The Dancer 1&2 /11

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The Dancer and the Dance

 1

she comes here to dance for me
only for me does she dress this way

she shows me her dreams
unfolding them one by one
silk and cotton garments
drawn fresh from her scented closet

thin copper bracelets
carved wooden mask

only her eyes reveal
subversive flesh and blood

2

she orchestrates her story
skin drum
rattle of seeds in a sun-dried pod
single violin string
stretched across an armadillo’s shell

I too am tense like an instrument
waiting to be played

the bones of my love
reach out towards her

 

 

Poem from the Cree

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Poem from the Cree

The Cree have retreated from the streets.
Their violinist has taken time out, leaving
his last notes dancing from a street lamp.
Only the Fire-Brave remains, inhaling thick
black oily smoke. He juggles twin balls of fire.

Bones gather together to gather dry dust. Hollow
metal buffalo: a cold wind blew and plucked out
his heart. Five climate controlled pedestrian
walkways cross the prairie, linking building
to building. A glass wheat field shimmers
and tinkles to the rhythm of air conditioning.

The black cow, cast iron hide set free from rust,
ruminates behind its plate glass window.
The night wind whisks white buffalo bones
pale across the sky. Oskana ka asasteki.

With these words, I will leave you, suddenly,
abruptly. A light going out. Now I am here.
Oskana ka asasteki. And now I too am gone.
Comment: Another Golden Oldie, re-discovered. I wrote this in Regina back in the nineties, last century, last millennium … how long ago is that? In our kitchen, an ear of wheat, purchased in the glass wheat field museum, still shelters in its gilded frame, a memento from that trip. So many memories, so many pictures, drifting … just drifting.

Butterfly

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Butterfly

A butterfly
brushes against
my mother’s rose bush.

Pale and delicate,
much too frail to survive,
in this April wind,
he tears his wing
on a thorn.

The white of its shredding:
a sudden shriek,
blanched blood
drifting like snow.

“Why did you write those words?”
My mother’s voice
sounds in my head.
“Am I the butterfly?
Are you the echo of my cry?”

From this distance in time,
my mind bounces back and forth,
from image to image:
a stone skipped across
tranquil water.

Pictures pound through my head:
waves on the shoreline
where I scattered her ashes,
and every grain of sand
a grinding of small bones.

Monumental Madness

 

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Monumental Madness

                  A long time ago, at Niagara Falls, I dressed in yellow oilskins, walked behind a tumbling wall of water, and knew I was close to the edge. Back outside, everything changed and beside that brightness of grass and rock, water screamed like shorn hair as it tore down the precipice. Have you been there? Have you walked to the end of the world, stood at the edge and peered into the starless, foam-speckled darkness that beckons below?

                  The deed leaves a bleakness dangling at the end of your wrist. Silent, you fear to dip your toes into an icy bucket of fire. Sun through dark clouds: a candle illuminating the scene. You cannot see your breath, but you know that it hangs there on the air before you. A spider web of smoke strings its impenetrable cloak between you and reality.

                  An animal urge to surge and run makes your muscles twitch but your feet are trapped in sand as crazy glue binds your limbs and banishes flight. Beads of sweat pearl on the upper lip and below the eyes. There is a melting at the temples’ edges where the short hairs tense and prickle. Now your back is on fire. Sparks fly from your hair as you prepare, Roman Candle in this unlit bonfire’s gloom, to explore a subterranean cave of unknowing.

                  The walls around you slowly congeal and your sweat flows thick then dries.  Your toes sink back into their frosty oblivion. There is no movement from your knees down. Your fingers stiffen and arthritis steals movement from inflamed joints. A voice inside your head tells you to punch the emergency numbers on your frozen cell phone, but wisdom is drowned in the mind’s dark urgings and your fingers cannot respond. You sense that this will not bring the beginning of the end. It will be the continuing of the same, torment without end, until a century of centuries stands in your mind like a single day. Eternity stretches before you with its long, dark, endless winter night: no stars, no sun, no moon, no spark, no hope, just this eternal cold that suspends all motion.

                  Within you, an animal rages carnivorous against the bone bars of its cage. It can see you; it can sense you; it can smell the atoms of fear that rise from between your toes and flow out of your armpits. Your own nostrils flare and stiffen and you too can smell that fear; you can taste the bestial desire that flesh holds for fresh torn flesh. A black velvet band binds your eyes and pulls itself tighter and closer across your chest. Your heart is a stone thrown into an icy pond. Down, it plunges, down and down, and as it descends it bumps the bodies of other beings locked there in the deep pool of your chest.

                  Somewhere in this Arctic night there is a shuffle of white pads. Sleek feet move across the snow. The polar bear’s snuffle is a whimper of hope that the end will come swiftly in the bright light of midnight descending, all red in tooth and claw. You shiver. You bite your hand. You quench your chattering teeth and hope they do not wake the nightmare. Yet still you sense it drawing close with an acquiescent dragging of slow feet.

