Rants

Forgetfulness

Forgetfulness

a lone dog tied out in the rain
a lost German Shepherd barking at stars and moon
grass growing through plastic flowers on a grave
a name eroded by the sand paper wind
a solitary sea bird carving its name on a cloud
a sea gull slicing the sky with its wing
unwashed dishes sunbathing in the sink
a knife and a fork side by side not speaking
the bike with a flat tire growing dust by the door
the kite’s face locked in the prison of the tree
a teddy bear sitting by a forgotten glass of wine

Forgetfulness is also me and my blog. I have been writing elsewhere all week, preparing two manuscripts for a competition. It’s been a long slog: gathering the material, organizing it, structuring it, revising it, polishing it, cutting unwanted material, searching for valid replacements.

Tuesday I had the honor and the pleasure of working with a local high school in their creative writing program. I am no longer a part of the Writers in Schools Program (WiSP), so this was a freebie. I came, I sat, I talked. And then I drove home again. I answered questions from the students on my life as a writer. It was very interesting for me as some of the questions were sharp and pertinent. How do you deal with writer’s block? Do you write by hand or on the computer? Where do you get your inspiration? Hopefully my responses were of some interest to the students who gathered to listen. The one question I expected to field was never asked: “How much do you earn as a writer? The answer of course is very little, if anything. I write for pleasure, not for money, and I have never been published by a major press.

According to TWUC, the Writers’ Union of Canada, the average earnings of a writer in Canada are $12,500. Subtract the millionaire big earners (e.g. Margaret Atwood, David Adams Richards, et al) and most writers earn considerably less. Poets are traditionally at the bottom of the pay scale and I am principally a poet. The transition from print to digital also has everyone running in different directions. Personally, I like writing. I don’t like the marketing, advertising, selling of myself and of my books. In fact, I now self-publish and give my books away. There’s very little money in it, but I enjoy myself and my friends seem to appreciate the gifts I give them.

Unless you are a ‘top draw writer’, working with a large, established company, you are unlikely to earn much money from your creative writing. In fact, many writers make their money from workshops, fellowships, grants, residencies, retreats, and things like that. I took a different direction. I chose to be an academic / teacher / researcher (full time) and a writer on a part-time basis. The academy kept food on the table for my family. The writing was always in addition to the mainline job. Retired now, I can dedicate myself to writing full-time, and that is just what I am doing.

Writing: so many meanings, so many ways to write. I blog, I maintain a journal, I write e-mails, I post to Facebook, I write poems, short stories, and I have written three unpublished (and probably unpublishable) novels. Also on two separate occasions, I have run a weekly sport’s column (athletics and rugby) in local newspapers. I have written academic books, translations, book reviews, peer-reviewed articles, and I have maintained, with the assistance of my beloved, an online bibliography and an online searchable data base. I have also helped edit some fourteen academic journals during my time as an academic. In my editing career I have been an editor, a co-editor, an associate editor, an assistant editor, an editorial assistant, and a book review editor, as well as sitting on the editorial and / or advisory boards of a handful of magazines. I have managed to do this in three languages (English, French, and Spanish). So, what exactly do I say when people ask me “What do you write?”

I am also a fan of the following statement, though I cannot remember where I first heard it. “We are not writers, we are re-writers.” This is certainly true of my editorial roles in academic magazines, for I have done a tremendous amount of rewriting and revisions for the people who have submitted their work to the magazines I was helping. So, there it is, in a nutshell … except for one thing, I have been involved in so many writing experiences, that I have forgotten many of them. Forgetfulness: the theme of today.

