Poetry

MT 2-3 Monkey Visits the Poisonous Snakes

MT 2-3
Monkey Visits the Poisonous Snakes

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Monkey Visits the Poisonous Snakes

A swift death
was never their style,
the cobras, the vipers,
the adders and subtractors,
the bean counters and snatchers,
the diminutive dudes.

They prefer death
by blow-gun
their poison dart
injected through
hollowed fangs

or Chinese Water Torture,
the slow drip after drip
of poison inserted into ears
and veins, a drop at a time,
and slowly gathering …

… until their victim slows down,
ceases to struggle,
stands there, eyes open,
unable to move,
poisoned and paralysed.

Comment: with all the exciting things that are happening concerning my new poetry writing, I forgot all about my monkeys. It seems they have been bouncing up and down, fretting in their cages, bounding all over the ruined, broken-down temple, poor little blighters. Apparently, on their last visit to the rest of Bristol Zoo, they left the big snakes and decided to visit the little, poisonous ones. I guess they didn’t like them at all. Does anyone? I hope there are no ‘snakes in the grass’ near you, and I don’t mean grass snakes. And watch out for snake charmers, some of those snakes believe more in harm than charms.

PS Let me know if you want a voice text. I haven’t recorded this one yet.

Loss of …

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Loss of …

By the time I remembered your name,
I had forgotten your face. Then I couldn’t
recall why I wanted to talk to you.

I trace dark landmarks on the back of scarred
hands: blood maps, unremembered encounters,
dust covered photographs, grey, grim, anonymous,

not belonging in any family album.
At night I cruise among islands, emerald green
against sapphire seas. Why didn’t I visit

some of these places? Golden sand trickles through
night’s fingers and time’s hour glass, as stars
sparkle and planets dance in Platonic skies.

My memory fails. I wake each morning
unaware of where I have been the night before.
I track the sails of drifting ships, white moths.

I think I have caught them in overnight traps,
but they fly each morning in dawn’s forgiving light.
I give chase with pen and paper, fine butterfly nets

seeking wild thoughts waiting to be caught, then tamed.
I grasp at something just beyond my fingertips,
but I can’t quite remember what it is.

Comment: I first published this poem on July 31, 2018 (click here for the original post). Here it is now, in revised form. I find the revision process to be totally fascinating: the polishing of old ideas, the arrival of new ones, a different structure, a reshaping of the poem’s internal logic. So much happens in the revision process. Many great poets wrote and rewrote their poems, again and again.  I consider Francisco de Quevedo and Juan Ramón Jiménez to be poets who continually revised. A perusal of the variants to their poems (28 versions in the case of some of Quevedo’s poems) gives the reader an understanding of how the great poets think, of how they purge, intensify, sometimes simplify, usually improve their initial instincts. We lesser poets can learn so much from the greats. Above all, we can understand that poetry is a life-long practice, that it is a love of words and emotions, that it is a desire to catch and preserve the uncatchable that can never be completely caught. The critics say that the reader can never know the writer’s intentions. I agree with that, to a certain extent, as I never know why I am writing what I put down on the page. I guess I often have no intent. More important, my original intention can change as I write, and what I write is by no means what you understand I wrote when you read, for each of us processes the imagery, especially metaphors, in a different, and very personal, fashion. That said, when I rewrite a thought pattern emerges and my intentions become that much clearer, not from the words on the page, but from the footpath that led me in different directions until the final version emerged on the page.

Purple

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Purple

I write poems
in green ink,
but I prefer
purple.

Bruised clouds
on an evening sky,
dark depths
of a rainbow glow,
Northern Lights
singing at the deep
end of their scale …

or just a desire
to be different …
slightly different ..

as if that one thing,
the color of my ink,
might tip the scales
and turn me
from mediocrity
to celebrity

with a wave
of a violet wand.

or the click
of a pair
of ink-stained
fingers.

Welsh Miners

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Miners

What has become of the caged
canary who lit up my life?
I hear the pit pines creaking.
Now nobody dares strike a match.

Birds descending in an iron cage,
our lungs blackened and scarred,
scared, we sing dark hymns
knowing we are doomed.

On hands and knees, we crawl
to the coal-black altars of our gods.
Blind from birth, pit ponies
trust us in their solitudes.

Don’t they know that when
the canary falls from its perch,
we’ll abandon them and claw
our way, anywhere, to safety?

Within the chalk tomb-tunnels
of my calcined skull,
a lone thought searches
an abandoned mine for a memory
it can no longer find.

Procrastination

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Procrastination
for my friend, Mr. Cake

It’s old age, I think:
I can manage
one thing a day,
depends on the weather,
then I forget,
then I remember,
but the weather isn’t right,
so I put it off again,
start a story,
write a poem,
the phone rings,
someone texts me,
there’s a knock on the door,
the crows in the garden
make me procrastinate,
(crass  Latin joke*),
then I remember
and feel sad,
and hair leaks from my head
like straw from a scarecrow,
and my teddy bear brain
turns to sawdust
when I scratch,
and what was I saying?
I guess I’ve forgotten,
I’ll sleep on it tonight,
and write again
tomorrow.

