Hiraeth

A Grouse

A Grouse

It hurts. She is so far away.
I can barely hear her voice on the phone.
It hurts. I can only comfort her with words,
useless words, clichés that will never
take her cares away, how could they?

Ghosts of a nearby past drift silently by.
I wonder what can say to each other,
whether we should chat about the weather,
or whether to let silence hold sway.
I don’t want her to put down the phone
even though we’ll talk again today.

My body hurts with her hurt. I know my pain
will soon go away, but hers – I hope it doesn’t stay.
Outside the window, two red squirrels play.
Words break the silence: I’ll call
you later. Make the most of your day.

Click here for Roger’s reading on Anchor.
Grouse.




é

Suit of Lights


Suit of Lights

I am a man of straw
shivered by raw winds,
frosted by the cold
enveloping this enigmatic body,
dry bones set rattling.

I walk with two sticks,
a stick man then,
not just a sick man,
as broken as this broken body,
old sack of out-muscled blood.

When the magic hour
descends, earth glows
with a different light,
and my world is transformed,
translucent, bright.

A touch of the almighty,
this beauty suddenly
surrounding me,
blessing me,
and all my doubts,
with this suit of lights.

Click here for Roger’s reading on Anchor.
Suit of Lights

Clichés

Clichés

I buried myself in an ice-cube.
I dug in so deep that nobody
could find nor touch me.

“Hurt yourself,” I told myself,
“hurt yourself
so badly that nobody
will ever be able to hurt you
again.”

Clichés:
cutting off your nose
to spite your face,
shooting yourself
in the foot, arm, or leg,
self-destructing
in so many ways,
and all clichés.

And me, alone,
everything cut off,
torn down, worn away,
visible, some days,
yet untouchable,
locked away
in this frozen land
where warmth
never flows
and winter
holds sway.

Click here for Roger’s reading on Anchor.
Clichés

Sisyphus

Sisyphus

Long gone, those good old days, dead and gone,
their centers collapsed in on themselves
unable to hold on to time’s hands
circling the clock of ages, that timeless rock.

Beyond these days, long days when light will fail
to enlighten, eyes will be dimmed, the burden
will grow heavier and even more heavy
with life lying in wait, to weigh us down,
always lying, and the lies themselves
more rocks added to the pile we must carry.

Carrying them is one thing. Rolling them up
this endless hill only to have them roll down,
again and again, forcing us to stoop once more,
not to conquer, but merely to live our lives,
to journey onwards, relentlessly, to endure
from the beginning of the end until the last,
and we must endure, will endure to the last.

“Il faut imaginer Sisyphe heureux.”
Albert Camus

Click for Roger’s reading on Anchor.
Sisyphus



Quilting

Quilting

A man among many women,
I sit silent, feeling their eyes
explore my flesh, my stitches.

I need glasses now for delicate
needlework. To thread a needle
the workshop leader has a gadget.

It passes from hand to hand,
ties the perfect quilter’s knot.
My grandpa’s canvas sewing kit,

World War One Vintage, served him
before the mast and in the trenches.
From it, I take a small looped wire.

I remember when I could see and he
could not, hence his need for me
to thread the needle and knot the knot
that he could no longer knot.

Now I choose my tiny patches,
join them, stitch them into a square
and, ironed out, into the quilt.

We must sign them, and I do.
My name and little sayings
in Spanish, Latin, and Welsh.

The leader asks me to translate them
then writes the meanings down.
“Beautiful work,” she tells me.

“Where did you learn to sew?”
I close my eyes, sew my lips tight.
Some secrets I’ll never let go.

Click for Roger’s reading on Anchor.
Quilting

Comment: I wrote this after reading the section entitled Quilt in M. Travis Lane’s book A Tent, a Lantern, An Empty Bowl (Windsor: Palimpsest Press, 2019). Poems that could double as paintings, proclaims the paragraph on the back cover. I have no such talent. My own poem is more of a memoir in the form of a narrative sequence. To each his or her own, or, in the modern parlance, to all their own. And a poet must do what a poet can do, each of us adding our own little offerings to the great sea that is poetry.








Monarch

Monarch

I saw a monarch butterfly today.
A slow soul at summer’s end
slipping, fluttering quietly away.

This has become a regular trend:
scanning the obituaries every morning
in search of yet another lost friend.

Sad, this morning, to be mourning
the passing of someone I never knew,
a butterfly, lost, at the day’s dawning.

The news brings few things that are new,
with talk show hosts, all self-engrossed,
going on and on about the privileged few.

Monarchs and butterflies will perish too.
I soon will join them. Just like you.

Listen to Roger’s reading on Anchor.
Monarch






Losing Language

Losing Language

To lose your language
is to lose your dignity and your muse.

It’s to lose the power of self-expression
and to frustrate the longing soul
that flutters like a butterfly
striving to reach for the beauty of light
yet frustrated by the weight
of its now useless wings
unable to rise.

So much the soul sees at night,
wandering in dreams among the stars.
Memories of former rooms
where the old inhabitants still dwell,
shadows among the shadows,
some still gifted with limited
powers of speech,
but others, tongue-tied and silent,
and our chatter reduced
to a net of butterfly buzz words.

Oh for the freedom of flight,
for the liberty of my language found anew
and capable still of shaping and recreating
the world of silence in which I now live.

Based on a Welsh Poem by Harri Webb
Colli iaith a cholli urddas.

Click here for Roger’s reading on Anchor.
Losing Language

Sound of Absence

Sound of Absence

It’s a lonely walk round the animal park,
the petting zoo with its animated young,
goats, sheep, llamas, alpacas, all of them
greedy and alert, ears pricked, eyes open,
munching away, hand-fed by the visitors.

Only the wind moves the swings today.
We walk in silence, but don’t stay long.
That little body that swung the swings,
those little feet that raced from place
to place at such a bewildering pace…

they are not here. We watched them board
the plane, fly up into the sky, head west
and home, and now we, the old folk,
abandoned, hold hands, and walk alone.

Click here for Roger’s reading on Anchor.
Sound of Absence

Portrait of Moo

Moo by Fin

Finley has left. She has left me with a selection of her art and instructions to ‘show it to the world’. S o, here we have the Portrait of Moo by Fin. I guess many of you don’t know who Moo is, but don’t worry about it, neither do I and Fin has been busy for three weeks, trying to work it out for herself. Oh dear – what can the matter be? Finish the song for yourself, if you remember it in any of its many versions.

Meanwhile, I go back to my old friend, Robbie Burns, with whom I spoke only yesterday. He spoke to me through my eyes and, as I sat there talking, I digested his words of wisdom: “Ah would some power the giftie gie us to see ourselves as others see us.” The giftie gie us is, as you well know, the Scottish dialect for what comes out in Standard English as the gift give us.

So that’s how Fin sees Moo. When I next meet him, if he cares to show up chez nous, I will show him Fin’s portrait and ask him what he thinks. Until then, his identity – and I am assuming he is a he not a she – must remain a mystery as mysterous as this mysterious painting that appeared on my desk.