Friends

Friends

When good friends get together they can talk and walk and hug and hold and discuss so many awkward and difficult things, like how the body fills with spirit and the reader can be swept away in the magic of voice and how time and space can be suspended in the majestic act of creation that spins a web of forgetfulness around us and makes us forget who and what we are as we forge new worlds and the duende (Lorca’s dark earth spirit of love, want, and creation) holds us captive and drives us onward and inwards until we give birth to that which was waiting to be born, even though we never knew that the seed had even been planted, and “What is this?” we ask as we survey the new born entity fresh on the page, held in the hands, suddenly full of life and breathing on its own, a thing of beauty in its own right, that made complete sense as we struggled to hold it as it grew and transformed and transitioned from internally ours to externally and eternally theirs, a product of mind and body now belonging no longer to us but to the world beyond us, and we long to know its fate, to watch it as it walks along its path, its destiny now in its own hands, and “What is it?” people ask as we stand still and know not what to tell them, or else they say “Nice”, sigh, and go back to their two-thumbed clicking and their imaged devices, bereft of the imagination to see and explore that which has just been placed before them, this babe in swaddling clothes, this new creation, “Here, have some,” they say, thrusting our way the chips on which they are munching, or the curly French Fries they are crunching, or the pistachios, or whatever, and their coffee cools on the table, and their eyes are locked on the text that moves between their fingers across the electronic page, and this is life, as they know it, this shifting screen of shadows, this black and white stage that moves across the wall of the man-cave, woman-cave, in which they have immersed themselves, their noses close to that shifting screen, their minds elsewhere, trapped in the instantaneous insanity of the hyper-cyber-space that inhabits the void behind their eyes and between their ears, as they try to judge the price of everything never understanding the value of anything, let alone what we have created, and “Take away his grant,” “Let her wither on the vine,” “They’ll soon forget to be creative when we chain them up face to face with harsh reality,” and was that what they said to Goya, to El Greco, to Leonardo, and what exactly did they say to Lorca, before they shot him dead and rolled him into that common grave along with all the other murdered men and women, teachers and artists, poets and thinkers, and we, poor parents, holding our precious precocities in their swaddling clothes and wondering why we ever set out on this adventure, and why we are creators in the first place and “Watch out, here it comes again!” the tsunami, the tidal wave that sweeps us away and drives us into the black holes of our inner lives where a dark sun shines and shadows dance and lead us on and on until we have caught our dreams, squeezed them dry of their nothingness, and turned them into the weavings of an actuality stuffed full with new life, a new reality, a new creation, something that is truly ours, yet outside ourselves, and we gaze at it for a moment then position it in its cradle of reeds, place it in the river, push it out into midstream and eyes fill with tears and heart with hope as we watch it float away to make its own life, sink or swim, on this sea of sorrows, where someone, downstream, may bend to the waters and say “Holy Moses: what on earth is this?” or “How are we going to judge and assess it?”

Pills

A four-legged Harlequin cluckless duck: that’s what I feel like some mornings. In Spain they say: dar tres pies al gato / to give the cat three legs. This means to complicate life, to screw things up … and yesterday, I screwed everything up. But, of course, but it wasn’t my fault. It never is my fault. How could it be my fault? Repeat after me: I am perfect, therefore it was not my fault. QED.

Pills: yup. I forgot to take them again. Sometimes I think if they were actually Pils (as in Pilsner, or should that be Pilsener?) I would always remember them. Maybe I should wash my morning pills down with a shot of Pilsener (or should that be Pilsner?). That way I might remember to remember them. I would certainly remember my morning Pils. Pils, Pilsner, Pilsener: what’s in a name? Well, according to the BJCP (Beer Judge Certification Program) there are three classifications for Pilsners: 1 German Pilsner, 2.Bohemian Pilsener (note the extra E) and 3 Classic American Pilsner. As for my own Pills (or should that be Pils?), there are several medical classifications for them, but, of course, I always forget what they are.

There’s the pill for the back pain and the arthritic hip. I usually forget that one if the sun is shining and the sky is clear. Then there’s the one that eats away at bad cholesterol. I don’t often forget that one, as it’s the same shape and color as the two for high blood pressure, which I don’t have any longer as I rarely forget those pills. But when I do forget them, like I did yesterday, then I feel like the duck portrayed in the opening portrait.

