Golden Oldies

Butterflies

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Butterflies

We raise our hands:
you sever them at the wrist.

We lift our arms:
you measure us for a cross.
Where do we turn?
Our fingers bleed from scratching
our skulls in bewilderment.
They catch on the thorns
you so thoughtfully provided.

Stigmata?
No, you haven’t nailed us yet.
Great barbed hooks penetrate our bellies,
inflaming our guts.

Like live bait,
threaded to tempt Leviathan,
we squirm.

Like butterflies
awaiting your chloroform jar,
we tremble

Your collector’s pin is poised:
that final thrust will skewer our flanks
and claim us under glass.

Eternally.

Lorca

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Federico García Lorca

 Solidaridad screamed out from posters and stamps
that carried snapshots of the dead poet’s face.

We still haven’t found his body.
He said we never would.

They tortured him first,
taunted him for being homosexual:
trussed him up, laid him face down,
then shot him, for a joke, in the offending area.

It didn’t take him long to die.
When he did,
his body was dumped in some way out ossuary.

But first they carved the bullets out of his corpse,
three from around the anal tract,
keeping them as souvenirs.

 Later that night, Fascists, drunk,
laughed uproariously in their favorite bars.

They dropped the bullets into their wine
and drank to the re-establishment of law and order.

 Next day his friends were put to death.

Waverers were soon convinced by bullets
lodged at the base of another’s skull …

fine arguments …

Beaver Pond in October

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The Beaver Pond
in October

Open are the pond’s bright spaces,
brown and withering are the reeds.

Clouds float in the pond’s dark mirror.
Small islands of grass seed
where underwater logs have clogged
and rotted themselves back into life.

Around us, emptiness, empty nests,
earth and its waters waiting for what
strange second coming?

Leaves,
like footprints, delicate on the water,
their pale green tongues lapping
towards the land and everywhere
the low light bright against stripped
white branches.

That lone mast standing still,
gift-wrapped this bouquet of grass
and cloud-enhanced,
magic, these sun

rays,
this October light,

descending.

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Wild Bird

 

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Wild Bird

 A wild bird has built
her nest in my heart.

Her blood-beat
flutters new rhythms.

Birdsong streams
sunlight in my pulse.

Afloat I knew the sea-
surge lift and pull.

Now hot blood rises
with the sun and sets
with this glorious fall
from heaven to earth:

sweet helter-skelter
glide of current and cloud.

Hair is to head
as feather is to nest.

The egg of my skull
shows hairline cracks:

tiny beaks pecking
fine-tuned sparks of song.

Juggler

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Juglar /  Juggler
(from Land of Rocks and Saints)

1

 In the beginning was the word,
and the word was tossed in the air:
a dove over dark water.

It grew as it descended,
turned into tongues of flame,
each of them licking
at the listeners’ hearts,
tearing them apart.

Sleight of hand:
this deck of words, tossed skywards;
jacks and queens tumbling,
caught, tossed up again;
words, nothing but words,
this pack of wolves descending.

2

 Lips part as words draw blood;
red wound of the open mouth,
a rose in spring’s garden
bears us down with crimson scents.

The spirit is trapped in its cage,
flesh and bone binding those wings
with their urgent urge to be free and fly ….

“… you would have seen …” he says.

And so we see: the sea, white horses cresting,
St. James riding over the mountains,
bone on lance point, spear bloodied,
Moorish chain mail bursting asunder,
El Cid advancing on his foes.

Words join with words,
become joint with gesture;
they plunge into our chests,
grow tight round heart and lungs.

Juglar: In Spain, the mediaeval juglar was musician, singer of songs, juggler, and general entertainer. The oral tradition still thrives in Avila and in places where the rhythmic and musical emphasis of the spoken word is still important.

Last Day

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LAST DAY

Cardboard boxes stand stacked against the wall.
The basement is already empty.
There is no spare time.

We must clean and polish and make things shipshape.
The latest owners will be soon here
claiming their keys and their rights of entry.

Empty bottles of old memories stand disordered:
quarrels, wild words, making friends again;
my mother’s body slumped at the bottom of the stairs,
or lying senseless in front of the television;
her bloodless face pale above the stretcher
as they carry her away.
We launch a last desperate hunt through the empty house.

How many memories must we leave behind
with that one last look through the closing door?

How much of our former lives can we capture?

NOTE:
Another Golden Oldie from the last century, the last millennium. This one appeared in The Antigonish Review. I dedicate it to all those who are about to sell their houses and move, and particularly to my friends David and Ana.

 

Capella dos Ossos

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CAPELLA DOS OSSOS
(Chapel of Bones, Evora )

They drew blood from the bull’s body, stretching him,
broken, over golden sand: a playground for the gods.
His one horn, splintered, plowed into the arena,
his other horn pointed skywards: a finger of wrath.

Cannibal red and carnival yellow, his blood and urine
spilled for the drunken pleasure for which we had paid.
We had also paid for bands and martial music; a Mexican
wave swept rhythmically over the bullring to enliven us.

Later that day we gave warm coins to the tour guide.
She counted the whites of our astonished eyes and divided
the total by two as we stepped from the air-conditioned bus.

The chapel’s slaughterhouse stench overcame us.
Bone after human bone thrust out from the ossuary walls:
a generation of tarnished hands held out to greet us.

Note:
This poem is a golden oldie, published way back when, not only in the last century, but in the last millennium, courtesy of the Nashwaak Review. Sometimes, it’s fun to explore that past and see where it led us. This is from my Milton Acorn, almost about to rhyme, Jackpine Sonnet mode. The poem does have 14 lines.