                  The illusion, the dream, the nightmare, the chimera, the dragon that dwells in the depths, the ice cold sucker of souls that emerges in a sudden gasp of bated breath, the red hot air that flees from the anthracite when the door of the dream world flies open and the devil dances on the hot coals of his promised hell and condemns your ice to melt in those sinister flames.

                  Your pale face floats through the gloom: yellowed teeth, frail lips curved, a Cupid’s bow that will shoot sweet darts of poisoned love, dry mouth, desiccated words, sounds that form into sinister sequences, their meanings misunderstood, false hope dangling by its neck from a choking rope, the bare words pacing, naked bears across a chain of dancing memories strung out like good times, past and dead, and dangling stiff from their skeletal chains.

                  Your flightless fancies flit through a darkness of despair, as awkward as auks, as clumsy as penguins stranded in zoo cages far from their native seas, as meaningless as the dodos, as dead as the ashes lying cold beneath the crematorium’s fire.

                  A sudden bucket clatters down the well. But there is no water. This ice will not melt. These desert sands may burn your feet but they will not warm your glacial heart. The manner of your third or fourth coming brings forth no nourishment.

                  A mirror grows from a spider web on the wall. Face to face, the present and past are ambulant tenses that foretell no conditional. There is no future, let alone a future perfect. A dislocation of infinitives stretches into the infinity of an invisible futurity.

                  To be: and now you are permitted to see the depth to which you will descend. Now you see yourself sinking lower and there is only one exit. A rope and a beam appear before you; a tin of Ant Trap; the silver tusk of an open razor; that bottle of pills; that steering wheel, one twitch of which will veer you into the path of that passing truck; that bridge which crosses into the fog and ends half way across the river; the mystery and madness of that final plunge into an even longer night.

                  Or not to be: lips move and promise an end to heat and cold. Here, they say, is darkness without memory; here is sleep bereft alike of nightmare and dream; here is oblivion; here is the cessation of strife and struggle; here is peace.

                  If you take that step, you leave your present hell and enter into another hell leaving behind you family and friends to suffer without you in their own living hell.

El Greco’s House

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EL GRECO’S HOUSE
Toledo

Downstairs,
we walk narrow, white-washed corridors
and gaze at hand-carved black-oak beams,
older than these grandfather clocks whose
long hand, short hand mark time
in a distant century.

On an open hearth in a tiled kitchen,
cook-pots hang from an iron tripod.

The original paintings have long gone
but copies of haloed heads gaze down
at us from walls where cobwebs age
with gathering dust.

A goose quill pen and an inkpot
await the maestro’s return.
They are poised to sign the  contracts
that litter the desk with their thick
black promises of wealth to come.

We climb worn, creaking stairs
and visit the artist’s studio with its
three-legged stool, an easel
by an open window, paint brushes,
and an untouched canvas
crackling in the summer breeze:
a white sail spread before a voyage.

 

 

 

 

 

 

At Giverny

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At Giverny

At Giverny, Monet found the peace
he had sought at Argenteuil, but never
found. In this photo, he walks between
irises and nasturtiums on the gravel
path leading to the Japanese footbridge
that spans the lily pond. He stands now
on that bridge and sees himself reflected
… eyes, mouth, whiskers, hat …
all floating, half-drowned forever
in the fragrant colors he turned into
plants and flowers. Illusive, yet real,
the ghost of his smile haunts the lily
pond’s depths in this two dimensional
recreation of light and movement, held
forever in the camera’s instantaneous
capture of this selected moment. Now,
in the first home we have owned, this
Christmas Eve, with snow on the ground,
and a chill wind blowing a Queen Anne’s
lace of drifting flakes against the window’s
fly screen, anniversary flowers brighten
our table, while under the tree, presents
… including this book you gave me …
are piled as everything waits, breathless,
as past and future, hand in hand, dance
slow motion paintings to the flickering
rhythms of the fire’s impressionist flames.

Freedom

 

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Freedom

We are all so lonely,
locked in our cardboard castles,
no view beyond the battlements,
save for the wild lands, the forest,
from which the enemy might come.

Wild beasts, we cage ourselves
in our isolation and bang our heads
on the bars we built to protect us.

Sometimes, at night, we ascend
to the topmost turret to observe
the stars that dance above us,
tracing our lives in their errant ways.

And is this freedom, the night sky,
with its wayward planets, trapped
in their overnight dance and weaving
our futures, for ever and ever, amen?

Warning: Raw poem … written last night at 8:0-8:30 pm (according to the notes in my journal) and  typed out this morning. “Beware the jaws that bite, the claws that snatch …” And be wary of that which lurks beneath the forest’s dark and is never seen in the light of the sun.

 

Doppelganger

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Doppelgänger

When I walked in through
the hospice’s glass door
I met myself walking out.

A curious sensation:
seeing two separate versions of me
side by side in sympathetic union.

When I got to my room,
I looked in the mirror:
how long had I been like this?