But I’m forgetting myself … it’s never my fault. First I got up late because I didn’t fall asleep until early in the morning. Then, Molly Maid arrived while I was showering and wanted to clean the bathroom while I was in it. Not the most exciting prospect at my age. Then, when I had shooed them away, I was able to sneak out with a towel around me and actually get dressed. Then the telephone rang with an unrecognized number and I thought t was a robot call, so I left it to ring, but it was milady who was vacationing abroad so I picked up the phone and she talked for an hour. She left me with the promise that her friend would be calling me and two minutes after I put the phone down, that friend was on the phone, and that was another hour gone.

By this stage, Molly Maid is ready to perform their disappearing act, so I go to see them off, and breakfast has to be abandoned because it’s lunch time. So I make lunch, but I never take my pills with lunch and anyway, it’s snowing, and there might be rain later, but my arthritis isn’t plaguing me yet, so I really don’t need that particular pill, and the phone goes again. This message asks me to do something, so I do it. And the snow is falling and I don’t want to go out and plow the snow. Cold and boring. So I find something to do which is very, very important, but I like crossword puzzles. And the Brexit debate is on, so I follow that and wow, is that ever a mess. I think I’m screwed up until I listen to that lot: garbled garbage spoken with posh, plum in the mouth accents and imitation working-class foibles. Might as well be chewing straws and have their ears sticking out through ancient straw hats. Like donkeys.

So, by now tea-time is getting close and it’s time to think about eating, or blowing the snow, but the man next door has plowed out the end of the drive where the grader has left a ton of the stuff, and the man up the road is on the way down to help clear the rest, and he is travelling like a whirling dervish, and I limp down the corridor (or should that be corrida?) to say ‘hi!’ but he’s already turning the corner to the drive, so I limp to the garage to say ‘Hi and thank you!’ but he’s already half way up the drive on his way home, so I wave twice at his back and shout ‘thanks’ but he can’t hear me above the noise of the snow blower and he’s gone without seeing me, no eyes in the back of his head, I guess. So I wait till he gets home and I call him on the phone and we talk and I thank him. Then someone calls me and we talk. Then my daughter calls me and we talk.

And now it’s time for La-la-la-la-la … Coronation Street, and I haven’t had any supper yet, and I know I have forgotten something, but I open my can of evening Pilsner (from Pilz, don’t go there) and I’ve forgotten something, but I don’t remember what it is and … what was I saying? Ah yes, no pills with my Pilsener and that’s what I forgot, and there they were this morning, lying on the table, and hopefully I won’t forget them today, but I haven’t had my breakfast yet and the cricket in Antigua will be starting soon and … oh dear … I know I’ve forgotten something. Ah yes, the clock, I’ve forgotten to wind the clock. But there’s something else and if you remember what it is, please let me know.

Light breaks

Light breaks

“Light breaks where no sun shines;
where no sea runs, the waters of the heart
push in their tides;
and, broken ghosts with glow-worms in their heads,
the things of light
file through the flesh where no flesh decks the bones.”

Dylan Thomas, another Swansea boy, wrote those words a long time ago. I borrowed the phrase Broken Ghosts for the title of my second poetry book (Fredericton: Goose Lane, 1986) and I am proud of the links forged between Swansea and Island View, Wales and Canada, an earlier poetic generation and my own presence here among these trees covered as they are by winter’s falling snow.

Light is so important, especially here in winter’s dark where the nights are long. The sun’s warmth through the window, the distortion of light through glass and water, the presence of flowers amid the winter’s alternate brightness and gloom. Brightness of sunlight on flowers and of moonlight shifting across garden snow, cratered by the hoof marks of deer into a lunar landscape of shifting shadows.

