Time-Spirits

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Time-Spirits

Zeitgeist

Zeitgeist is a concept from 18th- to 19th-century German philosophy, translated as “spirit of the age” or “spirit of the times”. It refers to an invisible agent or force dominating the characteristics of a given epoch.
Wikipedia

Those who cannot learn from history are doomed to repeat it.

“Plus ça change, plus c’est la même chose.”

Poems for troubled times.

Introduction

Our world finds itself in an incredible mess right now. Somehow, we have to sort it out. Images and metaphors tie past, present, and future together. We must pick our ways through the difficulties of these troubled times, as you must pick your way through the intricacies of these poems. Many of you will give up. Some of you, the chosen few, will make your way to the heart of each poem.

These poems are deliberately cryptic. Each one is a mind game I am playing with you. I do not underestimate you. I have placed clues throughout each poem and if you follow the clues you will arrive at many of the poem’s hidden meanings. Some poems are more difficult than others, their meaning more recondite. Others seem very straightforward, yet still contain secrets.

            This style of poetry has a long history going back to Anglo-Saxon riddles and way beyond, back into the mists of time. Luis de Góngora (1561-1627) and Francisco de Quevedo (1580-1645) specialized in similar forms of recondite poetry, often based on metaphor and the juego alusivo-elusivo, the game of alluding to something while eluding the act of saying what it is. Jorge Guillén (1893-1984) and Federico García Lorca (1898-1936) also played this game, as did Octavio Paz (1914-1998). In the works of all of these poets, the clues may rest in the poem or they may be found in a generic knowledge of the mythology of the poem’s exterior world.

             Always remember that “those who cannot learn from history are doomed to repeat it” (George Santayana). Otherwise expressed, in the words of T. S. Eliot: “Time present and time past / are both perhaps present in time future / and time future contained in time past” (Burnt Norton). The seeming anachronisms in these poems suggest that all time is ever-present and that each new day presents us with events that have already occurred on many occasions.

Commentary: The idea for Time-Spirits aka Zeitgeist was born around the kitchen table in Island View on Saturday, 22 December 2018, during a literary conversation between Gwen, Victor, and Roger. A poem at a time, one after another, grew from that table top chat. The result: 70 poems, not easy to read, deliberately difficult, that reflect our troubled times. My thanks to Geoff Slater, line-painter, who drew the cover picture: Robin Red in Claw and Breast, a symbol of nature ‘red in tooth and claw’. So are we in the words of Albert Camus who writes ‘nous sommes ou les meurtriers ou les victimes’ . Is it the early bird that catches the worm? Or is it the late worm that gets caught by the bird? Whichever: it’s the worm that gets eaten, until the robin bites the dust, when he is eaten in his turn. Just think of it as nature doing its regular recycling …

 

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Age of Spillage 2

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Age of Spillage 2

Fingers turn to butter, permit cups to slip,
flying saucers to take off, to stall and crash,

their broken bodies resting in peace and pieces
on kitchen floor, waiting to be picked up and buried.

Worse: bottle tops screwed up tight refuse to open.
Plastic wrapping, flagrant in its defiance,

wages its guerrilla war against ageing,
uncoordinated, arthritic fingers.

Tongue-twisters twist tongue, tones, and speech,
filling mouths with glottal stops and threadbare words.

The ribcage is a cupboard barren and bare.
So many slips between palate, teeth, and lips.

So many precious things dropping to the floor.
I cannot always bend and pick them up,
not even with my new mechanical claw.

Commentary:

A slight set of revisions to the earlier version. Any and all comments welcome.

https://rogermoorepoet.com/2018/07/23/age-of-spillage/

 

 

Russian Roulette

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Russian Roulette
(1789 & 1937 & 2019) 

trickster mind
bred in heaven’s
half-acre
gateway to counterpane
sleep-full forgetfulness

yesterday’s
visual banquet
bluebell primrose
clover and cowslip
gone all gone

cuckoo survives
emerges every hour
calls from cuckoo clock
skylarks lie buried
within vinyl grooves
no more to rise

lions tigers panthers
elephants rhinoceros
slipping off the ark
sliding into oblivion

soul’s dark night
empty the house
spun Noah’s wheel
no more bets
the stakes are set

space-ship earth
humanity’s house-boat
spins onward into what

wheel of fortune
onward she goes
where she’ll stop
nobody knows

Comment 1:
I am intrigued by the ideas in this poem. Sitting in the eye surgeon’s waiting room this morning, I watched a video on vanishing wild life. The result: I added some images to this poem and elaborated it a little bit more. There may be some twists to the cork-screw, some more spins of the gun’s roulette wheel. I am not sure that I am finished with this one yet.