My two-faced, double head
joined at the neck,
a Siamese twin of myself,
never knowing which was which
nor whether I was coming or going.

What grief there will be
when the mirror shatters
and nothing remains
but a black space
adorning a broken
wall in an empty room.

Those Almost Perfect Hands

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Those Almost Perfect Hands

            In my dream, my father’s rough brown hands deal me six cards: 2 3 7 7 8 8. I cast away the 2 & 3. My father cuts a six. After the pegging, my father watches as I score: 15/2, 15/4, 15/6, 15/8, and 2 are 10, and 2 are 12 …

I turn on the mini-flash light that I clip each night to my Teddy Bear’s ear and I check my watch. Three o’clock in the morning: half way through another difficult night.  Do I really I need to get up and pee? I rub my eyes with the backs of my hands. Surely the walk to the bathroom, the cool night air, the movement will be better than lying here, dozing and dreaming. I take the flashlight from Teddy and pin it on to my nightie. Supporting my bad leg with one hand and hanging on to the bottom sheet with the other, I haul myself to a sitting position, legs over the bed. Then I reach for my walking sticks and stump towards the bathroom.

Still half-asleep and wandering in dreamland, I push my left foot forward only to stub the little toe against the cane. A sudden shock of pain wakes me and I stumble forward and jam the middle toe of my right leg against the other stick. This is my bad leg, the one gripped by sciatica, and I swear out loud as a knife blade splits my flesh and sends electric shocks down my leg, through my buttock, and into my spine. Fifteen days now: when will it ever end, this attempting to sleep on my own, these nights of restlessness.

My neighbor has left his garage lights on and they cast wind-blown shadows of dancing trees and waving limbs across the bedroom walls. Hands reach out to grasp me then fade away as more shadows dance and shift. The shadows on the wall remind me of Plato’s Cave: a wonderland of myth and adventure and what if any of it were true? Falsehoods flash their alternative realities and reality and dream clash in my half-awake mind. Crazy patterns continue to trace their waves across the walls. They form and march their silent jack boots, turning them into ballroom pumps that caress unwitting partners in an eternal yin and yang of light and shade.

I look out of the window. Three deer stand in the yard beneath me. They wander through our garden each night, journeying alternately from west to east and from east to west. I think of them as a family of Hobbits, traveling there and back again. Tonight they are headed west, in search of something, somewhere, but I know not what or where. They gather round our bird feeder and the wind chimes clatter as their long black tongues lick out to feed on bird seed. My flashlight beams into the baby deer’s eyes. She snorts a warning to the others and jumps ten feet backwards, turning in mid-air, to land facing away from the house.  The other two deer follow the baby and leave reluctant steps across the snow. So beautiful: I wish I hadn’t frightened them. I wish they didn’t have to go.

In the bathroom, I reach for the analgesic balm to ease my pain. My mind is numb with all those drugs I have been taking. The alcohol hasn’t helped. It makes me clumsy and I stand thick-tongued, dull-witted. The pain in my hip is gnawing away at my mind. I know I won’t go back to sleep. My fingers fumble across the counter and I unscrew the top of the first tube I encounter. I rub toothpaste into my back and leg and now I smell of spearmint.
 
I wander back to bed, sit on the edge, and raise my perfectly scented dead leg with a helping hand. I pin my flashlight back on Teddy’s ear. He’s a good Teddy and doesn’t make a sound. Unlike me: I wince and moan and groan. Mars, the red planet, stalls for a moment and is framed as a circular dot at the center of my tic-tac-toe window panes. I watch as an overnight flight seeks the sun and looks for the right spot in which to place its flickering cross of sparking flame. I enter a hollow dream of scarecrows reaching with twig fingers to thumb a carrot nose at leaping deer. The old raccoon gnaws at the moon and soon it is a pared rind floating its narrow lemon boat across the sky. I snuggle in beneath the blankets that Teddy has kept warm and I enter a wonderland of half-awake dreams. My childhood lies down in a primrose hedgerow and falls asleep to the tinkling of blue bells and the wafting, newly minted scent of lily of the valley.

            … and 12 are 24.  My father checks my hand and grimaces. I take the cards and shuffle them. My father cuts. His hands are as white as fresh-brushed teeth glowing in the moonlight. My hands and the deck bear the rich scent of spearmint.

Balloon Lady

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Balloon Lady
(Oaxaca)

Moon face floats
its yellow balloon
across the window
and I conjure up
magic images
of the lady in the square
who sits in her fortress
surrounded by balloons.

Nine o’clock at night:
the coyotes prowl
with their cell phones
and offer synthetic joy
in tiny plastic packets.

The lady gathers
her flock of colored balloons
and, Pied Piper of legend,
she leads her legion of children
away from the square
and back to their beds.

I meet her on a corner:
she is a red-yellow-blue-green
tower of contentment.
No hands, no face:
but below the balloons,
two tiny, slippered feet.