, nobody will know, and then when the snow flies, or when the snow flies hit the fan … nobody will know what’s happening … think about it!

Thinking Outside the Box

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Clichés, I love them.  Take one of our current Canadian educational clichés, for example: “We teach you to think outside the box.” I have met many teachers at various levels of education who tell this to me, and to their students.  Yet most of these teachers cannot themselves ‘think outside the box’. What they usually do, when teaching, is shut off the student’s original box by teach them to build a slightly larger one around it. They must now learn to think inside this new box in the way the teacher wants. Hence the cartoon above: We build bigger boxes and Building bigger boxes.

The central motif is, of course, the original ‘tiny’ box outside which the student must be ‘taught‘ to think. For ‘taught‘ substitute one of the following: persuaded, bullied, pressured, beaten, shamed, starved, embarrassed, … depending on the time and place, all of these words are sadly suitable and yes, in my learning career, I suffered at one time or another at the hands of teachers who used each of these methods, and others equally (or more) brutal, sometimes more than one at once.

What was inside that original box? Of course the contents vary with each individual, but creativity is in there, challenging authority is in there, self-belief is in there, a desire to ask endless questions, a childish wisdom to see the world as it is, not as the grown-ups say it is. I ask you, have they really ever grown up, have they ever escaped from their own hand-built boxes? Education: locking down the walls of that original box. Do away with creativity [not that way, this way!], free thinking [you mustn’t say things like that!], challenging  authority [cheeky, disobedient child!], asking questions [little children should be seen and not heard …. silence! … silence in class!] and finally, do away with self-belief and make the child dependent on the teacher [please, Sister Mary … please, Mother Theresa … please Father Maguire …] …

As the walls of the bigger boxes grow thicker and stronger, so it becomes more difficult to once again think as a child. Questions are answered by authority figures or on the internet with answers to FAQs and pre-packaged concepts. How do we regain our creativity? I assure you, we have never lost it. Where is it? Where is it hidden? In this world of folly and rush, of hustle, muscle, and busy bustle, so few of us have the time or can afford to take the time to sit and think, to undo those false walls that surround us, to find again the child-loving pleasure of thinking for ourselves, of discovering for ourselves, of being creative in the ways that we were so very, very long ago. Remember what Picasso said of his later paintings: ‘it took me a long time to relearn how to see the world as a child.’

Creativity: it is always with us. We must rediscover it. We must unwrap it from the tarpaulins that the system placed around it. We must dig it out from under the walls, the ruinous walls, with which the system surrounded us. It is still there, waiting for us to rediscover it. Believe. Roll up your sleeves. Dig deep inside yourself. And think for yourself. Then, when you have found that original box, open it, find exactly what is in it (the universal gifts to the new born), and become creative yet again. Only then will you have taught yourself (yourself, because others won’t teach you) to truly think outside the box, the multiple boxes, that the system and society designed to trap your creative spirit. Open the cage door: , release your creative spirit and let it soar to the skies.

Double Trouble

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Double Trouble

“I’ll need some ID,” the guy selling Fred a new cell phone said. “Something with a photo on. May I see your driving license?”

“Of course,” Fred pulled out his driver’s license.

The salesman took it, glanced at the picture, walked over to the computer, and started to type in numbers. Fred watched him as he nonchalantly punched the keys. Then Fred saw him stiffen and straighten up as he held the license up to the light, double-checked it, and frowned.

“I’m sorry, sir,” the salesman said, looking very sad. “This license has expired. It’s more than two years out of date.”

“You’re joking,” Fred said

“No sir,” the salesman replied. “This license expired two and a half years ago.”

He handed it back to Fred who also checked it with care. At first, the figures seemed blurred. Fred took out his glasses and put them on.

“You’re right,” Fred said. “It is out of date. I must have the new one in here somewhere.”

He started to rummage through all the plastic cards in his wallet. But there was no new driving license.

