Copperopolis

IMG_0192.JPG

Copperopolis

Mountains and craters on the moon look like this:
scarred, barren landscape, scabs of a dead industrial
revolution that created the largest copper smelting
plant in the world. Labourers strove for a living,
but met early with death. Rows of tiny, brick hutches
where families crowd, breeding like rabbits. Back
yards with greenhouses, cracked flagstones, allotments
where life-saving vegetables grow, and a chicken-coop
for the occasional egg worshipped after childbirth.
I remember it well. The garden walls adorned with
broken glass, set in concrete, so nobody could take
food from the garden, or steal the precious hens.
Washday on Monday, when furnace dust had settled
after the day of rest. Clothes hung out on Tuesday,
stained with the industrial waste that clogged bays,
fields, and farms. Summer and Fall, my father walked
shoeless to school, worked hard to buy himself winter
shoes. He sanctified footwear for the rest of his life.
He studied hungry, slept famished, and awoke to hunger
and cold. Born into poverty, we were rich in love.
My father broke out, scaled those walls, got odd jobs,
went to night school, educated himself, became someone.
He wanted the world for me. But my hands were too small
to grasp the enormity of what he had achieved and who he was.
He aimed for the stars, failed, but scraped his wings on the moon.
I cut my teeth on broken bottles and never wanted to leave.

Dandelions

IMG_0149

Dandelions

My flowers drink water dosed with chemicals to keep them alive.
They survive in the vase on the kitchen table,
refusing to crumple. They fly bright flags as if trooping
their colours for Their Majesties, the King and Queen.

They withstand both sunshine and shade, neither wilting
nor fainting under the hot summer sun. In this house
there dwells no queen, just a domestic pussy cat,
Princess Squiffy, who knows she may look at a Queen.

“Your Highness,” say Cape Daisies as pussy cat passes.
“Ma’am,” say Peonies and Pansies, bending their knees.
Outside my window, the garden fills up with onlookers:
still-green Tomatoes, Clematis, and a tall Hollyhock.

A multitude of weeds crowds onto the lawn. Dandelions
spread splendiferous, waiting to take plebeian selfies.
Plebs, they are, vox populi, people’s voice, people’s choice.
Some ancient god must have loved them very much,
for they are ubiquitous, and totally indestructible.

Comments: A glittering plain of ice scintillating in the early-morning sun stretches across the garden. The deer visited us last night, self-invited to a bright moon Maritime Kitchen Party at the bird-feeders. They danced the dark away, leaving lunar craters half-empty with doubt, half-filled now with sun and shadows.

Now is the time to recall the flowers that blossomed last summer. Now is the time to purchase flowers and hold them captive in vases on the table looking out the window at the places they should be. Ground Hog Day, St. Valentine’s Day, St. David’s Day: each day brings new flowers. Wistful we look at iced-up sidewalks, frozen lawns, and glassy roads. We long for the freedom to roam among flowers and plants, without these -15 C temperatures, without these chill north winds that chill us, cutting to the bone.

Today, I will risk a journey to the flower shop or the super-market. I will indulge my need for light, and color, and the tang of hyacinths floating across the table-top. Tomorrow, I will take pen or camera, and I will bear witness to the breath-taking brevity, the shortness and beauty of this floral existence.

Forgetfulness

 

IMG_0225.JPG

Forgetfulness

a lone dog tied out in the rain
a lost German Shepherd barking at stars and moon
grass growing through plastic flowers on a grave
a name eroded by the sand paper wind
a solitary sea bird carving its name on a cloud
a sea gull slicing the sky with its wing
unwashed dishes sunbathing in the sink
a knife and a fork side by side not speaking
the bike with a flat tire growing dust by the door
the kite’s face locked in the prison of the tree
a teddy bear sitting by a forgotten glass of wine

Forgetfulness is also me and my blog. I have been writing elsewhere all week, preparing two manuscripts for a competition. It’s been a long slog: gathering the material, organizing it, structuring it, revising it, polishing it, cutting unwanted material, searching for valid replacements.

