Heart Dance

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Heart Dance: This is what the heart does when you have a good friend around for lunch and you spend an hour or two discussing art, creativity, meaning, change, artistic development, moving on, changing one’s style, and welcoming and creating new artistic visions. Heart Dance is about possibilities, about opening things up, seeing the interior self more clearly, watering the creative soul and encouraging it to grow outwards until it fills the whole person.

Heart Dance moments happen at different stages in the artistic life. They are urgent moments, impulsive moments, moments when you can suddenly hear the music of the spheres and see the universe dancing for you, before you, and with you. They are magic moments when the heart becomes one with the universe and heart and soul join mind and body in a universal heart dance where the dancers are one and the dance is not just for one, but for all sentient and creative beings who can hear the music and feel the rhythms pounding through arteries and veins.

The dull, grey, concrete life of the nine to five desk-bound existence fades away to be replaced by a flowerbed of activity, full of light and sound and color and music. Usually, this happens to the individual in the privacy of his or her own mind. Occasionally, we can share the event with a friend who is going through the same, or a similar, change at the same time. A unique experience to feel and witness the music with another person and to be bound into the circle of dancers, treading where other artists, great and small, famous and less important, have all danced before.

We talked of the joys of visiting great museums and of staying in one room, before one painting, and of spending the day there. This I did with El Greco’s El entierro del Conde Orgaz / The burial of Count Orgaz, with Picasso’s Guernica when it was housed in the Mesón de Guernica, with Hieronymus Bosch’s The Hay Wain, with Velásquez’s Las meninas, and with Goya’s Desastres de la Guerra, not one picture, but a series of etchings taken in, day by day, over a period of a magical month spent in Madrid.

In poetry it happens when I return to poems that I love. I read and re-read them, again and again, finding new nuances, new meanings, new depths. I think of the anonymous Poema de Mio Cid, of Góngora’s Polifemo, of Quevedo’s Canta sola a Lisi and his Heráclito cristiano, of Octavio Paz’s Piedra de sol, of Lorca’s Romancero gitano and his Poeta en Nueva York … the wonderful original poems of Fray Luis de León and of St. John of the Cross … and this is just scratching the surface of an exterior world that I have interiorized until it has indeed become a part of me.

Heart Dance: my heart dances and sunshine floods my soul as I write these words, words and thoughts that I have just shared with a good friend, as he shared similar words with me and we joined together in a heart dance during which the sun shone brightly and the whole creative universe sang and danced with us.

Brexit 2

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So, I called Mrs. May, the British Prime Minister, this morning, in search of clarification and she very kindly agreed to send me the road map she had drawn up for Brexit. As you can see from the above photo of the road map, it is very simple: the truth of the matter is that in Brexit ‘the truth points the way’. So, just follow the arrows and you will arrive at a satisfactory solution that will please all parties.

Thank you so much for this road map, Mrs. May. It reminds of the RAC maps that led us through France to Spain by following one straight line that never deviated. I remember trying to follow that one straight line through Bordeaux one year, in the rush hour crowds that followed the end of a soccer match and a rugby match. Marvellous. I can’t remember how many times we got lost in the twisting turning narrow streets we encountered when we once took a false turning, away from the packed streets of revellers, while looking for our RAC booked hotel.

In the end we  picked up a street urchin and he drove with us for another half hour tour of the city before we realized that he too was ‘just taking us for a ride’, so to speak. In the end, we stopped outside a large, five star hotel, unbooked, and spent the night there. My my father and I were in the elevator, going upwards to the Nth floor. The elevator stopped and three large, husky, obviously foreign men walked in. They looked at my father in great surprise and one of them spoke to him.

“Tis the map of Ireland written all over your face,” he said in a thick Irish brogue. The other two nodded their agreement.

“Yes,” said my father in an even thicker Welsh accent that he had picked up working in the Rhondda Valley, “I am Irish, but I was born in England.”