“I must have left it at home,” Fred muttered.
“They usually shred the old licenses,” the salesman smiled. “They never let you keep them. You must have forgotten to renew.”

Fred placed his hands on the cell-phone counter, looked down, and saw his face mirrored in the shiny plastic. He gazed into his own eyes and they looked back at him. Then his mind flashed back two and a half years.

He had just been through the biopsy, a messy, painful, and unnerving affair, and the results had come back positive.

The urologist demanded a new battery of tests: X-rays, bone scans, blood tests, MRI’s, examinations, more examinations, questionnaires, discussions about possible forms of treatment …

The different treatments were set out like food in a self-serve restaurant and, like the strange foreign foods that Fred liked to try without knowing exactly what they were, their names meant nothing to him.

Then there was the travel: out on the road between his little place in the country and the major cancer hospitals in the province with an examination here, and a consultation over there. All the medical staff he encountered were kind and helpful and the suggestions they offered were sound. The winter road conditions complicated matters, though, and twice he was forced to cancel appointments because of road conditions.

Then, a week or so after the MRI, the allergic reactions set in and, over a three week period he lost all the skin, first off his hands, and then off his feet. He watched the skin bubble, then he saw it go very dry, and then it just flaked off. He remembered getting out of the shower one morning, drying his feet, and staring down at the little pile of flaked-off skin that had come away with the towel.

A little later on, came the injections, the tablets, and that was before the start of radiation treatment …

Now, two and a half years later, Fred’s driving license, the one that should have been renewed on his birthday, had expired. He remembered that birthday well. He lay on his side in the hospital and the specialist drove that first needle into his buttock … what a birthday present. And now, two and a half years later, he had another special gift from that birthday, an expired driving license.

He thanked the cell-phone salesman, put his expired driving license back in his wallet, and said how sorry he was that he would be unable to purchase the cell-phone at this time.

Early the next morning, Fred went down to the Driving License Renewal Center to discover his fate.

The lady on the counter was most sympathetic. She listened to his story and told him not to worry.
“Don’t worry,” she said. “It happens all the time. But I’m afraid you’ll need to take all the tests again, including the road test. That’s the law. I’ll need to see some documentation. A photo ID is preferable. Do you have your birth certificate or your passport with you?”

Fred nodded. He had checked online to see what he needed and had brought all the right documents. He handed the passport over.

The lady behind the counter took the passport, opened it, and looked up at Fred with a sad little smile.

“I’m sorry, sir,” she said. “You are in double trouble. Your passport has expired as well.”

Double Trouble appears in my short story collection Bistro 2,
also available on Amazon.

Insomnia

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Insomnia

Mine was at its worst in Moncton in 2015. I was committed to eight weeks of radiation treatment, and after two weeks, I slept restlessly, if at all. Some of the other residents of the hospice were worse off than me. They got up at all hours of the night and paced the floors downstairs, nursing their wounds, both mental and physical, searching for the peace and the sleep that eluded them. I never went down to join them. My case was different. All cases are slightly different. In spite of this society’s attempts at social engineering, each of us is an individual and we deal with our own problems in our own way.

In my case, the need to pee during the night dominated my sleep. I would sleep in ninety minute cycles, then get up and visit the bathroom, then return to bed for another ninety minutes. Sometimes, I was lucky and the cycles went for two hours, or two and a half hours. I rarely got more than three hours sleep. Upon returning to bed, I would often just lie there, remembering, thinking, musing, hoping, waiting for sleep to come. Often my cycle would reject the sleep I needed, and I just lay there waiting until I was ready to pee again. These were not great times. Luckily I never fell asleep so deeply that I wet the bed. Some did, but I was one of the lucky ones and managed to keep my bedding clean.

