Sheep

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Sheep                               

Wales is whales to my daughter
who has only been there once on holiday,
very young, to see her grandparents,
a grim old man and a wrinkled woman
who wrapped her in a red shawl
and squeezed her and hugged her
till she cried herself to sleep
lunging for lack of space and air,
suffocating in a straitjacket
of warm Welsh wool so tightly bound.

So how do I explain the sheep?
They are everywhere, I say.
On lawns, in gardens. I once knew
a man, a friend of my father’s,
whose every prize tulip was devoured
by a sheep, one single sheep
who sneaked into the garden
on market day when they left the gate ajar.

Sheep are everywhere, I say, everywhere.
I remember riding on a passenger train
and seeing sheep leering like tourists
peering from dark coal wagons travelling
God knows where and bleating
fiercely as we passed them by.

In Wales, I say, sheep are magic.
When you travel to Paddington
on the train, just before you leave Wales
at Severn Tunnel Junction,
you must lean from the carriage window
and loudly call “Good morning, Mister Sheep!”
and if the one you greet looks up,
why, provided you’re good and quiet
for the rest of the journey,
your mum and dad will buy you
something nice in London.

My daughter shows disbelief. And “Look
at that poster there:” I say, “a hillside
of white on green, and every sheep
as still as a stone,
and each white stone a roche moutonnée.”

Commentary: I couldn’t find a Welsh sheep in my photo collection, so I used this photo of Pre-Columbian Incan sheep substitutes instead. Llamas is probably a Freudian slip or a typo for lambs. See: there’s reason for everything and a link between all things, even llamas, vicuñas, and alpacas, like this pair from Kingsbrae Garden Barber Shop Shorn Quartet. The other two from the Barber Shop Alpaca Quartet are around somewhere. I’ll go and look. Ah yes, here they are. Listen carefully, and you may hear them sing.

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Butterflies

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Butterflies

butterflies
their ephemeral forms
flutter by
flickering
brief their sweet sway

they spread
paint-daubed
fanciful wings
fan flowers
flourish

eternity
perched briefly
on flowering bees’ balm

robin puffs out
his red breast
hauls down
tomorrow’s sun

white-throat sings
an evening elegy

Comment: 

“Poetry gives permanence to the temporal forms of the self.”
Miguel de Unamuno.

Eden 2

 

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Eden 2
(1956 AD)

Mushrooms
cremini oysters pearl
love them

love them not
garlic mushrooms
flash-fried
in atomic frying pans

nor magic mushrooms
nor radioactive fungi
spores parachuted down
mushroom grey
clouds

built this berth canal
an umbilical cord
birthing oceanic links
not division
nor destruction

Eden’s Garden
a walk in the park
an earthly paradise
closed to many
open for few

lost now
that projected paradise
not much room
four maneuvers
all things
vanished in a flash
horizon’s banana
split in an instant
everything lost

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Eden 1

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Eden 1
(1956 AD)

wet rags of dirty washing
hang on the Siegfried
line’s barbed wire

flesh rent ripped
broken-glass anger bottled
blood-mottled concrete

bones mixer-crushed
blood sacrifice a keep-safe
ash-cross camouflage
stretched sketched
over grime and crime

heavy the spike-toll
rooted the rock
chips off old blocks
these flint flakes flying

faceless this sphinx
inscrutable smile
where now
sands of the Nile

ample ammunition
beneath this apple tree
flat-footed lame-duck walk
goose-stepped after expulsion

walled this garden
to lock what in
to keep who out

 

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By Any Other Name

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By Any Other Name
hortus conclusus
(1430-1432 AD)

don’t let them know
your origins your secrets
hide who and what you are
unholy ghosts will prowl
wild dogs will howl

sister-spouse
a garden enclosed
walled behind whose house
anonymous flowers
roses in abundance
set amongst thorns

sealed-up this fountain now
its well run dry
dead leaves in the bowl
shrunken petals
echoes of children’s voices
their faces hidden
among last year’s leaves

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That Wall

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That Wall
(1953 AD)

build that wall
top it with wet cement
place bottles in a row
sign it date it
carve the barrier in stone

when the cement sets
break those bottles
impenetrable barriers

walled now this garden
its interior holy of holies
a paradise for the chosen few
peace and roses only a dream
glimpsed from the outside

a climber climbs
rips flesh shreds clothes
mottles concrete with blood
wet washing hung in fleshy strips
a red flag now this Siegfried line
its shattered glass wire
its see-through brittle anger
excluding all intruders

walled this garden studio
this monument
built by my father
seeking to block who out
trying to lock who and what in

Tangled Garden

 

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Tangled Garden
(1916 AD)

indoor daffodils
drink water
dosed with chemicals
survive in a vase
refuse to crumple
won’t furl their flags

outside
sunshine and shade
Cape Daisies Peonies
Sunflowers
Black-eyed Susan
threading her colored ribbons
through butterflies
and Bees Balm

towering the Hollyhock
seeded by a surprise wind
coming in from nowhere

weeds crowd together
vox populi
these dandelions
beloved of the gods
ubiquitous
totally indestructible

