Why?

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Why?

Curiouser and curiouser
the vanishing smile
on the ginger cat
and wild dog dingo
grinning like a coal-scuttle,
why, oh why?

Who put the cur in curious?
Why was the dog-watch curtailed?
Cynicism, some say, and why
do we kneel before him,
heads bowed, waiting
the thumbs up, thumbs down,
of placet, placetne,
why, oh why?

Comment: Raw poem. I dreamed it up last night, but it wasn’t like this when it started. Cur: means why or what for in Latin and curs were large, mongrel dogs, bred for herding cattle in the Middle Ages. Cynicsm: because the cynics were also called ‘dogs’ partly for their shamelessness and partly for the faithful way they guarded their philosophical tenets. In Mexico, the Dominicans were often portrayed with dogs at their sides. The explanation: domini / of the Lord, -can / dog; hence they were the faithful guard dogs of the Lord. Placet: it pleases in Latin; the thumbs up sign that allowed the defeated gladiator to live, not die. “In any event, the final decision of death or life belonged to the editor, who signalled his choice with a gesture described by Roman sources as pollice verso meaning ‘with a turned thumb’ a description too imprecise for reconstruction of the gesture or its symbolism” (Gladiator: Wikipedia).

The Brick

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The Brick

 The brick sits on the master’s desk.
The master enters the classroom,
sees the brick, picks it up,
and without even looking
hurls it out of the window.

It is a warm, spring day
and luckily the window is open.

The schoolboys watch the brick
as it tumbles in slow motion
end over end through the air.

It lands with a thump in the quad
right at the feet of another master.

This second master looks around
but there’s nobody in sight.

He shrugs his shoulders,
bends down, picks up the brick,
puts it in his briefcase,
and walks away.

 

The Sneeze

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The Sneeze

Uncontrolled,
uncontrollable,
it bursts forth,
unstoppable.

I was painting at the time,
an imitation of Munch:
all those sad-faced
citizens walking the street.

The sneeze caught them
in mid-stride.
The looked shocked
and bewildered:
green, slimy eyes,
white-flecked beards,
yellow cheeks and chins,
tiny red specks.

Who knows in what
hidden fold of the brain
are great ideas born?

I smudged and smeared,
worked snot into paint,
molded sticky chunks
with a palette knife,
sculpted those so-sad faces
into wily coyote smiles.

“Genius, pure genius,”
the art critic cries.
I get full marks
and
win first prize.

Truth & Lies

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Truth and Lies or Verisimilitude
Wednesday Workshop
05 April 2017

Miguel de Cervantes comes at truth and lies from a slightly different angle than most of us. In Don Quixote, he writes of verisimilitude (verosimilitud in Spanish) and defines it  in this way: “Tanto la mentira es mejor cuanto más parece verdadera” — The lie is so much better when it appears to be true.

Cervantes extends verisimilitude into perspectivism when an object, for example, the shaving bowl that turns into Mambrino’s helmet, is seen from different angles to represent different things.

Thus Sancho sees a barber’s bowl while Don Quixote sees a warrior’s helmet, specifically that of Mambrino. As Cervantes demonstrates, when both aspects can be held to be true, we are no longer dealing with a direct opposition, truth (barber’s bowl) versus fiction (Mambrino’s helmet). In fact we are dealing with a new reality, that of the basin which doubles as a helmet and the helmet that doubles as a basin. The compromise, in Cervantes’s Spanish, is to invent a new word, a new world, that of the baciyelmo, the first half of which is the basin (baci-) and the second half of which is the helmet (-yelmo). This blends two appearances together to form a new fictional reality upon which the protagonists can agree.

I like to think that this is what we are all doing when we write, forming a new fictional reality to create a new world. We do this when we combine our memories and our imaginations to create new truths. Perhaps it is the fuzziness around the edges, rather than true clarity,  that allows us to penetrate the mist of meaning and come up with the new words and worlds.

For example, some men like facial hair and some men don’t.

I was invited to play an acting role in the local film co-op and the art director asked me to grow a specific type of mustache, something I had never ever done previously. I didn’t want to do it and was faced by a dictat “do it or you don’t get the role”. The AD was a good friend, so I did it. I grew a mustache.

