she said, and I imagined her
sitting before the blank spread of a canvas,
a ship’s sail waiting for a sea-side breeze
to fill that empty space with color and mood.
What routes will her paintbrush take
as it wanders over the new world
lying before her?
Plein air, al fresco,
in garden and street,
before the shops and then
on headland and shore,
alone or accompanied,
with sea birds wading
and the gull’s cry echoing its sea of sound
as the sun sets in its bonfire of brightness
and throws light and shadow,
Comment: The lead photo of Ruby Allan in her studio was taken in her KIRA studio in June, 2017, by my friend and fellow artist, the Peruvian pan-piper and flautist / flutist, Carlos Carty. The poem comes from my book, One Small Corner (2017), written in KIRA during my residency. It can be found on page 94 in the section entitled Artists.
In this poem I have tried to capture the idea of Ruby painting in the fresh air (plein air / al fresco) in St. Andrews-by-the-sea. Clearly, as you can see from the above photo, the sea is so important to this town, as are harbors and boats and the men that man and sail them. The light is important too as it changes throughout the day or with wind and weather. As you can see, Ruby’s paintings are filled with light and she catches those magic moments when the world seems to freeze and stand still. I try to imitate visual art when I write, and I try to fill my poetry with those magic moments as I create verbal pictures that seize the seconds and hold them, even if it be for just a little while.