Eight Deer

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Eight Deer
(1113 AD)

eight deer visit
my garden each night
they raid my feeders
capture my birdseed
lusting for gold
anything to keep out
this winter cold

raccoons
leave claw-marks
grubbing for grubs
dug up like donuts
circled on my lawn

who captures whom
when the full moon
descends from the sky
walks among men
making them mad

death by snow plow
snow-melt and crows
Eight Deer emerges
his sacrificed body
preserved on this page
and in salt snow

Lament

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Lament

I remember the hawk well. One moment the garden was empty, next he was there, on the ground beneath the feeder, feeding, or rather, fed. I didn’t see the kill. I walked past the window on my way through the kitchen from somewhere to somewhere, and there he was, perched upon a pile of feathers. Whatever the victim was, all edible evidence had disappeared and only the feathers remained. I guess the hawk saw me, sensed, or caught the sound of the camera. Within a second, between click and click, he had flown.

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I went outside to look at the wreckage of what had once been alive. Feathers and blood. The grim reality of avian life in my Little World of Island View. Between cats and hawks, a great deal of destruction is handed on from generation to generation. But although I have witnessed nature ‘red in tooth and claw’, I have seen nothing like the devastation caused by the avian flu. We tried to follow all the appropriate instructions, but the passerines all vanished and they never came back. We still have a couple of mourning doves grubbing around on the porch and back step, but I can remember counting, one day, sixty or seventy perched in a cluster on the clothes line. Pine grosbeaks used to swarm, now to see one is a big event. We still get the occasional evening grosbeak, but the grey jays have vanished, as have the swallows who used to nest in our garage. We know of a pair of cardinals in the neighborhood, but they rarely visit us. We can hear a Greater Pileated Woodpecker in the distant woods, but they no longer dance and play among our trees. A few years back, we had a garden full of bees balm, but no bees. Last year we saw very few butterflies, though they used to be regular visitors. Our hummingbirds have become occasional visitors, and I do miss seeing them.

I long to see again all those beautiful creatures, the cat bird with his endless imitations, the orioles with their songs, even the sparrows seem fewer and further between. As for the garden, the crows have taken over. A family of seven caw in the trees and visit regularly. They are sharp, wise creatures and I am always bemused by their aerial manoeuvres. They still sit on the garbage cans once a week and announce their triumph to the world. But woe betide if you leave a plastic bag alone at the roadside. They make short work of it with their shiny beaks ad the bag’s interior is soon strewn all over the road for you to pick up and everyone to see.

Dydd Dewi Sant Hapus

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Dydd Dewi Sant Hapus
Happy St. David’s Day

March the First, St. David’s Day:  and here, in Island View, the snow accumulates and I can hardly see the trees at the bottom of the garden. A squirrel gnaws at the sunflower seeds put out by my beloved on the step by the sliding window so that Princess Squiffy, the house cat, can have her morning cartoon show, her Squiff and Squirrel, through the glass of the sliding door. Nose to nose, cat and squirrel, separated only by a thin layer of glass, stare at each other, like Roman gladiators.

Temperatures are still low and snow continues to fall. Softly, gently, it fills the hoof prints left in the old snow by the hungry deer who come each night to empty the bird feeders.  Gone, all gone, everything that squirrel and bird have left behind. Seven deer visit us. They troop through the garden every night, moving from tree line to feeder along regular pathways trodden down by their hooves. Sometimes I see them, in the middle of the night. They cast eerie shadows beneath the moon and startle if I move too fast and they spy me at a window. If I am quiet, I see their delicate muzzles, their long black tongues reaching out to lap up the precious seeds that will keep them going through this long, hard Canadian winter, a winter made even harder this year with its incredible changes, its highs and lows, its rains and snows, its fogs and thaws, its icy rain, then plummeting temperatures with black ice threatening again and again.

St. David’s Day/ Dydd Dewi Sant. In Cardiff / Caer Dydd, the daffodils blow their trumpets beneath already flourishing trees. The Feeder Brook, aka the Black Weir,  flows steadily through Blackweir Gardens to join the Taff  and the Taff runs out to join the Severn, and the Severn flows out into the Irish Sea, and that joins the Atlantic, and the Atlantic flows into the Bay of Fundy, and the River St. John flows past the end of my road to eventually join the Bay of Fundy and then the Atlantic Ocean, and now, on St. David’s Day, we hold hands in a great North Atlantic Wave and we are all united, from snowy sea to shiny sea.

My day-dreams carry me back to Cymru / Wales, that land of song where the wind conducts the daffodils and their pale, brass voices are raised in a hymn of hope that all will be well, that their spring, that was once my spring, will join this spring, that is now my spring, and that sunshine and flowers will triumph and that brighter days will soon return …

Not that these days aren’t bright. A new snake skin of snow covers the ground and the old, sloughed skin gradually disappears as a blank, fresh page invites new footprints.  A new month, a new page, a new beginning.  The signatures of crow and squirrel, Blue Jay and Chickadee, cat and dog appear as if by magic in the garden’s autograph album. A mysterious finger traces those special words Dydd Dewi Sant Hapus / Happy St. David’s Day and the snow continues falling, blanking out all memories from my old man’s mind.