Ah, road maps: they lead you anywhere and everywhere. You can always trust them. And they always turn out just right in the end. All you have to do is follow that one straight line for page after page and never deviate from it. Ask the RAC: they will tell you.

 

Thinking Outside the Box

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Clichés, I love them.  Take one of our current Canadian educational clichés, for example: “We teach you to think outside the box.” I have met many teachers at various levels of education who tell this to me, and to their students.  Yet most of these teachers cannot themselves ‘think outside the box’. What they usually do, when teaching, is shut off the student’s original box by teach them to build a slightly larger one around it. They must now learn to think inside this new box in the way the teacher wants. Hence the cartoon above: We build bigger boxes and Building bigger boxes.

The central motif is, of course, the original ‘tiny’ box outside which the student must be ‘taught‘ to think. For ‘taught‘ substitute one of the following: persuaded, bullied, pressured, beaten, shamed, starved, embarrassed, … depending on the time and place, all of these words are sadly suitable and yes, in my learning career, I suffered at one time or another at the hands of teachers who used each of these methods, and others equally (or more) brutal, sometimes more than one at once.

What was inside that original box? Of course the contents vary with each individual, but creativity is in there, challenging authority is in there, self-belief is in there, a desire to ask endless questions, a childish wisdom to see the world as it is, not as the grown-ups say it is. I ask you, have they really ever grown up, have they ever escaped from their own hand-built boxes? Education: locking down the walls of that original box. Do away with creativity [not that way, this way!], free thinking [you mustn’t say things like that!], challenging  authority [cheeky, disobedient child!], asking questions [little children should be seen and not heard …. silence! … silence in class!] and finally, do away with self-belief and make the child dependent on the teacher [please, Sister Mary … please, Mother Theresa … please Father Maguire …] …

As the walls of the bigger boxes grow thicker and stronger, so it becomes more difficult to once again think as a child. Questions are answered by authority figures or on the internet with answers to FAQs and pre-packaged concepts. How do we regain our creativity? I assure you, we have never lost it. Where is it? Where is it hidden? In this world of folly and rush, of hustle, muscle, and busy bustle, so few of us have the time or can afford to take the time to sit and think, to undo those false walls that surround us, to find again the child-loving pleasure of thinking for ourselves, of discovering for ourselves, of being creative in the ways that we were so very, very long ago. Remember what Picasso said of his later paintings: ‘it took me a long time to relearn how to see the world as a child.’

Creativity: it is always with us. We must rediscover it. We must unwrap it from the tarpaulins that the system placed around it. We must dig it out from under the walls, the ruinous walls, with which the system surrounded us. It is still there, waiting for us to rediscover it. Believe. Roll up your sleeves. Dig deep inside yourself. And think for yourself. Then, when you have found that original box, open it, find exactly what is in it (the universal gifts to the new born), and become creative yet again. Only then will you have taught yourself (yourself, because others won’t teach you) to truly think outside the box, the multiple boxes, that the system and society designed to trap your creative spirit. Open the cage door: , release your creative spirit and let it soar to the skies.

Naval Gazing

Bistro Cartoon Naval Gazing

 

Naval Gazing

Of course I haven’t spelled it incorrectly. Just look at those three ships, not to mention the ‘bell-bottom blues’ jeans my alter ego wears in this apology for a selfie. And yes, of course, the protagonist is navel gazing, too. We all do it from time to time. We have to. We need to know who we are and what we are all about. As Cesar Vallejo wrote, a long time ago: “Hay golpes en la vida, yo no s锑there are setbacks in our lives, I don’t know.’ How do we deal with these sudden setbacks? That depends on each of us: our background, our culture, our ability to bounce back from nowhere and nothing to set ourselves upon the true path again. Man is stronger than he thinks he is, while woman is even stronger than man. Strength: it exists in many forms and holds many meanings. Sure, it means the amount of weight we can lift. But it also means the amount of weight and cares we can carry and how long we can carry them for. And that is where women are so strong.

