Somnambulant Flash Fiction

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Somnambulant
Bistro 25

Tommy has started to sleepwalk. Not that he really walks in his sleep, but when he gets up in the night to go pee he no longer wakes up completely. They told him it would be like this, the going pee. “Every hour or so,” they said, “probably in time with your emergence from deep sleep.” They were right about that, but they never told Tommy about the sleepwalking.

“It’s the injections make you pee,” they said. “But you’ll get better when the effects wear off, in about eighteen months time.” Well, it’s been a year now, and Tommy still goes pee every ninety minutes, as regular as clockwork. He’d say as regular as a train, but the trains he knew never went anywhere on time and Tommy can set his watch by his middle of the night aquatic meanderings.

It’s funny really. If he wakes up properly, there’s no problem. But if he’s only half awake, then who knows where the pee’s going. Sometimes he wets his pajamas, just pees on them, half-asleep. There’s nothing like warm urine rapidly cooling in the cold night air to shake Tommy from his dormant state. When that happens, he takes his pajama bottoms off and hangs them on the bathroom door. They are often dry again a pee or two later and then he can put them back on.

Tommy tries not to turn on the light, because it wakes his wife and she needs her sleep even more than Tommy does. His wife has started to become used to Tommy’s schedule and about four o’clock, every morning, they both wake up and pee together. On April the First, last year, Tommy wrote a poem about it.

April Fools

When we were young
we used to wake up
at night and
come
together.

Now we are old,
we wake up
at night and
go
together.

            It’s quite funny, really. Tommy and his wife now use separate bathrooms. Tommy uses the en suite while his wife walks down the corridor to the guest’s bathroom. Tommy remembers to raise the seat by repeating to himself: “Gentlemen raise the seat” like they used to say in the old railway trains back in the UK. Tommy has come to think of it as a definition: “Gentlemen raise the seat.” Sometimes, though, he thinks of it as a sort of toast: “Gentlemen: raise the seat.” It all depends on the punctuation and the intonation, and Tommy can never say it quite like they did on Beyond the Fringe. At Tommy’s age so much depends on so many things.

Tommy wishes he knew what the direction of his pee depended on: it seems to have a life of its own. While he usually remembers to raise the seat, he sometimes forgets and then of course he does his best to wipe the seat clean and dry. He’s usually pretty good at it, but it’s difficult to be certain in the dark. He found the high-pitched shriek that followed when his wife’s warm cheeks hit the cold wetness very disturbing, especially when attached to a roar of anguish turning rapidly into rage. They never said anything in the hospital about that either, but that’s the real reason why Tommy and his wife now use separate bathrooms.

And he’s started sleeping with his teddy bear in his arms. Teddy’s very good for Tommy. Tommy clings on to Teddy and Teddy never complains if Tommy wakes him when he gets out of bed to go pee. Teddy doesn’t complain about the night sweats either. Oh yes, they told Tommy about those in the hospital, too. Every time Tommy gets out of bed and goes into the cold night air, he starts to sweat. When he gets back into bed, Teddy is nice and warm, like a hot water bottle. Tommy gives Teddy a squeeze and a cuddle and Teddy never wakes up and never complains.

Tommy likes Teddy

Though Lovers Be Lost 4-7 /7

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“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

Though Lovers Be Lost
4-7 /7

4

Who carved my future
in each sliver of bone?

A scratch of the iron pen
jerks the puppet’s limbs
into prophesied motion.

Who mapped in runes
the ruins of this heart?

Above me,
a rag tag patch of cloud
drifts here and there,
shifting constantly;

like this body of water,
this flesh and blood
ship in which I sail.

5

Eye of the peacock,
can you touch
what I see when
I close my eyelids
down for the night?

Black rock of the midnight
sun, rolled up the sky,
when will you release me
from my daily bondage?

 Last night, the planet
quivered beneath my body
and I felt each footfall
of a transient god.

6

Thunder knocks
on the door of my dream
and I am afraid.

I no longer know my way
through night’s dark wood.

Who bore her body
out in that rush of rain?

Could she still sense
the sigh of wet grass?

 Could she still hear
the damp leaves whisper?

7

A finger of fog
trickles
a forgotten face
down the window.

The power of water,
of fire, of frost;
of wind, rain, snow,
and ice.

Night’s incoming tide:
stark waters.

Rising.

 

Though Lovers Be Lost 1-3 /7

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“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

Though Lovers Be Lost
1-3 /7

 1

Once,
you were a river,
flowing silver
beneath the moon.

 High tide
in the salt marsh:
your body filled
with shadow and light.

I dipped my hands
in dappled water.

2

Eagle with a shattered wing,
my heart batters
against bars of white bone.

Or am I a killdeer,
trailing broken-
winged promises
for a forgotten
god to snatch?

Gulls float downstream.
They ride a nightmare
of half-remembered ice.

Trapped in my cage of flame,
I turn my feathers to the sun.

 3

Awake,
I lie anchored by
what pale visions of moths
fluttering on the horizon?

A sail
flaps canvas wings
speeding me on my way
backwards into night.

 A feathered shadow
ghosts
fingers over my face.

 Night’s butterflies
stutter against
shuttered windows.

 Strange hands
reach out to grasp me
and once more I’m
afraid of the dark.

 

 

Suite Ste. Luce 11-14 /14

 

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“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

Suite Ste. Luce
11-14 / 14

11

The beach compacts
smaller and smaller.

The tide jostles
sand pipers
into a dwindling world:

this shrinking pocket
handkerchief
of sand.

12

Happy the kite’s face
with its child
dangling far below.

