Chronotopos

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Kingsbrae 13.1
13  June 2017

Chronotopos

plant a plant
deep its roots
rooted in fine soil
potting soil in a pot
firm the fingers
the spot well-chosen
in a flower bed
in a pattern
in an empty space
in a growing garden
within a larger garden
in an old estate
in a small town by the sea

Russian doll puzzle
garden after garden

(one a secret
with its birds and voices
lost in the hedgerow
and the echoes
of secret meetings
watched only by the guardian
the robin that watches)

planted and replanted
unfolding flowers
in a sunshine world
in a state of grace
hope and handicraft
hand in hand
with faith and belief
and everything planned
to take advantage
of this time and this space

these words so simple
these thoughts so complex

Comment: I began this poem on  10 March 2017. It formed part of my initial poetry sequence with Kingsbrae unseen, save for videos and photos of the gardens and their history, viewed on the Kingsbrae website. As I have grown into the KIRA experience, or perhaps I should write ‘as the Kingsbrae experience has blossomed within me’, so I have found these words prophetic, yet strangely inadequate, in the way all words are inadequate when tides flow, days flourish, and ideas blossom, sometimes in that formless world between sleep and dream where reality is something for which the writer reaches out but finds it is beyond the fingertips and just out of reach. As my Judo instructor told me, a long time ago:

“The more you strive,
you cannot reach it.
The hand cannot grasp it,
nor the mind exceed it.
When you no longer seek it,
it is with you.”

Seagull

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Kingsbrae 12.4
12 June 2017

Seagull

Seagull on the wind
wing tip tilted
for maximum lift

Wheeling up and away
the gull-wing sway of him
climbing his celestial staircase
in a rush of blue air

Light his flight steps
danced to wind music
played over beach and wave

Watch him wave good-bye
with a waggle of his wings
and a well-judged flick
his sea gull tail painting
neat brush strokes

Comment: Looking through my notebook, I saw the original of this poem, scribbled while I sat in the car, waiting for my friend. I re-read it and admired its simplicity. So I copied it here. The earlier poem I wrote, with the same title, Seagull, is more worked and much more elaborate. You can find it here. I would be interested to know which of the two versions you prefer. A second question: can they both stand as separate poems, even though they overlap in their inspiration and imagery? Let me know what you think.

Dawn

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Kingsbrae 12.1
12 June 2017

Dawn

… early morning sunshine
creepy-crawly spider leg rays
climbing over window and wall
my bed-nest alive to light
not night’s star twinkle
but the sun’s egg breaking
its golden yolk
gilding sheet and pillow
billowing day dreams
through my still sleepy head …

… the word feast festering
gathering its inner glimpses
interior life of wind and wave
the elements laid out before us
our banquet of festivities
white the table cloth
golden the woodwork’s glow
mind and matter polished
and the sun show shimmering
its morning glory on garden and porch …

Giving Back

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Kingsbrae 11.4
11 June 2017

Giving Back

In the beginning was the wind,
and the wind created waves,
whitecaps on wild waters
with sunlight dancing a tiptoe
hornpipe, heel and toe, landwards
towards the headland where the
lighthouse grows from rough and
ready rock, its light cast on water
and returned fourfold in the yellow
moon path, step after stepping stone,
golden from sea to gardens with
their marigold path leading to
house and home and the banquet
spread before them, so solemn the altar,
this day of all days, when we celebrate
our lost and loved ones with bread
cast, like light, out upon the waters
and tenfold always our love returned.

Sea Gull

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Kingsbrae 11.3
11 June 2017

Seagull

… slipping sideways on the wind,
wing tip tilted for maximum lift,
wheeling up and away, magnificent
his movement, the gull-wing sway
as he climbs his celestial staircase,
that blue vault, high in the sky,
upwards, in a rush of indigo air
brushing his black back, fine
his feathers and broad and firm,
cousin to the distant dinosaurs,
those hollow bird bones, built
to bear their enormous bulk,
yet light his flight steps, this cloud
ballerina, treading on tipped wings,
dancing to sky music, white
bones herded by the wind, crisp
their notes, across cerulean pastures,
the wind whistle sharp over bay
and beach, oh watch the gull go
with a waggle of his wings,
a butt of his red-ringed beak
and his bird-tail tagging …

Fête / Fate

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Fête / Fate

Clowns are clowning,
playing up to the crowds.
The stilt walker in his top hat
climbs up to the clouds.
The man on the unicycle
tips his hat, winks his eye
at all the little girls
as they pass him by,
one on a white horse,
one with a teddy bear,
and one who’s invisible
and is no longer there.

 The tight-tope walker
walks his plank
trying not to fall
on wondering,
upturned faces
and open eyes
that watch it all.

