Predicting My Death 1

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Three Poems Predicting My Death before Yours

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I cannot always talk to you. There are so many barriers.
The hoovering, the cleaning, cooking the daily meals.
When we go to bed, you are tired, I’ve had too much to drink.
We know our routine answers off by heart. There’s never any time

for each other. House work, gymnastics, paying the bills,
even housekeeping on the computer: they all take time.
Time, time: so little of it left. I can feel death’s seeds
rooting in heart and chest. Premonitions: so little time.

Comment:

Rummaging in the dusty memories that line my bookshelves, I rediscovered a sequence of love poems I wrote for Clare, 25 years ago, in 1991. This is the second in the sequence. A Golden Oldie, it grips today even more than it did back then. I am growing old. The insurance company’s statistics tell me that soon, all too soon, I will join those statistics and become another black number on a white page. According to those statistics, Clare will survive me, but we don’t know by how much.

How do we prepare ourselves for such things? Our society, a society that sees violent death every day on the road, on the street, on television, backs away from death. We don’t face it, not in the same way they do in Oaxaca, for example, where it is celebrated once a year on the Day of the Dead. Homes are lit up. The dead ones favorite food is prepared. Little altars are illuminated by candles. Photos appear. Do the dead return to their homes to join in the celebrations? Sometimes, I guess they do. Certainly the would be made welcome if they did.

Perhaps Francisco de Quevedo, the seventeenth-century Spanish poet who was the subject of my doctoral thesis, was right. “The day I was born, I took my first step on the road to death.” He writes too of “this death that I carry within me, that has walked beside me all my life.” “If death is a law, and not just a punishment,” he writes, “then we must accept it and obey its call.” I guess it’s easier, if you are a Stoic or a Neo-Stoic, to face up to such things.

I once asked my grandfather, a man who survived the trenches of the First World War, if he was worried about dying. He looked at me in silence for a long time. I was very young and we were sitting in the sunshine on the bench by the old Swansea Hospital where he went daily to gossip with his friends. “Roger,” he said. “We are all going to die. We will die if we worry about it. We will die if we don’t. So why worry?”

I certainly don’t want to go. I didn’t want to go twenty-five years ago and I really don’t want to go right now. I have decided to take my grandfather’s advice. I’m not going to worry and I am going to continue to enjoy myself for as long as possible because: “For there are many fine things to be heard and good things to be seen / before we go to Paradise, by way of Kensal Green.”

 

 

Secret Garden

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Secret Garden 1

Being the secret love poems
I write to Clare at midnight
while she is upstairs, asleep.
They make up for the things
I can no longer say because
I am uptight, or under pressure,
or working too hard. Or maybe
because we are quarreling over
something stupid. So these are
some of the seeds I wanted to plant
but never did because I was busy.
They are also the things
that I would like Clare and Becky
to remember me by if I should
suddenly pass away without being
able to say good-bye. My parents
left me nothing but bitterness.
I want my wife and child to have
a garden they can wander through
without my being there, knowing
I have cultivated these thoughts,
at night, sleepless, without them.

Your Voice

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Your Voice
Love poem

Still in the still of the rain
I sense you near.

The room is full
of the scent of emptiness
yet even the silence
turns my head.

The walls expand
to enclose the world.

With gaudy flags
on a colored map
I mark your progress
through my memory,
upwards and inwards
your progress to my heart.

A moth glistens in the circle
cast by my reading light.

Your stealthy footsteps
sound in the corridor.

A voice, your voice,
drifts through the night

Gorilla Drives the Zoo Bus

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Gorilla Drives the Zoo Bus

Gorilla drives the same zoo bus all day, every day,
same starting time, same finishing time, same route, same stops,
different passengers, but all passenger equally faceless.
Gorilla doesn’t want to know their names.

“Please tender the exact fare!”

Not a penny less, not a penny more, and he polices every penny.
Bus conductor and master of every passenger’s destiny,
he opens and shuts the door, letting passengers on and off the bus,
but only at official stops.