Every so often, we must all navel gaze. We must look at ourselves, not in the mirror, but in the depths that live within us. I am in navel gazing mode right now. To a certain extent, I have lost my way and I feel very strongly I must find it again. So I sit and think and look inside myself and search and wait with great patience for the light to arrive and  enlighten me once more. It will come. I am sure of that.

Yesterday

Yesterday, a lovely lady read me
my biopsy results.

She poured a bitter drink
into a poisoned chalice
and offered it to me.

It was my personal Gethsemane,
a cup from which I was forced to drink.

I sat there in silence, sipping it in.
Darkness wrapped its shawl
around my shoulders.

‘Step by step,’ she cautioned me,
‘it’s like walking on stepping stones.’

I opened my eyes, but I could no longer see
the far side of the stream.

This poem opens my book A Cancer Chronicle (available on Amazon). It refers to the moment, three years ago, when my urologist confirmed that indeed I had prostate cancer and that, yes, it needed treatment. “Hay golpes en la vida, yo no sé”. The cartoon, I hesitate to call it a painting, was completed on the ninth day of September, two months after my treatment ended. I sat in the kitchen at home, looking out at the mountain ash, watching the birds as they swarmed the tree in search of nutritious berries. Then I made the cartoon. I called it Naval Gazing. I might just as well have called it  “Hay golpes en la vida, yo no sé”.

How we deal with  such golpes / setbacks / blows defines us as human beings. I have spent much time recently encouraging others, and they must all remain anonymous, to confront their demons, call them out, and overcome them in as fair a fight as is possible. Today, I too sit in the dark, watching the snow fall, watching the birds scurrying to and from in search of sustenance. I too am searching, once again, for meaning, for light, for the energy to continue. It will come. When it does, I will embrace it with both hands and start all over again, picking up life’s threads from where I left them. Then, once again, I will see the far side of the stream.

Yesterday is the opening poem in my book A Cancer Chronicle. It is available on Amazon.

Yesterday
audio recording

Butterflies

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Butterflies

Butterflies, as large as elephants, stamp through my gut, just when I thought I was too old for butterflies. As my old Holly-Hock told me this morning: “You’re never too old for butterflies.”

So, what’s it all about, Holly? I am packed and almost ready for the trip to St. Andrews to participate in the inaugural KIRA Boutique Retreat. And yes, I am happy, excited, and very nervous. Hence all those butterflies, walking the tight-rope of my tum.

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One of the elements of creativity that we will talk about next week is the importance of attention to small details. I attach an article on how small words, lapidiary (carved in stone) phrases, can light up our lives, in the best sense of the word. We should all work on them, for such phrases glow in the dark, unlike those cutting and damning words, so hurtful, that cut people down and cause so much harm. Hope, my friends, hope in the breaking of day. We can leave the dark night of the soul to the cynicism of our current politicians. Hope: for all is not doom and gloom and, with our best words, our best works, we can write through the gloom and bring light to lighten the darkness.

How poetry can bring light to darkness

 

Holly-Hock

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Holly Hock Hangs on …

I keep calling my Holly-Hock ‘he’, but I am beginning to think that if Holly Hobby was a lady, then this tough old plant is a lady too. A limpet lady. She has gone through three quite hard frosts now, one early, and two back to back, earlier this week, followed by two days of heavy rain. The rest of the garden is withering or withered. Clusters of dry blackened stems surround this old lady, but she still stands tall and proud. Not only that, but she casts more and more flowers out to greet us.

We have kept lots of seeds and will sow them soon, some are in the ground already, in the hopes that she and her offspring may flourish. For this lady is a symbol of hope. Hope in the face of frosts, cold winds, heavy rains. Hope in the seeds that she produces and scatters. Hope in the generation and the regeneration of a beauty and a strength that, if lost, may never be found again. Hope in old age that our children will survive and lighten our countenances with their love.

So go, you Holly-Hock seeds. Bury deep, send out roots, sleep for a while if you need to, and when the spring sun peeps over the horizon after a hard, long winter, be ready to bloom again. We, your faithful followers, will be waiting for you, with hope in our hearts.