Tuesday I had the honor and the pleasure of working with a local high school in their  creative writing program. I am no longer a part of the Writers in Schools Program (WiSP), so this was a freebie. I came, I sat, I talked. And then I drove home again. I answered questions from the students on my life as a writer. It was very interesting for me as some of the questions were sharp and pertinent. How do you deal with writer’s block?   Do you write by hand or on the computer? Where do you get your inspiration? Hopefully my responses were of some interest to the students who gathered to listen. The one question I expected to field was never asked: “How much do you earn as a writer? The answer of course is very little, if anything. I write for pleasure, not for money, and I have never been published by a major press.

According to TWUC, the Writers’ Union of Canada, the average earnings of a writer in Canada are $12,500. Subtract the millionaire big earners (e.g. Margaret Atwood, David Adams Richards, et al) and most writers earn considerably less. Poets are traditionally at the bottom of the pay scale and I am principally a poet. The transition from print to digital also has everyone running in different directions. Personally, I like writing. I don’t like the marketing, advertising, selling of myself and of my books.  In fact, I now self-publish and give my books away. There’s very little money in it, but I enjoy myself and my friends seem to appreciate the gifts I give them.

Unless you are a ‘top draw writer’, working with a large, established company, you are unlikely to earn much money from your creative writing. In fact, many writers make their money from workshops, fellowships, grants, residencies, retreats, and things like that. I took a different direction. I chose to be an academic / teacher / researcher (full time) and a writer on a part-time basis. The academy kept food on the table for my family. The writing was always in addition to the mainline job. Retired now, I can dedicate myself to writing full-time, and that is just what I am doing.

Writing: so many meanings, so many ways to write. I blog, I maintain a journal, I write e-mails, I post to Facebook, I write poems, short stories, and I have written three unpublished (and probably unpublishable) novels. Also on two separate occasions, I have run a weekly sport’s column (athletics and rugby) in local newspapers. I have written academic books, translations, book reviews, peer-reviewed articles, and I have maintained, with the assistance of my beloved, an online bibliography and an online searchable data base. I have also helped edit some fourteen academic journals during my time as an academic. In my editing career I have been an editor, a co-editor, an associate editor, an assistant editor, an editorial assistant, and a book review editor, as well as sitting on the editorial and / or advisory boards of a handful of magazines. I have managed to do this in three languages (English, French, and Spanish). So, what exactly do I say when people ask me “What do you write?”

I am also a fan of the following statement, though I cannot remember where I first heard it. “We are not writers, we are re-writers.” This is certainly true of my editorial roles in academic magazines, for I have done a tremendous amount of rewriting and revisions for the people who have submitted their work to the magazines I was helping. So, there it is, in a nutshell … except for one thing, I have been involved in so many writing experiences, that I have forgotten many of them. Forgetfulness: the theme of today.

 

Sox

IMG_0230.JPG

Sox

My birthday parcel arrived this morning. No, it’s not my birthday. That was last month. Is the glass half full or half empty? Well, if it’s half empty, my birthday parcel arrived two weeks late. BUT, if the glass is half full, then it arrived fifty weeks earlier. It was packed with goodies, like sox that have upon them an elephant bearing a pint of beer in its trunk: irresistible, as the sender said. I also have a green pair with a parallel theme. I wanted to wear one of each pair, in an orange-green mis-match, but a certain someone would not let me have anything to do with that. Ah, the voice of sartorial authority. “Orange and green / should not be seen / without a color / in between.” White, perhaps, as in the Irish flag, except white is apparently not a color.

I used to get lots of sox for my birthday, but suddenly they went out of fashion along with ties and hankies. I got some of my daughter’s banana bread too. She makes a delicious fruity bread loaf and I am always thrilled to get one or two of them. They are wonderful for breakfast with a thin layer of butter and a cup of tea or coffee. I am not meant to drink the coffee but a cup every now and then doesn’t appear to affect me. And I make my own, so it’s always fresh and doesn’t sit around for hours waiting to gobble up the inside of some poor unsuspecting victim.