Russian Roulette 2
(1789 & 1937 & 2019)

yesterday’s
visual banquet
bluebell primrose
clover and cowslip
gone all gone

cuckoo survives
emerges every hour
calls from cuckoo clock
skylarks lie buried
within vinyl grooves
no more to rise
unless the magician
waves his wand

who loads the gun
points the pistol
pulls the trigger
fires at lions tigers
elephants leopards
pushing them off the ark
sliding them into oblivion

soul’s dark night
land’s desolation
all covered by rising seas
Noah spins his steering wheel
les jeux sont faits
rien ne va plus

space-ship earth
humanity’s house-boat
spins onward into what
a roulette wheel of fortune
onward she goes
where she’ll stop
nobody knows

Comment 2:
Told you I hadn’t finished with it. Here’s the next version. Great to live in a bilingual province. What a pity that so many people do not speak both official languages. If you have read this far, let me know which version you prefer. I am going for the one below, the latest edition.

Rushing Roulette
(1789 & 1936-39 & 2019)

yesterday’s
visual banquet
bluebell primrose
clover and cowslip
gone all gone

cuckoo survives
emerges every hour
calls from cuckoo clock
skylarks lie buried
within vinyl grooves
no more to rise
unless the magician
waves his wand

who loads the gun
points the pistol
pulls the trigger
fires at lions tigers
elephants leopards
pushing them off the ark
sliding them into oblivion

soul’s dark night
land’s desolation
all covered by rising seas
Noah spins his wheel
steering space-ship earth
humanity’s house-boat
onward into who knows what
a roulette wheel of fortune
onward she goes
where she’ll stop
nobody knows

messieurs et mesdames
les jeux sont faits

rien ne va plus

.

 

Dustbin Alley

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Dustbin Alley
(1789 AD)

all the dustbins
dancing down the street
trying to achieve
a spring time copulation
to create more dustbins

you can’t have a revolution
without dustbins
dustbin … dustbins … dirty
dusty dustbins

a sadistic way to look at
basket-bins full of sawdust
heading between potholes
wind-blown bins
a right St. Vitus’s Dance

him sitting next to me
knitting a new red cap
to place upon
the old dictionary
me standing
on Gibraltar’s Rock so fair
this square in Paris
Place de la Bastille
where tumbrils rattle
over cobbles

Old Moll in a Moll’s Cap
toothless fairy
at a Goblin Party
afraid of mushrooms
scared of toadstools
[sick]

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Don’t tell me your troubles

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Don’t tell me your troubles

vultures circle overhead
tight-beaked grimacing
ready for any old thing
to drop down and die
leaving them some space
they bounce on the wind
feather-tips poised to plunge

drivers drive dodgem cars
through pot-holed filled
parking lots
bumper to bumper grinding
following each pedestrian
plodding from hospital to car

red alert three bell alarm
an engine starts
reversing lights flicker
someone’s coming out

cock fights dog fights
domestic pussy cats
all booted and spurred
claws out for the bust up
three dust ups already
today

nobody happy
everyone hopping mad
round and round
circling false alarms
sitting waiting
for someone to move

we’ll all be late
for our appointments
no room at this inn
not here not today
my friends no parking

Entrenched

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Entrenched
(1914-1918 AD)

scars will close
but never go away
wounds so deep
blood just wants out

pop went the weasel
so many good men
lost in the lost and found
never to be seen again

gone over the top
bayonets fixed hanging
on the old barbed wire
turned into rags and flags

rattle of bones
bone-shaker the wind
mud-filled potholes
frozen at night

wandering shells
lullabies of strife
rage against friends
dug out early from life

Trains (2)

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Another Kind of Train

Stuffy, you said. I can’t breathe. Early morning mist scratched pale finger nails down your bedroom window. Grey faces glanced in, grimaced and scowled. Damp and slippery, the window frame, when I opened the sash. What time is it?  Before I could answer, you demanded more milk for your tea. I left you there, in bed, went downstairs to the kitchen and brought back milk. Then you wanted more sugar.

Shut the window, you said. It’s cold. I’m shivering. Puppet on a string, I raised my cord-bound feet and danced at your command. I went downstairs, fetched more sugar, came back, and left the Western Mail on your bed. You never opened it. On the front page, a picture of the last passenger engine, green and rusty, from the GWR (Great Western Railway). It used to run from Swansea to Cardiff to Paddington in London. Now it pulls a line of filthy coal trucks. Covered in dirt, rain, steam and dust, I couldn’t make out the name or the number.

