Querencia

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Querencia
(29 August 1947)

heavy snow all winter
starting in November
continuing through

neighbor plowed us out
arriving as each storm left
sometimes he came in for tea
we became good friends

now he is moving out west
to be with his grand-kids
when he moves we may
be forced to sell up and go
winter snow too much for us
summer grass too much to mow

querencia
it’s a bull-fighting thing
there’s a spot in the bull ring
where each bull chooses
to make his last stand
it’s his chosen place to die
like this is mine

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Footsteps

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Footsteps
(23 April, 1616 AD)

rain fills the sky
mizzle and mist
low clouds
raindrops

a touch of snow
on trees grass
steady this
accumulation

where now
their warm hearts
their word-wealth

memories wrap
a warm scarf
around your neck

books beckon
let us now
talk with our eyes
to writers

Cevantes Shakespeare
El Inca Garcilaso
and many others
long since dead
though thought and word
their footsteps linger on

Comment:

Today, 23 April 2019, is international book day. We celebrate the works of Cervantes, Shakespeare, and El Inca Garcilasso, all of whom died on this date in 1616. Given the two different calendars, Gregorian and Julian, they actually died ten days apart, but the date was the same. We also support and celebrate all other others on this date, so Happy International Book Day, everyone, and keep writing.

Senseless

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Senseless
(19 April 2019 AD)

taste my words
lick them from your lips
feel the roll of your tongue
creating saliva
cranberry choruses
lemon librettos
vanilla vocabularies
gooseberry grammar

fooled are those
cheated of their senses
who cannot sample
savoury flavours
nor test the scent
of April flowers

cancer perhaps
chemo-therapy
Parkinson’s stealing
memories away
childhood tangs
chocolate unwrapped
a Christmas orange peeled

aren’t you pleased
your taste buds
are still teased
by such offerings

grieve
for all you’ve lost
all you are losing
sooner or later
everything will go

last dregs of meaning
draining from your cup

Swans

 

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Swans
(at the Vetch Field)

(circa 1950 AD)

White
their plumage
fierce eyes
folded angels’ wings
black-booted feet
paddling urgent
driving them on

skilled and silky
swift lunge
capable of breaking
leg or arm

all white ghosts
those swans
bodies and spirits
earthly dance done
long since gone
flown to the sky

anonymous
constellations spread
milky feathers
winged like swans

Comment:

The Vetch Field is where Swansea Town (now Swansea City) used to play their soccer. My father took me regularly to see the Swans play and, when young, I preferred the round ball game to the oval ball game. Swansea Town were always known as the Swans and the rugby team were always called the All Whites. No Ospreys and colored uniforms in those days and also no money in the rugby: everything was amateur. The inter-relationship of images in the poem above changes when the reader learns that the Vetch Field is also where the shroud-wrapped bodies of those prisoners who were hanged in nearby Swansea Jail were rumored to be buried. This may or may not be true, but be it myth or legend or plain falsehood, it gives added dimensions  to the imagery in this poem.

Entrenched

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Entrenched
(1914-1918 AD)

scars will close
but never go away
wounds so deep
blood just wants out

pop went the weasel
so many good men
lost in the lost and found
never to be seen again

gone over the top
bayonets fixed hanging
on the old barbed wire
turned into rags and flags

rattle of bones
bone-shaker the wind
mud-filled potholes
frozen at night

wandering shells
lullabies of strife
rage against friends
dug out early from life

Shipwreck

 

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Shipwreck
(1914 AD)

they came for the burial
more civilized than
ritual burning

one by one
victims gathered up
held in one last hug

empty coffins
stood in rows
waiting to be filled

bodies on the beach
scarred in an after life
black and white

stark their weird
bones bleached
among sea-weed

done the deed now
coffins filled
lids nailed down

high tide mark
carapace charred wood
rusted iron

bright bones
long dead creatures
slow washing of hands

relentless actions
wind sandpaper sea
tear-filled skies

 

15 May 2002 Pre-Rimouski 109

Nightmares

 

 

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Nightmares
(1797 AD)

coming from nowhere
plucked from nothing
colored vowels
a child’s first alphabet

dark recesses
descending
invading
night’s starless
unenlightened mind

silent owls
flit in and out
predatory beaks
claws clutching
calling for skull
doors to open

sticky silk
this spider-spun
substance clutches
clings like plastic
gluing eyelids
shadowy lives
dance on walls
night’s drugged
dream cave

endless the gangplank
stretched over
troubled waters
reason’s dream
producing monsters
until dawn brings
its swift release

Copperopolis

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Copperopolis
(1717 / 1804)

mountains of the moon
lunar landscapes
lunatic fringes
mercury madness
running through brains

scabs picked
wounds running raw
skin blotched red
eyes blurred
twitching

wait a hundred years
grass might grow back
earth might give flowers
bay waters might flow free

my grandfather coughs
his lungs up
bit by bit

he’ll never again know
the scent of flowers
taste oysters from the bay
smell sea-fresh air

May Second

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May Second
(1808 AD)

bottle tops unscrewed
tighter than the tightest
oyster refusing to open
even at knife-point

plastic this many layered
onion-skin’s pliant defiance
waging its guerrilla war
against arthritic fingers

words tongue-twisted
damning dark mouths
white picket fences
midnight the faces
lightning the teeth

felonious figures
grimy with grimaces
Mother Hubbard’s
cupboard empty hearts

robin redbreasts
battering heads wings
against stony cobbles
this city this square

Polyphemus

 

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Polyphemus
(1613 AD)

Davey-lamped
one-eyed king
caged in his cavern

a songbird
dispels shadows
lights up his life

pit pines creak
can’t strike a match
walking by touch

lungs black and scarred
following the seam
back to iron cages

singing dark hymns
hoping to surface
to walk in sunlight

a jail cell
these bars’ lifelong
death sentence

below the pit-ponies
frantic and anxious
the pit’s pet canary
dead on his perch