Christopher Columbus

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Christopher Columbus

leaves foot prints,
wake to his imagined ships,
dark, in the snow,
the unusual snow,
the snow they haven’t seen
in Granada city centre
for forty years.

It settles on roofs,
forms dark ridges
where the sun catches it
and turns it into
wet, dripping snow.

The Alhambra:
a wonderland of stiff,
white starched buildings,
stands out against
the mountain’s mass.

We click our cameras
and say “Just like home!”

We don’t realize
we’re repeating history
for it snowed then,
as it snows now
and Columbus
walked these streets
like any Canadian tourist,

short of breath,
short of cash,
the seams of his boots
letting in the cold,
wet snow,
you know how it is
on Yonge Street,
Main Street,
any street,
any town
in Canada.

And then the miracle:
he’s walking away,
leaving it all behind,
when the messenger
catches up to him and says:

“The war’s over:
there’s money now.
She says ‘Go for it!’
The ships you want,
the dream, the world,
they’re all yours now.”

Christopher Columbus
fell on his back,
flapped his arms,
and created winged shapes:
dream-angels,

white-sailed ships
sailing in the snow.

Cave Paintings: Altamira

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Cave Paintings
Altamira
(11,000 BCE)

Cold rock presses on shoulder and neck.
Sunshine dwindles until daylight is a distant star.
A great weight of earth weighs me down.

The tour guide strikes a crimson spark.
Firelight flickers, shadows dance, animals appear:
deer, elk, boar, buffalo.

Magic illusions
created from fat, charcoal, red ochre, ash …
how long have these huddled herds
grazed their way across these walls?

 My spirit sweats as elders anoint
my flesh with bear grease (for strength),
with greyhound hair (for speed),
with wolf blood (for tenacity on the trail).

They brush my eyes with eagle feathers.
Now I am a hunter.

I envision the animal my arrows will pierce.
My backbone arches like a bow.

 I shoot thought arrows:
my beloved dances her death dance on tip-toe.

Court Dwarfs: Velásquez

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Court Dwarfs

Calabacillas, the idot of Coria;
Francisco Lezano, the child of Vallecas;
don Diego de Acedo, the cousin;
and don Sebastián de Morra
in his red velvet coat:

a pride of lion-hearts,
these medieval jesters,
blown up
in some practical joke to
a full life size
that competes with their majesties
for our dialogue
with this time and place.

 Their captive souls
run the gauntlet
of their canvas jails.

Their eyes
recall those of Segismundo,
imprisoned in his tower,
drugged, then dragged
from darkness
to the palace’s brightness.

On his return to prison:
“Man’s greatest sin
is having been born,”
he cries.

Heir to a kingdom,
surviving in darkness,
rags and chains
binding his royal flesh:

 “Life is a dream,”
he sighs,
“and every dream,
a lie.”

Butterflies

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Butterflies

We raise our hands:
you sever them at the wrist.

We lift our arms:
you measure us for a cross.
Where do we turn?
Our fingers bleed from scratching
our skulls in bewilderment.
They catch on the thorns
you so thoughtfully provided.

Stigmata?
No, you haven’t nailed us yet.
Great barbed hooks penetrate our bellies,
inflaming our guts.

Like live bait,
threaded to tempt Leviathan,
we squirm.

Like butterflies
awaiting your chloroform jar,
we tremble

Your collector’s pin is poised:
that final thrust will skewer our flanks
and claim us under glass.

Eternally.

Velásquez’s Secret

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Velásquez’s Secret

Two large paintings
hang on the wall,
one in front of the other:
Las meninas.

I gaze at the serving maids,
the royal princess,
the court dwarf,
the sleeping dog.

The painter,
stranded behind his easel,
paintbrush waving,
stares back at me.

I turn around.
The second painting
is not a painting:
It’s a mirror.

There I am,
standing by the princess,
one of the family.
I move my hand
and wave at myself
across the centuries.

Like the four court dwarfs
staring out from their wooden
prisons on the walls in another room,
I emerge from obscurity
and join the élite:

the painter
waves his magic wand
and
Velásquez
paints me
as I stand beside
the king and queen.

Monkey Reviews Retirement

Monkey Reviews Retirement

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“No more Latin, no more French, no more sitting on the old school bench.”

Monkey chants this famous ditty as he relaxes in the whirlpool bath, a glass of white wine on the tray before him and his faithful tablet sitting beside it.
“The olde order changeth …”  Monkey pauses and takes a sip of wine, “… lest one good custom should corrupt the world.”

“Welcome to heaven,”Monkey lies back in the jacuzzi and the beating waters whirl around him, sending him into a dream world.

No more committee meetings: The unter-monkeys sit in a circle, where all are equal but some are more equal than others.  They pass a lyre bird feather  round and round, weeping crocodile tears and lying through the tight monkey  grins of their alligator teeth.

No more writing reports: The dead text he revises is composed of misquotes, harsh judgements,  double-talk, and outrageous lies.

No more long-term contracts: “Will the defendant please rise. Sir: I sentence you to a term of two years’ detention at this institution, renewable for another two years. And, should you continue to to do well, and should you fail, over that four year probationary period, to fall by the wayside, or to do anything wrong, I sentence you to life imprisonment, till death do you and the institution part. Amen!!!”

No more promotion: Inmates with crowded heads and vacant faces, fools grinning at a universe of folly, paddled in piddle beside him.

No more cabin fever: Monkey has worked for forty years among foreigners and lunatics afraid of the rats who keep him company, devoured by his monkey lust to drive silver knives and forks through the watch springs of their inhuman, foreign hearts.

No more penis envy: They lounge in glass cubicles, checking each other out for size, weight, length, girth, with a roll of the eye, and a casual flicker of a forked lightning tongue.

