Grief

A Speaker Bespoken

Meditations on Messiaen
Revelations

7

A Speaker Bespoken

They asked him to speak at her funeral
but he never knew who she really was.
He only knew she loved the whisky bottle
more than she loved life. “What can I say?”
he asked. “Say that you loved her.” “I didn’t.”
“Say how much she loved you.” “She didn’t.
And she loved her bottle so much more.”

Should he say how he found her, soaked in urine,
covered in vomit, naked on the kitchen floor?
Should he describe the blend of alcohol and body
scents, her personal perfume, flooding the bedroom?
Should he repeat the four-letter words, and worse,
she used when he tried to stop her drinking?
Should he tell how she took her rings to town,
pawned them, and left the slips on the table
where he would find them? He paid her debts,
collected her rings, returned them. Should he tell
how she sold them again and again?
How she would play hunt the thimble,
round and round the house until she found
where he had hidden them, then took them,
and pawned them once more?

The chaplain shrugged. “Say what you want,
whatever you wish, but you have to speak.”
And speak he did, so choked up with emotion
that he broke down and cried and never a word
emerged from his mouth. An audience of chairs.
The few friends who attended also broke down
and hugged him, and said he had spoken volumes
and they had understood every single word.

Click on the link below for Roger’s reading.

A Speaker Bespoken

Change

Meditations on Messiaen
Revelations

6

Change

The wind of change will blow and change will come,
heralded not by brazen trumpets and a roll of drums,
but overnight in stealth and silence. The valleys will lose
their coal. The seams will shrink, smaller and smaller,
until even the tiniest child will not find room the kneel
at the coal-face and sweat in adoration, shovel and pick
in hand, prying and praying in praise of the black god.

Change will come. The mines will be closed.
The miners will go on unemployment. They will move
to other areas, where mines still flourish, for a life time
spent underground is not that easy to forget and change
is never easy. Who ever said it would be easy?

The men in grey suits bring change. They walk and talk
and plan the changes they will bring about. The pit-head
baths will turn into super stores, a new trading estate will offer
work to the workless who will be changed into worthy workers
once again with course after course of education and retraining.

Yes, change will come. Some will pack up and leave,
only to return as they cannot face the face of change
as once they faced the coal-face, on their knees all day,
praying. Some will go overseas, by boat or plane.
They need never fear for Australia is near. America is a siren
singing bedrock songs of welcome and freedom. Canada calls
and many arrive there to face the white face of winter
rather than that merry, coke-black face of Old King Coal.

Yes, change will come. You will change. Your children
will be born into change and only your memories will recall
life before change, that life everlasting that came
before the fall of coal and your immortality is now
a Post-lapsarian call to constant change, secuale seculorum,
for ever and ever, until that final change. Amen.

Click on the link below for Roger’s reading.

Change

And every valley

Meditations on Messiaen
Revelations

5

And Every Valley

And every valley shall be filled with coal.
And the miners will mine, growing old
before their time, with pneumoconiosis
a constant companion, and that dark spot
on the grey slide of the sidewalk a mining
souvenir coughed up from the depths
of lungs that so seldom saw the sun
and soaked themselves in the black dust
that cluttered, clogged, bent and twisted
those beautiful young bodies into ageing,
pipe-cleaner shapes, yellowed and inked
with nicotine and sorrows buried so deep,
a thousand, two thousand feet deep down,
and often so far out to sea that loved ones
knew their loved ones would never see
the white handkerchiefs waved, never
in surrender but in a butterfly prayer,
an offering, and a blessing that their men
would survive the shift and come back
to the surface and live again amidst family
and friends and always the fear, the pinched
-face, livid, living fear that such an ending
might never be the one on offer, but rather
the grimmer end of gas, or flame, or collapse,
with the pit wheels stopped, and the sirens
blaring, and the black crowds gathering, and
no canaries, no miners, singing in their cages.

Click on the link below for Roger’s reading.

