The Dancer 6,7 /11

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high above us
the ghost of a melody
shaking its head
wringing its hands

we return at last
to light and air
the moon’s vacant face
scowls in an empty field

someone has plucked the stars
one by one
and threaded them like a chain of daisies

now there are no sky flowers
to adorn the night

7

noche de rábanos
someone has taken a knife
and peeled an enormous radish

this cartoon moon face
this full skull hanging from nothing
this lantern lighting from above

now my lover sculpts time
and space
into small chunks

each sacrifice
a jewel between her fingers

I pin to my chest
three small notes
and a skeleton of words

Five deer!

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I glanced out of the bedroom window, and there they were. So silent. “Five deer,” I whispered to Clare.

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We watched as they moved through the trees at the garden’s foot. Step by step, silent, slow, ears pricked, cautious, the little ones up to their bellies in snow.

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They couldn’t see me as I took these pictures, but I am sure their sharp hearing caught the click of the camera. The one on the left is looking right at the spot where I am sitting.

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Sound and movement surround them: the clicking of branches, the whispering wind. They are so careful, so cautious, so suspicious. We look: but we can’t see anyone out there. Certainly we cannot hear the neighbors’ dogs.

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There must be something, there. They start to turn. Will they go back the way they have come?

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No: they continue to the road and we catch a last glimpse of them through thin branches as they prepare to cross the tarmac and vanish into the deeper woods beyond.

Poem from the Cree

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Poem from the Cree

The Cree have retreated from the streets.
Their violinist has taken time out, leaving
his last notes dancing from a street lamp.
Only the Fire-Brave remains, inhaling thick
black oily smoke. He juggles twin balls of fire.

Bones gather together to gather dry dust. Hollow
metal buffalo: a cold wind blew and plucked out
his heart. Five climate controlled pedestrian
walkways cross the prairie, linking building
to building. A glass wheat field shimmers
and tinkles to the rhythm of air conditioning.

The black cow, cast iron hide set free from rust,
ruminates behind its plate glass window.
The night wind whisks white buffalo bones
pale across the sky. Oskana ka asasteki.

With these words, I will leave you, suddenly,
abruptly. A light going out. Now I am here.
Oskana ka asasteki. And now I too am gone.
Comment: Another Golden Oldie, re-discovered. I wrote this in Regina back in the nineties, last century, last millennium … how long ago is that? In our kitchen, an ear of wheat, purchased in the glass wheat field museum, still shelters in its gilded frame, a memento from that trip. So many memories, so many pictures, drifting … just drifting.

Snowy Day

 

Bleak Mid-winter
from
All About Angels

The reverse side of a tapestry this fly-netting,
snow plugging its tiny squares,
clotting with whiteness the loopholes
where snippets of light sneak through.

Black and white this landscape,
its colorless contours a throwback
to earlier days when dark and light
and black and white held sway.

Snow piled on snow.
The bird-feeder buried and buried too
the lamps that can no longer shine
beneath their cloak of snow.

The front porch contemplates a sea of white,
wave after wave cresting whitecaps,
casting a snow coat over trees
with snow-filled nests standing
shoulder-deep in the drifts

while a slow wind whistles
and high and dry in the sky above
the sun is a pale, thin penny
drifting through ragged clouds
that threaten to bring more snow.

Snowy Day
for
Meg Sorick

who misses the snow
and offered to come and dig us out.

1. View from office window with IMac and pencils.

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2. Bird feeders and the mountain ash from kitchen window.

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2a Same scene, two hours later

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2b Same scene, another hour later

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3. Back porch, bird table, and picnic table from living room.

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3b Same scene, two hours later

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4. Cat’s eye view of snow from Princess Squiffy’s vantage point.

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4a Same scene, two hours later

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5. Princess Squiffy turns her back on the snow and seeks an alternate reality

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6. We finished with 63 cms of snow (25 inches), plus drifting of course. Almost shoulder high in places. Other snowfalls in the province ranged from 70-80-90-100 cms. All in all, we were lucky. A wonderful neighbor came and helped us dig / plow ourselves out earlier this evening, and now we can get to the road and our driveway is snow free. Paul: thank you  so very much.

Mice

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Mice

“When the cat’s away, the mice …”
they said, with a knowing wink, but
there was no play and you left me
with an emptiness I couldn’t fill.

It was our daughter’s fourth birthday.
She and I baked a cake, though to tell
the truth, I did little more than watch
and all encouragement from the side
-lines. So competent, she was, I called
her ‘Mother Two’ when she told me to
do all the things she wanted me to do.

Her cake turned out fine. She used
a whole packet of icing sugar, layered
so thick there was more icing than cake.
It was just a bit liquid too, and we could
not be bothered to wait until it cooled.

Drinking hot tea, munching  a slice of
her birthday cake, I sang a line or two
of Happy Birthday and then fell silent
as I wondered what you would be doing.
Later, we fed tiny cake crumbs to the dogs
who sat there, begging, not wanting their
own food, drooling, missing you, just like us,
and all of us waiting for you to come home.

