Breakdown

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Commentary:

This was the first time I had been to the baths in Oaxaca. These came highly praised  by family and close friends and the combination of mist, steam, and herbs, combined to loosen the body and soothe the soul. The Mixtec baths and massage are very highly regarded, incidentally, and one can go to the equivalent of sweat lodges in order to enjoy a day at an ancient historic spa. The masseur himself was incredible. I lay face down initially. When he want to turn me over, he got a bucket of cold water, threw it over me and flipped me in mid-air as I reacted to the ice cold water. Hard to believe now. I also remember having to buy a small bar of paper-wrapped soap. And locking my valuables up in a little chest to which only he had the key. These baths feature in my novel, People of the Mist. Unpublished, alas, but I may get around to revising it one day. All I need is some encouragement!

 

Beaver Pond

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The Beaver Pond at Mactaquac

Oh-oh, wrong Beaver Pond. That’s the Beaver Pond in Fundy National Park. Naughty, naughty! So, if you want to see the REAL Beaver Pond at Mactaquac, you’ll have to click on one of the links and see where it leads. “Oh what a tangled web we weave, when first we practice to deceive” … except this isn’t the first time I have made a mistake, and no, I wasn’t trying to deceive anyone. This is fun, though. I’ll be interested to see what you think of this little sequence. Let me know.

Balloon Lady

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Commentary:

Nine o’clock in Oaxaca is the ‘witching hour’. That’s when the young children go home and the balloon lady packs her bags and walks with her balloons out of the square. She really does build a castle. She stacks her balloons around her and lives within its walls selling balloons to children. Each Oaxacan child receives a balloon on his or her birthday and name day. These balloons are cherished, held carefully by their strings, walked like aerial dogs through the square.

The State band practices most nights int he central square and the balloons are moved by the music, especially that of the wind instruments, and then they wander to and fro. Sometimes they take on a life of their own and escape, skip away, go absent with out leave, and seek the freedom of the open skies. Sometimes they get caught in the trees. Then the strings are jigged and older children, experts in the art, place sticky tape on their own balloons and send them upwards in rescue missions which can be surprisingly successful. Oh what joy when the errant balloon returns to earth, stuck to its new mate. Oh what wailing when a birthday balloon bursts and the deprived child must persuade its parents to purchase another!

I can see them now, those colored balloons, floating skywards, sailing freely into the freedom of those blue Oaxacan skies. Up and up, level with the cathedral roof, ascending the cathedral tower, up, up, and away  … soaring like souls into the innocence of a sky blue heaven.

KIRA

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Commentary:

This is the new advertisement for the KIRA (Kingsbrae International Resdencies for Artists) Fall Session (October 6/12, 2019). Geoff Slater and I will be again facilitating a week of creative workshops, including drawing and painting (Geoff) and writing (Roger, both poetry and prose). These will take place in the KIRA Residence, just beside Kingsbrae Gardens. Residential enrollment is limited to five people. Just send us an e-mail if you are interested in attending this workshop. If you click on the KIRA link in the first line (above), be sure to watch the opening video. Pictures speak louder than words and the video will help you to understand what Creativity at KIRA is all about.

 

 

Yesterday

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Commentary:

Ocho Venado / Eight Deer is a legendary person who is described in the pre-Columbian Miztec códice known as the Zouche-Nuttall codex. He lived from 1063 to 1115, the date of the codex. The códice describes his life and conquests. I brought a facsimile copy of this códice home in 1995 and my beloved started reading it on Boxing Day. It took her two days to decipher the first page. One day for the second page and, by my birthday, she had read the whole thing. She inspired my love of the codices and they figure largely in my writings from that time, especially The Oaxacan Trilogy (Sun and Moon, Obsidian’s Edge, and Obsidian 22, the first two available on Amazon).

