Don’t tell me your troubles

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Don’t tell me your troubles

vultures circle overhead
tight-beaked grimacing
ready for any old thing
to drop down and die
leaving them some space
they bounce on the wind
feather-tips poised to plunge

drivers drive dodgem cars
through pot-holed filled
parking lots
bumper to bumper grinding
following each pedestrian
plodding from hospital to car

red alert three bell alarm
an engine starts
reversing lights flicker
someone’s coming out

cock fights dog fights
domestic pussy cats
all booted and spurred
claws out for the bust up
three dust ups already
today

nobody happy
everyone hopping mad
round and round
circling false alarms
sitting waiting
for someone to move

we’ll all be late
for our appointments
no room at this inn
not here not today
my friends no parking

That Wall

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That Wall
(1953 AD)

build that wall
top it with wet cement
place bottles in a row
sign it date it
carve the barrier in stone

when the cement sets
break those bottles
impenetrable barriers

walled now this garden
its interior holy of holies
a paradise for the chosen few
peace and roses only a dream
glimpsed from the outside

a climber climbs
rips flesh shreds clothes
mottles concrete with blood
wet washing hung in fleshy strips
a red flag now this Siegfried line
its shattered glass wire
its see-through brittle anger
excluding all intruders

walled this garden studio
this monument
built by my father
seeking to block who out
trying to lock who and what in

Courbet

Courbet
(1944 AD)

a deep moist cave
moss-grown cavernous
casting from night to day

synchronous memories
ascent descent blood scent
ejection rejection

tumbling down falling
insidious angel
no room at the inn
trapped no escape

Hieronymus Bosch
black-winged devils
cloud tormented
descending
anonymous red skies

factory and furnace
foundering foundries
mysterious birth myth
turned into lies

virgin berth
borne with tweezers
untouched the channel
from dark to light

Aye, aye

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Aye, aye
(8 April 2019)

I am my eye
this eye
my left eye

rapid heartbeat
shallow breathing
tautness in chest
this is all about
my eye

frozen with gel
disinfected
bathed in iodine
it nestles in a nest
loitering with intent
within a blue tent
filled with oxygen

three bright lights
surgeon’s fingers
surgical instruments
moving shapes
this eye my eye
sees them draw near
then fade away

machines hum
laser beams bite
extract then implant
more liquids
face patted dry
dark glasses appear
smiles all around

“Oh my eye
and
Betty Martin!”

this eye
is not an eye
because you see it
it’s an eye
because it
once more sees you

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Dark Night

 

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Dark Night
(1577-1579 AD)

candlelight
stole the moon’s halo
moth sputtering to its death
this owl high-flying

a cat tears out
mouthfuls of hair
swallows
spits out a hairball
swallows
steal it for a nest

dish and spoon
dance
cats and dogs
rain golden
milky the way
earth’s
thirst is quenched

blind hands
deaf fingers
no longer deft
voices breaking
waves
an unstrung
guitar of sound

fire will one day
come to claim us all

Okay

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Okay

So, I felt sorry for the squirrel, I admit that. But I didn’t bring him into the house. Nor did I open the door and let him in. Honest. Maybe it was the cat. She’s been watching him all day. Yes, that’s it. It was the cat. She saw him out there in the cold, felt sorry for him, slipped open the screen door and let him in. I could believe that. But no, I don’t know how those nutshells got there. Of course it wasn’t me. You know I’m allergic to nuts and no, that wasn’t me sneezing. It must have been the cat. Or the squirrel. Have you looked for him? I bet she’s round here somewhere. Why are you always blaming me for everything?

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Evidence? I don’t call that evidence? What are you accusing me of anyway? And no, I didn’t leave that tiny crust of bread in the nut pile. Must have been the squirrel. You know I like bread. Squirrels don’t like bread. I bet she left it there. Or the cat. What do you mean: it couldn’t have been the cat? How do you know she didn’t jump up on the counter and eat all those nuts? You’re just guessing and you want me to look bad. She does jump up on things, I’ve seen her do it. She’s always good when you’re around.  She’s not so good when I’m here on my own. That’s why I call her Vomit. I know she doesn’t throw up on your chair, but she throws up on mine. I bet she organized all this, just so I would get the blame.