Passengers on trains speeding to different destinations, we didn’t have enough time, you and I. We were always tied up our separate thoughts. As we flashed by, platform lights blazed in the night beneath fiery stars, scarce glimpsed in the artificial lighting. Windows glowed in deserted waiting rooms, shattering the darkness. Sometimes we stopped at these stations, watching as other passengers came and went.

We rattled over so many cross-tracks, without ever knowing why, yet I have never forgotten the rhythm of wheels on tracks, slowing, accelerating, running at full speed, the telephone wires looping up and down, the cattle in the fields grazing peacefully, then occasionally looking up as we passed. We rarely talked. I guess we had so little of substance to say. The trivia was too trivial and the big questions went unspoken, unanswered to this day. Noses in the Dandy or the Beano or Woman’s Weekly, we flashed past so many railway signals with their pointed mechanical warnings.

High Street Station, Swansea. The terminus ad quem. The nec plus ultra. The Great Western Railway’s Pillar of Hercules. In my dreams, I stand by the buffer stops, alone, knowing that you will never be aboard any train I may go to the station to meet.

Trains

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Trains

     You took me on holiday to the continent. Railway trains to Austria, Germany, and Switzerland. You loved those trains. I hated them. We stopped in the dark at unknown stations. I’m thirsty, you said. Get me some tea. I left the train, climbed down to the platform, went to the restaurant. I had a fistful of money, but didn’t know what it was worth. Tea? I begged the man behind the bar. My mother wants tea. They all shook their heads and offered me beer. My turn to say no. Coffee?  A pause. Uh-uh. They offered me orange juice, lemon juice, wine, and I finally water. A whistle shrilled. It’s the train, they said waving their hands in the direction of the door. I let them choose the money they wanted.  And something to eat. They gave me a sandwich, a slice of cheese in a baguette, then seized some more coins. The engine hooted, a lonely owl, calling for its lost chick.  I ran out of the restaurant, on to the platform. Carriages moved past, slow at first, gathering speed. The last passengers climbing aboard, the doors closing. I ran. The guard, at the end of the train, blew his whistle, waved a green flag, held the last door open, until I caught up. He helped me onto the train, gifting me with a storm of words in a language I could not understand. The doors between the wagons remained locked. My compartment lay to the front of the train. I couldn’t remember the number of my carriage or my seat. Wagons-Lits? I shook my head. Première classe? I shrugged. Touristique? I nodded. The guard grimaced, led me down the train, unlocked doors in the sleepers, led me on and on, until we arrived at my compartment. Restrained by another guard, you yelled and shed tears as you tried to pull the emergency cord that would stop the train. Ah, there you are. What the hell do you think you’re doing? I was worried sick. You slapped me. Now I stand on a different kind of platform, watching another train pull away. I stand here, abandoned, and watch you slide slowly into an unreachable distance.

Pills

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A four-legged Harlequin cluckless duck: that’s what I feel like some mornings. In Spain they say: dar tres pies al gato / to give the cat three legs. This means to complicate life, to screw things up … and yesterday, I screwed everything up. But, of course, but it wasn’t my fault. It never is my fault. How could it be my fault? Repeat after me: I am perfect, therefore it was not my fault. QED.

Pills: yup. I forgot to take them again. Sometimes I think if they were actually Pils (as in Pilsner, or should that be Pilsener?) I would always remember them. Maybe I should wash my morning pills down with a shot of Pilsener (or should that be Pilsner?). That way I might remember to remember them. I would certainly remember my morning Pils. Pils, Pilsner, Pilsener: what’s in a name? Well, according to the BJCP (Beer Judge Certification Program) there are three classifications for Pilsners:  1 German Pilsner, 2.Bohemian Pilsener (note the extra E) and 3 Classic American Pilsner. As for my own Pills (or should that be Pils?), there are several medical classifications for them, but, of course, I always forget what they are.

There’s the pill for the back pain and the arthritic hip. I usually forget that one if the sun is shining and the sky is clear. Then there’s the one that eats away at bad cholesterol. I don’t often forget that one, as it’s the same shape and color as the two for high blood pressure, which I don’t have any longer as I rarely forget those pills. But when I do forget them, like I did yesterday, then I feel like the duck portrayed in the opening portrait.