Sometimes the ageing heart wallows in gloom. Those bedside shadows take on forbidding shapes and Goya’s nightmarish figures rise out of the pinturas negras, the black paintings from the Quinta del Sordo, to walk again around my room. On nights like these, scarecrows arise from my past and their twigged fingers scratch at my face. They threaten with carrot noses and coal black eyes. They stump their thumping dance steps and send shivers coursing through my veins.

https://www.theguardian.com/artanddesign/2019/jan/30/goya-black-paintings-prado-madrid-bicentennial-exhibition

“What is it?” I ask. “What do you want?” But though their mouths open and lips, teeth, and tongue flap into idle movement, no words emerge and I am left, a broken ghost, floundering in an internal sea, not of light, but of darkness. Downstairs I go, pursued by the clump of snowy feet, to sit at my desk and walk my fingers across the keys in search of comfort. I find it in these photos: sunshine on flowers, a light to lighten and enlighten the darkness stalking through my mind.

Warmth and light: together they will dispel this frosty spell that freezes my brain and will not let me close my eyes and go back to sleep.

Birthdays

Birthdays

Birthdays blithely march on, virtually unstoppable, goose-stepping through our lives. Milestones, they are markers that measure the maps of our lives, engravers that carve another notch into our lives. And as we get older, each birthday brings, as its gift, not just another candle on the cake, but another ache, another pain, arthritis in a different joint, another reason to limp and walk with a stick, a decaying tooth, a filling that falls out, a few less hairs round that developing bald spot, a lessened desire to go out in the cold and dig that snow.

Snow: this year, it snowed on my birthday. Then when my friend’s birthday came round a few days later, it rained. My birthday was cold (-16 C). His was hot +7 C with 71 mms of rain and a flooded basement from which he had to remove his carpet. Then came the flash freeze and the mercury dropped to -17 C overnight. Birthday presents, birthday gifts, an accumulation of ailments and ills, of sorrow and woes, but among all this, the occasional revelation that makes everything worth living for. This year it was a Swarovski crystal pen that sparkles in the sun and brings a smile to my face and warmth to my heart. Then there came a lottery win, a whole $10.00, not much money, but a sign of good luck, and “loads better than a kick in the rear end from a duck in yellow gumboots standing on a brick”, as one of my good friends used to tell me.

Language: now that is also a gift. And how it changes from place to place. Knowing that I should be speaking French, not English, I spoke to my French friends in Spanish, with the occasional word of Welsh thrown in. At least it wasn’t English. Knowing I must console my Hispanic friend in Spanish, I wrote to him in French, a local dialect of chiac in fact. Well, at least it wasn’t English, and I only used two words of Welsh, wara teg: fair play. Old age plays such tricks on us. Just before my grandfather passed, he forgot all his English and spoke to us in Welsh and Italian. I guess he picked the latter up in WWI when he was stationed in Italy. He certainly was a fair hand at Italian opera and knew many of the most famous arias by heart.

So what does the next birthday mean and what does it bring? I look at Brexit, at Venezuela, at the United States, at the newly fledged and sadly reignited language dispute here in New Brunswick, and I am reminded of the coal man with his sack of coal and: “cobbledy-cobbledy, down the hole”. Or cobbledy-cobbledy into our Christmas stocking with those shining black nuggets. Or cobbledy-cobbledy into our next birthday parcel. Alas, as age increases, there is nowhere to run to and nowhere to hide. Inside the bed, perhaps, with the teddy bears, and the blankets pulled up over our heads? Inside a large brown paper bag, as the Goons on the BBC’s Goon Show would respectfully suggest? Under the bed, like the lunatic who is a little potty?

Hopefully, those next birthday presents will include a sense of humor, so we can laugh at our troubles and smile at our woes. It may contain a sense of second sight, so we can see the silver linings to all those seemingly black clouds. Or maybe just a transplanted backbone and the ability to stand up straight and withstand the slings and arrows of outrageous fortune. Or, there again, a large umbrella under which we can shelter from the rainstorms of life. Whatever: I wish us all well, all we who populate this world and love it and want to change it for the better for all, and not with the spider-webs of deceit that proclaim self-glory, self-profit, and reveal a renewed sense of privileged power filled with a glow of self-worth and temporal false glory.