Eight Deer appears frequently in my poetry, partly because we have a family of deer, often as many as eight (!) that walk through our garden in Island View. The joining of the Canadian natural world with the Oaxacan historical and mythical world brings me great joy and it is wonderful to weave stories and poems where the two worlds mingle and become one. Hence the dream world of the prose poem that figures above. Chocolate beans, incidentally, were one of the cash currencies used in Oaxaca at the time of the arrival of Cortés and the Spanish. Oaxacan chocolate (xocotl) is something wonderful.

 

Autumn Leaves

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Commentary

This is another of my beloved’s multi-media mock-ups for one of my Oaxaca Prose Poems. I have enlarged the photo so the text of the prose poem is more easy to read. I have several more of these and will post them one by one. I visited Oaxaca regularly, teaching there in November -December (1995-2001).  I came to love the city and I was entranced by its streets and squares. The casco histórico was particularly interesting.

Coffee in the zócalo, a walk through the cathedral, up the andador turístico to Santo Domingo where the old lady sang so beautifully, every day at twelve. Then back via the shops and home for lunch. I was always astonished by the leaves that swirled through the zócalo. They hustled, rustled, and bustled through the arched colonnades on the main square, gathered at the post office, and hurried and scurried  away from the trees where they dwelt to drift, who knows where, on the wild winds that blew in from nowhere and then blew out again.

 

Carpe Diem

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Carpe Diem

Seize the day. Squeeze this moment tight.
Nothing before means anything. Everything
afterwards is merely hope and dream.

Remember how, when you were a tiny child,
you chased wind-blown autumn leaves
trying to catch them before they landed?

Elf parachutes you called them, treading with care
so as not to crush the fallen elves as they lay
leaf-bound upon the ground. I stand here now,

a scarecrow scarred with age, arms held out,
palms up, in the hope that a descending leaf
will perch like a sparrow on my shoulder.

When one condescends to visit me and another
graces my gray hair, my old heart pumps with joy.
I stand up straight, knowing I have seized this day.

Free

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Free
Flash Fiction

            I am as free as my father was free. He was free to walk on his walker, as far as he could go down the street. Free to walk in the wind and the rain. Free to sit on his neighbor’s wall when his legs and back got tired. Free to sit there, although it was raining, until he had recovered his strength and energy. Free to get soaked so badly that he caught a cold. And the cold was free to turn into bronchitis and the bronchitis was free to turn into pneumonia and the pneumonia was free to perform its assassin’s work as it tried to kill him. But my father was still free and strong enough to call the doctor and the doctor was free enough to call at the house and visit my father and write him a prescription for an anti-biotic that would free his body from the pneumonia that was free to leave when its time was up and it felt ready to go. Pneumonia, the old man’s friend, they used to call it, sitting there, in my father’s lungs, muttering away to him, day after day, louder at night, and my father slowly getting stronger and the pneumonia growing weaker until one day it left and freed my father from his immediate ills. Then my father was free to get up or to stay in bed. Being a free man, he chose to stay in bed all day and to listen to the radio and to read a book and when he got bored with reading he just lay there and counted the lines on the wall “one, two, three…” and “one hundred and seventy five” he told me one day when I was free to visit him, “though I have lost count once or twice and have had to start again from the very beginning. And the sun gets up at 7:03, and strikes the third line at 7:53 … and goes around the wall 33 lines a minute; and leaves that third line from the right at a 3:15 …” And there he stayed, day after day. But he was free. And sometimes the home help came and sometimes she didn’t, for she too was as free as the birds in the garden. And sometimes she remembered to buy him some food and sometimes she didn’t. And she was free to come and go, free to remember or forget. And my father was free to mumble or complain or grumble, though he rarely did. And he was free to eat, so long as there was food in the house. But I went there I often saw that the cupboard was bare and my father had neither milk, nor eggs, nor bread nor cereal, nor tea nor butter. And all those people, those acquaintances, those friends, they too were as free as the sea-gulls in the sky. But to find the time to set my father free from the hunger and thirst he seemed predestined to freely suffer, they were never free enough for that, not even at Christmas.
Neither was I.