It was the worst mustache you have (n)ever seen and trust me you can be glad you didn’t see it (but you can see it on the film, except I’m not telling you the name of the film). Anyway, when the final words “It’s a wrap” were called, late one Sunday night, my beloved was waiting on the doorstep with a razor and a shaving brush. “Off with it,” she said. And I’ve never grown another whisker since.

Is this a true memory or a coloring of the facts? You’ll never know. What is true is that the art director was amazed at the refusal of many males to grow facial hair.

Spanish proverb: “Both man and bear: each more beautiful with more hair / ¡El hombre y el oso: más peludo, más hermoso!

The film in which I played the role of a domineering theater director was a New Brunswick short (15 minutes). It’s called Misdirection (and is available from the NB Film Co-op). It’s a totally amateur production and was enormous fun to make.

In retrospect, the mustache actually didn’t look too bad … but there’s a very evil glint in my eyes in a couple of scenes. The DoP was using a shoulder held camera and did some great close-ups. I was trying to avoid looking at the camera, but he was so close that I was staring down the lens a couple of times.

More on body hair: I was coaching at the Canada Games one year (once upon a time, a long time ago, in another life) and was moved to investigate the howls of merriment that were emerging late at night from one of the bathrooms in the residence we were all sharing.

I did so to discover, after hammering at the door and demanding entry, that five or so girls were devoting their attention and their razor blades to removing all the body hair of one of our male swimmers so that he could slip through the water with less friction.

It wasn’t exactly a Brazilian Wax, but it was a gazillion laughs: death by a thousand cuts. I am sure the scars slowed the swimmer down. This was a long time ago, incidentally, when the world was young.

Truth or Fiction? Verisimilitude? The closer the lie is to the truth, the more convincing it is. Ask Cervantes: he should know.

The Perfect Boiled Egg

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The Perfect Boiled Egg

two dozen
at the bottom of the pot
as hard as rocks

two dozen at the top
liquid beneath the stale bread
resurrected as toast
and used as blotting paper
to mop them up

and there
lurking somewhere
in the middle of the pot
hiding like the prize number
waiting for the winner
in a national lottery

the perfect boiled egg

Comment: School food was always a thing of wonder and I remember it only too well. If nothing else, the school sports gave me an appetite and the school food made me more or less omnivorous and gave me a cast-iron stomach. I can’t remember who said them first, but I always associate these words it with St. Trinian’s: “School fish: the piece of cod that passeth all understanding.” We sat at tables of eight and we could always find someone who would eat whatever we left … more about that (and school) later.

Frog Lake

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FROG LAKE
THE OPERA

Frogs chant spring love song from pond to ditch.
Their tunes are one note symphonies,
croaks of joy that move other frogs to ecstasy.

Boy frogs seek girl frogs, encouraging them to share
the splendours of ditch life, pond life,
in a pairing whose springtime union will employ
frog song to spawn still more singers.

There’s joy in this calling, croaking, creating;
and where there’s joy, there’s laughter, love,
happiness, light, sun, brightness, flowing water:
everything frogs associate with spring.

Every night the frowning silence of frozen stars
wings deeper into memory. Spring moonlight
swings its cheerful love lamp. Earth also sings.

Fake News!

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Fake News

At 10:00 AM today, Saturday, April 1, 2017, Donald Trump, the President of the USA, will sign an Executive Order reversing Galileo’s theory that the Earth moves round the Sun. As of 11:00 AM, thanks to the President, the Sun will once again move around the earth as, in the words of an unnamed source who wishes to remain anonymous, “it always has.”

Late last night the President tweeted:

Earth moves round sun? Fake News. Obama inspired scientist was wrong. SO SAD.

In addition, the President will be setting up two Commissions of Inquiry. The first will be ordered to investigate and establish the Flat Earth Phenomenon.

The President tweeted:

Obama and the Democrats are RWONG. VERY SAD. The Earths Flat. Any one can see that. Look out youre window. SO SAD.

An unnamed source said: “We have known this for a long time. Just waiting for the right moment to announce it. April 1 before mid-day felt good.”