Sleepless in Island View

Sleepless in Island View

I thought nothing could be worse than my current financial situation, until I saw the government shut down in the States and realized how little some very special people earned per month. It’s hard to believe that a hard-hearted government deprived them of even that basic amount for five weeks. I still can’t understand the callous remarks and harsh words of the billionaires who determined that scenario of horror and scandal. “I can’t see why they are using food banks.” “For those on furlough, it’s just one big vacation with pay at the end of it.” “They don’t have to worry, they’ll get their money back.”

My own financial situation is very different. I am on a fixed retirement income that is much, much less than what I used to earn, but sufficient to keep me alive and well. No, I cannot afford Caribbean Cruises. Nor can I have long term winter stays in sunny climes, Mexico or Arizona, or some sultry-sunny palm-tree graced island set among golden sands in a ring of sapphire sea. Summer vacations are out and I haven’t taken a plane for five years or a summer vacation for four. More, as the stock exchange wobbles, my savings decrease. As my savings grow less, the price of food rises higher and our heating bills soar. As the cost of living rises higher, I have more difficulty making my income stretch to the end of each month. Inflation doesn’t help: prices go up, but my income stays the same or steadily diminishes. There is no way, short of winning the lottery, that I can replenish it. And yet still I am blessed, for I have reasonable health, food on the table, and enough (according to my financial adviser) to survive for a little while yet.

Sometimes I wake at night and cannot get back to sleep. Shadows visit me and bad dreams stretch just out of reach of my fingers. So many things might go wrong. So much is out of my control. So many people, friends, relations, colleagues, acquaintances are hurting in so many ways. I work with friends who are suffering with cancer. I stand by friends who are going through the pangs of divorce and separation. I witness the suffering of the survivor in long term marriages when one of the partners fails. These things gnaw away at the central roots of my being. What if …? I say and the shadows gather closer, chattering like sparrows and cawing like rooks and ravens.

Fear: so easy to sow, so hard to put the seeds back into the bag, especially when they have rooted.

I am lucky. I sleep with two Teddy Bears. One, the small one, bears the name of Ted. The other is called Hairy Fred. Ted is an old battered bear. He traveled with me when I used to travel and is a well-bred voyager. Hairy Fred is a more recent acquisition. A lady made him from an old fur coat and yes, he is very hairy. Ted wears a flashlight in his one ear and a clothes peg in the other. Don’t ask: don’t tell. When the night grows dark and a waning gibbous moon sweeps stars from the sky, these two teddies bring warmth and comfort. Beside my bed, Paddington Bear stands on guard. He can stay there. I am not having him in bed with his yellow Wellingtons and his Duffle coat. Besides which he is a rather hard teddy and not a soft one. Blueberry, Rose, and Pierre Bear sit on the cabinet. waiting their turn. When it gets cold and the north wind howls like a wanton wolf, one of them will get the invite and then we’ll have the perfect Three Bear or Four Bear or Five Bear Night. Until then, I may continue sleepless, in Island View.

Academic Circles

Academic Circles

A response to my friend who responded to an academic committee’s negative response with a response of his own only to receive from the committee another negative response to which he wants my advice on responding aka “the reason of the unreason with which my reason is afflicted so weakens my reason that with reason I murmur at your unreason.”

