Shipwreck

 

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Shipwreck
(1914 AD)

they came for the burial
more civilized than
ritual burning

one by one
victims gathered up
held in one last hug

empty coffins
stood in rows
waiting to be filled

bodies on the beach
scarred in an after life
black and white

stark their weird
bones bleached
among sea-weed

done the deed now
coffins filled
lids nailed down

high tide mark
carapace charred wood
rusted iron

bright bones
long dead creatures
slow washing of hands

relentless actions
wind sandpaper sea
tear-filled skies

 

15 May 2002 Pre-Rimouski 109

Ogmore-by-Sea

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Ogmore-by-Sea
(1960 AD)

white stone its castle
tumbled into ruin
stones in the river bed
mirrored its image
wind-broken ripples
picture fragmented

mud flats and rocks
stretch out horizontal
distant the sea
Severn mud an obstacle
no swimmers out there
where tides twist and pull

rock bathing instead
wind-whipped bare bodies
blasted with sand
skimpy the clothing
bikinis and pants
intrepid the wearers
breathless young girls
Welsh voices on the wind
always the wind
across rock across mud

dinosaurs walked here
left tracks in that mud
metamorphosed now
into fossil and rock

breeze tickles the nostrils
gulls batter the ears
salt stings the tongue
life on the margin
a bargain a gift
sweet in my memory
her kiss on my lips

Comment: I have no pictures of Ogmore (except in my mind). You’ll have to make do with St. Andrews, also by the sea. My thanks go out to David Watts for reminding me of my childhood in Wales. So many memories came twitching back. I went regularly to Ogmore with one of my school friends and his family. This was while I was still in the sixth form in school … a long time ago … but I remember it well.

Lost Angel

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Lost Angel

One day she was there,
the next day she was not.

She slipped through our fingers
like water or fine sand,
here one day
and gone the next

We looked away for a moment,
and when we looked back
she had disappeared.

The wind whispers secrets
that are multiplied
by grass tongues
wagging on deserted dunes.

The wind thinks she left us
to join the children
who play hide and seek
on empty September beaches.

“Hush now,” says the wind,
“if you make a sound
the children will know you are here.

They will slide through clefts in the rocks
and hide in silence, waiting
until you too have disappeared.”

Comment: Another Golden Oldie, this one from my book All About Angels. I wrote All about angels in homage to Rafael Alberti’s book, Sobre los angeles, one of my favorite poetry books in Spanish. My angels are not Alberti’s angels. How could they be when his angels are Spanish and mine are Welsh and Canadian? Do you really  believe in angels, you ask. Well, you’ll never know, because I’ll never tell you. That said, I did write a book about them.

Scratch Pen

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Scratch Pen

This old fashioned
scratch pen,
post office pen
with its pointed nib:
a mindless spider
weaving its web
of fine-spun words.

I dip the pen
into emerald ink
and my fingers
turn green with envy
as the nib sails on,
its pea-green boat
laden with meanings
that will never
arrive on shore.

Lost in life’s
traffic jam
of things to do,
I miss the mystery:

star-crossed words,
an empty ocean,
this one dip pen
scratching on,
while I dither
like a mother hen
checking her chicks.

Limpet

 

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Limpet

… like a limpet at the sea side
she clings to her inner rock
as the incoming tide
causes waters to rise,
threatening
to sweep her away.

A wind charges
over the bay,
brings a wave-surge,
white water, urgent,
crashing against rocks.

Rock-face
showered and shocked,
the little limpet
clinging on,
knowing that this
is the way
limpets survive,
from day to day,
from generation
to generation.

 

Old Man

15 May 2002 Pre-Rimouski 109

Old Man

An ancient mariner lives in my brain.
Many seas has he sailed, seen many things.
A knapsack of memories, a snail shell
on his back, weighs him down.

His life: a broken record
on an unstable turntable.

He stops people in the street,
tells again the story of his ship,
trapped in the doldrums
where winds no longer blew.

Ghost days weight heavy.
Does he wait for the black patch
carved from the bible
to summon him home?

Photo: The Museum for the shipwreck of the  Empress of Ireland, Pointe-au-Pere, Quebec. The Empress sank off Ste. Luce-sur-mer on 29 May 1914.

Backstreets

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Backstreets

You go from the beaches turn away from the waters
and walk with your warder through this catholic prison,
through the streets of this city where innocents die
and the guilty confess to pitiless crimes
in hide-bound confessionals of dark white-washed churches
that strut in the streets and the heart-breaking alleys
with washing at windows and black widows waving
as you consciously wander through past sins and problems
forgetting remembering the squares with their fountains
with their saints and their statues in cold heartless marble,
with swords without edges and tongues sharp as grass
that cuts you with silence as it slips through your fingers
whilst bitter and bleeding you wander through labyrinths
of meaningless shortcuts leading to churches
and stationary statues that threaten with footsteps
until you come out at last to the light and the sea 

Commentary:
Another Golden Oldie, this time from my poetry book Broken Ghosts, published by Goose Lane (Fredericton, 1986). It dates from time spent in Spain (1969-1971) and recalls walking in tiny seaside towns along the north coast (Cantabria) without being specific to any single place, although Castro Urdiales, Comillas, Laredo, Santander, and Zarauz all conjure up similar visions and memories. A single sentence, the poem can be read in one breathless breath.

 

Mist at Jarea

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Kingsbrae 25.2
25 June 2017

Mist at Jarea

Moving in with the tide,
drawing gauze curtains
over the islands,
climbing, so silent,
pebbles and rocks
to arrive at our windows
and block out the sun.

The mist’s grey face
presses against the panes.
Long lost friends,
come back to haunt us,
loom out of our past.

They bear memories
born beyond the mist,
living now in, and for, this mist.

They come stalking us and tap
with long, cold wisps of fingers
at locked windows and doors,
bolted so they can’t get in.