What do you mean, you’ve left it up to the jury? What jury? You’re no taking me to court for this. Are you? Seriously? I can’t believe you’d find a jury willing to convict me on the suspicion that it might have been me, not on the sort of circumstantial evidence you’re presenting in those photos. And no, I’m not doing lie-detectors or DNA. The jury’s out there now? I don’t believe you. You can’t bring a jury home, to this house, to convict me of the crime of eating your pistachios. Can you? What do you mean: look out of the window? Oh no! You can’t be serious.

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Friends

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Friends

When good friends get together they can talk and walk and hug and hold and discuss so many awkward and difficult things, like how the body fills with spirit and the reader can be swept away in the magic of voice and how time and space can be suspended in the majestic act of creation that spins a web of forgetfulness around us and makes us forget who and what we are as we forge new worlds and the duende (Lorca’s dark earth spirit of love, want, and creation) holds us captive and drives us onward and inwards until we give birth to that which was waiting to be born, even though we never knew that the seed had even been planted, and “What is this?” we ask as we survey the new born entity fresh on the page, held in the hands, suddenly full of life and breathing on its own, a thing of beauty in its own right, that made complete sense as we struggled to hold it as it grew and transformed and transitioned from internally ours to externally and eternally theirs, a product of mind and body now belonging no longer to us but to the world beyond us, and we long to know its fate, to watch it as it walks along its path, its destiny now in its own hands, and “What is it?” people ask as we stand still and know not what to tell them, or else they say “Nice”, sigh, and go back to their two-thumbed clicking and their imaged devices, bereft of the imagination to see and explore that which has just been placed before them, this babe in swaddling clothes, this new creation, “Here, have some,” they say, thrusting our way the chips on which they are munching, or the curly French Fries they are crunching, or the pistachios, or whatever, and their coffee cools on the table, and their eyes are locked on the text that moves between their fingers across the electronic page, and this is life, as they know it, this shifting screen of shadows, this black and white stage that moves across the wall of the man-cave, woman-cave, in which they have immersed themselves, their noses close to that shifting screen, their minds elsewhere, trapped in the instantaneous insanity of the hyper-cyber-space that inhabits the void behind their eyes and between their ears, as they try to judge the price of everything never understanding the value of anything, let alone what we have created, and “Take away his grant,” “Let her wither on the vine,” “They’ll soon forget to be creative when we chain them up face to face with harsh reality,” and was that what they said to Goya, to El Greco, to Leonardo, and what exactly did they say to Lorca, before they shot him dead and rolled him into that common grave along with all the other murdered men and women, teachers and artists, poets and thinkers, and we, poor parents, holding our precious precocities in their swaddling clothes and wondering why we ever set out on this adventure, and why we are creators in the first place and “Watch out, here it comes again!” the tsunami, the tidal wave that sweeps us away and drives us into the black holes of our inner lives where a dark sun shines and shadows dance and lead us on and on until we have caught our dreams, squeezed them dry of their nothingness, and turned them into the weavings of an actuality stuffed full with new life, a new reality, a new creation, something that is truly ours, yet outside ourselves, and we gaze at it for a moment then position it in its cradle of reeds, place it in the river, push it out into midstream and eyes fill with tears and heart with hope as we watch it float away to make its own life, sink or swim, on this sea of sorrows, where someone, downstream, may bend to the waters and say “Holy Moses: what on earth is this?” or “How are we going to judge and assess it?”

Birthdays

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Birthdays

Birthdays blithely march on, virtually unstoppable, goose-stepping through our lives. Milestones, they are markers that measure the maps of our lives,  engravers that carve another notch into our lives. And as we get older, each birthday brings, as its gift, not just another candle on the cake, but another ache, another pain, arthritis in a different joint, another reason to limp and walk with a stick, a decaying tooth, a filling that falls out, a few less hairs round that developing bald spot, a lessened desire to go out in the cold and dig that snow.