The seals do their sea-side thing,
balls balanced on their noses,
tossing beach balls upwards
to the little girl who poses,
then juggles them so cleverly
while the clowns start to sing.

The magician conjures rabbits
and covers them with flowers.
Everyone is happy, though they’ve
been sitting still for hours.

On the trapeze, a little slip:
the artiste falls through the air.
She doesn’t have a safety net.
The silent crowds just stare
at her body twitching there:
yellow sawdust, golden hair.

Comment: This poem was written in Kingsbrae, but I don’t think it will be part of the Kingsbrae Sequence. I wrote it this morning after reading in the online Guardian about the developments circling around Brexit in the wake of the recent UK election and Naomi Klein’s article, also in the Guardian, on The Shock Doctrine. Life is indeed like a circus, as the old song says, but we’re in grave danger of falling off the trapeze.

Dawn

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Kingsbrae 11.1
11 June 2017

Dawn

Early morning sunshine
creepy-crawly its spider
-limb rays, as it climbs
over window and wall

My bed nest alive to light
not moonlight nor
night’s star twinkle but
the sun’s egg breaking
its golden yolk gilding
sheet and pillow as day
-dreams cast flickering
shadows black and white
on the cave wall screens
lining my still sleepy head

Painting

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Kingsbrae 10.4
10 June 2017

Painting
for
Geoff Slater

I took a line for a walk.
It was
as disobedient as
an untrained puppy on a leash,
as crazy as a kite
in a wind-filled sky,
as joyful as
a schoolboy when they cancel school,
as easy as
pie when the R is squared.

The dog walks round in circles,
gets my legs caught in his leash.
The kite, all twisted strings,
comes tumbling down a ladder of sky.
The apple pie is a pulled-up sheet,
folded double, and I am a child again,
trapped in my boarding school bed.

“Color me now,” my painting cries
and I fill the spaces between the lines:
blue for happiness, blue for hope;
yellow for the lion mane of the sun;
red for the redbreast;
brown for the worm;
and green for schoolboy freedom
at the end of term.

Journal: I had the great pleasure of working with Geoff Slater this afternoon. He sat me down at his painting table, alongside all the children, and gave me a palette, brushes, water, cleaning paper, and a rainbow of paint. Then he placed an easel and a canvas before me and put an apron on me to protect me from the paint. “Go for it,” he said. I looked at a field of white … and I remembered … “Drawing is taking a line for a walk” … so I drew a line, first a beak, and then a head and an eye, then I added wings, and legs … it was wonderful. The children were laughing with me and I was slapping the paint around with great delight. “Let me see, let me see,” they cried. And then, when they saw it: “What is it?” It was even more fun when I started to fill the spaces between the lines. This is, or was, the first time I have ever placed paint upon a canvas. In my old age, I have started to paint. “Is it a worm or a fish?” they asked. “Is the bird going to eat it?” “Is the bird spitting it out?” Such curiosity … and even I didn’t know the answers. “What’s the bird’s name?” asked one little girl. “Eagle-eye,” said the other. “And the worm’s called Squirmy,” added a third. “Are they talking?” another chimed in. “Yes,” I said. “I think they’re friends and they’re having a chat.” What fun. We left the painting out in the sun to dry … and now I don’t know where it’s gone. Let me know if you see it, anyone.

Therapy Garden

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Kingsbrae 10.3
10 June 2017

Therapy Garden

Sitting, absent-minded, empty,
waiting for the sunlight to heal
my old bones and fill my fragile form
with light so that I may shine,
a lighthouse on the land,
light pouring out from me,
light enough to enlighten
the unenlightened
in their soul’s dark endless
night, no moon, no stars,
and me, walking unafraid,
knowing I need fear nothing,
even in terminal darkness,
for my body now overflows
with therapeutic light
that floats its boat on an inner
sea of tranquility.

Journal: Wandering the gardens on a warm sunny day, just taking in the fresh air and the sunshine. I stopped in the tranquility Garden and sat  a bench in the shade and wrote these words. They again very “raw” and I may well revisit them. Comments gratefully accepted.

Mist

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Kingsbrae 10.2
10 June 2017

Mist

Tisty-tosty ,
this morning mist,
white wisps
blindfolding bushes,
draping our world
with silent birds.

Eyes out of focus,
we squint
at shape and form,
mystery in the magic
of movement,
the air a-shimmer,
spider webs glistening.

Long lost sailors
return from distant seas,
dead warriors wake,
our ancestors walk
backwards in time
to greet us
in this mythical
dreamland that swathes
our senses,
wrapping us
in the mystery of mist.

Pan pipes:
a melancholy melody ,
memories
moving among the reeds.