But I’m forgetting myself … it’s never my fault. First I got up late because I didn’t fall asleep until early in the morning. Then, Molly Maid arrived while I was showering and wanted to clean the bathroom while I was in it. Not the most exciting prospect at my age. Then, when I had shooed them away, I was able to sneak out with a towel around me and actually get dressed. Then the telephone rang with an unrecognized number and I thought t was a robot call, so I left it to ring, but it was milady who was vacationing abroad so I picked up the phone and she talked for an hour. She left me with the promise that her friend would be calling me and two minutes after I put the phone down, that friend was on the phone, and that was another hour gone.

By this stage, Molly Maid is ready to perform their disappearing act, so I go to see them off, and breakfast has to be abandoned because it’s lunch time. So I make lunch, but I never take my pills with lunch and anyway, it’s snowing, and there might be rain later, but my arthritis isn’t plaguing me yet, so I really don’t need that particular pill, and the phone goes again. This message asks me to do something, so I do it. And the snow is falling and I don’t want to go out and plow the snow. Cold and boring. So I find something to do which is very, very important, but I like crossword puzzles. And the Brexit debate is on, so I follow that and wow, is that ever a mess. I think I’m screwed up until I listen to that lot: garbled garbage spoken with posh, plum in the mouth accents and imitation working-class foibles. Might as well be chewing straws and have their ears sticking out through ancient straw hats. Like donkeys.

So, by now tea-time is getting close and it’s time to think about eating, or blowing the snow, but the man next door has plowed out the end of the drive where the grader has left a ton of the stuff, and the man up the road is on the way down to help clear the rest, and he is travelling like a whirling dervish, and I limp down the corridor (or should that be corrida?) to say ‘hi!’ but he’s already turning the corner to the drive, so I limp to the garage to say ‘Hi and thank you!’ but he’s already half way up the drive on his way home, so I wave twice at his back and shout ‘thanks’ but he can’t hear me above the noise of the snow blower and he’s gone without seeing me, no eyes in the back of his head, I guess. So I wait till he gets home and I call him on the phone and we talk and I thank him. Then someone calls me and we talk. Then my daughter calls me and we talk.

And now it’s time for La-la-la-la-laCoronation Street, and I haven’t had any supper yet, and I know I have forgotten something, but I open my can of evening Pilsner (from Pilz, don’t go there) and I’ve forgotten something, but I don’t remember what it is and … what was I saying? Ah yes, no pills with my Pilsener and that’s what I forgot, and there they were this morning, lying on the table, and hopefully I won’t forget them today, but I haven’t had my breakfast yet and the cricket in Antigua will be starting soon and … oh dear … I know I’ve forgotten something. Ah yes, the clock, I’ve forgotten to wind the clock. But there’s something else and if you remember what it is, please let me know.

Light breaks

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Light breaks

“Light breaks where no sun shines;
where no sea runs, the waters of the heart
push in their tides;
and, broken ghosts with glow-worms in their heads,
the things of light
file through the flesh where no flesh decks the bones.”

Dylan Thomas, another Swansea boy, wrote those words a long time ago. I borrowed the phrase Broken Ghosts for the title of my second poetry book (Fredericton: Goose Lane, 1986) and I am proud of the links forged between Swansea and Island View, Wales and Canada, an earlier poetic generation and my own presence here among these trees covered as they are by winter’s falling snow.

Light is so important, especially here in winter’s dark where the nights are long. The sun’s warmth through the window, the distortion of light through glass and water, the presence of flowers amid the winter’s alternate brightness and gloom. Brightness of sunlight on flowers and of moonlight shifting across garden snow, cratered by the hoof marks of deer into a lunar landscape of shifting shadows.

Sometimes the ageing heart wallows in gloom. Those bedside shadows take on forbidding shapes  and Goya’s nightmarish figures rise out of the pinturas negras, the black paintings from the Quinta del Sordo, to walk again around my room. On nights like these, scarecrows arise from my past and their twigged fingers scratch at my face. They threaten with carrot noses and coal black eyes. They stump their thumping dance steps and send shivers coursing through my veins.

https://www.theguardian.com/artanddesign/2019/jan/30/goya-black-paintings-prado-madrid-bicentennial-exhibition

“What is it?” I ask. “What do you want?” But though their mouths open and lips, teeth, and tongue flap into idle movement, no words emerge and I am left, a broken ghost, floundering in an internal sea, not of light, but of darkness. Downstairs I go, pursued by the clump of snowy feet, to sit at my desk and walk my fingers across the keys in search of comfort. I find it in these photos: sunshine on flowers, a light to lighten and enlighten the darkness stalking through my mind.

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Warmth and light: together they will dispel this frosty spell that freezes my brain and will not let me close my eyes and go back to sleep.