Note:
Crass Latin joke*
Cras is the Latin for tomorrow. Cras is also the sound, in Latin, that the crows make. Hence Pro-cras-tinate: to leave things for tomorrow, or to abandon them for tomorrow’s crows. The joke probably doesn’t belong in the poem, but darn, it’s my poem and I’m leaving it in there.

Comment:
This collection of thoughts started in a casual online exchange with my good friend, Mr. Cake. Sometimes words flow and it’s impossible to stop them. Sometimes, they hover like crows or croak at us from the tree tops where they sit ungraspable. My spellcheck tells me that’s not a word, but if it isn’t, it ought to be. Whatever: the world and its words are sometimes surreal and if you are interested in the surreal, then Mr. Cake’s blog is the place to be. Here’s the link. The site comes highly recommended. Click on it now and don’t procrastinate. Mr. Cake’s Blog.

Butterflies

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Butterflies

“Poetry gives permanence to the temporal forms of the self.”
Miguel de Unamuno.

That is what my writing is all about,
those temporal forms, fluttering and changing.
Butterflies, they live for a day or two,
perch and flourish, spread their wings,
excel for a moment, catch my attention,
then blown by a sudden gust of wind,
they tear their wings on a thorn
and perish in the blink of an eye.

Reborn in ditches, they cluster and gather,
congregate, black and yellow, on bees’ balm,
smother Cape Daisies and Black-eyed Susans.

Like shadows they shimmer, butterflies by day,
fireflies by night, terrestrial stars, lost, wandering,
floating in their forest firmament, hackmatack,
black oak, bird’s eye maple, silver birch, fir …

Impermanence surrounds us, dances beneath stars,
sings with robins, echoes the owl’s cry through woodlands,
poetry, the elemental soul, our words capturing nothing,
turning it into eternity, holding it for the briefest moment,
then letting it go. Island View, New Brunswick, Canada,
my home in the woods, my dialog with my place and time.

Book Burning

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Book Burning

A sharp-edged double sword,
this down-sizing,
this clearing out of odds and ends.

Library shelves emptying.
books disappearing, one by one.

So many memories
trapped between each page,
covers, dust-bound now,
dust to dust and books to ashes.

Sorrowful, not sweet, each parting,
multiple losses, characters
never to be met again,
except in dreams.

Heroes, thinkers, philosophers, poets,
their life work condemned to conflagration.

Alpha: such love at their beginnings.
Omega: such despair,
with Guy Fawkes celebrations
the means to their ends.

Word-fires:
the means of forging
those book worlds that surrounded us.

Bonfires:
the means to end them.

Steadfast, the book-fires,
flames fast devouring

all but an occasional volume
snatched, burnt fingers,
from the flames.

Love at First Sight

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Love
… sometimes comes at first sight

A teenage apprentice with a little plastic badge
bearing her name asked me to reveal my birthdate.
This apparently confirmed that I knew who I was,
so she bound my arm with a thick rubber thong.

My veins swelled up, long thin leeches, slowly fattening.
She told me to make a fist and pouted as she probed
with slender fingers, feeling in vain for a fresh vein
from which to extract, then bottle the necessary blood.

I watched my body’s sap pumping out in tiny, sad spurts
driven by that tired flesh-and-blood machine known as
my heart. Drip by febrile drip my blood accumulated.
The young girl smiled with youth’s perfect lips and teeth.

My heart was a time-bomb ticking beneath her fingers.
I dreamed for an instant of walking upright and free,
a stranger in the paradise of a long-promised land.

Then she handed me my gifts: a throw-away plastic potty,
three disposable spatulas, and an air-dry sample card,
with written instructions, date stamped, bearing my name.

Loss

Books

Loss of …
… something just beyond my fingertips
that I can’t quite remember

By the time I remembered your name,
I had forgotten your face.
Then I couldn’t recall why
I wanted to talk to you.

I trace dark landmarks
on the back of scarred hands:
blood maps,
unremembered encounters,
dust covered photographs,
grey, grim, not belonging in any album.

At night I cruise among islands,
emerald green against sapphire seas.
Why did I never visit so many places?

Golden sand trickles through
night’s hour glass as stars, planets
dance in Platonic skies.

My memory fails.
I wake each morning
unaware of where I have been.
I track the sails of drifting ships,
white moths.

I think I have caught
them in overnight traps,
but they fly away each morning
in dawn’s forgiving light.

I give chase with pen and paper,
fine butterfly nets for wild thoughts
waiting to be caught,
then tamed.

Lost Angel

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Lost Angel

One day she was there,
the next day she was not.

She slipped through our fingers
like water or fine sand,
here one day
and gone the next

We looked away for a moment,
and when we looked back
she had disappeared.

The wind whispers secrets
that are multiplied
by grass tongues
wagging on deserted dunes.

The wind thinks she left us
to join the children
who play hide and seek
on empty September beaches.

“Hush now,” says the wind,
“if you make a sound
the children will know you are here.

They will slide through clefts in the rocks
and hide in silence, waiting
until you too have disappeared.”

Comment: Another Golden Oldie, this one from my book All About Angels. I wrote All about angels in homage to Rafael Alberti’s book, Sobre los angeles, one of my favorite poetry books in Spanish. My angels are not Alberti’s angels. How could they be when his angels are Spanish and mine are Welsh and Canadian? Do you really  believe in angels, you ask. Well, you’ll never know, because I’ll never tell you. That said, I did write a book about them.