During this time, I learned to divide the night into segments. I thought of the segment that ran from 10:00 pm to 3:00 am as an uphill climb with the initial joy of dropping off to sleep tempered by the knowledge that the urge to urinate would soon be upon me. The segment from 3 am to 4 am was the plateau at the top of the hill: I rarely slept during this period and would look frequently at my clock while the minutes ticked by. Sometimes I would turn on the light and just watch the second hand throbbing slowly round. It was like watching sand sift through an hour glass, or water sift through the fingers: uncontrollable, unstoppable, life just slipping away. I had plenty of time to think and much to think about. I relived my life during those eight weeks and a lot of it was unpleasant as I blamed myself for the situation I was in.

At 4 am, the universe shifted, and I was able to relax and slide downhill into the Land of Winking, Blinking, and Nod. With the urges of the earlier segments fading, I would often get two sound sleeps at this stage, one from 4 to 6 and the other from 6-8. If I was lucky, I would sleep from 4-7, or even 4-7:30 am. These were bonus nights and I awoke after a three hour sleep session to find myself greatly refreshed.

Three years after my treatment, many things have returned to normal However, those sleep patterns have not changed that much. I no longer feel the need to urinate at such regular intervals, but I still dip in and out of those same sleep cycles. They have become a part of my system. The easy part, tired, sleeping from bed-time to about 2:30-3:00. The lying awake, anywhere between 2:30 – 4:30, then the relaxing slip into dreamland, for the last part of the night.

The good thing is that my dreams have changed. I am no longer chased by the ghosts of times past who pace through my night, awake and asleep, to prove that my suffering is due to past moments of childhood iniquities discovered in soulful daily examinations  induced by a consciousness of minute sins demanded by the weekly confessional. Now, I dream of many things, of shoes, and ships, and sealing wax, of cabbages and kings, and if the sea is boiling hot and whether pigs have wings. This is much more fun: I find I can now control my dreams, re-think them, and re-write the endings. In my waking periods I do just this, and my dreams adapt and change and become more pleasant as I fall back into sleep. This has turned into a time of great creativity: but that is a tale for another day.

Cooking

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Cooking

My Welsh grandmother, not my Irish one, taught me how to cook. At the time, I was the only grandchild. Whenever she cooked and I was in the house, she would take me into the kitchen, stand me on a stool by the gas stove, and encourage me to stir as the mixtures swirled and bubbled in pan or pot. I also helped her shell the peas, slice the carrots, whatever. When the preparation was ready, she would set aside a small portion that was mine. This might be a cake in the oven, a pair of biscuits shaped awkwardly by my own hand, or a small side pot of soup. “There’s nobody else,” she would whisper to me. “The old ways will die if I don’t teach you.” She was the one who taught me the exact moment when Welsh Cakes were ready to be molded, and there’s only one way to learn: place your hands in the mix. The right texture, as they say in the cookbooks, is ‘fine grain sand’ but you have to experience it to be certain what those words really mean.

I was a latch-key kid, as they now call them. Both my parents worked all day, leaving the house at 7:30 in the morning and not returning until 4 or 5 at night. Being able to cook meant that I never starved and I remember cooking soups, Cawl Mamgu among others, at a very early age. When I started traveling to France and Spain, I often ended up in various kitchens where I listened to the women as they prepared the food. Language and cooking went hand in hand and I learned how to roast coffee beans in a cast-iron frying pan, how to vary my range of soups, how to prepare casseroles, how to scramble eggs the continental way.

When I studied in Santander, Spain, my landlady left me, every night, one onion, one potato, and one egg. This was for the Spanish omelette that I ate most evenings. She cooked the first one for me, supervised me as I cooked the second one, and then abandoned me to my own devices. I often heard her snoring as I lit the gas, warmed the pan, and started to prepare my tortilla española. I still make Spanish omelettes, and they are delicious, but here in Canada they are never quite the same as they were in Spain. The ingredients look the same, olive oil, egg, salt and pepper, potatoes and onions … but the eggs are not Spanish free-range eggs from country hens and the oil, the potatoes, the onions, the salt … everything looks the same, but tastes vastly different.