Snow: this year, it snowed on my birthday. Then when my friend’s birthday came round a few days later, it rained. My birthday was cold (-16 C). His was hot +7 C with 71 mms of rain and a flooded basement from which he had to remove his carpet. Then came the flash freeze and the mercury dropped to -17 C overnight. Birthday presents, birthday gifts, an accumulation of ailments and ills, of sorrow and woes, but among all this, the occasional revelation that makes everything worth living for. This year it was a Swarovski crystal pen that sparkles in the sun and brings a smile to my face and warmth to my heart. Then there came a lottery win, a whole $10.00, not much money, but a sign of good luck, and “loads better than a kick in the rear end from a duck in yellow gumboots standing on a brick”, as one of my good friends used to tell me.

Language: now that is also a gift. And how it changes from place to place. Knowing that I should be speaking French, not English, I spoke to my French friends in Spanish, with the occasional word of Welsh thrown in. At least it wasn’t English. Knowing I must console my Hispanic friend in Spanish, I wrote to him in French, a local dialect of chiac in fact. Well, at least it wasn’t English, and I only used two words of Welsh, wara teg: fair play. Old age plays such tricks on us. Just before my grandfather passed, he forgot all his English and spoke to us in Welsh and Italian. I guess he picked the latter up in WWI when he was stationed in Italy. He certainly was  a fair hand at Italian opera and knew many of the most famous arias by heart.

So what does the next birthday mean and what does it bring? I look at Brexit, at Venezuela, at the United States, at the newly fledged and sadly reignited language dispute here in New Brunswick, and I am reminded of the coal man with his sack of coal  and: “cobbledy-cobbledy, down the hole”.  Or cobbledy-cobbledy into our Christmas stocking with those shining black nuggets. Or cobbledy-cobbledy into our next birthday parcel. Alas, as age increases, there is nowhere to run to and nowhere to hide. Inside the bed, perhaps, with the teddy bears, and the blankets pulled up over our heads? Inside a large brown paper bag, as the Goons on the BBC’s Goon Show would respectfully suggest? Under the bed, like the lunatic who is a little potty?

Hopefully, those next birthday presents will include a sense of humor, so we can laugh at our troubles and smile at our woes. It may contain a sense of second sight, so we can see the silver linings to all those seemingly black clouds. Or maybe just a transplanted backbone and the ability to stand up straight and withstand the slings and arrows of outrageous fortune. Or, there again, a large umbrella under which we can shelter from the rainstorms of life. Whatever: I wish us all well, all we who populate this world and love it and want to change it for the better for all, and not with the spider-webs of deceit that proclaim self-glory, self-profit, and reveal a renewed sense of privileged power filled with a glow of self-worth and temporal false glory.

Teddy Bear’s Nick Pit

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Today’s the day the teddy bears have their nit-pick: and what a nick pit it’s going to be. Who knows who’s starting what? Who knows where it will go? Who knows where it will end? More than anything else it reminds me of the monkeys in the monkey temple, sitting on their steps and pinnacles, in hierarchical orders, each searching the other monkey for nits and fleas and squeezing them between thumb-nail and middle finger nail, with a blood-red ‘click’ and a life-ending ‘clack’.

“Great fleas have lesser fleas upon their backs to bite them. And lesser fleas have smaller fleas, and so ad infinitum.” I remember this from my childhood, but, more important, the rhyme bite ’em / ad infinitum goes back much father than that, as you will see if you click on this Wikipedia article. Oh boy, Jonathan Swift, and you thought I was bad. I am Canadian Maple Syrup compared to his Irish Thistle Honey. And don’t talk to me about Swift’s views on famine, and how to avoid it.