Those Almost Perfect Hands

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Those Almost Perfect Hands

            In my dream, my father’s rough brown hands deal me six cards: 2 3 7 7 8 8. I cast away the 2 & 3. My father cuts a six. After the pegging, my father watches as I score: 15/2, 15/4, 15/6, 15/8, and 2 are 10, and 2 are 12 …

I turn on the mini-flash light that I clip each night to my Teddy Bear’s ear and I check my watch. Three o’clock in the morning: half way through another difficult night.  Do I really I need to get up and pee? I rub my eyes with the backs of my hands. Surely the walk to the bathroom, the cool night air, the movement will be better than lying here, dozing and dreaming. I take the flashlight from Teddy and pin it on to my nightie. Supporting my bad leg with one hand and hanging on to the bottom sheet with the other, I haul myself to a sitting position, legs over the bed. Then I reach for my walking sticks and stump towards the bathroom.

Still half-asleep and wandering in dreamland, I push my left foot forward only to stub the little toe against the cane. A sudden shock of pain wakes me and I stumble forward and jam the middle toe of my right leg against the other stick. This is my bad leg, the one gripped by sciatica, and I swear out loud as a knife blade splits my flesh and sends electric shocks down my leg, through my buttock, and into my spine. Fifteen days now: when will it ever end, this attempting to sleep on my own, these nights of restlessness.

My neighbor has left his garage lights on and they cast wind-blown shadows of dancing trees and waving limbs across the bedroom walls. Hands reach out to grasp me then fade away as more shadows dance and shift. The shadows on the wall remind me of Plato’s Cave: a wonderland of myth and adventure and what if any of it were true? Falsehoods flash their alternative realities and reality and dream clash in my half-awake mind. Crazy patterns continue to trace their waves across the walls. They form and march their silent jack boots, turning them into ballroom pumps that caress unwitting partners in an eternal yin and yang of light and shade.

I look out of the window. Three deer stand in the yard beneath me. They wander through our garden each night, journeying alternately from west to east and from east to west. I think of them as a family of Hobbits, traveling there and back again. Tonight they are headed west, in search of something, somewhere, but I know not what or where. They gather round our bird feeder and the wind chimes clatter as their long black tongues lick out to feed on bird seed. My flashlight beams into the baby deer’s eyes. She snorts a warning to the others and jumps ten feet backwards, turning in mid-air, to land facing away from the house.  The other two deer follow the baby and leave reluctant steps across the snow. So beautiful: I wish I hadn’t frightened them. I wish they didn’t have to go.

In the bathroom, I reach for the analgesic balm to ease my pain. My mind is numb with all those drugs I have been taking. The alcohol hasn’t helped. It makes me clumsy and I stand thick-tongued, dull-witted. The pain in my hip is gnawing away at my mind. I know I won’t go back to sleep. My fingers fumble across the counter and I unscrew the top of the first tube I encounter. I rub toothpaste into my back and leg and now I smell of spearmint.
 
I wander back to bed, sit on the edge, and raise my perfectly scented dead leg with a helping hand. I pin my flashlight back on Teddy’s ear. He’s a good Teddy and doesn’t make a sound. Unlike me: I wince and moan and groan. Mars, the red planet, stalls for a moment and is framed as a circular dot at the center of my tic-tac-toe window panes. I watch as an overnight flight seeks the sun and looks for the right spot in which to place its flickering cross of sparking flame. I enter a hollow dream of scarecrows reaching with twig fingers to thumb a carrot nose at leaping deer. The old raccoon gnaws at the moon and soon it is a pared rind floating its narrow lemon boat across the sky. I snuggle in beneath the blankets that Teddy has kept warm and I enter a wonderland of half-awake dreams. My childhood lies down in a primrose hedgerow and falls asleep to the tinkling of blue bells and the wafting, newly minted scent of lily of the valley.

            … and 12 are 24.  My father checks my hand and grimaces. I take the cards and shuffle them. My father cuts. His hands are as white as fresh-brushed teeth glowing in the moonlight. My hands and the deck bear the rich scent of spearmint.

Balloon Lady

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Balloon Lady
(Oaxaca)

Moon face floats
its yellow balloon
across the window
and I conjure up
magic images
of the lady in the square
who sits in her fortress
surrounded by balloons.

Nine o’clock at night:
the coyotes prowl
with their cell phones
and offer synthetic joy
in tiny plastic packets.

The lady gathers
her flock of colored balloons
and, Pied Piper of legend,
she leads her legion of children
away from the square
and back to their beds.

I meet her on a corner:
she is a red-yellow-blue-green
tower of contentment.
No hands, no face:
but below the balloons,
two tiny, slippered feet.

Miracle at Lourdes

 

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Miracle at Lourdes

Ed walked through Heathrow Airport. It took him ninety minutes to go from one terminal (Madrid) to the next (Montreal). The black strips on his Achilles tendon held his leg together. He limped a little, towards the end, but the Spanish osteopath had done a good job on his damaged leg. He made it to his next flight with ease.