Vis brevis, ars longa: I have on my wall a painting, given me by a former student of mine who didn’t want to write an essay. She painted a painting instead and explained it to the class in the language she was learning. She left our university and attended an art and architecture program and she went with my blessing. Look around the walls of my house: I have several paintings, at least three by former students. However, not a single essay has been nailed to the walls in memory of academic excellence. Now there’s a meaning in there somewhere. If only I could find it.

img_0297

 

One of my other presents was a painting by the budding artist in our family, Finley, age four. I unwrapped that and put it straight up on the wall so that it could represent the glories of morning sunshine and bright early life. I guess it will outlive me both me and my sox. Here are two photos: one of the wall with two other artifacts and the other of the painting itself. AS Picasso once said (more or less) “I spent most of my life re-learning how to see and paint like a child.”

IMG_0229.JPG

Ooh! That’s me in the mirror. That artifact is a souvenir of the Glass Wheat Field that I brought back from Regina the last time I visited there. I forgot it had a little reflecting mirror that multiplied the central image and look, there I am: I’ve accidentally done a selfie. Wow: now I am cool and with it. It must have been a birthday gift from the gods: deus ex machina, the machina in this case being the camera. Here’s the other painting, in all its glory, courtesy of the artist, and my birthday parcel. Oh to be young again, to think, and see, and paint again, like Picasso … or a child.

IMG_0228 (2).JPG

Dawn

IMG_0169.JPG

Dawn

I turn over in bed. The light on my neighbor’s garage has come on. It is triggered by movement and I get out of bed to see if the deer are back and crossing his yard. But no, it is not the deer, it is the paper-man, up early to deliver the news. He turns in the yard at the bottom of the street and his headlights flood my room with light as he drives up the road.

6:20 am. I go back to bed. The moon is a thin silver arc. It climbs out from its hillside bed and leaves the forest to scale the early morning sky. Today, the sun will rise at 7:49 am. Until then, this silver sky fish will follow Venus and Mars as they march across my window. On clear mornings I watch them as they move from frame to frame. A double window, with 24 panes of glass in four groups of six panes each. I lie in bed and count them in those sleepless hours before I feel the need to rise. I start with groups of 3 going 3-6-9-12-15-18-21-24. Then I go back down again 24-21-18-15-12-9-6-3.

I think of my father counting the dots on the wall as the sun moved slowly across the walls of his house in Rhiwbina. Then I too play games with the window panes, counting them one by one, then two by two, then three by three, then four by four. It is, I suppose, the magic of counting sheep. First, you count their legs, and then you divide by four. Venus and Mars grow brighter as the sky lightens a little bit more. The moon changes from a clouded orange to a shining silver. I play a new game, counting the window panes in Spanish, then French, and finally in my “use it lose it, long-abandoned” Welsh. I am no longer sure of the order of the numbers, so, when I hit a road bump, instead of stopping, I follow the language pattern and invent.

Dawn: what a funny time, what a funny word, so many funny meanings “and suddenly, it dawned upon me”. Here the dawn walks uphill towards me. It slowly fills the sky with light. The planets shine, then moon and planets disappears as, at 8:09, that first ruddy ray splits the darkness and lands rosy-red upon my bedroom wall. The planet’s dance has ended. The flirtatious moon has come and gone. Time now to end all games and to wash and dress and face reality. February 1: it is the dawning of the Age of Aquarius. Venus, Mars and moon dance through my mind, moving to a different tune.