Kite bounces up and down
on a tight-rope of air.

Below it, the child
walking the beach,
nose to the wind,
obedience on a leash.

The kite wags
its long, bright tail.

13

When the mist thickens,
it closes a window in the sky.

The church on the headland
steps plainly into sight,
and fades again.

The old man wraps himself
in a cloak of rain.

Suddenly, the sun
drapes itself,
a golden sou’wester,
over his head.

14

Summer lies abandoned
under rain-soaked umbrellas.

Red bucket, bright blue spade.

Childhood,
cast away:
a pair of sandals
on this cold, damp sand.

Suite Ste. Luce 5-10 /14

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“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

Suite Ste. Luce
5-10 / 14

5

Early morning mist:

a shadow heron
clacks its beak
at a ring of mobbing gulls.

6

When the mist clears,
heron draws
his neck into a bow
and fires
the arrow of his beak
into a fish.

The gulls run wild,
clawing up the sky
on a ladder of sound.

7

Seagull:

a coat-hanger, hanging from
a blue sky-rail,

white wings braced
against the flow of air.

8

Herring gulls hovering,
white doves
round the old man’s head;

a halo
of clacking red-ringed beaks
livid against the sky.

Brazen voiced,
these peace doves,
mewling for their daily bread.

9

Black
cormorants pinning
their wings to dry
on the wind’s
rough cross-beams.

10

The dead crab,
alive an eye blink ago:

 body exit left
(with the black backed gull)

legs exeunt right
(with herring gull attendants).

Crowd scene:
a chorus
of crows-in-waiting.

 

 

Suite Ste. Luce 1-4 /14

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“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

Suite Ste. Luce
1-4 / 14

 1

Black backed gulls,
nature’s alarm clocks,
waking the seaside
with their glaucous rattle.

High tide? Low tide?
We have drifted on our life raft
far from the grasping hands
of city clocks.

Gulls breakfast on the beach.
Day’s rhythm all at sea.

 2

6 am? 7 am? 8 am?
What do they mean?

The planet’s slow revolution?
This sun arc sketched in its stretch of sky?

Salt spray combing seaside fingers
through a young girl’s hair.

A man in a red boat, fishing.

3

Bare toes grip
damp wrinkled sand.

 Worms have written
runes in their arcane
wriggling script.

What do they tell us,
these secret messages?

Sunburned now,
the bare beach itches:
like tanned leather,
like salt on a fish skin
nailed drying to a frame.

4

The salt air drives its freshness,
needles knitting through my chest.

Slowed heartbeat of the dormant beach,
the tide’s blood flowing,
in and out,
inflating, deflating
the beach’s sandy lung.

 

 

House of Dreams 4-6 /6

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

House of Dreams
4-6 /6

4

Pressed between
the pages of my dream:

a lingering scent;

the death of last
year’s delphiniums;

 the tall tree
toppled in the yard;

 a crab apple
breaking into flower;

a shard of grass
as brittle
as a bitter tongue
at winter’s
end.

5

A leaf lies down
in a broken
corner
and fills me
with sudden silence.

I revise
our scrimshaw history
carving fresh tales:
ivory runes on new
found bones.

6

A vixen
hunts for my heart.

She digs deep
at midnight

unearthing
the dry teeth
you buried
from my borrowed
head.

House of Dreams 1-3 /6

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

 House of Dreams 1-3 /6

1

The clematis unfolds
bruised purple on the porch.

Jazz piano:
beneath the black
and white hammers
of ivory keys,
old wounds crack open.

A flight of feathered notes:
this dead heart
sacrificed on the lawn.

I wash fresh stains
from my fingers
with the garden hose.

2

The evening stretches out
a shadow hand.

I feel my heart
squeezed like an orange
by long, dark fingers.

Somewhere,
the white throat
trills its guillotine
of vertical notes.

I flap my hands in the air.

They float there,
white butterflies,
amputated
in sunlight’s
net.

3

The light fails fast,
I hold up shorn stumps
flowers for the night
wind to heal.

The pale magnolia
bleeds into summer.

White petals
melt on the lawn:
early snow.

Sparrow sings
an afterlife
built of spring
branches.

 

 

Monet at Giverny 13-16 /16

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

Monet at Giverny
13-16 /16

13

fish aloft like birds
skimming wet sunshine

spring’s first swallow
rising from the depths
to snatch a golden note
quivering in the air

14

thunder raises dark ripples

lightning a forked tongue
insinuated into paradise

an apple tossed away
caution thrown over the shoulder
as sharp as salt

15

winds of change

that first bite
too bitter to remember

 16

timeless this tide
this ebb and flow

oh great pond-serpent

biting yourself

forever

 

Monet at Giverny 9-12 / 16

“Though lovers be lost, love shall not;
and Death shall have no Dominion.”
Dylan Thomas 

Monet at Giverny
9-12 /16

9

the lady of the lake
holding out her hand
handing him an apple
l’offrande du coeur
a scarlet heart of flame

 monochromatic this island
brown earth in a crimson lake
the world reborn in tulips

10

especially
when the dying sun
molten fire spreading
its limpid light

sky brimming over into pond
trapped in low clouds
a slash of colour here
and there a tree
a fountain of gold

 the sun an apple
blushing
on a setting branch

11

silver-white the money plant
moonlight between fine-tuned fingers
its rattle of seeds

blunt the moon’s bite
raked from water
gaunt its gesture
matched ripples
face to face
with the moon

12

upside down these clouds
bright in their winter boats

the night wind blows
clean dry bones
across the sky