Carved in Stone

Carved in Stone 6 & 7

6

At Westbury White Horse,
I wandered among unkempt mounds,
forgotten graveyards,
ancient barrows, their secrets
buried deep underground.

I walked to the horse’s eye,
stood there, then sat on the hill’s edge
to watch the sun drown
in a river of blood that turned
the White Horse red.

Shadows encroached.
A creeping chill came over me.
I started to shiver, not with cold,
but with the icy fear that someone,
something, evil and powerful,
long dead, but risen again, lurked,
hidden in the ground mists,
that rose as I fled,
not daring to look back.

7

But that fear,
deep-seated as it was,
could not match the terror I felt
as the sun set
over Badbury Rings.

An ancient horror
reigned over that place.

Mist warriors, visible
only from the waist up,
their weapons drawn,
charged towards me.

I felt chill fingers
clutching my heart, gripping it,
and tightening their hold.
I fled from them in the half-light.

Ancient powers linger long
in spite of charms, spells,
and exorcisms.

No wonder so many ancient tribes
shattered the legs of their dead
so they could not rise up
and walk again.

Commentary:

According to Wikipedia, the Westbury White Horse or Bratton White Horse is a hill figure on the escarpment of Salisbury Plain, approximately 1.5 mi (2.4 km) east of Westbury in Wiltshire, England. Standing at the northern edge of Bratton Downs, on a steeply sloping hillside below an Iron Age hill fort, it is the oldest of eight white horses in Wiltshire. The white horse has long been revered in European mythology. In Celtic traditions, it was associated with the Otherworld, acting as a guide between the realms of the living and the dead. In many myths, the white horse represented purity, power, and the ability to traverse spiritual boundaries.

I love visiting these sites. However, they need bright sunshine and warm weather. When the light starts to fail and the day grows cold, strange feelings emanate from the ruins. Many people have commented on this phenomenon and there are reports of sightings, such as the one that I associate with my visit to Badbury Rings. I went there late one afternoon, and as the evening drew in and the air grew colder, I and my companions felt a sudden (and totally inexplicable) fear. One look, and we ran as fast as we could back to the car park, got into the car, and sped away. None of us have ever forgotten that strange experience.

Carved in Stone 4 & 5

Carved in Stone 4 & 5

4

Maiden Castle –
Rome’s victorious Legions
sought out the main gates,
broke them down,
and placed their altars
to Mars or Mithras
on the ruins of the pagan temples
they desecrated.

What were they, those Romans,
but pagans themselves?

Their false gods
replaced the fake gods,
worshiped there long before
the legions’ arrival.

5

Later, the Saxon sword-song
superseded them
and the Roman Empire fell,
with a pendulum swing
that led to another set of gods.

How did they know
which was the true god?
Was it the belief in miracles
or the military might
that resolved the issue?

Bonfire night.
The sacred texts go up
in fire and smoke.

Brave is the man
who risks his hand in the fire,
defying the flames
to hold on to his truth.


Commentary:

“Brave is the man who risks his hand in the fire, defying the flames to hold on to his truth.” It appears that the Congregation of the Holy Office, aka the Inquisition, threatened to hold Galileo’s right hand in the fire unless he recanted and denied his scientific observations. Church theory held that the universe was terra-centric – the sun moved round that earth and the earth stood still – while Galileo showed that it was actually heliocentric – the sun stood still and the earth moved around it. Old and sick, he recanted in public, but was heard to mutter eppur si muove – yet it still moves.

Bonfire Night celebrates the discovery of the Gunpowder Plot. Barrels of gunpowder had been placed beneath the Houses of Parliament in Westminster, but they were discovered on November 5, 1605 and removed. Bonfire Night is also called Guy Fawkes Night, Guy Fawkes being one of the key plotters to remove the English Parliament. Leading up to Bonfire Night, young children in the UK place a ragged scarecrow, called a Guy, around the streets begging for “a penny for the Guy”! With these pennies they buy fireworks. Then, on November 5, the Guy is set atop a large bonfire and the fire is lit. This autumn burning is accompanied by fireworks.