Friends

IMG_0136.JPG

Friends

When good friends get together they can talk and walk and hug and hold and discuss so many awkward and difficult things, like how the body fills with spirit and the reader can be swept away in the magic of voice and how time and space can be suspended in the majestic act of creation that spins a web of forgetfulness around us and makes us forget who and what we are as we forge new worlds and the duende (Lorca’s dark earth spirit of love, want, and creation) holds us captive and drives us onward and inwards until we give birth to that which was waiting to be born, even though we never knew that the seed had even been planted, and “What is this?” we ask as we survey the new born entity fresh on the page, held in the hands, suddenly full of life and breathing on its own, a thing of beauty in its own right, that made complete sense as we struggled to hold it as it grew and transformed and transitioned from internally ours to externally and eternally theirs, a product of mind and body now belonging no longer to us but to the world beyond us, and we long to know its fate, to watch it as it walks along its path, its destiny now in its own hands, and “What is it?” people ask as we stand still and know not what to tell them, or else they say “Nice”, sigh, and go back to their two-thumbed clicking and their imaged devices, bereft of the imagination to see and explore that which has just been placed before them, this babe in swaddling clothes, this new creation, “Here, have some,” they say, thrusting our way the chips on which they are munching, or the curly French Fries they are crunching, or the pistachios, or whatever, and their coffee cools on the table, and their eyes are locked on the text that moves between their fingers across the electronic page, and this is life, as they know it, this shifting screen of shadows, this black and white stage that moves across the wall of the man-cave, woman-cave, in which they have immersed themselves, their noses close to that shifting screen, their minds elsewhere, trapped in the instantaneous insanity of the hyper-cyber-space that inhabits the void behind their eyes and between their ears, as they try to judge the price of everything never understanding the value of anything, let alone what we have created, and “Take away his grant,” “Let her wither on the vine,” “They’ll soon forget to be creative when we chain them up face to face with harsh reality,” and was that what they said to Goya, to El Greco, to Leonardo, and what exactly did they say to Lorca, before they shot him dead and rolled him into that common grave along with all the other murdered men and women, teachers and artists, poets and thinkers, and we, poor parents, holding our precious precocities in their swaddling clothes and wondering why we ever set out on this adventure, and why we are creators in the first place and “Watch out, here it comes again!” the tsunami, the tidal wave that sweeps us away and drives us into the black holes of our inner lives where a dark sun shines and shadows dance and lead us on and on until we have caught our dreams, squeezed them dry of their nothingness, and turned them into the weavings of an actuality stuffed full with new life, a new reality, a new creation, something that is truly ours, yet outside ourselves, and we gaze at it for a moment then position it in its cradle of reeds, place it in the river, push it out into midstream and eyes fill with tears and heart with hope as we watch it float away to make its own life, sink or swim, on this sea of sorrows, where someone, downstream, may bend to the waters and say “Holy Moses: what on earth is this?” or “How are we going to judge and assess it?”

Pills

IMG_0175.JPG

A four-legged Harlequin cluckless duck: that’s what I feel like some mornings. In Spain they say: dar tres pies al gato / to give the cat three legs. This means to complicate life, to screw things up … and yesterday, I screwed everything up. But, of course, but it wasn’t my fault. It never is my fault. How could it be my fault? Repeat after me: I am perfect, therefore it was not my fault. QED.

Pills: yup. I forgot to take them again. Sometimes I think if they were actually Pils (as in Pilsner, or should that be Pilsener?) I would always remember them. Maybe I should wash my morning pills down with a shot of Pilsener (or should that be Pilsner?). That way I might remember to remember them. I would certainly remember my morning Pils. Pils, Pilsner, Pilsener: what’s in a name? Well, according to the BJCP (Beer Judge Certification Program) there are three classifications for Pilsners:  1 German Pilsner, 2.Bohemian Pilsener (note the extra E) and 3 Classic American Pilsner. As for my own Pills (or should that be Pils?), there are several medical classifications for them, but, of course, I always forget what they are.

There’s the pill for the back pain and the arthritic hip. I usually forget that one if the sun is shining and the sky is clear. Then there’s the one that eats away at bad cholesterol. I don’t often forget that one, as it’s the same shape and color as the two for high blood pressure, which I don’t have any longer as I rarely forget those pills. But when I do forget them, like I did yesterday, then I feel like the duck portrayed in the opening portrait.

