Ageing

Autumn Leaves

Autumn Leaves

I used to run,
jump, and catch them
in mid-air,
one, two, three
in each hand.

Now
I stand and wait
for them to fall
and land, perhaps,
on my clothes
or catch in my hair

…

the Leprechaun luck
of my Irish heritage,
so long-denied,
with its pot of golden leaves
waiting for me
at summer’s cast-off
rainbow’s end.

Commentary:

Autumn Leaves, but where does it go to. Good question. Moo asked me that the other day. I just had to tell him that I didn’t know. However, he did offer me the perfect painting for the fall and the changing leaves. Fall Folly Age. I never realized that he could play with words like he plays with paint. Anyway, I know that last winter he painted a picture of little white dots with wings. “What are they?” I asked him. “Snow flies,” he replied. “You know, when the snow flies …” “When the snow flies do what?” “I don’t know.” Moo and I live in a mysterious world, as you have probably come to realize.

Any way, the combination of fall foliage and fall folly age is quite a good one and it shows the folly of ageing and trying to chase down falling leaves when gadding about in the garden with two sticks, one in each hand. Of course, in case you don’t like that painting, and I hope you do like it, because I do, then here’s another one for you.

The text reads – “Autumn leaves – catch them if you can – while you can -and close the door behind her – when she leaves.” Oh witty Moo. Painting and occasional poetry too.

Gorilla Drives the Zoo Bus

Gorilla Drives the Zoo Bus

Gorilla drives the same zoo bus
all day, every day;
same starting time, same finishing time,
same route, same stops,
different passengers,
but every passenger the same:
faceless.
Gorilla doesn’t want to know their names.

“Please tender the exact fare!”
Not a penny less, not a penny more,
and he polices every penny.
Bus conductor and master
of every passenger’s destiny,
he opens and shuts the door,
letting passengers on and off the bus,
but only at official stops.

Every passenger has a ticket,
and he punches every ticket
with a neat, round hole.

He never makes mistakes.
He grinds, like God’s own mills,
exceedingly small.

He has spent all his life in uniform.
He has a belt and braces to hold his trousers up.
He’s always prepared for the worst.  

Ten, fifteen, twenty years:
an anonymous wife;
anonymous little babies;
at shift’s end, a pension,
and another bus.

St. Peter’s at the wheel.
He doesn’t want to know
where gorilla wants to go:
he wants to know where he’s been.

Commentary:

Moo didn’t have a painting of a gorilla driving a bus, so he offered me a painting of the passengers instead. Look carefully – you might even find a portrait of me or you in there. Who knows where Moo goes and who he sees? I certainly don’t. Remember Picasso – he used to run downstairs, out into the street, see a face he liked, and run back upstairs and paint it from memory. I wonder if Moo does the same thing. I’d ask him, but if he doesn’t want to answer the question, he just grunts. And I can imagine him grunting at that one.

Anyway, we all know and recognize the gorillas when we meet them. They are totally unimportant, have a miniscule job to do, but do it with absolute authority and the utmost perfection. Like Gorilla – “Not a penny less, not a penny more, and he polices every penny.” – “he opens and shuts the door, letting passengers on and off the bus, but only at official stops.” – “he punches every ticket with a neat, round hole.” – and probably in the exact same spot of every ticket! – “He never makes mistakes.” – and if he does, it’s the passenger who suffers, because ‘Get on, get off, who ever you may be, I am the lord of the bus,’ says he.

What will happen to us at the end of our shift? I really don’t know. And I don’t think anyone else does, either. Will St. Peter be there to greet us? (I don’t know.) Has the Zoo bus replaced the ferry over the River Styx? (I don’t know.) What will we be asked when we get there? (I don’t know.) How will we answer? (I don’t know.) Is there a little book in which all our deeds, good and bad, are written down? (I don’t know.) Are we to be divided into sheep and goats? (I don’t know.) What will poor monkey do when he is turned into a sheep or a goat? (I don’t know.)

So many questions, deep questions, packed into one small poem. Most of those questions unanswerable. But that’s one of the joys of poetry – to open a poem is to open a tin of calamares – there’s always another something or other left in the corner. Look, over there, bottom left, right at the bottom of the can, I spy with my little eye another question. ‘What is that question?’ you ask. Sorry, mate, I’m afraid I don’t know.

Rock

Rock

You are the rock
on which I build
my life.

You are the fairy castle
planned in paradise
where the sun always shines
and stress is distant.

How often have I mapped
your inner islands,
traveled your well-known ways,
always discovering
new sacred spots
where I can immerse myself
in your inner serenity?

You are the fortress
within whose walls
I can forget my past
and create my future.

If you were forced to wear one outfit over and over again, what would it be?

Daily writing prompt
If you were forced to wear one outfit over and over again, what would it be?
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If you were forced to wear one outfit over and over again, what would it be?

Oh dear – such a difficult question. I have seen so many people puzzling over which dress they would choose, which blouse matched the skirt, which tie best highlighted the shirt, what color hanky, suitably folded, best suited the little breast pocket of the suit. Why do we have to have outfits? Couldn’t we have infits.

Now that’s a great idea. The one infit that I wear, every day, regardless, is my birthday suit. I have worn it, day in, day out for 80 years and it still (in)-fits me and, quite honestly, I have never spent a day without out it. Of course, it has worn a bit over the years. And no, I will not show you any photos.

However, I can say that the six pack that I once sported has become a rubber tire. There are bruises and scars where once the skin was white and tight, or bronzed and shining bright. Muscles have shrunk. Back has bent. Arthritis kicks in, now and again, but my birthday suit adapts to everything. It really was a wonderful invention.