Academic committees are keepers of the gates of universal knowledge. Knowledge is defined as (a) that which the committee will allow to pass those gates and (b) that which passes from the prof’s notes to the student’s notes without going through anyone’s head.
If nature abhors a vacuum, academia abhors creativity.
Creativity in academia is that which creatively follows the rules of academia while adhering to them with the utmost strictness.
Academia teaches young people to think outside the box by creating creatively bigger boxes inside which they can think.
Academia has solved the ancient problem of squaring the circle by thinking in circles and creating bigger, better boxes.
Academia places its adherents, known as professors, in square boxes that are often called offices. In a zoo, they would be called cages and we know what they are called in prisons.
Academia promotes its most successful adherents moving them into bigger boxes. Bottom level adherents are herded together in one small box, usually windowless. Top adherents are sometimes allowed an individual box sometimes with a window out of which they can see the world passing them by, if they have time to look out.
Academia resolves everything by means of committees.
Academia believes strongly in Freedom of Speech, with responsibility. That’s why Academia draws up committees to which their adherents are deemed to be responsible.
Academia believes strongly in Academic Freedom, with accountability. That’s why Academia draws up committees to which its adherents are accountable.
Academia believes in Creativity. Creativity is defined as (a) the ability to obey the rulings of committees while sticking to the letter of the law promulgated by those committees and (b) as the ability to creatively build, according to committee design and regulations, bigger and better boxes.
Academia does not understand, permit, or encourage mirth, and humor is banned.

Welcome to the Ivory Office Block (once upon a time called the Ivory Tower). Above are the twelve most important Laws of Academia. Disobey them at your peril. For more guidance on The Perils of Academia follow this link Thinking Outside the Box.

Mini-Mums

Permit me to introduce you to my two Mexican mini-mums, in the market square in Oaxaca, with their mini-mums. They sell them at minimum price, a giveaway for tourists who arrive with the all-powerful dollar and yell and holler about how this year’s prices are so much higher than last year’s prices. The flower girls giggle and smile. They have heard it all before. They know where each of the prospective purchasers comes from. They now how they walk, talk, slur their words, cajole, bully, and offer absurd amounts of money, either much too much or much too little. Those tourists: they seem to know the price of everything and the value of nothing. Meanwhile, in spit of appearances to the contrary, the cakes are on sale and the flowers are on sale, but the flower girls, Mano y Petate, and no, those are not their names, those things are definitely not for sale. “Everything,” the tourists say, “has its price.” True, perhaps, in some circumstances. But people are not things and it’s brutally cruel to put a price on people. Occasionally, a tourist will recognize these girls. They are the ones who decorate the altar in the main cathedral in the square. They have also been known to sing, in Spanish, Latin, and Mixtec, along with their mother, before the high altar in Santo Domingo. Santo Domingo, the church with more than six tons of gold and gold leaf layered throughout its magnificence, a true treasure of humanity and an internationally protected building. Once, though, a long time ago, God’s Dogs, as the Dominicans were then called, ran baying through the Valley of Oaxaca, gathering workers with promises of heaven and visions of paradise. The work, they said, was the Lord’s and the Lord wanted them, the people of the Valley of Oaxaca, to build this temple in his name. And here they would stay, under lock and key, until the Lord’s work was done. El Cristo de la Columna: Christ tied to the pillar, stripped to the waist, and flogged. This symbol stands in every church in Oaxaca, and all the People of the Valley of Oaxaca knows exactly what it means, fr it is the punishment meted out to those very people if they do not work hard enough, long enough, fast enough, at their vision of heaven, their taste of paradise, this building of the Church of a Lord who is not even theirs. The tourists marvel at the church, the gold, the paintings, the statues. They praise the mother and her children singing at the high altar: “what beautiful children, what beautiful voices.” But they know nothing about the blood, and the sweat, and the tears that went into the temple’s building.

Dickhead of the Year

Dickheads of the World: Unite

So the nominations for official Dickhead of the Year are now open. You are all invited to nominate your favorite Dickhead and, if you choose, to write a brief encomium on the D-H of your choice. Brief: about 50 words should suffice.

I was going to leave this post until April the First, April Fool’ Day, aka Jour des Poissons d’avril in bilingual New Brunswick. I may reserve my own nomination for my cat, Princess Squiffy, who again vomited on my favorite chair. Luckily, I was not in it at the time.