But I’m forgetting myself … it’s never my fault. First I got up late because I didn’t fall asleep until early in the morning. Then, Molly Maid arrived while I was showering and wanted to clean the bathroom while I was in it. Not the most exciting prospect at my age. Then, when I had shooed them away, I was able to sneak out with a towel around me and actually get dressed. Then the telephone rang with an unrecognized number and I thought t was a robot call, so I left it to ring, but it was milady who was vacationing abroad so I picked up the phone and she talked for an hour. She left me with the promise that her friend would be calling me and two minutes after I put the phone down, that friend was on the phone, and that was another hour gone.

By this stage, Molly Maid is ready to perform their disappearing act, so I go to see them off, and breakfast has to be abandoned because it’s lunch time. So I make lunch, but I never take my pills with lunch and anyway, it’s snowing, and there might be rain later, but my arthritis isn’t plaguing me yet, so I really don’t need that particular pill, and the phone goes again. This message asks me to do something, so I do it. And the snow is falling and I don’t want to go out and plow the snow. Cold and boring. So I find something to do which is very, very important, but I like crossword puzzles. And the Brexit debate is on, so I follow that and wow, is that ever a mess. I think I’m screwed up until I listen to that lot: garbled garbage spoken with posh, plum in the mouth accents and imitation working-class foibles. Might as well be chewing straws and have their ears sticking out through ancient straw hats. Like donkeys.

So, by now tea-time is getting close and it’s time to think about eating, or blowing the snow, but the man next door has plowed out the end of the drive where the grader has left a ton of the stuff, and the man up the road is on the way down to help clear the rest, and he is travelling like a whirling dervish, and I limp down the corridor (or should that be corrida?) to say ‘hi!’ but he’s already turning the corner to the drive, so I limp to the garage to say ‘Hi and thank you!’ but he’s already half way up the drive on his way home, so I wave twice at his back and shout ‘thanks’ but he can’t hear me above the noise of the snow blower and he’s gone without seeing me, no eyes in the back of his head, I guess. So I wait till he gets home and I call him on the phone and we talk and I thank him. Then someone calls me and we talk. Then my daughter calls me and we talk.

And now it’s time for La-la-la-la-la … Coronation Street, and I haven’t had any supper yet, and I know I have forgotten something, but I open my can of evening Pilsner (from Pilz, don’t go there) and I’ve forgotten something, but I don’t remember what it is and … what was I saying? Ah yes, no pills with my Pilsener and that’s what I forgot, and there they were this morning, lying on the table, and hopefully I won’t forget them today, but I haven’t had my breakfast yet and the cricket in Antigua will be starting soon and … oh dear … I know I’ve forgotten something. Ah yes, the clock, I’ve forgotten to wind the clock. But there’s something else and if you remember what it is, please let me know.

Light breaks

IMG_0218.JPG

Light breaks

“Light breaks where no sun shines;
where no sea runs, the waters of the heart
push in their tides;
and, broken ghosts with glow-worms in their heads,
the things of light
file through the flesh where no flesh decks the bones.”

Dylan Thomas, another Swansea boy, wrote those words a long time ago. I borrowed the phrase Broken Ghosts for the title of my second poetry book (Fredericton: Goose Lane, 1986) and I am proud of the links forged between Swansea and Island View, Wales and Canada, an earlier poetic generation and my own presence here among these trees covered as they are by winter’s falling snow.

Light is so important, especially here in winter’s dark where the nights are long. The sun’s warmth through the window, the distortion of light through glass and water, the presence of flowers amid the winter’s alternate brightness and gloom. Brightness of sunlight on flowers and of moonlight shifting across garden snow, cratered by the hoof marks of deer into a lunar landscape of shifting shadows.