Anyway, who knows what will happen. Apparently, my former family and clan, the Brits, do not know the old Spanish proverb: Martes, ni te cases, ni te embarques‘ / Tuesday: don’t get married and don’t set out on a journey. Why ever not? Because Tuesdays were apparently the days when the Spanish Inquisition punished the adulterers, male and female, set them upon donkeys, naked from the waist up, and whipped them round the streets while the town criers sang out their crimes in time to the executioners who wielded the whips and painted their sins in red stripes upon their criminal flesh.

Tuesday, bruise day: it’s going to be fun (gallows’ humor). What will become of (once great) Great Britain? What will become of Europe? What will become of our cultural and philosophical world order? Climate change, cultural change, ideological change, political change, the wind of change …  I guess it’s blowing, but who knows in what directions it will blow us all? So easy to open Pandora’s Box: so difficult to pack everything back inside.

Martes, ni te cases, ni te embarques‘  …

By the bye:

I wrote this two or three days ago, before the test squad for the West Indies was selected. Today (Monday, Monday), Theresa a decided not to hold the vote tomorrow, Tuesday, Tuesday, which is now today. Does anyone really know what is happening? How United is the Untied Kingdom [sick]. I certainly don’t know. Meanwhile, the Teddy Bears are having a picnic, and they are all out there, in the woods, Sherwood Forest probably, watching out for the Sheriff of Nottingham, and nit-picking.

 

 

 

Snowman

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“Settle down, children, and be quiet. I am going to read you a story about the snowman who didn’t believe in global warming. You, at the back, Elizabeth … yes, you. Sit down and shut up and stop biting your fingernails. And no, it’s not recycling when you chew them afterwards. Stephen, stop blowing raspberries. Now, children, shall we begin?”

“Yes, miss.”

“Once upon a time, a long time ago, after a big snow storm in November, Little Justin built a snowman in his garden. It was a lovely snowman. You can see how lovely it was if you look at the picture at the top of this page. There. Isn’t he lovely?”

“Yes, miss,”

“Justin was a very clever boy and he could do magic tricks. So, he made his snowman mobile and the snowman walked all over the garden. He was a very happy snowman and he threw snowballs at Justin who caught them and threw them back. Stephen, will you stop blowing raspberries.”

“Sorry, miss.”

“Justin’s snowman could speak and understand long words and sentences. He was very clever, but not as clever as Justin. David, will you stop picking your nose and don’t put that finger anywhere near your mouth.  And Stephen, one more raspberry and I’ll make you stand in the corner. Do you understand me?”

“Yes, miss.”

“One day, Justin told the snowman all about global warming and how the spring would come and the sun would shine and all the snow would melt. ‘Phooey,’ said the snowman. ‘I don’t believe you. And anyway, I don’t care.’ ‘You just wait until April or May,’ said Justin. ‘Then you’ll believe in global warming.’ ‘Right,’ said the snowman. ‘I won’t believe in global warming until April or May. Then I’ll believe in global warming. Maybe. We’ll see.’ Justin was very upset that the snowman didn’t believe him. Stephen: that’s enough. No more raspberries, I said. Now go stand in the corner. With your face to the wall. Any more noise from you and I’ll put you in detention. Do you understand?”

“Yes, miss.”

“Well Christmas came and the snowman danced on the snowbanks and thumbed his nose at Justin. ‘Global warming sucks,’ he sniggered. Justin shivered through the cold winds of January and February. Then March came in like a lion and the cross-country skiing was wonderful and Crabbe Mountain was full of young people all having fun. Meanwhile the snowman danced away and sang under the moonlight. Some nights Justin would wake up to find the snowman’s face, like a great full moon, leering in at his window. And … what was that noise? Stephen, was that you?”

“Please, miss. I couldn’t help it. It wasn’t a raspberry, miss.”

“I know it wasn’t a raspberry. And I know what it was. You’re coming with me to see the principal. Class, you can take out your pencils and notebooks and write your own ending to the snowman story. Stephen, what you did was disgusting. You’re coming with me to the principal’s office. Right now.”

“But, miss,” Elizabeth an David raised their her hand.s and spoke in chorus” “What happened to the snowman?”

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