Every passenger has a ticket,
and Gorilla punches every ticket with a neat, round hole.
He never makes mistakes.
He grinds, like God’s own mills, exceedingly small.

He has spent all his life in uniform.
He has a belt and braces to hold his trousers up.
He’s always prepared for the worst.

Ten, fifteen, twenty years:
an anonymous wife; anonymous little babies;
at shift’s end, a pension, and another bus.

St. Peter’s at the wheel.
He doesn’t want to know where gorilla wants to go:
he wants to know where he’s been.

Commentary:

This poem follows on from my statement in Structure in the Short Story that “my greatest fear then becomes the gate-keepers, those anonymous figures who sit on shadowy selection committees, place ticks in appropriate boxes, and judge the quality of writing by consensus in committee.”

A long time ago, on holiday in Cardiff, the capital of Wales, we caught the bus from where we lived into the city center. I made a mistake in the name of the stop to which we wanted to travel and the bus driver insisted we got off at the place I had named. He would not let us travel to the stop a little further on to which we wanted to go. It was raining hard and so I told him that, rather than get wet, we would pay the difference in fare, but he said he had no change and insisted we get off the bus. I didn’t have any change either and had only a five pound note, so I gave him that and after a few curses and meaningful looks, he pocketed the money (more than three times the original fare), allowed us to stay on the bus, and took us to our true destination.

I have often thought about the “anonymous, shadowy people” who rule a tiny kingdom and insist, sometimes with the utmost vigor, that everything should be done exactly they way they want it done. There is no room in their lives for creativity, for adventure, for generosity, for a different way of life. More to the point, they seem (many of them, but not all) to enjoy bullying the people over whose lives they have for control for such a small amount of time. Some school teachers I have known fall into this category: utterly miserable people whose sole joy consisted in indoctrinating and dominating their young charges.

I think of them as the gate-keepers. They hold the key to a very small gate through which we all must pass, but their motto is a famous one “no pasarán” — you shall not pass.

Catching Crickets

 

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Catching crickets, caging them, and making them sing

We track them through their courting ceremonies
hunt them down by the noise they make
clutch them tight between anxious fingers

We weave glass jails
sentence them one by one to green imprisonment

At day’s end we ferry them to city apartments
incarcerate them like canaries in their cages
and wait for them to sing

At first they are silent in this strange environment
we feed them with bread dipped in brandy and wine
and sooner or later they sing in their captivity

Now they will not eat
they await the liquor that burns them
into fiery tongues of song

 Our midnights are haunted by their spirituals

Commentary: This is a “Golden Oldie”going back to when we were living in Santander, Spain. When we visited the beach at Noja, we would lunch with our Spanish family and all their children on the grassy headland overlooking the sea. After lunch, the children would hunt for crickets. When they caught one, they would weave a grass jail from blades of grass and place the crickets in there, one by one. Then, when they went home, they would bring the crickets with them and cage them. The crickets usually ‘sang’, but if they didn’t then alcohol was used as a bribe and a persuasion. I told this story in class one day and one of my students, Sheree Fitch, herself an excellent poet and story teller said: “It’s a poem: quick, write it down.” And I did. And here it is. With many thanks to Sheree Fitch.

NB Our cricket, the one they caught for us, wouldn’t sing. Clare and I took it down to the local gardens and released it when nobody was looking.

Power Out-[R]-age

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Power Out-[R]-age

A tree fell across the wires.
Our power went ‘poof’!
No lights. No water. No heat.
We lit a log fire and strove to keep
sub-zero temperatures at bay.

It was as if God had stepped
away from the high altar
and gone out for a coffee
at the local Tim Horton’s
leaving a deserted church
to the mercy of the elements.

Guttering candles surrender
their skimpy lives but scarcely
warm us as more snow falls.

Shadow demons creep in
with the gathering night.
Shivering beneath piled blankets,
we cling together and hope
to keep out the growing cold.