Two days ago I bought a pound of fresh hake, merluza in Spanish. I cooked it in butter, half poached, half-sautéed. We ate half that night. Next day, I struggled with my thoughts: should I make fish cakes from the rest of the fish, or should I make a fish soup / sopa de pescado? Fish soup won. I put some truffle flavored olive oil into the frying pan, sliced small a tomato fresh from the garden, added a finely chopped onion, spiced it with sea salt, and added a small pinch of pimentón picante / hot Spanish paprika from La Vega in Spain. I let this simmer for a few minutes, then added some sherry. Into this mixture I put the rest of the hake together with the butter sauce that remained from the night before. The dish looked inviting, was very colorful, but appeared to be small and insufficient for the hungry eyes that followed the process. I added four large shrimp, sliced into four pieces each, a large scallop, thinly sliced, and sufficient water to thin the gathered liquids. Then I chopped up some sugar peas and added them as well. My sopa de pescado had undergone a sea change and become a sopa de mariscos / a sea food soup. The colors amazed: reds, yellows, oranges, and touches of green. On the spur of the moment, I named it New Brunswick Autumn Foliage. I tested it regularly as it simmered and it was ready when the sea food was done. Delicious.

I don’t know when my grandmother was born, or where, other than somewhere in Wales. I celebrate her birthday every time I cook something special, and my last two meals were very special. I don’t know where you are, Nana. You left us a long time ago. But wherever you are, thank you so much for the gifts you gave me. And Nana, I love you. You have traveled with me from Wales to Canada, and I celebrate you and your birthday every time I cook.

Ruins

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Ruins

There are many types of ruins, ruined castles, ruined churches, ruined monasteries, old stone circles fallen into ruins, barns alongside the highway, backs broken, roofs caved in, old people beg, still clean and proud, outside the supermarket, proud, yes, but still more or less ruined. And then there are unkempt gardens that fall into ruin when summer crawls to the burnt out embers of  its heat.

When I came back from my week’s creative retreat in KIRA, our garden lay in ruins. The hollyhock still stood, but it was on its last legs, drying up. It didn’t imitate the dead sticks of the yucca plant, four flowers this year, nor the dried up foliage of summer flowers. Nevertheless, wind and rain have now brought him close to his end, poor thing. I want to remember him in all his glory. I want to see beyond this bent, withered stick of a plant that slowly bows its head to look down at its roots. My hollyhock, please, in all his glory!

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All our glories! I too am in decay and falling into ruin. I dug out an old photo of myself. Bristol University, 1964, running for the First Cross-Country VIII on the Bristol – Weston road relay. Hugh Arnold was just handing off to me and I was setting out on my 5 mile leg of the race. Young, fit, no grey hairs, no wrinkles, no limp, no stoop: it was a five mile leg that I would complete in about 25 minutes. Alas, slow is me: it takes me that long now to walk 400 metres. And I need rests and a stick to help me on my way.

Standing amidst he ruins of my life, yes. But I stand proud, my head held as high as I can hold it. I can honestly say I have done my best. And what more can anyone do? Athletics, rugby, coaching, research, publishing, teaching, facilitating workshops and retreats, travelling, editing, creative writing … it has been a crazy life, packed with fun and adventure and no, I do not regret a moment of it.

Come to think of it, unlike many people, I have actually lived many lives. My first took place in Britain and Europe. Then in September, 1966, I was reborn as a Canadian. Each subsequent Fall, at the beginning of September, as each new academic year began and the year’s cycle turned round to freshness and intellectual renewal, I was born again. Teaching, coaching, working with young people: what wonderful things to do. Now, I look at the ruined garden and remember the joys of summer. They will return. My hollyhock will also be back. He has sown his seeds throughout the flowerbeds and sooner or later he will return. I too have sown seeds: the seeds of joy, knowledge, learning, creativity. I too will live on in the many virtual children whose minds I have inhabited and helped to shape.  Winter is drawing near. The cold and the dark encroach: but, like my garden, I will be back.