And every valley

Ash Wednesday

Meditations on Messiaen
Revelations

3

Ash Wednesday

Each of the select will be marked with a seal,
ash on the on the chosen one’s forehead
signifying all grief and guilt consumed,
reduced to the ashes of this burnt-out sign.

Dust to dust and ashes to ashes, for of dust
are we made, and though the embers may glow
for a little while, that ash will soon grow cold.
Words are quick forgotten yet memories linger.

They wander among celestial fields of glory
where nimbuses of nebulae crab sideways
to claw-crack veiled mysteries in an effort,
often vain, to reveal them and lay them bare.

Bird song, far below, flickering fading,
luminous confusion of son et lumière,
infused with the ineffable joys of paradise
and time eternal, successive yet simultaneous.

Birds in the branches of the Tree of Life
gather its fruits with multitudinous song.

Forgotten offerings litter the hidden path,
trodden by the few wise men who in the world
did live. Gold, frankincense, and myrrh may not
be accepted. The offerings are we ourselves, for a
broken and a contrite heart will not be despised.

Click on the link below for Roger’s reading.

Ash Wednesday

The End of Time

Meditations on Messiaen.
Quartet for the End of Time.

3

The End of Time

A thin violin crying
its cat-gut heart out
in tears of sound, falling,
rhythmic raindrops,
down a grey-streaked face
tight with stress and pain.

Such concentration,
such soulfulness packed
into each mindful note.

An audience of one,
I sit, head bowed,
meditating on the meaning
of meaning and nothingness,
the nothingness of being condemned
to oblivion yet oblivious
of the how and when.

Each note a hammer-blow,
then, the piano hammering nail
after nail into this coffin body
I drag through the motions
of extracting meaning
from this meaningless life.

Click on the link below for Roger’s reading.

The End of Time

Dark Angel

Meditations on Messiaen.
Quartet for the End of Time.

2

Dark Angel

He will come, the dark angel,
and will meet me face to face.

He will take all that I own,
for it is only temporary
and all my possessions are on loan.

My house, my wife, my car,
my daughter, my grand-child,
 my garden, my trees, my flowers,
They are not mine.
I do not possess them.

I only own this aching heart,
these ageing bones,
this death that has walked beside me,
step by step, every day
since the day I was born.

That indeed is mine,
and nobody else’s.
That is my sole possession.
That is the only thing I own.

Click here for Roger’s reading.
Scroll down to appropriate episode.
Dark Angel

A Stone



Meditations on Messiaen.
Quartet for the End of Time.

1

A Stone

I cast a stone into the sea.
A round, flat stone,
it skipped from wave to wave
and refused to sink.

My heart sank within me
as I counted each bounce:
five, six, seven…
then the stone sank
bearing with it
my seven deadly sins
and I wept no more.

I, who have lost all that I had,
mother, father, brothers,
land of my birth,
I laid them all to rest
and I dried my tears,
forgot my fears,
and counted my blessings
as I walked, no longer alone,
along the shore.

Click on link below for Roger’s reading.

A Stone

Waiting

Waiting

I remember pushing
my father around the ward.
Two weeks we had together.
He sat in his wheel chair
and I wheeled him
up and down.

“Cancer, ” they told me.
“But it’s kinder not to let him know.”

In those days, it was better to die,
without knowing why.
Did I betray him by not letting
him know what I now need to know?

One day, he begged for help
and I lifted him onto the toilet.
He strained and strained
but couldn’t go.

“Son,” he said, sitting there.
“Will you rub my back?”
How could I say no?

That strong man,
the man who had carried me
on his back,
and me standing there,
watching him,
trousers around his knees,
straining, hopelessly,
and me bent over him,
rubbing his back,
waiting,

for him to go.

Click here for Roger’s reading of
Waiting.

Blood and White Wash

Blood and Whitewash
A Thursday Thought
2-September-2021

Blood and Whitewash is the title of this painting. It has a subtitle: My Plan of Attack.