And, guess what! Every day is my birthday now and today I am 29,370 days old. Not everyone can say that. And yes, I can also tell you, in all confidence, that I wear my birthday suit every day now in celebration of each passing birthday.

In Spain everybody has two birthdays – the day they were born and their saint’s day. The saint’s day is the day on which the saint after whom they are named is celebrated. Two birthdays is lovely – but to have 365 birthdays a year, to wear my birthday suit for every one of them, is spectacular. And it’s even better to have 366 birthdays in a leap year.

I know you know that a leopard cannot change its spots, but did you know that a leopard had 365 spots on his coat – one for every day of the year? Now that’s a fact that not everybody is aware of. What about a leap year, you ask. Well, on the 29th of February, every four years, to find that extra spot, you just have to lift the leopard’s tail. And don’t ask me how I know, because I am not going to tell you.

Hope Springs Eternal

Hope Springs Eternal

And it does, as you can see from today’s painting. Well, last night’s really. I left it drying overnight and this morning it was almost ready. Not even signed as yet. Oh dear. Still, I lay claim to it. And it’s definitely my style, with a few neat little changes. A change of palette, too. And manner of application.

“Paper your wall with rejections.” This is what Stephen King tells me to do. And I do just that. More rejections, and even more. Yet still I submit my poems and stories, and till they come back, rejected. Mainly form letters – but with an occasional helpful nudge like. “Nice writing. Not for me / us. Try somewhere else.” It used to get me down, but I am now so used to the negative that it is just water off a duck’s back. Splish, splash, and so what.

What really ruffles my feathers is the submissions that fall into the deep pit of silence. Not even a rejection slip with which to paper my walls. Not that I can do much with an e-rejection anyway. And I refuse to waste paper by printing them out and papering.

Still, who knows? One of these days, somebody may say “yes – we love it, and we’ll publish it.” As they say, “Hope springs eternal.” Maybe it does. But my time is beginning to run out.

“Who? Me?”

“Who? Me?”
The above is a self-portrait done at 3:00 am on the morning of my birthday. The full title is – “Another birthday? Who? Me?”

This is so much easier than writing a whole dog’s body tale of who I am, how old I am, and what I am / was feeling at the time.

If a picture is worth a thousand words, then I have just saved four pages of paper at 250 words a page, double-spaced. that’s the equivalent of a branch from a small tree.

As I tell my young friends and acquaintances – “Don’t grow old. But if you have to, never lose your sense of humor.”

Of course, sooner or later you may lose an awful lot of your senses – but keep that one, if you can!

On Writing Poetry

On Writing Poetry

I sit here writing poetry
and, head in hands, I cry
at all the things I’ve left unsaid,
and then I wonder why
I wasted so much time on things
that perished before my eye.

Outside the night is dark and cold
and shadows flit and filter by.
I know that I am growing old,
that soon my story will be told,
and when it ends, I’ll die.

I know that death is not the end,
yet I do not want to die.
I want to paint the autumn trees,
the clouds that float on high,
with evening lights that stain the sky.

But rhyming is not all I do.
I’ often write in prose, with words
that wound and sow dark seeds
that root and flourish, grow like weeds,
and nourish other people’s needs.

Alas, I know not what I do,
nor yet what I have done,
nor when, nor where, the seeds
were sown, nor if they aided anyone
to turn away from the dark inside
and walk in the light of the sun.

Janus

Janus

I walked backwards into my childhood
a step at a time. I failed to find it
where I thought I had left it.

I opened cupboards, doors, drawers,
searched beneath beds, went outside,
rummaged through garden and garage,
and found absolutely nothing at all.

 My past was as dry as a squeezed orange
when the juice has gone and long days
left on the window ledge has dried it up.

I looked in the mirror, and the man
I saw was not the boy I had seen
the day before. How could he be?

Janus, two-faced, looks forwards and back.
I will no longer seek the self that was

I shall accept the self that is, the one that grew
outwards and upwards from the one
that was before. Acceptance. I can do no more.

Old Man Sin Drome

Old Man Sin Drome

Damn! He’s done it again.
He must pretend it hasn’t happened.
He struggles out of his jeans,
runs the hot tap in the powder room,
removes his underoos,
and places them in the basin.

He adds soap and watches the water
bubble and change color.
He rolls up his sleeves,
places his hands in the hot suds,
grabs the nail brush,
and starts to scrub.

Cancer. He is washing it away,
removing its stain, the smell,
the pain of its presence.
He drains the water and wrings
his underoos, twisting them this way
and that in an effort to purge.

More water now, no soap.
He waits for the water to discolor.
When it doesn’t, he knows that all
is well and the evidence destroyed.


He wrings out his underoos again,
then hangs them over the air vent to dry.
He keeps a spare pair in the cabinet drawer.
He puts them on, struggles back into his jeans,
and hopes that nobody will ever find out.

Wash Day Blues

Wash-Day Blues

“Out, out, foul spot.” Yet,
however much I scrub them,
those blood spots on my clothes
will not disappear. No seas
incarnadine for me. Picking
at scabs, my fingernails draw blood.
with so many ragged edges.

The old, stale liquid flows
fresh again from once-healed wounds.
Why made me open them up?
Was it just boredom? Or that itch
ever nibbling at the mind’s edge?

Tell me, how do we walk away?
How do we heal ourselves?
How do we forgive and forget?
Does the fresh blood wash away
the dirt I feel crusted round me?
Will I ever be clean again?

Wednesday is wash-day.
I scrub again and again
at all my dirty linen. Then I watch
as my wrinkled skin grows damp, scabs
soften, and I open them once more.