It will be interesting to see whom you nominate and why. I have a couple of other nominations, but I’ll save them for a day or two. Perhaps the dog who urinated on my snow man and caused its base to melt, hence toppling it over. Then there’s the raccoon which ate all the birdseed in the feeder so the deer couldn’t have any. Or maybe the deer who ate all the birdseed in the feeder and didn’t leave any for the birds. Then there’s the midnight deer-dancing group who left their dance steps in the snow all over my lawn. And there’s the snowman who didn’t believe in global warming … nor spring warming … alas, he’s nowhere to be seen nowadays.

Other candidates include the pigeons who decorated the head of the famous man in the square (with guano). And the man who remembered everything, except his own name, address, and telephone number. The lady who lost her car in a snowdrift gets an honorable mention, as does the American tourist who was so addicted to the accuracy of his GPS that he drove right down the slipway into the sea at Tenby, South Wales, and still didn’t think the GPS had any problems when he did exactly the same thing down the lifeboat ramp on the Mumbles Pier (Swansea, South Wales).

A word too in retrospect for all those drivers, especially in the UK, who suffer from Real Red Road Rage, the strongest kind. And a double word (you clown!) for the driver who, while suffering from Real Red Road Rage, stopped his car, got out, and tried to start a boxing match with the then world welter-weight champion who just happened o be driving the car that gave the man the RRRR.

“It wasn’t a very long fight, Howard.”

Sometimes

Sometimes an image comes to us, out of nowhere, and we struggle to put it into words. Or else it comes as words, and we strive to put it into color and shape. And what if it is the scent of grass, or of apples, or of fresh cut hay? Mushrooms frying are so symbolic. I think of Frodo in Lord of the Rings. Nobody can recreate for me the smell of fresh laverbread, barra lawr, Welsh caviar, according to Richard Burton. And don’t talk about the Penclawdd cockle women, ever-present with the laverbread in the Swansea market I knew as a child.

Names float through my mind: the butcher, the baker, the candle-stick maker, the man who wanted me to become a professional boxer, the man who wanted me to article with him to become an accountant, the day I wanted to leave school to article to be a lawyer. Were they just dreams? Or were they colored balloons, floated into the atmosphere, with multiple strings attached? And what does it matter now, forty, fifty, sixty years later, when life has been lived, and all those pasts have been condensed into a single tune, that recalls what I was then, what I am now, what I did, and all of it music played on a squeeze-box accordeon by a man who knew everything about me, past and present, and made his knowledge of my life his PhD thesis, dry, dusty, and so academic and biased, and yet his gateway to eternity’s Hall of Fame.

The little lady who lives above us looks on. Does she judge us or just take all that knowledge in and retain a rigid silence? Who knows? Who’ll ever know? And what about us? Are we just corporal ships sailing through a sea of silence surrounded by who knows what reefs and perils? And deep down, does it really matter, any of it? And anyway, who cares?

Today I met a former colleague. She scowled at me and lisped my name. I gave her a two-fingered flick of acknowledgement and turned away without speaking. What did I matter to her or her to me? Did the ice she used to store in her knickers actually melt when she saw me? Did she know me for who and what I am? Do I, did I, give a damn? How many fingers do you see, I wondered? Five? Three? One? And what does that one finger mean, standing out like a lighthouse on a lonely headland above a dangerous reef?

My Madonna of Grief, wrapped in her shawl of uncertainty, drifts through a cloud of unknowing and doesn’t give a damn, one way or another. My Lady of the Discalced Carmelites plods on through rain and snow, feet soaked or frozen, love and warmth in her heart, her foundations ever before her, her soul ghosting above the stupendous stupidities of this stultifying life.

Oh to fly with the angels, to float above the fog and fury of our daily lives, to rise and grasp the meaning of stars, planets, constellations, to hear the eternal music that binds the universe, to become one with the music of the spheres and their song of songs.

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