Thirty years ago Ed had visited Lourdes. It wasn’t a pilgrimage. He was passing by and took a side trip on the way through. He watched old ladies, on their knees, rosaries in their hands, ascend the Via Crucis towards the cross at the top of the man-made hill. Then he went into the sanctuary. He stood there whole, unhurt, curious. A wave of hatred rose up from those who sat in wheelchairs or kneeled at the altar, praying, hoping for healing to descend. Ed needed no healing. He was whole and complete. Ed made the sign of the cross, bobbed his head before the high altar, and left.

Next day, a Saturday, Ed sat in a café, somewhere, downtown, in Lourdes, and he asked for a cup of coffee. An enormous barman towered over his customer, a stark rock on the sea shore, and showered the table with his displeasure. He was big and antagonistic. Ed sipped at his coffee. Then, after a moment or two of thought, he went to the bar.

“Excuse me.” No response. Ed tried again. “Excuse me … can you help?”

“What?” The barman flicked the glasses beneath the counter with his cloth. He refused to look up. An ice block, he froze Ed out.

“Uh, I’m a stranger here. A foreigner. Could you help me … ?”

“What?” the man mountain flicked at the glasses and turned his broad bluff shoulders to meet Ed’s face.

“I’m Welsh,” Ed said. “Gallois. Du Pays de Galles. I would like to see a rugby game tomorrow. Could you tell me where I might go to see a good one?”

“Welsh? Les petits diables rouges?  Rugby?” The barman straightened up and snorted. “Why didn’t you say so?”

He took a deep breath and gave Ed an analysis of every game taking place next day in the region. Then, raising his shoulders and giving Ed a beaming smile, he said, “Jean, le petit Gachassin.”

Ed had seen Gachassin play for France, against Wales, in Cardiff, but he had lost track of him. Le petit Jean had gone to Bagnères-de-Bigorre when they were in the third division, had seen them rise through the second division, and now they were playing their first game in the French first division against Mont-de-Marsan.

“And they have Roland Bertranne,” the big man said. “A future colossus for France. Go to Bagnères-de-Bigorre and watch them play.”

Ed did. It poured with rain. He got soaked. But he saw some scintillating rugby.

Thirty years after that visit to Lourdes, Ed took the train from Avila to Madrid. He planned to spend the night in a hotel and catch the early morning flight first to London and then to Montreal. There was only one problem. He had injured his Achilles tendon and could hardly walk.

The hotel Ed had chosen sported a notice on the reception desk. Massage Service Available. Ed thought about it for a long time. No, he didn’t call for call girls when he traveled. Nor call boys. Massage service: what did it mean? Ed took the plunge, phoned, and made an appointment.

Half an hour later: a knock on the door.

Ed opened it.

“I’m the osteopath. You called?” A handsome young man stood there, his eyebrows raised.

“Yes,” Ed said. “I did. Uh, um …” his face turned red. “Er, you’re not gay, are you?”

“No,” the osteopath said. “Are you?”

“No,” Ed said.

“Thank God,” the osteopath smiled. “I’ve had six requests from gays today. I don’t do that thing.”

“Nor me,” Ed said. “Come in.”

The osteopath entered the room set up his folding bed, and helped Ed on to it. Then he examined him, slowly and carefully. They spoke Spanish at first and then, in a moment of illumination, the osteopath told Ed how, for two years, he had been the physiotherapist for the rugby team at Bagnères-de-Bigorre. Then they spoke in French and ran the rule over their heroes, le petit Jean Gachassin and Roland Bertranne.

The osteopath treated Ed for an hour and a half and charged him for an hour.

Next day, Ed walked through Heathrow Airport, a long, long walk and suffered no pain.

What could Ed say? Serendipity? The good finding the good?

Finally he put it all together and found a phrase for it: the Miracle at Lourdes.

 

Silence

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Silence

When I wait for words to come
and they refuse,
I know that silence is golden
and spreads its early morning sunlight
across the breakfast table
where yellow butter melts on hot toast.

Light from the rose window in Chartres
once spread its spectrum over my hands
and I bathed in its speckled glow.

My fingers stretched out before me
and I was speechless;
for in such glory,
mortal things like words cease to flow.

So much can never be said
even if it is sensed: fresh coffee,
poutine à pain, bread baking,
flowers  bursting into bloom,

the sense of immanent beauty that fills me
each time my beloved enters the room.

Jacuzzi

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Jacuzzi

Warm and safe,
womb waters whirling,
drifting me through time,
eyes closed, and space.

Amniotic, this liquid,
rocking me to the throb
of my mother’s heart.
I close my eyes.

The walls around me
open out to reveal
the sun by day,
the stars by night.

The full moon:
a golden circle
beaming down.

My mother’s face
hangs in space
above me

and me:
re-born.

Raw Poem:

I wrote this lying in the jacuzzi about an hour ago. It’s not just a raw poem, it’s a very raw poem. There’s something comforting about it, though, and I like the in and out of reality moments. It’s good to remember my mother, too, especially in the image of the full moon in all its plenitude and beauty.

“and me: re-born” — the small circle in the centre of the Mexican pottery mask is the symbol of the seed of the new born babe. The mask goes full circle, from birth, to beauty, to old age, and death … a full moon cycle.