In a third tweet, early this morning, the President asserted:

Just seen sun rise out of sea. Heading for Mar-a-Lago right now. Earth not moving. Have eyes. Can see.

The second Commission of Inquiry will look into the establishment of Coal-fired Space Travel.

Coal-fired space ships. An America Frst American First. Make America Great Again.

An unnamed source stated that “The President said he would put American miners back to work. And he’s a man of his word. Think how much coal it will take to send a space ship into space. Great President. He’ll Make America Great Again. Coal is so clean and so cheap. Democrats under Obama wasted so much money. So Sad.”

At the time of going to press, White House official staff were unavailable for comment.

So Sad.

Geese

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Geese

The arrowhead precedes its shaft and leads its feathers into night’s perfection. Summer catches flight and waves good-bye to Arcturus as an obsidian knife flashes black lightning across the icy threshold of a morbid sky. Darkness, swift and sudden, blots out each scattered scat of golden grain and swallows an iris of stars. Inverted, the Big Dipper hangs its question mark from the sky’s dark eyelid.

When daylight breaks cold sunshine over broken ground, the great white geese lay their burdens down by the riverside. Pristine as they drift to the land, flake by fluttering flake, they accumulate the colors of mud daub and anonymity as they grub food from the neat ploughed fields that march their earthen armies across the land. Fallen angels, they sprawl down from heaven and abandon eternity to adopt their waddling time-and-earthbound shapes.

Now, the afternoon gropes steadily to night. Some people have built fires; others read by candlelight. Geese litter the riverbanks with their mud-stained snowdrifts. Freshet mud besmirches them — or is it the black of midnight’s swift advance? The geese step on thin ice at civilization’s edge. Around them, the universe’s clock ticks slowly down. Who forced that scream through the needle’s eye? Night gathers its darkening robes and the seabed reaches its watery arms out towards a magnified moon.

Ghosts of departed constellations drown in the river. Pale planets scythed by moonlight bob phosphorescent on the flood. I walk on the beach sensing the flesh that bonds, the bones that scarcely bind, the shoulders and waist on which I hang my clothes. Now I stand nameless in a shimmer of moonlight and listen at the water’s edge to the whispering night. I catch the mutterings of snowflakes strung between the stars.

My dream stretches out a long, thin hand and clasps bright treasures in its tight-clenched fist. The moon hones its cutting edge into an ice-thin blade and the lone dove of my heart flaps in its trap of barren bone. Moonlight and starlight run their twin liquors, raw, within me. What will I bury beneath this year’s fallen leaves?

Marshall MacLuhan

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Marshall McLuhan

Black ants drip off my pen.
They crawl across my journal
organizing themselves
into marching battalions.

It doesn’t matter what each ant
weighs or means. What counts
is the accumulated weight
of all those ants. Just twenty-

-six of them: that’s all it takes,
as they divide and multiply,
shuffle their feet, form and reform.
All this jazz about medium

and message is meaningless
when internal organs start to fight
and the body’s civil war
tears me into tiny pieces

that the ants seek out,
reshape, rebuild,
and reconstruct into
new and relevant meaning.

Blind

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Blind

Warmth in a color,
with heat visible to the touch
and shocking pink a shock
to seeking fingers,
not one that you and I,
gifted with sight,
would ever understand.

Blindfolded, they wheel me
round and round the garden
in my teddy bear reality.
Gravel scrunches beneath
the wheels and I am flooded
with the inability to see, to know,
to be sure of the shadows
that are no longer there.

The ones who push me
talk and tell but cannot show.
How could they hold a rainbow
before my eyes or let me hear
the northern lights crackle the sky,
their visible Niagara a curtain
of fairy lights dancing up and down?

And those glorious organ notes
quivering the body, angel voices rising,
falling, grasping at my eye-
lashes, peeling my eye-lids apart.

Song of songs and the singer
deaf to his own sublimity,
oh dealer of cards, fingerless
pianist, bold dancer prancing
on your amputated stumps.

Comment: Raw poem, written for Gwen Martin who opened my eyes to the fact that blind people can perceive color through their finger-tips.