Bonfire night also refers to the old medieval book burnings of texts that were anathema to whatever religion or regime was in control. Cervantes refers to them in Don Quixote, I, 6 (1605).

Carved in Stone 3

3

Death is everywhere.
It rides a pale horse
in the lands
where Odin reigned.

Sleipnir, his eight-legged steed,
carried him round the world.

It also carried the god
to the underworld,
and brought him back,
one of the few to enjoy
a return ticket.

Purity, innocence, power,
the White Horse rules
these Wiltshire hills,
a symbol of hope and renewal.

Above the horses,
hill forts in high places,
lie hidden.

Wave after wave
of earth-wall and ditch
blend into the landscape
making the forts
invisible from below.

Commentary:

Odin > Wodin > Wednesday, in English, not Mercredi (French) or Miercoles (Spanish). English, via Anglo-Saxon, often goes back to the Nordic gods of the invaders. Not so in Welsh for Wednesday in Welsh is Dydd Mercher, the word breaking down into “Dydd” (day) and “Mercher” (which is named after the Roman god Mercury). Alas, it is all too easy to reduce language to its most basic level. But dig below the surface and the wonders of language, history and culture, adoption and rejection, complication and simplification, are all there to be seen.

Our language links us, binds us, holds us across our culture and history. And remember ‘to lose our language is to lose ourselves.’ While to learn another language is to grow another heart and soul.

 

Carved in Stone 2

2

How many free thinkers
stumble up the gallows’ steps
or take that short walk,
candle in hand,
to the executioner’s block?

Some take a longer trip,
in a tumbril along French streets
lined with howling,
slogan-chanting citizens,
en route to the guillotine.

Heads, already severed,
welcome them with sightless eyes,
a strange harvest for straw baskets.

Hearken to the swish of stone
against steel as the executioner
sharpens the blade that will swiftly fall,
then rise, only to fall again.

The horse-drawn cart
creaks towards its inevitable end,
filled, standing room only,
with unfortunates trapped
by whatever rising tide
hurled them against the razor rocks
of their imminent mortality.

Commentary:

Flower Pot Rocks along the Fundy Coast. One of the most beautiful spots in New Brunswick, a province with so many other beauty spots. It’s hard to believe that I was standing on the seabed when I took that photo. It’s also hard to believe that the Fundy Tide, one of the highest, if not the highest, in the world, rises to the tree line, at the top of the photo, way above the sand.

If you go to the Fundy, consult the Tide Tables with care. You do not want to get stuck in the Fundy mud. Nor do you want to be one of the unfortunates trapped by whatever rising tide hurls you against the razor rocks of your imminent mortality.

Carved in Stone 1

My very own hand-carved verraco
Del Rincon (Avila) a Roger

Carved in Stone

1

Behold me here,
filled with a sort of shallow,
hollowed-out wisdom
accumulated over decades
while listening with my eyes
to the words and thoughts
of writers, long-dead.

Imprisoned in book pages,
do they bang their heads
against walls that bind,
or hammer with their fists
at the barred lines
of their printed cages?

These spirits long to break free,
but they choke on library dust
and pollen from verbal flowers
that bloom unseen.

Those old ones avoided
the traps of temporal power,
or, once trapped,
gnawed off a precious limb
to limp into freedom

Commentary:

Carved in Stone is the second dialog (Chronotopos II) in my Bakhtinian Dialogs with my time and my place. Clepsydra is the first Dialog. You can follow it, in its entirety, starting with this first, introductory post.

Reception Theory – I write, you read. Any meaning that you extract from my poetry will depend on your own culture and background. Tolle, Lege – Take and read. Read slowly, and with care.

I am a poet, a dreamer, if you will. These are my dreams. Tread softly on my dreams, for when you enter my world, you mingle your dreams with mine. The result, I hope, will be an interesting intellectual blend of new creativity.

The hand-carved verraco, in the photo above, was given me by my friends in the Rincon (Avila) where I spent four happy and creative summers. Never forgotten. Blessings and pax amorque.