Vision

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Vision

Vision
appears from nowhere
holds you in its hands
molds you like putty
play dough or plasticine
till you bend to its will

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is it a conundrum
like chicken or egg
the final product
laid out in all its details
or is it a process
step by step along the way
sometimes even the artist
cannot really say
yet shaping happens

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maybe it happens each day
in a different way
a power descending
an angel entering
a vacant mind as if it were
an empty room
Lorca’s duende
alive and well
and living in St. Andrews

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Comment: The above verses express, in part, a conversation on the origins of inspiration and vision held around the dinner table at the KIRA residence in St. Andrews on 9 June 2019. Those who participated in the dinner discussion … de sobremesa, as they say in Spain, over the table top … included (clockwise round the table) Chuck, Masha, Heather, Susan, Geoff, Andrea, Roger, Evelyn, Perri, Faye, and Mel. If I have forgotten anyone, or placed them in the wrong seating order, please forgive me. I am growing old and my memory is not what it was. However, the arrival of inspiration, how we greet the artistic vision, what it means to each of us, whether it arrives in totality or in fragments, glimpses or a full vision, this varies for each one of us. More on this tomorrow when I write about Lorca’s duende, the dark earth power that takes over performance artists when they perform, filling them with fire and fury, then leaving them empty, drained of all essence, ripe for the old rag-and-bone man and his cart. The paintings, incidentally, are by my line-painting friend, Geoff Slater, who is also a muralist, indoor and out, and the photos are courtesy of Mary Jones, the much-beloved former Executive Secretary at KIRA.

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