The origins of the title, and hence of the painting, go back to the Goon Show, with Spike Milligan, Peter Sellers, and of course / wrth gwrs, Harry Secombe, the Swansea Comedian and Master Singer. Away in boarding school back in the late fifties, one of my greatest pleasures was listening to the Goon Show on one of the dormitory’s transistor radios. As a teenager, I found the jokes and the accents incredibly funny. Still do. That’s why I painted this painting. Alas, it is silent, and you cannot hear the accents.

The following snippet of dialog occurred on one such Goon Show, I cannot remember which.

“What are we going to do?”
“Well, this is my plan of attack.”
“That’s not a tack, it’s a nail.”
“No it’s not. It’s a tack.”

So above you have my painting of My Plan of Attack, resurrected after all those years. I throw my mind back to the First World War.

The General:
“He’s a cheerful Cove,” said Jimmy to Jack,
as he walked to Arras with his pack on his back.
But he did for them both, with his plan of attack.

And there in essence is the history of the painting. First, the plan of attack, then the failure and the blood-letting, and then the white-washing of the whole history, a white-washing that turns failure into success, defeat into victory, and loss into gain. But in WWI, it was the poor Tommies who bore the burden, and all the other front line troops who obeyed orders, went blindly over the top, and charged unbroken wire with fixed bayonets.

“If you want to find the sargent,
I know where he is, I know where he is,
If you want to find the sargent,
I know where he is.
He’s hanging on the old barbed wire.”

“If you want to find the chaplain,
I know where he is, I know where he is,
If you want to find the chaplain,
I know where he is.
He’s hanging on the old barbed wire.”

“If you want the whole battalion,
I know where they are, I know where they are,
If you want the whole battalion,
I know where they are.
They’re hanging on the old barbed wire.”

Singing as they marched to their deaths, obeying orders, like sheep, and nipped on by the eternal sheep dogs. Things were so bad at Verdun that instead of singing, the men marched, bleating, like sheep. “Sheep unto the slaughter.” There was so much ill-feeling and rebellion in the face of orders and certain slaughter, that French regiments were decimated, one man in ten shot for mutiny, as they marched bleating, instead of singing, to their deaths.

“Oh, we’ll hang out our washing on the Siegfried Line,
have you any dirty washing, Mother dear?”

“Those who do not learn from history are condemned to repeat it.” So, tell me, “where have all the young men gone, gone to graveyards everyone, when will they ever learn, when will they ever learn?”

And that, dear friends, is my thought for today: The History of My Plan of Attack. When, indeed, will we ever learn?

Waiting

The story of one man’s journey

Spotify
Scroll down to correct episode.

Waiting

I remember pushing
my father around the ward
in the hospital.
Two weeks we had together.

My father sat in his wheel chair
and I wheeled him
up and down.

“Cancer,” they told me.
“But it’s kinder not to let him know.”
In those days, it was better to die
without knowing why.
Did I betray him by not letting him
know what I now need to know?

One day, he begged me for help
and I lifted him out of his wheelchair
and placed him on the toilet.
He strained and strained
but could not, would not go.

“Son,” he said, sitting there,
“Will you rub my back?”
How could I say no?

That strong man,
the man who had carried me
in his arms, on his back,
and me standing there,
watching him,
his trousers around his knees,
straining hopelessly,
and me bent over him,
rubbing his back,
waiting,

for him to go.

Comment: Thank you, once again, Alejandro Botelho of Diverse TV. This was a great reading. If you, dear reader, are interested, you can listen to it HERE. Alejandro’s reading of my poem begins at 40.52 and ends at 42.33. But remember, the other poems are also well worth listening to and Alejandro has a great voice and wonderful interpretation. A further comment: first there is the text. Then there is Alejandro’s excellent reading. Then there is my own reading. From each of these the observant reader and / or listener will extract a slightly different emphasis and meaning. In my own case, following Alejandro’s reading of the original text, I have added some minor changes, to add to the intertextual rhythm of the words. Tolle, lege et vade mecum. A Cancer Chronicle is available HERE.