Sometimes the ageing heart wallows in gloom. Those bedside shadows take on forbidding shapes  and Goya’s nightmarish figures rise out of the pinturas negras, the black paintings from the Quinta del Sordo, to walk again around my room. On nights like these, scarecrows arise from my past and their twigged fingers scratch at my face. They threaten with carrot noses and coal black eyes. They stump their thumping dance steps and send shivers coursing through my veins.

https://www.theguardian.com/artanddesign/2019/jan/30/goya-black-paintings-prado-madrid-bicentennial-exhibition

“What is it?” I ask. “What do you want?” But though their mouths open and lips, teeth, and tongue flap into idle movement, no words emerge and I am left, a broken ghost, floundering in an internal sea, not of light, but of darkness. Downstairs I go, pursued by the clump of snowy feet, to sit at my desk and walk my fingers across the keys in search of comfort. I find it in these photos: sunshine on flowers, a light to lighten and enlighten the darkness stalking through my mind.

IMG_0217.JPG

Warmth and light: together they will dispel this frosty spell that freezes my brain and will not let me close my eyes and go back to sleep.

Birthdays

IMG_0201.JPG

Birthdays

Birthdays blithely march on, virtually unstoppable, goose-stepping through our lives. Milestones, they are markers that measure the maps of our lives,  engravers that carve another notch into our lives. And as we get older, each birthday brings, as its gift, not just another candle on the cake, but another ache, another pain, arthritis in a different joint, another reason to limp and walk with a stick, a decaying tooth, a filling that falls out, a few less hairs round that developing bald spot, a lessened desire to go out in the cold and dig that snow.

Snow: this year, it snowed on my birthday. Then when my friend’s birthday came round a few days later, it rained. My birthday was cold (-16 C). His was hot +7 C with 71 mms of rain and a flooded basement from which he had to remove his carpet. Then came the flash freeze and the mercury dropped to -17 C overnight. Birthday presents, birthday gifts, an accumulation of ailments and ills, of sorrow and woes, but among all this, the occasional revelation that makes everything worth living for. This year it was a Swarovski crystal pen that sparkles in the sun and brings a smile to my face and warmth to my heart. Then there came a lottery win, a whole $10.00, not much money, but a sign of good luck, and “loads better than a kick in the rear end from a duck in yellow gumboots standing on a brick”, as one of my good friends used to tell me.

Language: now that is also a gift. And how it changes from place to place. Knowing that I should be speaking French, not English, I spoke to my French friends in Spanish, with the occasional word of Welsh thrown in. At least it wasn’t English. Knowing I must console my Hispanic friend in Spanish, I wrote to him in French, a local dialect of chiac in fact. Well, at least it wasn’t English, and I only used two words of Welsh, wara teg: fair play. Old age plays such tricks on us. Just before my grandfather passed, he forgot all his English and spoke to us in Welsh and Italian. I guess he picked the latter up in WWI when he was stationed in Italy. He certainly was  a fair hand at Italian opera and knew many of the most famous arias by heart.

So what does the next birthday mean and what does it bring? I look at Brexit, at Venezuela, at the United States, at the newly fledged and sadly reignited language dispute here in New Brunswick, and I am reminded of the coal man with his sack of coal  and: “cobbledy-cobbledy, down the hole”.  Or cobbledy-cobbledy into our Christmas stocking with those shining black nuggets. Or cobbledy-cobbledy into our next birthday parcel. Alas, as age increases, there is nowhere to run to and nowhere to hide. Inside the bed, perhaps, with the teddy bears, and the blankets pulled up over our heads? Inside a large brown paper bag, as the Goons on the BBC’s Goon Show would respectfully suggest? Under the bed, like the lunatic who is a little potty?

Hopefully, those next birthday presents will include a sense of humor, so we can laugh at our troubles and smile at our woes. It may contain a sense of second sight, so we can see the silver linings to all those seemingly black clouds. Or maybe just a transplanted backbone and the ability to stand up straight and withstand the slings and arrows of outrageous fortune. Or, there again, a large umbrella under which we can shelter from the rainstorms of life. Whatever: I wish us all well, all we who populate this world and love it and want to change it for the better for all, and not with the spider-webs of deceit that proclaim self-glory, self-profit, and reveal a renewed sense of privileged power filled with a glow of self-worth and temporal false glory.