MT 1-1: Monkey Teaches Sunday School on Mondays

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Monkey Teaches Sunday School on Mondays
(With apologies to Pavlov and his dogs)

Younger monkeys e-mail elder monkey
and expect an answer within two minutes.
Elder monkey drools and writes right back.

He is turned on by the bells
and whistles of his computer.
“Woof! Woof!”
His handlers hand him a biscuit.

Elder monkey has grown to appreciate
tension and abuse:
the systematic beatings,
the shit and foul words hurled at his head.

The working conditions are overcrowded.
Elder monkey is overworked.

Yet he has managed to survive,
to stay alive and fight
what he once believed was the good fight.

Now he no longer knows:
nor does he drool anymore
when bells and whistles sound
and his handlers bait him
with an occasional, half-price biscuit.

 

 

I will record and post the whole of Monkey Temple, poem by poem, with voice recordings. I’ll use two key trigger elements: first, the grinning monkey in the picture and second, the MT 1-1 designation, standing for Part 1 Poem 1 … this will continue 1-2, 1-3, 1-4 etc. If you are enjoying these poems and readings, keep your eyes open for those two triggers and catch your favorite monkey as he goes about his monkey business.

Monkey Temple

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Monkey Temple

The monkeys appear, as if by magic.
They tumble out of windows and doorways.
They clamber through the holes in the temple’s ruined roof.
They are quiet at first.
They inspect their surroundings.
They ogle the crowd gathering for the afternoon show.
They watch the watchers watching them.
They pulsate, for no reason at all, they pulsate, then ululate.
They jump up and down and swing from the temple’s roof.
They pontificate, gesticulate, and regurgitate.
They sit and sift for fleas.
They defecate and urinate.
They masticate cautiously.
They castigate and fornicate.
They ruminate. They masturbate.
They rush to the top of the temple
and on the uplifted faces of the crowd they ejaculate.

Monkey Temple is the first poem of the book of the same name. It serves as a Prologue. Below is my oral presentation of this poem.