 Warning: Raw Poem

Another raw poem. We lost power at 8:30 am on Wednesday, 30 November and it returned on Friday, 2 December at 2:00 am. 42 hours without power and the temperatures not rising above +2C and dropping to -3 / -5C. No light. No heat. No water. No phone. No internet. I thought of the victorious general who announced to the tune of the bombs bursting behind him on our tv screen that “We bombed them back to the Stone Age.”

Well, here we were sitting in our own miniature stone age and mentally unprepared for the shock of what it all means. What a struggle: to light the fire, to keep it alight (day and night), to keep warm, to prepare hot food over a log fire in an insert fireplace (and us so lucky to have one; some of our neighbors didn’t), and we won’t talk about going to the bathroom! At least, I now what it means to lose power at the start of winter. However, I really don’t understand what it means not only to lose power, but to know that an enemy deliberately and callously stripped that power away.

I tried to put those thoughts into the first version of the poem, but then I took them out as I didn’t want to politicize what is right now a nature poem, pure and simple. The out-[R]-age is there, with or without those other memories and that out-[R]-age comes partly from the knowledge that our civilization, if indeed we can truly claim to be civilized, is indeed skating on very thin ice.

First Snow

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First Snow

Lying in bed
on a snowy morning
with the first flakes
fast falling,
can you follow
the rag-tag-and-bobtail
drift of snow thoughts?

Filled with sparrow, siskin,
chickadee and finch,
the now leafless tree
stands outlined in the yard:
black skeleton,
white wind-drift.

A scarecrow
with many arms,
it braces against
these feathered weights
that settle
like colored snow.

Warning: raw poem.

I rarely let any of my writing out while it is still raw. These words will undoubtedly change, the snow will settle, the birds will fly away, a crow and a blue jay will startle the smaller species, the sun may come out, the wind may get up, and so may I. In addition, the poem, like the birds in the tree may or may not survive. The tree itself chose to surrender to a family of yellow-bellied sap-suckers and they changed into a chess board of small square holes that leaked the tree’s life blood throughout the summer. Perhaps the tree won’t survive. Well, I know it won’t survive for ever, but perhaps its life will be even shorter, curtailed by those ravenous little beaks.

Whatever: I have taken a risk by sharing early, and we will see how you, my readers and fellow bloggers, rise to the bait. Perhaps you will encourage me to place more early verse online. Perhaps not. Hopefully, you’ll click and make some comments: we’ll soon see.

Baby Angel

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Baby Angel

yesterday a baby angel
lay dead beside the road
the trees
caught their breath

the air stood still
a red fox
tore from the woods
a runaway leaf
so quick so silent
a shadow across the road
melting away to hide in the forest

I can still see the occupants of the stricken car
standing with their cell phones in their hands
punching urgent numbers

the mother deer’s dead eyes
gazed at them from inside the windshield
shock had rounded the driver’s snow white
lips into an O for Operator

Thought Police

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Thought Police

Why are they always men,
these blue-clad figures
who wear our dreams like badges
and stare into our eyes,
bright lights behind them,
as they check our numbers
and make us count from one to ten
and up and down again.

Be warned:
you can’t walk in the street
without seeing a curtain
flicker at a window;
unseen lips repeat your words
as they wander,
stray cats and dogs,
from house to house.

Walls have watchful eyes
and lusting ears
that clutch each wayward thought
reporting it to people
who have our best interests at heart,
or so they say.

Don’t look up
but there’s someone
leaning over you,
reading these words right now.

Maritormes

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Merry Tormes

Men of La Mancha

“Carters and peasants
found me soft to the touch.

I’ve had my fill of everything,
save money, youth, power, fame …
yet pleasure brings its own reward.

I never treasured money
more than the sweet caress,
flesh on treasured flesh.

Better a trellised bed
with horsehair blankets
than that bed of sour, dry earth
where I will one day lie.

Come:
let us strike a bargain,
for when midnight strikes
there’s no one prettier than I
for that is the hour of my greatest
power.

Lead me then to where
I can get your full attention.

But keep me far from madmen
who call me outlandish names:
virgin, maiden, sweet and chaste …

 … all foreign to my every intention.”