No more water-fountain gossip: They prefer death by blow-gun, their poison dart injected through hollowed fangs or Chinese Water Torture, the slow drip after drip of poison inserted into ears and veins, a drop at a time, and slowly gathering … until their victim slows down, ceases to struggle, stands there, eyes open, unable to move, poisoned and paralyzed.

No more gala occasions: … gripping cup handles between finger and thumb, enormously pleased to be the center of attention, however clumsily they walk,  in their hired-for-the-occasion, ill-fitting,  black and white penguin suits.

No more macaronic Latin: Caesar adsum jam forte, Brutus aderat; Caesar sic in omnibus, Brutus sic in at!

No more thought police: The Thought Police try to make him change his mind. Others, in blind obedience to a thwarted, intolerant authority, first bully him, then beat him, then bite him till he’s dead.

No more Wittgenstein: Or is it just the act of perception, as Wittgenstein would have us believe, and nothing more, the money always spinning on its metal edge, never falling, the coin on its axis, a new day with its potential,  sunshine or shadow, thrown dice still skittering, a new world  imperceptibly poised in its own making?

No more Camus: “Il faut imaginer l’esclave heureux.”

No more Shakespearean tragedy: Down in the kitchen, the cooking staff are preparing the next nutrition break. As the cauldron boils and bubbles, three old monkey witches dance around the pot and polish that bright red poisoned apple.

No more annual reports: Monkey is not übermenschen, nor is he untermenschen, either. He thinks of himself as honorable mention, not a whole chapter in the book, but rather an interesting footnote to one of those less important pages that abound in local histories.

No more kowtowing to a vacant authority: “Yadda, yadda, yaddathree bags  full … and a fig for the frigging king beneath my frigging cloak.”

No more drugs: The bartender measures poison and monkey slips it skillfully into his veins.

No more avoiding direct questions: When asked where he grew up Monkey will now say “I don’t think I have.” When asked what he did for a living, Monkey will now say“I no longer know.”

There’s nothing more to say. The jacuzzi whirs on and on and Monkey continues his voyage serenaded by the buzzing of the bees as he walks past  the cigarette trees on his way to the soda water fountain.

All About Angels

 

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All About Angels

Angels: many people believe in them, some people don’t. ‘What are they really like?’ you ask. Well, the ones I have seen, and they are the only ones I can talk about, are nothing like the angels we see in old church paintings.

 Angels visit me regularly. They speak to me through the mouths of innocent birds and beasts and I listen to them carefully, for they are the messengers of Gaia, the earth goddess. If we do not listen to the earth goddess, if we don’t pay attention to her words, the earth and the people who live on it will be in serious trouble, sooner or later.

 So, go out into the garden and the woods. Walk softly. Stand beneath autumn trees. Watch for footprints in the winter snow. Above all, watch out for the living creatures with which we share our world. Listen to them when they speak to you. Pay attention to their words. Do not ignore them, and remember St. Francis of Assisi who called them his brothers and sisters, for that’s exactly what they are. They are our extended family and as we treat them, so will we ourselves be treated when Gaia, the earth goddess, calls us home.

Pensive Angel

 “A penny for your thoughts!”

 The pansies turned their heads,
gazing at her with great disdain.

 They are the lowest of the low,
yet grow again, each year,
from their own scattered seed,
like weeds.

 Their faces are beautiful,
bursting suddenly from winter’s
white dream.

 They create pastel thoughts and fill
the flowerbeds with secret dreams
that they alone can see.

All About Angels, my next book of poetry,  will soon be available on Amazon and Kindle.

Wild Bird

 

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Wild Bird

 A wild bird has built
her nest in my heart.

Her blood-beat
flutters new rhythms.

Birdsong streams
sunlight in my pulse.

Afloat I knew the sea-
surge lift and pull.

Now hot blood rises
with the sun and sets
with this glorious fall
from heaven to earth:

sweet helter-skelter
glide of current and cloud.

Hair is to head
as feather is to nest.

The egg of my skull
shows hairline cracks:

tiny beaks pecking
fine-tuned sparks of song.

Monkey Presses Delete

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Monkey Presses Delete

Monkey loves walking behind the gorillas.
He loves to see fear in faces, tears in eyes
as the gorillas smash and grab and break down doors.

The gorillas break and enter: and when they do,
monkey simply points and gorillas do their thing:
it’s that simple …

Monkey has a code word he took from his computer course.
“Delete!” he says with delight
and the gorillas delete whatever he points to.

He loves deleting parents in front of children,
though deleting children in front of their parents
can be just as exciting.
He also loves burning other people’s books
and deleting their web pages.

The delete button excites monkey:
maneuvering the mouse tightens his scrotum
and he feels a kick like a baby’s at the bottom of his belly
as he carefully selects his victim and “Delete!”

The gorillas go into action:
ten, twenty, thirty, fifty, seventy years of existence
deleted with a gesture
and the click of an index finger pointed like a gun.

Monkey Throws Away the Keys

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Monkey Throws Away the Keys

Monkey is tired of writing reports
that are never read.
He is fed up with frequently asked
questions and their unread answers.
To every lock, there is a key.
Monkey looks at the red and gold
locks of the last orang-utangs
and wonders how to unpick their DNA.

Monkey would give his kingdom
for a key, a key, a little silver key:
the key to a situation, the key to a heart,
the office key, the key to the door,
at twenty-one, the keys of fate,
the Florida keys, the key to San
Francisco’s Golden Gate,
a passe-partout, a skeleton key,
the key to Mother Hubbard’s
cupboard, where she hides dry bones …

On the last day, when monkey leaves work
he takes a lifetime of keys
and throws them down a deep dark well.
As they halve the distance to the water,
he listens to the sound of silence
and wonders if they’ll ever hit the bottom.